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Martin Cloonan Introduction an Attack on the Idea of America
MUSICAL RESPONSES TO SEPTEMBER 11TH: FROM CONSERVATIVE PATRIOTISM TO RADICALISM Martin Cloonan Introduction I want to propose something very simple in this paper: that the attacks which took place on 11 September 2001 were attacks on the very idea of America. This is not a new idea. It was cited by the New York Times soon after the attack and subsequently by the cultural critic Greil Marcus (2002). But what I want to add is that as time went on it became clear that the mu- sical responses which were made were defences of America. However, there were not uniform responses, but diverse ones and that is partly be- cause the idea of America is not settled, but is open to contestation. So what I want to do in the rest of this paper is to first examine notion that the attacks on 11 September were an attack on the idea of America, look briefly at the importance of identity within popular music, chart initial musical reactions to the events and then look at longer term reactions. An attack on the idea of America The attacks on 11 September were strategically chosen to hit the symbols of America as well as the reality of it. The Twin Towers symbolised American economic power, the Pentagon its military might. This was an attack on the psyche of America as well as its buildings and people. Both the targets were attacked for propaganda purposes as much as military ones. What more devastating way could have been found to show rejection of America and all it stands for? But the point I want to note here is that America itself is a contested notion. -
Sandbox SEPTEMBER 18 2019 MUSIC MARKETING for the DIGITAL ERA ISSUE 236
BROUGHT TO YOU COURTESY OF 06-07 Tools CompanionLabs 08-09 Campaigns Björk, X Ambassadors, Mabel 10–15 Behind The Campaign- Hot Chip IN ASSOCIATION WITH sandbox SEPTEMBER 18 2019 MUSIC MARKETING FOR THE DIGITAL ERA ISSUE 236 THE NEXT STEP FOR PLAYLISTS BEHIND THE CAMPAIGN HOT CHIP BEHIND THE CAMPAIGNHOT CHIP A Bath Full Of Ecstasy is Hot Chip’s seventh album and was released in June – their first new album since Why Make Sense? in 2015. COREY ZALOOM (senior manager, digital marketing) and BROOKE SALISBURY (head of marketing) of Domino Recording Company explain how they set up the album by getting their catalogue streaming in order after the label acquired three of their previous albums from EMI/Parlophone, where live was used to reawaken interest in the band, how the video for ‘Hungry Child’ reached far beyond their core audience and why both Instagram and TikTok were key new platforms in the band’s marketing arsenal. Getting the band’s catalogue streaming Domino acquired the band’s EMI/ CZ: We had a few goals going into the change in three or four years, so in order before the new album Parlophone catalogue in early 2018 album in spring 2019 and one was things like Instagram were a new BS: This is only our third album with [covering three albums between 2006 and to reactivate their catalogue. Some priority for the band. We were the band [after 2012’s In Our Heads and 2010] and that was a key part of the set up of that included re-uploading high- looking at how to integrate things 2015’s Why Make Sense?]. -
Modes of Knowing: Resources from the Baroque John Law 17
MATTERING PRESS Mattering Press is an academic-led Open Access publisher that operates on a not-for-profit basis as a UK registered charity. It is committed to developing new publishing models that can widen the constituency of academic knowledge and provide authors with significant levels of support and feedback. All books are available to download for free or to purchase as hard copies. More at matteringpress.org. The Press’s work has been supported by: Centre for Invention and Social Process (Goldsmiths, University of London), Centre for Mobilities Research (Lancaster University), European Association for the Study of Science and Technology, Hybrid Publishing Lab, infostreams, Institute for Social Futures (Lancaster University), Open Humanities Press, and Tetragon. Making this book Mattering Press is keen to render more visible the unseen processes that go into the produc- tion of books. We would like to thank Endre Dányi, who acted as the Press’s coordinating editor for this book, the reviewers Anna Tsing and Margaret Wiener, Jenn Tomomitsu for the copy-editing, Tetragon for the production and typesetting, Sarah Terry for the proof- reading, and Ed Akerboom at infostreams for formatting the html versions of this book. Cover In 1693, the French Académie des Sciences introduced a new, supposedly more rational system for categorising letterforms and constructing them according to an underlying grid. This was employed in the design of Romain du Roi, a new typeface for Louis XIV’s royal printer. The grid-engraved plates, on which the ‘B’ on the cover is based, were produced to demonstrate the typeface’s geometrical construction at a time when letterforms were generally derived from stylised handwriting. -
Brazilian Magazine About the Electroacoustic Culture
Y, 2015 Y, MA V, V, I - BRAZILIAN MAGAZINE ABOUT THE ELECTROACOUSTIC CULTURE iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiii This linda-iv we’re presenting now is comprised And if in linda-i we stopped by Sweden in iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii of articles and visual works published in the a conversation with Eva Sidén and Jens iiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii FOREWORD iiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiii Hedman and in linda-ii we got a taste of the iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii experimental music scene in Russia, we close iiiiiiiiiiii -
REGLEMENT Jeu « Sony Days 2018 »
REGLEMENT Jeu « Sony Days 2018 » Article 1. - Sociétés Organisatrices Sony Interactive Entertainment ® France SAS, au capital de 40 000 €, enregistrée au RCS de Nanterre sous le N° 399 930 593, située 92 avenue de Wagram, 75017 Paris ; Sony Mobile Communications, enregistrée au RCS de Nanterre sous le n°439 961 905, située 49-51 quai de Dion Bouton 92800 Puteaux ; Sony Pictures Home Entertainment France SNC, au capital de 107 500 €, enregistrée au RCS de Nanterre en date du 02/03/1987 sous le N° 324 834 266, située 25 quai Gallieni, 92150 Suresnes ; Sony Music Entertainment, France, SAS au capital de 2.524.720 €, enregistrée au RCS de Paris sous le n°542 055 603, située 52/54, rue de Châteaudun, 75009 Paris ; SONY France , succursale de Sony Europe Limited, 49-51 quai de Dion Bouton 92800 Puteaux , RCS Nanterre 390 711 323 (ci-après les « Sociétés Organisatrices ») ; organise un jeu avec obligation d’achat uniquement dans les magasins Fnac et Darty ainsi que sur le sites www.fnac.com et www.darty.com (ci-après le « Jeu ») par le biais d’instants gagnants ouverts du 02/04/2018 10h au 15/04/2018 23h59 inclus ouvert aux personnes physiques majeures (sous réserve des dispositions indiquées à l’article 2) résidant en France Métropolitaine (Corse et DROM-COM exclus). Article 2. - Participation Ce jeu est ouvert à toute personne physique majeure, résidant en France métropolitaine (Corse et DROM-COM exclus), à l'exception des mineurs, du personnel de la société organisatrice et des membres des sociétés partenaires de l'opération ainsi que de leur famille en ligne directe. -
Arles 2017 P
ARLES LES RENCONTRES DE LA PHOTOGRAPHIE 2017 EXHIBITIONS 3 JULY — 24 SEPTEMBER RENCONTRES-ARLES.COM MINISTÈRE DE L’EUROPE ET DES AFFAIRES ÉTRANGÈRES MINISTÈRE DE L’ÉDUCATION NATIONALE MINISTÈRE DE LA CULTURE DIRECTION RÉGIONALE DES AFFAIRES CULTURELLES PACA GOBIERNO DE COLOMBIA, INSTITUT FRANÇAIS RÉGION PROVENCE-ALPES-CÔTE D’AZUR PHOTOGRAPHY (DETAIL): KARLHEINZ WEINBERGER, CONSEIL DÉPARTEMENTAL DES BOUCHES-DU-RHÔNE COURTESY OF ESTHER WOERDEHOFF VILLE D’ARLES DESIGN ABM STUDIO ARLES LES RENCONTRES DE LA PHOTOGRAPHIE 2017 OPENING WEEK 3 — 9 JULY EXHIBITIONS & WORKSHOPS 3 JULY — 24 SEPTEMBER PRESS KIT – APRIL 2017 PRESS RELATIONS / CLAUDINE COLIN COMMUNICATION LES RENCONTRES D’ARLES VIRGINIE THOMAS & ALEXIS GREGORAT 34 RUE DU DOCTEUR FANTON / 13200 ARLES 3 RUE DE TURBIGO / 75001 PARIS [email protected] [email protected] RENCONTRES-ARLES.COM / TÉL. +33 (0)4 90 96 76 06 CLAUDINECOLIN.COM / TEL. +33 (0)1 42 72 60 01 THE RENCONTRES D'ARLES ENJOY THE SPECIAL SUPPORT OF PRIX PICTET, FONDATION JAN MICHALSKI POUR L’ÉCRITURE AND THE ACTIVE COLLABORATION OF ET LA LITTÉRATURE, YELLOWKORNER, THE SWISS CENTRE POMPIDOU, BIBLIOTHÈQUE NATIONALE DE FRANCE, CONFEDERATION, LËT’Z ARLES (LUXEMBOURG), HUAWEI, ÉCOLE NATIONALE SUPÉRIEURE DE LA PHOTOGRAPHIE D’ARLES, NESPRESSO, BNP PARIBAS, RUBIS MÉCÉNAT CULTURAL FUND, ASSOCIATION DU MÉJAN, MUSÉE RÉATTU, CARRÉ D’ART-MUSÉE TECTONA, ACTES SUD, THE SWISS ARTS COUNCIL PRO HELVETIA, D’ART CONTEMPORAIN DE NÎMES, COLLECTION LAMBERT DEVIALET, SAIF, ADAGP, MÉTROBUS, LUMA ARLES, COMMUNAUTÉ AVIGNON, HÔTEL -
The Obsession ++ Confession Issue Issue 5
THE OBSESSION ++ CONFESSION ISSUE #5 / 2012 $9.99US $9.99CAN SHIRLEY MANSON / SANTIGOLD / BEACH HOUSE SPIRITUALIZED / MARINA & THE DIAMONDS / GOTYE GABRIEL MANN / M.WARD ++MORE ISSUE 5 SO WHAT IF PAGES 8 - 19 READ THE LETTER FROM THE EDITOR MEET THE CONTRIBUTORS YOU CANNOT HIDE. I CAN’T STOP THINKING ABOUT PAGES 20 - 57 SANTIGOLD BEACH HOUSE MARINA AND THE DIAMONDS SHIRLEY MANSON SPIRITUALIZED GABRIEL MANN ALEXANDRA BRECKENRIDGE GOTYE BRADLEY SOILEAU I TOLD MY GIRLS HE COULD GET IT WANTING TO LIKE BE WITH YOU (WITH YOU) PAGES 58-83 NICK WATERHOUSE LISSY TRULLIE SAMANTHA RONSON MIIKE SNOW TYLER BLACKBURN M.WARD SHANE WEST INDIA DE BEAUFORT THE TING TINGS OF MONTREAL SILVERSUN PICKUPS HOT CHIP R.I.P TO THE GIRL YOU USED TO KNOW EVERYONE THINKS YOU’RE FUCKING HOT i know you want to find out about this PAGES 84- 109 ALEX PRAGER DESIGNER OBSESSIONS +CONFESSIONS IN GOD WE TRUST PEOPLE WE LIKE STOLEN GIRLFRIENDS CLUB CONFESSIONS OF A BUNNY LOVER DIRTY SECRETS QUIZ STAFF OBSESSIONS AND CONFESSIONS ON THE STREET SUNGLASSES STOPPING THE WORLD AND MELTING WITH YOU SERIOUSLY DUDE Sweater, THE REFORMATION. Dress, SAVANT. Leggings, IRO. P 110-11 HONEY BUNNY I AM ERICA KANE CONTRIBUTORS Koko Ntuen Editor-In-Chief + Publisher MICHAEL DONOVAN Polly Brown Michael Donovan has found a strong underground following Guest Art Director for being the harbinger of the Post Bourgeois art movement. Mixing fashion and fine art, his distinguishable raucous and raw style mixed with his aggressive nature has been applied to Heather Seidler work for Bullet, Wonderland, Lovecat and many others while Editorial + Music Director his more conservative and exciting observant work has been applied to clients including The Pierre Hotel, MAGIC/Project, Reed Smith, Marie Claire Turkey, and others. -
THE WORK of REPRESENTATION Stuart Hall
CHAPTER ONE THE WORK OF REPRESENTATION Stuart Hall 1 REPRESENTATION, MEANING AND LANGUAGE In this chapter we will be concentrating on one of the key processes in the ‘cultural circuit’ (see Du Gay et al., 1997, and the Introduction to this volume) – the practices of representation. The aim of this chapter is to introduce you to this topic, and to explain what it is about and why we give it such importance in cultural studies. The concept of representation has come to occupy a new and important place in the study of culture. Representation connects meaning and language to culture. But what exactly do people mean by it? What does representation have to do with culture and meaning? One common-sense usage of the term is as follows: ‘Representation means using language to say something meaning- ful about, or to represent, the world meaningfully, to other people.’ You may well ask, ‘Is that all?’ Well, yes and no. Representation is an essential part of the process by which meaning is produced and exchanged between members of a culture. It does involve the use of language, of signs and images which stand for or represent things. But this is a far from simple or straightforward process, as you will soon discover. How does the concept of representation connect meaning and language to culture? In order to explore this connection further, we will look at a number of different theories about how language is used to represent the world. Here we will be drawing a distinction between three different accounts or theories: the reflective, the intentional and the constructionist approaches to representation. -
Examining Concept Albums' Methods of Constructing Meaning in the Digital Age Mario Alonzo Dozal University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2012-01-01 This Is The Art Form: Examining Concept Albums' Methods Of Constructing Meaning In The Digital Age Mario Alonzo Dozal University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Communication Commons, and the Music Commons Recommended Citation Dozal, Mario Alonzo, "This Is The Art Form: Examining Concept Albums' Methods Of Constructing Meaning In The Digital Age" (2012). Open Access Theses & Dissertations. 2076. https://digitalcommons.utep.edu/open_etd/2076 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. THIS IS THE ART FORM: EXAMINING CONCEPT ALBUMS’ METHODS OF CONSTRUCTING MEANING IN THE DIGITAL AGE MARIO ALONZO DOZAL Department of Communication APPROVED: _______________________________ Roberto Avant-Mier, Ph.D., Chair _______________________________ Richard D. Pineda, Ph.D. _______________________________ Jeffrey Sirkin, Ph.D. _______________________________ Benjamin Flores, Ph.D. Interim Dean of the Graduate School Copyright © by Mario Alonzo Dozal 2012 Dedicated to Grandma, Grandpa, Mom, and Dad. THIS IS THE ART FORM: EXAMINING CONCEPT ALBUMS’ METHODS OF CONSTRUCTING MEANING IN THE DIGITAL AGE By MARIO ALONZO DOZAL MA THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Communication THE UNIVERSITY OF TEXAS AT EL PASO May 2012 Acknowledgements First and foremost, my family deserves a million thanks because without them my accomplishments would mean nothing. -
PRECIOUS METAL “This Page Left Intentionally Blank.” 0306818066-Mudrian 01:Layout 1 5/4/09 1:28 PM Page Iii
0306818066-Mudrian_01:Layout 1 5/4/09 1:28 PM Page i PRECIOUS METAL “This page left intentionally blank.” 0306818066-Mudrian_01:Layout 1 5/4/09 1:28 PM Page iii PRECIOUS METAL ø DECIBEL Presents the Stories Behind 25 Extreme Metal Masterpieces Edited by ALBERT MUDRIAN DA CAPO PRESS A Member of the Perseus Books Group 0306818066-Mudrian_01:Layout 1 5/4/09 1:28 PM Page iv Copyright © 2009 by Decibel magazine All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Printed in the United States of America. For information, address Da Capo Press, 11 Cambridge Center, Cambridge, MA 02142. Designed by Jeff Williams Set in 11 point Adobe Caslon by the Perseus Books Group Library of Congress Cataloging-in-Publication Data Precious metal : Decibel magazine presents the oral histories of 25 extreme metal essentials / edited by Albert Mudrian. p. cm. Includes index. ISBN 978-0-306-81806-6 (alk. paper) 1. Extreme metal (Music)—History and criticism. 2. Death metal (Music)—History and criticism. 3. Heavy metal (Music)—History and criticism. 4. Rock musicians—Interviews. I. Mudrian, Albert, 1975– II. Decibel (Philadelphia, Pa.) ML3534.P73 2009 781.66--dc22 2009007835 Published by Da Capo Press A Member of the Perseus Books Group www.dacapopress.com Da Capo Press books are available at special discounts for bulk purchases in the U.S. by corpo- rations, institutions, and other organizations. -
2017 in Music
DECEMBER 2017 FREE 2017 IN MUSIC M N E K Connected to music... Sorry to be cliché but we cant believe it is already time for our New Year’s edition. And what a year it has been: Mac DeMarco brought out his long-anticipated new album, Oasis boys Noel and Liam Gallagher were both back on top form, (albeit separately), and our cover-star MNEK released his first solo single in three years. The 22-year old Londoner is original, quietly charismatic and ambitious. His writing and pro- duction credits include Madonna, Stomzy and golden-child Beyoncè, but it wasn’t until his solo track Paradise was released in late October, that he finally got the recognition he deserved. This year hasn’t all been peaches and cream however. We only have to cast our minds back to the bombing at Arianna Grande’s concert that saw 22 lives taken. One Love and We Are Manchester charity events came soon afterwards, bringing en eclectic mix of bands and artists to the city and proved the theory that Northerners will never be defeated. We hope you enjoy this issue. Sit down by the fire, put on our Wired Winter playlist on Spotify, and have a merry old time. See you in 2018. Contents What’s going on up north The Rise of MNEK facebook.com/wiredmag Mac Demarco interview Ones to watch in 2018 twitter..com/wiredmag Neighbourhood Festival Mura Masa Fake album tracklists instagram.com/wiredmag Simpsonwave Products spotify.com/wiredmusicmag DJ Corner Chet Faker Albert Hall, Manchester 2 December After six years of working as an inde- pendent artist, Chet Faker - real name Nick Murphy - has suddenly became the golden boy of mellow-electronic-pop. -
The Exchange Mike Marsh Mastering Discography to December 2020
The Exchange Mike Marsh Mastering Discography to December 2020 ARTIST TITLE RECORD LABEL FORMAT YEAR FRANKIE GOES TO HOLLYWOOD RELAX (12" SEX MIX) ISLAND / ZTT NEW 12" LACQUERS 1988 JOCEYLYN BROWN SOMEBODY ELSES GUY ISLAND / 4TH & BROADWAY NEW 12" LACQUERS 1988 SHRIEKBACK GO BANG! ISLAND LP LACQUERS 1988 BEATMASTERS BURN IT UP (ACID REMIX) RHYTHM KING 12" SINGLE 1988 SPECIAL A.K.A. FREE NELSON MANDELA CHRYSALIS 12" SINGLE 1988 MICA PARIS SO GOOD ISLAND / 4TH & BROADWAY LP LACQUERS 1988 JELLYBEAN COMING BACK FOR MORE CHRYSALIS 12" SINGLE 1988 ERASURE A LITTLE RESPECT MUTE 12" / 7" SINGLE 1988 OUTLAW POSSE THE * PARTY / OUTLAWS IN EFFECT GEE STREET 12" SINGLE 1988 BRANDON COOKE & ROXANNE SHANTE SHARP AS A KNIFE PHONOGRAM 12" / 7" SINGLE 1988 U2 WITH OR WITHOUT YOU ISLAND NEW 7" LACQUERS 1988 JUDI TZUKE COMPILATION ALBUM CHRYSALIS DOUBLE LP LACQUERS 1988 NAPALM DEATH FROM ENSLAVEMENT TO OBLITERATION EARACHE / REVOLVER LP LACQUERS 1988 TOOTS HIBBERT IN MEMPHIS ISLAND MANGO LP LACQUERS 1988 REGGAE PHILHARMONIC ORCHESTRA MINNIE THE MOOCHER ISLAND 12" SINGLE 1988 JUNGLE BROTHERS STRAIGHT OUT THE JUNGLE GEE STREET LP LACQUERS 1988 LEVEL 42 HEAVEN IN MY HANDS POLYDOR 7" SINGLE 1988 JUNGLE BROTHERS I'LL HOUSE YOU (GEE ST. RECONSTRUCTION) GEE STREET 12" / 7" SINGLE 1988 MICA PARIS BREATHE LIFE INTO ME ISLAND / 4TH & BROADWAY 12" / 7" SINGLE 1988 BLOW MONKEYS IT PAYS TO BE TWELVE RCA 12" SINGLE 1988 STEVEN DANTE IMAGINATION CHRYSALIS COOLTEMPO 12" SINGLE 1988 TANITA TIKARAM TWIST IN MY SOBRIETY WEA 10" SINGLE 1988 RICHIE RICH MY D.J. (PUMP IT UP SOME) GEE STREET 12" SINGLE 1988 TODD TERRY WEEKEND SLEEPING BAG UK 12" / 7" SINGLE 1988 TRAVELING WILBURYS HANDLE WITH CARE WEA 12" / 7" SINGLE 1988 YOUNG M.C.