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Approvement the Analysis of Dieter Dengler's Defense Mechanism in Rescue Dawn Movie English Letters Department Letters And

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Approvement the Analysis of Dieter Dengler's Defense Mechanism in Rescue Dawn Movie English Letters Department Letters And APPROVEMENT THE ANALYSIS OF DIETER DENGLER’S DEFENSE MECHANISM IN RESCUE DAWN MOVIE A Thesis Submitted to Letters and Humanities Faculty in partial Fulfillment of the requirements for By: Woro Endah Sitoresmi 105026000921 Approved By: Advisor, Mohammad Supardi, S.S. ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2008 i ABSTRACT Woro Endah Sito Resmi, “The Analysis of Dieter Dengler’s Defense Mechanism in Rescue Dawn Movie”. Skripsi. Jakarta: Letters and Humanities Faculty, State Islamic University Syarif Hidayatullah, July 2008. The paper examines Dieter Dengler’s defense mechanism in surviving process from the Vietcong jail as the main character in Rescue Dawn movie. The paper looks at one problem: How are Dieter Dengler’s surviving process viewed from the concept of defense mechanism. The objective of the research is intended to describe Dieter Dengler’s defense mechanism in surviving process from the jail that implied in this movie. This movie is analyzed carefully and accurately using the theory of Sigmund Freud’s Psychoanalysis; it is Ego defense mechanism concept. The data on this research are got from the unit of analysis, the sources, and the analysis from the writer. As it is fulfilled, the writer finds out that Dieter applied his defense mechanism through Eros instinct, fantasy, repression, format reaction, rationalization and sublimation. His defense mechanism becomes the power which leads and dominates all of his actions in order to get the freedom. ii LEGALIZATION A thesis entitled “The analysis of Dieter Dengler’s Defense Mechanism in Rescue Dawn movie” has been defended before the Letters and Humanities Faculty’s Examination Committee on October, 16 2008. The thesis has already been accepted as a partial fulfillment of the requirement for the degree Strata One. Jakarta, October 16, 2008 Examination Committee Chair Person, Secretary, Dr. H. M. Farkhan, M.Pd. Drs. A. Saefuddin, M.Pd. NIP. 150299480 NIP. 150261902 Members: Examiner I Examiner II Dini Masitah, M.Hum Inayatul Chusna, M.Hum NIP. 150317724 NIP. 150331233 iii DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgment has been made in the next. Jakarta, July 16, 2008 Woro Endah Sitoresmi iv ACKNOWLEDGMENT All praises go to Allah, the lord of the universe, the most beneficent, and the most merciful who created and gave everything to human being. Because of his blessing that is given in every minute of the writer’s family and the writer herself, the writer is able to finish the thesis that had been delayed for a long time. The writer would like to dedicate this research to the writer’s beloved parents and sisters: Alm. Bastoni, mamah Sainah Majid, Nina, Ifat and Wagino Rais who have patiently taken care of the writer and have given the lovingness and motivation in doing anything that relates to the writer’s thesis. The gratitude is dedicated to Dr. H. Abdul Chair, M. A. The Dean of Adab and Humanities Faculty; Dr. H. Muhammad Farkhan M.Pd, the head of English Letters Departments; All of lecturers in Letters and Humanities Faculty. Additional special thanks goes to Mohammad Supardi, S.S, the writer’s advisor for continuing guidance and support in this research. The writer realizes without his critics and help, this paper will mean nothing. The writer would like to expresses her great appreciation to Velma Alicia who becomes the writer’s best friend. Velma thanks for the support and encourage. Her great appreciation also goes to Miss Rosida Erowati who patiently and kindly guides the writer in learning the cinematography. v The gratitude is also dedicated to the writer’s classmates; those are Aby Cool, Cutie, Reiha, Irma, Nova, Lita, Yanti, Nia, Enti, for good relationship and a great love. The writer must say thanks to her friends in Zahwan Kostan, they are K Rose, Eha, Tiank, Nining, Ira and Zia for being together and brotherhood. The writer also would like to express her appreciation to her friends in LINK CIPUTAT those are Nengkom, Hiton, Nia, Jaamus, Meri, Buntink, Eka, Ira, Hilda. Guys, I am proud to be part of LINK! May Allah bless all of them, Amin. Finally, the writer hopes that this paper would be useful for her in particular, and for the students of UIN Syarif Hidayatullah Jakarta, and also for the readers in general. Jakarta, July 16, 2008 Woro Endah Sitoresmi vi TABLE OF CONTENTS ABSTRACT …………………...…………………………..……………………….. i APPROVEMENT ………………………………………………………………….. ii LEGALIZATION …………………………………………………………………. iii DECLARATION………………………...………………………………………….iv ACKNOWLEDGMENT…..……………………………………………………….. v TABLE OF CONTENTS ………………………………………………………… vii LIST OF FIGURES (SCENE)…...……………………………………………….....x LIST OF PICTURES AND TABLE……………………………………………….xi CHAPTER I INTRODUCTION A. Background of Study ……..……………………………………… 1 B. The scope of Problem ……..………………………….………….. 4 C. Research Question ….....………………………………………….. 4 D. Objective of the Research…………………………………………4 E. Significance of the Research ……..……………………………… 5 F. Research Methodology ….……………………….……………… .5 1. Method of the Research……………………………………… 5 2. The Unit of Analysis ………………………………………… 5 3. Instrument of the Research …....…………...………………… 5 4. Place and Time of the Research …………...………………… 5 vii CHAPTER II THEORETICAL FRAMEWORK A. Sigmund Freud’s of Psychoanalysis Theory ……………….…….. 6 1. Defense Mechanism………………… ………………………… 6 a) Repression ……..……………………………………..….... 8 b) Format Reaction……….………………………………........9 c) Rationalization……………………………………………..9 d) Sublimation………………………………………………...9 2. Life instincts and Death instinct ………………………………10 3. Fantasy and Imaginer works…………………………………...12 B. The Concept of Cinematography ….…………………………….. 15 a. Shot……… ……….……………………………………….…. 15 CHAPTER III RESEARCH FINDINGS A. Data Description…………………………………………………17 B. The Analysis……………………………………………………..18 1. Dieter’s Eros Instinct ………………………………..……… 20 2. Defense Mechanism……………………………………….….23 3. Fantasy……………… ……………………………………..29 CHAPTER IV CONCLUSION AND SUGGESTION A. Conclusion……………………………………………………….32 B. Suggestion……………………………………………………….33 BIBLIOGRAPHY ………………………………………….……………………... 34 viii LIST OF FIGURES (SCENE) 1. Life and Death instinct………………………………………………………12 2. Dieter Dengler……………………………………………………………. ..19 3. Breaking the fence………………………………………………………….21 4. Dieter’s birthday…………………………………………………………... 22 5. Shooting the guard…………………………………………………………..23 6. Dreaming of Duane………………………………………………………….25 7. Arrange the plan………………………………………………………..........27 8. Opening the cuff…………………………………………………………….28 9. Confession of childhood………………………………………………….....28 10. Dieter eats the caterpillar…………………………………………………...30 11. It’s Lunch……………………………………………………………………30 ix LIST OF PICTURES AND TABLE 1. Freud’s iceberg theory………………………………………………………. 7 2. Sigmund Freud……………………………………………………………….7 3. Dieter’s Defense Mechanism……………………………………………..…17 x CHAPTER I INTRODUCTION A. Background of the Study Psychoanalysis has a special connection with the cinema before it becomes one of methods, which is confessed as the most suitable in understanding the cinematography. This idea is taken from the France Critic Art. It is based on historical background that Psychoanalysis and the cinema grow up in the same time in 1895’s. It means that the cinema process as the same as unconsciousness mind, because it creates any pictures including imagination and dream.1 Unconsciousness is the basic concept which has the important meaning in understanding Psychoanalysis. The historical background above describes that Psychoanalysis and the cinematography have special relationship since 1895’s when they grew up together in that time. The special relationship tries to explain that Psychoanalysis and cinematography correlate each other. It explains that the cinema processes as the same as unconsciousness mind in Psychoanalysis because the cinema can describe the dream and imaginative pictures which both are the part of this theory. 1 A note taken from “Seminar Membaca Film by Rosida Erowati: Ciputat, April 08, 2008 xi Based on this historical background, the writer tries to describe the relationship between Psychoanalysis and cinematography in a movie. Rescue Dawn a movie by Werner Herzog tells the viewers about how to survive in the enemies’ area which fills of fight and sacrifice. Rescue Dawn is an extraordinary movie which needs a brief-self to watch it. The most significant indication of this movie is about its theme. It is a movie about war movie that correlates with friendship theme. The actions in scenes to scenes are presented uniquely. Rescue Dawn describes how human being’s attitude and behavior relate to psychological aspects. It is proven from Dieter’s psychology that can be known from any psychological phenomena which are suffered by him when he reacts or responds an action from scene to scene. Dieter’s psychological character leads the viewer to elaborate his psychology and mental changes. This is why Rescue Dawn is very different from other movies. It takes Christian Bale and Steve Zahn as the famous actors who act the action/thriller Hollywood movies in common. The pleasure of this movie also is located at the interesting story and supported by pretty audio visual setting to spoil the viewers. The
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