Gala Program 2020 AZ AWARDS
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI Bell & Howell Information and beaming 300 North Zeeb Road, Ann Aibor, Ml 48106-1346 USA 800-521-0600 CRITICAL DISCOURSE OF POSTMODERN AESTHETICS IN CONTEMPORARY FURNITURE: AN EXAMINATION ON ART AND EVERYDAY LIFE IN ART EDUCATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sun-Ok Moon ***** The Ohio State University 1999 Dissertation Committee: ^Approved by Dr. -
Newsletter the Society of Architectural Historians
NEWSLETTER THE SOCIETY OF ARCHITECTURAL HISTORIANS JUNE 1984 VOL. XXVIII NO.3 SAH NOTICES KENNETH J. CONANT 1985 Annual Meeting-Pittsburgh, Pennsylvania (April 17- 21). General chairman, Osmund Overby of the University It is with deep regret that the Society announces the of Missouri with local co-chairmen, Franklin K. Toker, of recent death of one of its early fo unders: Kenneth J. the University of Pittsburgh and Richard L. Cleary, Car Conant. A full obituary will appear later this year in the negie Mellon University are finalizing arrangements for the SAH Journal. 1985 annual meeting. Headquarters for the meeting will be the William Penn Hotel with Joseph Urban's Art Deco banquet hall. 1984 Domestic Tour-Northern Michigan (August 15-19). Receptions are being planned at the Hall of Architecture Kathryn B. Eckert, Michigan History Division, leader. (For at Carnegie Institute and the Wintergarden at PPG Place. further details of the tour, see page 7 .) Tours will include the Mellon mansions, a three-hour boat trip down the Ohio, the Jones and Laughlin steel mill, and 1985 Domestic Tour-Orlando and Area (January 9-13). The Frank Lloyd Wright's Fallingwater. A post-meeting tour to tour will include visits to Tampa, Cape Canaveral, planta Lancaster is being planned (Sunday through Tuesday) by tion houses and Epcot Center in addition to Orlando, with a Elaine Holden. The Lancaster tour will include visits to guided walk through the historic section of the city. Local eighteenth, nineteenth, and early twentieth century build experts will do on-site leading of the group. -
Nvidia Omniverse Aec Experience
NVIDIA OMNIVERSE AEC EXPERIENCE Leeza SOHO, Beijing, China. Image provided courtesy of Zaha Hadid Architects Contents Enhancing Design Workflows 4 How Omniverse Works 5 Live Links Between Revit, Rhino, and SketchUp with Omniverse Connectors 6 Exceptional Visualization with Omniverse View 7 Create at the Speed of Light 10 “At KPF, we’re constantly testing new applications that help us to engage with our clients. We see NVIDIA Omniverse as an application that will enable our real- time and collaborative requirements in one platform, changing the way we progress as a sustainable design practice.” – Cobus Bothma, Director, Applied Research, KPF NVIDIA OMNIVERSE™ AEC EXPERIENCE, BUILT ON THE OMNIVERSE PLATFORM, FOCUSES ON THE CONCEPT DESIGN, VISUALIZATION, AND REVIEW NEEDS OF PROFESSIONALS IN ARCHITECTURE, ENGINEERING, AND CONSTRUCTION (AEC). For the first time, teams located around the world can collaborate in real time on the same model, creating and iterating on new designs even while they’re working in different software applications. Through NVIDIA Omniverse Connectors, which act as application portals, top industry tools are united in a collaborative space, giving individuals and groups the ability to work seamlessly across multiple design and visualization applications. This means that designers and engineers can use the best tools for their needs while collaborating. And teams can leverage incredible new technologies like real-time NVIDIA RTX™ rendering, light studies, physics, and simulation tools that accelerate innovation and productivity. NVIDIA OMNIVERSE AEC EXPERIENCE | 3 Image Courtesy of Woods Bagot ENHANCING DESIGN WORKFLOWS NVIDIA Omniverse AEC Experience delivers unparalleled benefits to the industry’s designers and engineers—from streamlined workflows and easy collaboration using the latest graphics applications to faster design cycles and stunning results. -
Postmodernism
Black POSTMODERNISM STYLE AND SUBVERSION, 1970–1990 TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 1 Black Black POSTMODERNISM STYLE AND SUBVERSION, 1970–1990 TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 Edited by Glenn Adamson and Jane Pavitt V&A Publishing TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 2 3 Black Black Exhibition supporters Published to accompany the exhibition Postmodernism: Style and Subversion, 1970 –1990 Founded in 1976, the Friends of the V&A encourage, foster, at the Victoria and Albert Museum, London assist and promote the charitable work and activities of 24 September 2011 – 15 January 2012 the Victoria and Albert Museum. Our constantly growing membership now numbers 27,000, and we are delighted that the success of the Friends has enabled us to support First published by V&A Publishing, 2011 Postmodernism: Style and Subversion, 1970–1990. Victoria and Albert Museum South Kensington Lady Vaizey of Greenwich CBE London SW7 2RL Chairman of the Friends of the V&A www.vandabooks.com Distributed in North America by Harry N. Abrams Inc., New York The exhibition is also supported by © The Board of Trustees of the Victoria and Albert Museum, 2011 The moral right of the authors has been asserted. -
Ju Hadid Update 2020 03441
CONTENTS Page 8 Page 100 Page 200 Page 310 THE EXPLOSION REFORMING SPACE ART MUSEUM IN GRAZ BMW CENTRAL BUILDING ROCA LONDON GALLERY GRAZ, AUSTRIA LEIPZIG, GERMANY LONDON, UNITED KINGDOM Page 16 DIE RAUMERNEUERNDE EXPLOSION Page 104 Page 212 Page 320 NATIONAL LIBRARY HOTEL PUERTA AMÉRICA PIERRESVIVES Page 24 OF QUEBEC MADRID, SPAIN MONTPELLIER, FRANCE FAIRE EXPLOSER L’ESPACE MONTREAL, CANADA POUR LE REMETTRE EN FORME Page 220 Page 328 MAGGIE’S CANCER CARE ELI & EDYTHE BROAD ART BUILT WORK CENTRE FIFE MUSEUM, MICHIGAN STATE EARLY WORK KIRKCALDY, FIFE, SCOTLAND, UNITED KINGDOM UNIVERSITY Page 112 EAST LANSING, MICHIGAN, UNITED STATES Page 36 Page 228 PAINTING ARCHITECTURE MOONSOON RESTAURANT SAPPORO, JAPAN NORDPARK RAILWAY STATIONS Page 340 INNSBRUCK, AUSTRIA Page 46 GALAXY SOHO Page 116 BEIJING, CHINA IRISH PRIME MINISTER’S VITRA FIRE STATION Page 242 RESIDENCE WEIL AM RHEIN, GERMANY ZARAGOZA BRIDGE PAVILION Page 350 DUBLIN, IRELAND ZARAGOZA, SPAIN HEYDAR ALIYEV Page 130 Page 50 Page 252 CULTURAL CENTER LANDSCAPE FORMATION ONE BAKU, AZERBAIJAN THE PEAK (LF ONE) MAXXI: NATIONAL MUSEUM HONG KONG, CHINA WEIL AM RHEIN, GERMANY OF XXI CENTURY ARTS Page 358 ROME, ITALY Page 62 SERPENTINE SACKLER Page 142 24 CATHCART ROAD Page 262 GALLERY MIND ZONE, LONDON, UNITED KINGDOM LONDON, UNITED KINGDOM MILLENNIUM DOME SHEIKH ZAYED BRIDGE ABU DHABI, UNITED ARAB EMIRATES Page 364 Page 70 LONDON, UNITED KINGDOM ZOLLHOF 3 MEDIA PARK Page 268 JOCKEY CLUB Page 148 INNOVATION TOWER DÜSSELDORF, GERMANY GUANGZHOU OPERA HOUSE HOENHEIM–NORD TERMINUS HONG KONG, -
\ My Personal Experiences About Zaha Hadid
ArchiCreationArchiCreation36 λ৵喑⮱͗ϧ㏼侹ڠ \ MY PERSONAL EXPERIENCES ABOUT ZAHA HADID ⒅ᇖ \ Pan Yan 㔨䃾喟Ვᄜ \ Translator: Yang Jun γܳᲽ喑ᣏ䃕γ৵⮱䌢҉ͧ⣝АͨͶ䌢⮱᱙䉕ᆋᕔ喠ᄦλ৵e৵䔗ᓤᐧܧಸ䶦Ⱋ䔈㵹ϟࢳ㔰ᄌ⮱ധ̷ևڥ͗܍ᦅ㺮喟᱙᪴ᄦλ৵e৵䔗ᓤ㕹͇⩌⋜̻θߎࣾᆂ⮱̺ह䭣⃢⮱ ࡃহ྿Ҁߖᣕ̸䊲፥㻱⮱倅䕌ࣾᆂ喑Ꭳᄦ䔆ᐧま䃫䃎⤰ڕま䌢⮱ᐭ - 䌢⌽䊸⛌ - ䷻ᵩࡃ⮱⬂䔦݊ₒϔ⩌ - ䷻ᵩࡃᐭͧͨᄩ䔆ᵤ⮱ࣾᆂ㏬㉏䔈㵹γᣏ䃕喠ᎣՌₑ䃕䃧γᐧまጵౕ γᕊ㔰ȡౕ䔆ऻ喑䃧䔝ఋᑿݝ৵e৵䔗ᓤ͗ϧᄦλᐧま⮱᱗Გ⮱ᙌჅ⮱⾬䔼߈喑Ꭳᄦλ᱗Გ⮱ᐧまጵ喑ᐧまⵁ⾣㔲ຯ҂॥ᩣ喑ⵁ⾣৵e৵䔗ܧጯ౧ᐼᄦλᐧま䃫䃎ⅡᎠ⮱ᒞ৺և ᓤ⮱ᐧま䖄ϔևܧγᆂ᱈ȡ ABSTRACT: Based on the author’s personal visiting experiences, the essay analyses several typical projects in different stages of Zaha Hadid’s architect career, demonstrates the modernism nature of Zaha Hadid’s architectural practice; following the clue of Zaha Hadid’s personal career development and the institutional evolution of Zaha Hadid Architects, the research identifies four stages of Zaha Hadid’s architectural practice: practice beginning, gradually matured practice, Zaha style emerging, Zaha style dominating; accordingly, the essay discusses contemporary architects’ unconventional high-speed development levered by globalisation and mass media, and addresses the issue of new architectural design market’s influences on architectural design. Furthermore, the essay probes into Zaha Hadid’s extraordinary perceptional vision in architecture, raises up the questions of how to absorb and research Zaha Hadid’s architectural legacy for future architects, architecture researchers. 䩛䃺喟৵e৵䔗ᓤ喑㒻႓喑⣝АͨͶ㔲喑৵䷻ᵩ喑ᐧま䌢喑ᕊᘠ㔲喑㜗⩞喑ᙌჅ⾬䔼߈ڠ KEYWORDS: Zaha Hadid, aesthetics, modernist, Zaha style, architectural practice, liberty, perceptional vision ͚ఫܳㆨत喟TU-086 ᪴⡛ᴴ䃳喟A -
Building Tomorrow Aberdeen Standard Asia Focus PLC – Capturing Asia’S Future Potential Today
January 2021 Building tomorrow Aberdeen Standard Asia Focus PLC – capturing Asia’s future potential today A collection of articles celebrating 25 years of Aberdeen Standard Asia Focus PLC – by the region’s leading investors, commentators, politicians and business leaders including: Andrew Neil Richard Han Alexander Downer Kiran Mazumdar-Shaw Krish Shanmuganathan Danny Alexander Liam Halligan Parwati Surjaudaja Flavia Cheong Beh Swan Gin Parag Khanna Nihal Kaviratne Aberdeen Standard Asia Focus PLC Building tomorrow Harnessing opportunity in Asia – past, present and future Fifteen leading contributors explore 25 years Contents Sector innovation of transformation across the Asia-Pacific 02 Twenty-fiveyearsofchange 44 Eureka! Groundbreaking moments for pandemic science Nigel Cayzer, Chairman, Aberdeen Standard Asia Focus PLC Kiran Mazumdar-Shaw, Chairwoman and Managing Director, region – and the investment opportunities Biocon, India’s leading biopharmaceutical company 04 Changing face of Asia in numbers 48 Move fast and make things: Delivering Asia’s ahead for Asia’s smaller companies. 06 The incredible journey: Travelling to the heart digital transformation of Asian innovation Danny Alexander, Vice-Chairman, Asian Infrastructure Hugh Young, Chairman of Asia Pacific, Investment Bank Aberdeen Standard Investments 54 Building the bank of tomorrow Geopolitics Parwati Surjaudaja, President Director, Bank OCBC NISP 08 Theartofinfluence:TheAsianCentury Andrew Neil, Chairman, GB News Country focus 58 The isle of innovation: Singapore 12 Balance of power: How Asia will keep China in check Beh Swan Gin, Chairman, Singapore Economic Alexander Downer, former Australian Foreign Minister Development Board 18 Powering prosperity: Asia’s case against Aberdeen Standard Asia Focus PLC Western-style democracy Asian companies Krish Shanmuganathan, Non-Executive Director, 62 The fortune in Asia’s backyard A fundamental, high-conviction portfolio Aberdeen Standard Asia Focus PLC Nihal Kaviratne, founder, St. -
PHASE3 Architecture and Design
[email protected] 17 May 2017 BUILDINGS PLACES CITIES [email protected] 17 May 2017 LONDON: DESIGN CAPITAL BUILDINGS / PLACES / CITIES This NLA Insight Study was published by New London Architecture (NLA) in May 2017. It accompanies the NLA exhibition London: Design Capital on display from May–July 2017 and is part of the NLA International Dialogues year-round programme, supporting the exchange of ideas and information across key global markets. New London Architecture (NLA) The Building Centre 26 Store Street London WC1E 7BT Programme Champions www.newlondonarchitecture.org #LDNDesignCapital © New London Architecture (NLA) Programme Supporter ISBN 978-0-9956144-2-0 [email protected] 17 May 2017 2 Contents Forewords 4 Chapter one: London’s global position 6 Chapter two: London’s global solutions 18 Chapter three: London’s global challenges and opportunities 26 Chapter four: London’s global future 32 Project showcase 39 Practice directory 209 Programme champions and supporters 234 References and further reading 239 © Jason Hawkes – jasonhawkes.com [email protected] 17 May 2017 4 5 Creative Capital Global Business As a London based practice with offces based on three continents and London is the world’s global capital for creative design and construction a team of highly creative architects currently engaged in design and skills. Just as the City of London became the fnancial capital of the world, development opportunities around the globe, I welcome the NLA’s latest so London has beneftted from its history, its location, its legal and education insight study and exhibition London: Design Capital for two reasons. -
Interview with Yaara Gooner
Britain’s leading magazine for architectural products, technology and trends ARCHITECTURE MAY/JUNE 2021 MAGAZINE WORKPLACE THE TAP THAT DOES IT ALL - 100°C DESIGN BOILING, CHILLED AND SPARKLING WATER NEVER TO BE THE SAME. CONSIDERING WORKPLACE DESIGN FOR GENERATIONS THAT NOW WORK IN A DIFFERENT WAY INTERVIEW WITH YAARA GOONER THE LEAD ARCHITECT AND DESIGNER AT LABS AND STAY TALKS ABOUT CONNECTION TO PLACE AND HOW THROUGH HER WORK SHE ASPIRES TO ACHIEVE THIS ON MULTIPLE LEVELS @torc_pots www.torcpots.com Britain’s leading magazine for architectural products, technology and trends ARCHITECTURE MAY 2021 MAGAZINE WORKPLACE THE TAP THAT DOES IT ALL - 100°C DESIGN BOILING, CHILLED AND SPARKLING WATER NEVER TO BE THE SAME. CONSIDERING WORKPLACE DESIGN FOR GENERATIONS THAT NOW WORK IN A DIFFERENT WAY INTERVIEW WITH YAARA GOONER THE LEAD ARCHITECT AND DESIGNER AT LABS AND STAY TALKS ABOUT CONNECTION TO PLACE AND HOW THROUGH HER WORK SHE ASPIRES TO ACHIEVE THIS ON MULTIPLE LEVELS. ARCHITECTURE MAGAZINE PUBLISHING TEAM Media One Communications Ltd 6 Swan Court, Forder Way, Hampton, Peterborouh, Cambridgeshire, PE7 8GX Tel: 01733 385300 WELCOME EDITOR JADE TILLEY [email protected] e’re at a crossroads in our lives, SUB EDITOR & DESIGNER both work based and personally. KELLY GREEN Never before have we placed [email protected] such value on connection, the digital and the physical. Our PUBLISHER & CEO R J NISBET calendars for the last year have [email protected] Wtested our ability to remain connected while at a distance, ADVERTISING MANAGER to create meaning and intimacy while remaining in the HOLLY DENNIS safety of our homes. -
Gaetano Pesce L’Abbraccio March 21St - May 25Th, 2013
GAETANO PESCE L’ABBRACCIO MARCH 21ST - MAY 25TH, 2013 Opening Reception Thursday March 21st, the artist will be present. NEW YORK – Visionary architect, designer and artist Gaetano Pesce will have his first solo, New York exhibition in 25 years at Fred Torres Collaborations from March 21-May 25, 2013. The show focuses on issues of love and empathy, be it for ourselves, each other or the world, that have been important themes in Pesce’s work. L’ABBRACCIO, (The Hug) the name of the exhibition, refers to a cabinet designed by Pesce in 2009 of two people locked in an embrace. In addition to its “namesake” cabinet, the exhibition will feature some of Pesce’s rarely seen drawings from the 1970s, maquettes, lighting and furniture. An opening reception will take place on Thursday, March 21 from 6-8 pm. Since the 1960s, Gaetano Pesce has been challenging the dogma of traditional aesthetics by embracing an art, architecture and design of expressiveness that is a commentary on reality, color, new materials, figurative representation and political commitment. His poetic imagination and his continued use of humor and irony to attack the standardization of the mass-produced object and architecture set him apart from all other designers and architects. Pesce continually exploits the technical qualities of materials such as resins, polyurethanes and silicones in order to create objects and projects that have a point of view and make a strong artistic statement. “The exhibition showcases the narrative and heart in Pesce’s work,” says Fred Torres. “Pesce’s interests go beyond beautiful and functional objects. -
FOR IMMEDIATE RELEASE for IMMEDIATE RELEASE Gaetano
FOR IMMEDIATE RELEASE Gaetano Pesce and Angelo FilomenoFilomeno,, An Exhibition On view at La Galleria – Italian Cultural Institute of New York 686 Park Avenue – NYC October 4-27, 2011 Opening night: October 3, 2011 at 6pm Curated by Renata Rosati New York, 9/21/2011 - Under the umbrella project “ Venice Biennale in the World ” - dedicated to celebrating Italian contemporary artists that have been selected by all of the Italian Cultural Institutes around the world together with the Italian Pavilion within 2011 Venice Biennale, curated by Vittorio Sgarbi - The Italian Cultural Institute of New York is proud to host exhibitions by the Italian architect and designer Gaetano Pesce and the Italian artist Angelo FilomenoFilomeno. Italia in Croce – Italy on the Cross - is a provocative, site-specific installation by Gaetano Pesce, icon of Italian design, originality and creativity. Recent Works by Angelo Filomeno. On view four of the most significant works by Angelo Filomeno, whose art is based on the combination of different materials, incorporating luxurious fabrics, gems and crystals throughout intricate and meticulous design. Gaetano Pesce Born in La Spezia in 1939, Gaetano Pesce, architect and designer, has conceived public and private projects in the United States, Europe, Latin America and Asia, ranging from private residences to garden and corporate offices. His experience has been global, his innovations consistently groundbreaking. Pesce’s multi-disciplinary works are in the permanent collections of the Museum of Modern Art and the Metropolitan Museum of Art in New York, the Victoria and Albert Museum in London, the Centre Georges Pompidou in Paris, Germany’s Vitra Museum, the Montreal Museum of Art, as well as museums in Japan, Portugal and Finland. -
TEFAF Maastricht 2020
TEFAF Maastricht 2020 As the world’s premier fine art and antiques fair opens, The Design Edit reports on some of the collectible design masterworks on offer. By Anna Sansom March 3, 2020 Ettore Sottsass, ‘Lava’, 1957, produced by Bitossi COURTESY: Friedman Benda Anna Sansom, “TEFAF Maastricht 2020,” The Design Edit, March 3, 2020. DESIGN GALLERIES ARE making their growing presence felt at TEFAF, The European Fine Art Fair in Maastricht. TEFAF’s 33rd edition sees the number of design exhibitors rise to 20, the largest number in its history. Although this represents a fraction of TEFAF’s overall 278 exhibitors (the majority spanning antiquities, Old Masters, Modern and contemporary art), it indicates design’s increasing popularity among erudite collectors with eclectic taste, as well as the fair’s aim for diversification. Gaetano Pesce, ‘Arca Desk’, 1972, produced by Bracciodiferro COURTESY: Friedman Benda TEFAF Design was launched in 2009 with nine exhibitors – although François Laffanour of Galerie Downtown in Paris began participating in 2005 in a different section of the fair. “It’s not the quantity but the quality that really matters,” Laffanour says about the number of design galleries. Attracted to TEFAF’s “mix of styles, epochs and tastes”, Laffanour is showing a Charlotte Perriand bookcase, pieces by Jean Prouvé and furniture that the French architect Pierre Parat (1928-2019) created for his own house in Paris. “All this is in line with our core activity that consists of rediscovering and defending twentieth-century architects’ furniture,” Laffanour adds. The opportunity to reach a broader mix of collectors is what appeals to Dansk Møbelkunst Gallery from Copenhagen.