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El Croquis 189: Alfredo Paya, Toni Girones, Jose Maria Sanchez Garcia the Secret Life of Date Palms
I D E A B O O K S Architecture & Landscape I D E A B O O K S Architecture & Landscape El Croquis 189: Alfredo Paya, Toni Girones, Jose Maria Sanchez Garcia The Secret Life Of Date Palms El Croquis El Escorial 2017 Archizoom Lausanne 2017 ISBN 9788488386953 ISBN 9782970113201 $ 67.55* -- Idea Code 17231 $ 35.75* -- Idea Code 17188 author: Cyril Veillon Ed José María Sánchez García, Alfredo Payá, and Toni Gironès are the subjects of this triple focus on young Spanish architects. Although based in different cities and regions, they all launched their Six date palm characteristics provide the structure of this book: Form, Fruit, Hydration, careers in the 21st century, and each has since built notable projects throughout Spain and its Metamorphosis, Shade and Shadow, and Gender. Each investigation draws on Emirati traditions territories. Each architect’s profile includes a biography, a conversation with the architect, an essay and tacit knowledge to share a narrative that is infused with sensitivity, genuine curiosity, and by the architect, and several examples of built works. Gain insight on these three architects and human inventiveness. This is the story of a species that continues to provide great value to the recent highlights from the Spanish architecture scene, including the Rowing Pavilion in Alange, the Middle East. The hope is that the spirit of engagement and ingenuity employed throughout history Ibiza and Formentera Music and Dance Conservatory, and the Climate Museum in Lleida. inspires others to find value in their own regional -
Nvidia Omniverse Aec Experience
NVIDIA OMNIVERSE AEC EXPERIENCE Leeza SOHO, Beijing, China. Image provided courtesy of Zaha Hadid Architects Contents Enhancing Design Workflows 4 How Omniverse Works 5 Live Links Between Revit, Rhino, and SketchUp with Omniverse Connectors 6 Exceptional Visualization with Omniverse View 7 Create at the Speed of Light 10 “At KPF, we’re constantly testing new applications that help us to engage with our clients. We see NVIDIA Omniverse as an application that will enable our real- time and collaborative requirements in one platform, changing the way we progress as a sustainable design practice.” – Cobus Bothma, Director, Applied Research, KPF NVIDIA OMNIVERSE™ AEC EXPERIENCE, BUILT ON THE OMNIVERSE PLATFORM, FOCUSES ON THE CONCEPT DESIGN, VISUALIZATION, AND REVIEW NEEDS OF PROFESSIONALS IN ARCHITECTURE, ENGINEERING, AND CONSTRUCTION (AEC). For the first time, teams located around the world can collaborate in real time on the same model, creating and iterating on new designs even while they’re working in different software applications. Through NVIDIA Omniverse Connectors, which act as application portals, top industry tools are united in a collaborative space, giving individuals and groups the ability to work seamlessly across multiple design and visualization applications. This means that designers and engineers can use the best tools for their needs while collaborating. And teams can leverage incredible new technologies like real-time NVIDIA RTX™ rendering, light studies, physics, and simulation tools that accelerate innovation and productivity. NVIDIA OMNIVERSE AEC EXPERIENCE | 3 Image Courtesy of Woods Bagot ENHANCING DESIGN WORKFLOWS NVIDIA Omniverse AEC Experience delivers unparalleled benefits to the industry’s designers and engineers—from streamlined workflows and easy collaboration using the latest graphics applications to faster design cycles and stunning results. -
Ju Hadid Update 2020 03441
CONTENTS Page 8 Page 100 Page 200 Page 310 THE EXPLOSION REFORMING SPACE ART MUSEUM IN GRAZ BMW CENTRAL BUILDING ROCA LONDON GALLERY GRAZ, AUSTRIA LEIPZIG, GERMANY LONDON, UNITED KINGDOM Page 16 DIE RAUMERNEUERNDE EXPLOSION Page 104 Page 212 Page 320 NATIONAL LIBRARY HOTEL PUERTA AMÉRICA PIERRESVIVES Page 24 OF QUEBEC MADRID, SPAIN MONTPELLIER, FRANCE FAIRE EXPLOSER L’ESPACE MONTREAL, CANADA POUR LE REMETTRE EN FORME Page 220 Page 328 MAGGIE’S CANCER CARE ELI & EDYTHE BROAD ART BUILT WORK CENTRE FIFE MUSEUM, MICHIGAN STATE EARLY WORK KIRKCALDY, FIFE, SCOTLAND, UNITED KINGDOM UNIVERSITY Page 112 EAST LANSING, MICHIGAN, UNITED STATES Page 36 Page 228 PAINTING ARCHITECTURE MOONSOON RESTAURANT SAPPORO, JAPAN NORDPARK RAILWAY STATIONS Page 340 INNSBRUCK, AUSTRIA Page 46 GALAXY SOHO Page 116 BEIJING, CHINA IRISH PRIME MINISTER’S VITRA FIRE STATION Page 242 RESIDENCE WEIL AM RHEIN, GERMANY ZARAGOZA BRIDGE PAVILION Page 350 DUBLIN, IRELAND ZARAGOZA, SPAIN HEYDAR ALIYEV Page 130 Page 50 Page 252 CULTURAL CENTER LANDSCAPE FORMATION ONE BAKU, AZERBAIJAN THE PEAK (LF ONE) MAXXI: NATIONAL MUSEUM HONG KONG, CHINA WEIL AM RHEIN, GERMANY OF XXI CENTURY ARTS Page 358 ROME, ITALY Page 62 SERPENTINE SACKLER Page 142 24 CATHCART ROAD Page 262 GALLERY MIND ZONE, LONDON, UNITED KINGDOM LONDON, UNITED KINGDOM MILLENNIUM DOME SHEIKH ZAYED BRIDGE ABU DHABI, UNITED ARAB EMIRATES Page 364 Page 70 LONDON, UNITED KINGDOM ZOLLHOF 3 MEDIA PARK Page 268 JOCKEY CLUB Page 148 INNOVATION TOWER DÜSSELDORF, GERMANY GUANGZHOU OPERA HOUSE HOENHEIM–NORD TERMINUS HONG KONG, -
237 Luis Barragán and the Invention of Mexican
LUIS BARRAGÁN AND THE INVENTION OF MEXICAN REGIONALISM Giulia Mela Università IUAV di Venezia / IUAV University of Venice, Venice Italy. Abstract The work of Luis Barragán (1902-1988) embodies Mexican identity, and the architect is considered one of the most important figures of the Critical Regionalism movement in Latin America. Nevertheless, a comprehensive analysis of his own private library–kept at the Barragan Foundation, Switzerland and Fundación de Arquitectura Tapatía Luis Barragán, Mexico–tells a different story. In fact, the contemporary critical reception of his work has a far more complex genesis, which might be summarised as follows: 1. Barragán, nemo propheta in patria. For many years, Barragán’s work was better known abroad than in his own country. The national recognition came in 1976, with the Premio Nacional de Ciencias y Artes, after an exhibition at the MoMA in New York. At that time, Barragán was a 74-year old architect that had realized some of his most famous projects, such as the Casa Barragán, Tlalpan Chapel, Cuadra San Cristóbal, and Casa Gilardi. 2. Barragán, forger of an independent path. The urban project for Jardines del Pedregal was the turning point of Barragán’s career, and from the mid-1940s the architect distanced himself from the research path of his colleagues. His detachment from the academic, political, and theoretical infrastructure allowed him to develop an autonomous language. 3. Barragán, a “visual” architect. Barragan defined his work as “autobiographical” and inspired by the colonial villages of his childhood. This is partially true; alongside Mexican architecture, the architect was deeply fond of the timeless aura of vernacular architecture in general. -
Building Tomorrow Aberdeen Standard Asia Focus PLC – Capturing Asia’S Future Potential Today
January 2021 Building tomorrow Aberdeen Standard Asia Focus PLC – capturing Asia’s future potential today A collection of articles celebrating 25 years of Aberdeen Standard Asia Focus PLC – by the region’s leading investors, commentators, politicians and business leaders including: Andrew Neil Richard Han Alexander Downer Kiran Mazumdar-Shaw Krish Shanmuganathan Danny Alexander Liam Halligan Parwati Surjaudaja Flavia Cheong Beh Swan Gin Parag Khanna Nihal Kaviratne Aberdeen Standard Asia Focus PLC Building tomorrow Harnessing opportunity in Asia – past, present and future Fifteen leading contributors explore 25 years Contents Sector innovation of transformation across the Asia-Pacific 02 Twenty-fiveyearsofchange 44 Eureka! Groundbreaking moments for pandemic science Nigel Cayzer, Chairman, Aberdeen Standard Asia Focus PLC Kiran Mazumdar-Shaw, Chairwoman and Managing Director, region – and the investment opportunities Biocon, India’s leading biopharmaceutical company 04 Changing face of Asia in numbers 48 Move fast and make things: Delivering Asia’s ahead for Asia’s smaller companies. 06 The incredible journey: Travelling to the heart digital transformation of Asian innovation Danny Alexander, Vice-Chairman, Asian Infrastructure Hugh Young, Chairman of Asia Pacific, Investment Bank Aberdeen Standard Investments 54 Building the bank of tomorrow Geopolitics Parwati Surjaudaja, President Director, Bank OCBC NISP 08 Theartofinfluence:TheAsianCentury Andrew Neil, Chairman, GB News Country focus 58 The isle of innovation: Singapore 12 Balance of power: How Asia will keep China in check Beh Swan Gin, Chairman, Singapore Economic Alexander Downer, former Australian Foreign Minister Development Board 18 Powering prosperity: Asia’s case against Aberdeen Standard Asia Focus PLC Western-style democracy Asian companies Krish Shanmuganathan, Non-Executive Director, 62 The fortune in Asia’s backyard A fundamental, high-conviction portfolio Aberdeen Standard Asia Focus PLC Nihal Kaviratne, founder, St. -
SCÈNES DE NUIT – Excursus Into Nocturnal Obliteration In
2021-4185-AJA 1 SCÈNES DE NUIT – Excursus into Nocturnal 2 Obliteration in Architectural Media 3 4 SCÈNES DE NUIT is a research project that explores the role of night in the 5 construction of contemporary cities and societies, illustrating how, still today, 6 architectural theory and critique are associated with sunlight and diurnal paradigms. 7 It is structured around the hypothesis that, since the 19th century, night has 8 transformed not only night-time but most importantly daytime activities and 9 architecture forever. The project addresses the technologies, networks and forms of 10 design deployed in nocturnal architectural spaces and their associated communities, 11 engaging with both local and global audiences through a broad network of 12 practitioners and theoreticians in architectural and night design, as well as experts 13 from different fields, such as sociology, economics, philosophy and media studies, that 14 are relevant to understanding the intersections between space, night and society at 15 large. Scènes de Nuit presents nocturnal encounters seeking to examine and reflect 16 upon the spaces, activities and media found in night culture, using evening events and 17 ephemeral scenography as the main presentation platform. Research is conducted in 18 various formats, temporalities and conditions, focusing on nocturnal architectural 19 spaces through, but not limited to, inhabited scenography, performative exhibitions, 20 international conferences, debates and screenings. Scènes de Nuit proposes that there 21 is no difference between format and content, between the production of nocturnal 22 knowledge and the scenography of night. 23 24 25 Exhibition at f’ar Lausanne, May 2019 26 27 For centuries, architectural theory, discourse and agency have been based 28 on daylight and solar paradigms. -
PHASE3 Architecture and Design
[email protected] 17 May 2017 BUILDINGS PLACES CITIES [email protected] 17 May 2017 LONDON: DESIGN CAPITAL BUILDINGS / PLACES / CITIES This NLA Insight Study was published by New London Architecture (NLA) in May 2017. It accompanies the NLA exhibition London: Design Capital on display from May–July 2017 and is part of the NLA International Dialogues year-round programme, supporting the exchange of ideas and information across key global markets. New London Architecture (NLA) The Building Centre 26 Store Street London WC1E 7BT Programme Champions www.newlondonarchitecture.org #LDNDesignCapital © New London Architecture (NLA) Programme Supporter ISBN 978-0-9956144-2-0 [email protected] 17 May 2017 2 Contents Forewords 4 Chapter one: London’s global position 6 Chapter two: London’s global solutions 18 Chapter three: London’s global challenges and opportunities 26 Chapter four: London’s global future 32 Project showcase 39 Practice directory 209 Programme champions and supporters 234 References and further reading 239 © Jason Hawkes – jasonhawkes.com [email protected] 17 May 2017 4 5 Creative Capital Global Business As a London based practice with offces based on three continents and London is the world’s global capital for creative design and construction a team of highly creative architects currently engaged in design and skills. Just as the City of London became the fnancial capital of the world, development opportunities around the globe, I welcome the NLA’s latest so London has beneftted from its history, its location, its legal and education insight study and exhibition London: Design Capital for two reasons. -
Interview with Yaara Gooner
Britain’s leading magazine for architectural products, technology and trends ARCHITECTURE MAY/JUNE 2021 MAGAZINE WORKPLACE THE TAP THAT DOES IT ALL - 100°C DESIGN BOILING, CHILLED AND SPARKLING WATER NEVER TO BE THE SAME. CONSIDERING WORKPLACE DESIGN FOR GENERATIONS THAT NOW WORK IN A DIFFERENT WAY INTERVIEW WITH YAARA GOONER THE LEAD ARCHITECT AND DESIGNER AT LABS AND STAY TALKS ABOUT CONNECTION TO PLACE AND HOW THROUGH HER WORK SHE ASPIRES TO ACHIEVE THIS ON MULTIPLE LEVELS @torc_pots www.torcpots.com Britain’s leading magazine for architectural products, technology and trends ARCHITECTURE MAY 2021 MAGAZINE WORKPLACE THE TAP THAT DOES IT ALL - 100°C DESIGN BOILING, CHILLED AND SPARKLING WATER NEVER TO BE THE SAME. CONSIDERING WORKPLACE DESIGN FOR GENERATIONS THAT NOW WORK IN A DIFFERENT WAY INTERVIEW WITH YAARA GOONER THE LEAD ARCHITECT AND DESIGNER AT LABS AND STAY TALKS ABOUT CONNECTION TO PLACE AND HOW THROUGH HER WORK SHE ASPIRES TO ACHIEVE THIS ON MULTIPLE LEVELS. ARCHITECTURE MAGAZINE PUBLISHING TEAM Media One Communications Ltd 6 Swan Court, Forder Way, Hampton, Peterborouh, Cambridgeshire, PE7 8GX Tel: 01733 385300 WELCOME EDITOR JADE TILLEY [email protected] e’re at a crossroads in our lives, SUB EDITOR & DESIGNER both work based and personally. KELLY GREEN Never before have we placed [email protected] such value on connection, the digital and the physical. Our PUBLISHER & CEO R J NISBET calendars for the last year have [email protected] Wtested our ability to remain connected while at a distance, ADVERTISING MANAGER to create meaning and intimacy while remaining in the HOLLY DENNIS safety of our homes. -
Catalogue Autumn 2010
Representation 64 Index 62 Performing Arts 61 Fashion and Style 58 Industrial Design 56 Graphic Design 51 Photography 37 Art 23 Architecture 2 When ordering, please use Idea Codes. September 2010. Titles marked with an asterisk had been not yet published (*) in Prices are in Euros and may change without notice. Consult our website www.ideabooks.nl for the complete list. This catalogue is aselected list of new titles. www.ideabooks.nl e-mail [email protected] 20fax 6209299 +31 20 6226154tel +31 The Netherlands RK Amsterdam1011 Nieuwe Herengracht 11 Autumn Catalogue 2010 Contents General Information Idea Books <–––––––––––––––––––––––––––––––––––––210 mm–––––––––––––––––––––––––––––––––––––> 00 –– 00 –– 00 –– 00 –– 1 00 –– 00 –– 00 –– 01 –– 02 –– 03 –– 05 –– 06 –– 07 –– 08 –– 09 –– 10 –– 11 –– 12 –– 13 –– 15 –– 16 –– 17 –– 18 –– 19 –– 20 –– 21 –– 22 –– 23 –– 25 –– 26 –– 27 –– 28 –– 29 –– 30 –– 31 –– 32 –– steeds 7 inits per pag te beginnen met bovenste deel op pagina 1 El Croquis 149: Collective Experiments II El Croquis 150: David Chipperfield El Croquis 148/149: Collective Experiments El Croquis, El Escorial 2010 2006 2010 El Croquis, El Escorial 2010 ISBN 978 84 88386 58 8 El Croquis, El Escorial 2010 ISBN 978 84 88386 57 1 € 52.80 — Idea Code 10181 ISBN 978 84 88386 59 5 € 100.15 — Idea Code 10363 One of the main arguments in the narratives of € 58.15 — Idea Code 10292 Valuable hardback compendium of El Croquis modernity, though often disputed, is that which Issue dedicated to the projects and finished build- issues 148 and 149, covering innovative contempo- relates its urgency with the development of new ings of David Chipperfield in the last four years. -
China Report
June 2019 CHINA REPORT CONSTRUCTION PROCUREMENT AND COST INTELLIGENCE OFFICES AROUND THE WORLD AFRICA AMERICAS EUROPE OCEANIA Botswana Caribbean United Kingdom Australia Gaborone Barbados Birmingham Adelaide Cayman Islands Bristol Mauritius Brisbane St. Lucia Cumbria Cairns Saint Pierre Leeds Canberra North America Mozambique Liverpool Coffs Harbour Austin Maputo London Darwin Boston Manchester Gold Coast South Africa Calgary Sheffield Melbourne Cape Town Chicago Durban Thames Valley Newcastle Denver Johannesburg Warrington/Birchwood Perth Hilo Pretoria Sunshine Coast Honolulu RLB | Euro Alliance Stellenbosch Sydney Las Vegas Austria Townsville ASIA Los Angeles Belgium Maui Bulgaria New Zealand North Asia New York Croatia Auckland Beijing Orlando Czech Republic Christchurch Chengdu Phoenix Denmark Hamilton Chongqing Portland Finland Palmerston North Dalian San Francisco France Queenstown Guangzhou San Jose Germany Tauranga Guiyang Seattle Greece Wellington Haikou Toronto Hungary Hangzhou Tucson Ireland Hong Kong Waikoloa Italy Jeju Washington DC Luxembourg Macau Montenegro Nanjing Netherlands Nanning Norway Seoul Poland Shanghai Portugal Shenyang Russia Shenzhen Serbia Tianjin Spain Wuhan Sweden Wuxi Turkey Xiamen Xian MIDDLE EAST Zhuhai Oman South Asia Muscat Bacolod Qatar Bohol Doha Cagayan de Oro Saudi Arabia Cebu Riyadh Davao Ho Chi Minh City United Arab Emirates Iloilo Abu Dhabi Jakarta Dubai Kuala Lumpur Laguna Metro Manila Singapore Yangon PROSPECTS FOR GUANGDONG-HONG KONG-MACAO GREATER BAY AREA On 18th February 2019, the Central -
Frank Gehry's Self-Twisting Uninterrupted Line: Gesture-Drawings As Indexes
arts Article Frank Gehry’s Self-Twisting Uninterrupted Line: Gesture-Drawings as Indexes Marianna Charitonidou 1,2,3 1 Chair of the History and Theory of Urban Design, Institute for the History and Theory of Architecture (gta), Department of Architecture, ETH Zurich, Stefano-Franscini-Platz 5, CH 8093 Zürich, Switzerland; [email protected] or [email protected] 2 School of Architecture, National Technical University of Athens, 42 Patission Street, 106 82 Athens, Greece 3 Faculty of Art History and Theory, Athens School of Fine Arts, 42 Patission Street, 106 82 Athens, Greece Abstract: The article analyses Frank Gehry’s insistence on the use of self-twisting uninterrupted line in his sketches. Its main objectives are first, to render explicit how this tendency of Gehry is related to how the architect conceives form-making, and second, to explain how Gehry reinvents the tension between graphic composition and the translation of spatial relations into built form. A key reference for the article is Marco Frascari’s ‘Lines as Architectural Thinking’ and, more specifically, his conceptualisation of Leon Battista Alberti’s term lineamenta in order to illuminate in which sense architectural drawings should be understood as essential architectural factures and not merely as visualisations. Frascari, in Eleven Exercises in the Art of Architectural Drawing: Slow Food for the Architects’s Imagination, after having drawn a distinction between what he calls ‘trivial’ and ‘non- trivial’ drawings—that is to say between communication drawings and conceptual drawings, or drawings serving to transmit ideas and drawings serving to their own designer to grasp ideas during the process of their genesis—unfolds his thoughts regarding the latter. -
Mi Casa Es Mi Refugio: at the Service of Mexican Modernism in Casa Barragán
The Avery Review Francisco Quiñones – Mi casa es mi refugio: At the Service of Mexican Modernism in Casa Barragán Few people are aware that the house designed by Mexican architect Luis Citation: Francisco Quiñones, “Mi casa es mi refugio: At the Service of Mexican Modernism in Casa Barragán—known today as Casa Barragán—was designed originally for not Barragán,” in the Avery Review 48 (June 2020), just one occupant but two. Similarly, few know that this house, built in 1948, http://averyreview.com/issues/48/mi-casa. was not only Barragán’s residence but also the studio where he tested ideas and designed many of his best-known works. In 1982, reflecting on several of Barragán’s projects, American author and architectural historian Esther McCoy [1] In a letter to Barragán dated November 9, 1982, referred to his architecture as the result of a beautiful contradiction: that of a McCoy wrote, “How true you have always been to your genius, dear Luis. And in doing so I think that you above seeming calm that contained the effervescence of memories beneath.[1] And all others have been truer to Mexico. You celebrate Mexico with a Doric calmness; but infinite memories of indeed, visiting this house on General Francisco Ramírez Street in the historic place seem to seethe beneath the calmness.” McCoy working-class neighborhood of Tacubaya does reveal a contradiction, though to Luis Barragán, November 9, 1982, in Esther McCoy papers, 1876–1990, bulk, 1938–1989, Archives not the one pointed to by McCoy. of American Art (Washington, DC: Smithsonian In a 1987 interview by architecture critic Joseph Giovannini, Institution).