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Marvel Universe 3.75" Action Figure Checklist
Marvel Universe 3.75" Action Figure Checklist Series 1 - Fury Files Wave 1 • 001 - Iron Man (Modern Armor) • 002 - Spider-Man (red/blue costume) (Light Paint Variant) • 002 - Spider-Man (red/blue costume) (Dark Paint Variant) • 003 - Silver Surfer • 004 - Punisher • 005 - Black Panther • 006 - Wolverine (X-Force costume) • 007 - Human Torch (Flamed On) • 008 - Daredevil (Light Red Variant) • 008 - Daredevil (Dark Red Variant) • 009 - Iron Man (Stealth Ops) • 010 - Bullseye (Light Paint Variant) • 010 - Bullseye (Dark Paint Variant) • 011 - Human Torch (Light Blue Costume) • 011 - Human Torch (Dark Blue Costume) Wave 2 • 012 - Captain America (Ultimates) • 013 - Hulk (Green) • 014 - Hulk (Grey) • 015 - Green Goblin • 016 - Ronin • 017 - Iron Fist (Yellow Dragon) • 017 - Iron Fist (Black Dragon Variant) Wave 3 • 018 - Black Costume Spider-Man • 019 - The Thing (Light Pants) • 019 - The Thing (Dark Pants) • 020 - Punisher (Modern Costume & New Head Sculpt) • 021 - Iron Man (Classic Armor) • 022 - Ms. Marvel (Modern Costume) • 023 - Ms. Marvel (Classic Red, Carol Danvers) • 023 - Ms. Marvel (Classic Red, Karla Sofen) • 024 - Hand Ninja (Red) Wave 4 • 026 - Union Jack • 027 - Moon Knight • 028 - Red Hulk • 029 - Blade • 030 - Hobgoblin Wave 5 • 025 - Electro • 031 - Guardian • 032 - Spider-man (Red and Blue, right side up) • 032 - Spider-man (Black and Red, upside down Variant) • 033 - Iron man (Red/Silver Centurion) • 034 - Sub-Mariner (Modern) Series 2 - HAMMER Files Wave 6 • 001 - Spider-Man (House of M) • 002 - Wolverine (Xavier School) -
An Eden with No Snake in It: Pure Comedy and Chaste Camp in The
An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 ABSTRACT An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 Copyright by Joshua Gibbons Striker 2019 Abstract In this dissertation I use an old and unfashionable form of literary criticism, close reading, to offer a new and unfashionable account of the literary subgenre called camp. Drawing on the work of, among many others, Susan Sontag, Rita Felski, and Peter Lamarque, I argue that P.G. Wodehouse, E.F. Benson, and Angela Thirkell wrote a type of pure comedy I call chaste camp. Chaste camp is a strange beast. On the one hand it is a sort of children’s literature written for and about adults; on the other hand it rises to a level of literary merit that children’s books, even the best of them, cannot hope to reach. -
How to Cite Complete Issue More Information About This Article
Palabra Clave ISSN: 0122-8285 Universidad de La Sabana Donoso Munita, José Agustín; Penafiel Durruty, Mariano Alejandro Transmedial Transduction in the Spider-Verse Palabra Clave, vol. 20, no. 3, 2017, July-September, pp. 763-787 Universidad de La Sabana DOI: https://doi.org/10.5294/pacla.2017.20.3.8 Available in: https://www.redalyc.org/articulo.oa?id=64954578008 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative Transmedial Transduction in the Spider-Verse José Agustín Donoso Munita1 Mariano Alejandro Penafiel Durruty2 Recibido: 2016-09-09 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-12 Aceptado: 2017-03-16 DOI: 10.5294/pacla.2017.20.3.8 Para citar este artículo / to reference this article / para citar este artigo Donoso Munita, J.A. y Penafiel Durruty, M.A. (2017). Transmedial transduction in the spider-verse. Palabra Clave, 20(3), 763-787. DOI: 10.5294/pacla.2017.20.3.8 Abstract Since Spider-Man was born from the hands of Stan Lee and Steve Ditko in 1962, thousands of versions of the arachnid have been created. Among them, two call the attention of this investigation: Spider-Man India and Supaidaman (1978), from Japan. By using a comparative study of the he- ro’s journey between these two and the original Spider-Man, this study at- tempts to understand transduction, made to generate cultural proximity with the countries where the adaptations were made. -
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9- BBMBBBBBjWPPW vjmEb 5 - TUlTi1iiiinrfrn Tiiiinrr r J 4 7 f 1 VOL XXXV No 6i HONOLULU TUESDA1 FEBRUAEY 5 18S9 i WHOLE No 1256 QTarits 7 Business Tau uDcrtiscmcnts SAM0AN Danielson in n saloon of laughing at itiv m - THE QUESTION IIIIIIX I sWt- SauiaiiandaMe a picture of tho dead Emperor of HiVM4Wv J ttU Germany Danielson denied having MISCELLANEOUS A B LOEBENSTEIN m done so when one of the officers rlTKLISUKl UY BISHOP COMPANY Surveyor anil Civi Engineer TUESDAY FEBRUARY 5 1S59 Considerable Excitement on the tried to throw him down Ho threw HAWAIIAN GAZETTE CO Limited Pacific Coast the officer instead and the second 1242 11ILO HAWAII 6m officer then stabbed him onco in BANKERS Every Tuesday Morning PERSONAL each arm with his sword When IIOXOMMJ HAWAIIAN ISLANDS A M SPROTIIiI Danielson went to tho German Con- ¬ Vivid Hostllltfe i FIVE DOLLARS PER ANMJM DRAW EXCHANGE ON Account of from Klein of Al AV clerk- ¬ sulate next morning to complain THE BANK OF CALIFORNIA SAN FRANCISCO Civil Engineer and Surveyor Mr F Love is going to get a in the Examiner American and Ifi the two officers ho was told ho was PAYABLE IX ADVAXCE AND AGENTS IX ship the ro3toffice TIIEIB British Flags Insulted ¬ - - - Mr B Dillingham baby drunk and forced to leave the prem- SO 00 in Ailvnm c Sew VorJi Boston laris Tort Street Honolulu F has a Korei jn Subscribers Q2Jl 3m named initially O G ises MESSRS U ffl ROTHSCHILD SONS LONDON It L ¬ On the evening of the 16th about Which include postages prepaid ANKFORT-ON-TnE-MAIN- Mr J U Tucker promenaded in celes- ¬ --By the -
September 1914) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1914 Volume 32, Number 09 (September 1914) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 32, Number 09 (September 1914)." , (1914). https://digitalcommons.gardner-webb.edu/etude/606 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE 625 Combs Broad Street Conservatory Greatest Educational Work of the Age Standard and Modern Mathews Standard Instruction Books Graded Course of for the Pianoforte THE SELECTION OF THE RIGHT MUSIC ■r^lna; Studies™ Pianoforte SCHOOL IS THE ALL IMPORTANT STEP Compiled by W. S. B. MATHEWS Individual attention, high ideals, breadth of culture, personal care and moderate cost of education at the COMBS BROAD ST. CONSERVATORY OF MUSIC should interest you !§pnmmmmMs. Three Decades of Success Teachers of World Wide Fame Can Accommodate 2500 Day and Dormitory GILBERT RAYNOLDS COMBS, Piano. Students. HENRY SCHRAD1ECK, Violin. iEssSItsI' Chartered by State of Pennsylvania with HUGH A. CLARKE, Mus. Doc., Theory and seventy artist teachers—graduates of the power to confer degrees. -
THE COMIX BOOK LIFE of DENIS KITCHEN Spring 2014 • the New Voice of the Comics Medium • Number 5 Table of Contents
THE COMIX BOOK LIFE OF DENIS KITCHEN 0 2 1 82658 97073 4 in theUSA $ 8.95 ADULTS ONLY! A TwoMorrows Publication TwoMorrows Cover art byDenisKitchen No. 5,Spring2014 ™ Spring 2014 • The New Voice of the Comics Medium • Number 5 TABLE OF CONTENTS HIPPIE W©©DY Ye Ed’s Rant: Talking up Kitchen, Wild Bill, Cruse, and upcoming CBC changes ............ 2 CBC mascot by J.D. KING ©2014 J.D. King. COMICS CHATTER About Our Bob Fingerman: The cartoonist is slaving for his monthly Minimum Wage .................. 3 Cover Incoming: Neal Adams and CBC’s editor take a sound thrashing from readers ............. 8 Art by DENIS KITCHEN The Good Stuff: Jorge Khoury on artist Frank Espinosa’s latest triumph ..................... 12 Color by BR YANT PAUL Hembeck’s Dateline: Our Man Fred recalls his Kitchen Sink contributions ................ 14 JOHNSON Coming Soon in CBC: Howard Cruse, Vanguard Cartoonist Announcement that Ye Ed’s comprehensive talk with the 2014 MOCCA guest of honor and award-winning author of Stuck Rubber Baby will be coming this fall...... 15 REMEMBERING WILD BILL EVERETT The Last Splash: Blake Bell traces the final, glorious years of Bill Everett and the man’s exquisite final run on Sub-Mariner in a poignant, sober crescendo of life ..... 16 Fish Stories: Separating the facts from myth regarding William Blake Everett ........... 23 Cowan Considered: Part two of Michael Aushenker’s interview with Denys Cowan on the man’s years in cartoon animation and a triumphant return to comics ............ 24 Art ©2014 Denis Kitchen. Dr. Wertham’s Sloppy Seduction: Prof. Carol L. Tilley discusses her findings of DENIS KITCHEN included three shoddy research and falsified evidence inSeduction of the Innocent, the notorious in-jokes on our cover that his observant close friends might book that almost took down the entire comic book industry .................................... -
Marvel Comics Marvel Comics
Roy Tho mas ’Marvel of a ’ $ Comics Fan zine A 1970s BULLPENNER In8 th.e9 U5SA TALKS ABOUT No.108 MARVELL CCOOMMIICCSS April & SSOOMMEE CCOOMMIICC BBOOOOKK LLEEGGEENNDDSS 2012 WARREN REECE ON CLOSE EENNCCOOUUNNTTEERRSS WWIITTHH:: BIILL EVERETT CARL BURGOS STAN LEE JOHN ROMIITA MARIIE SEVERIIN NEAL ADAMS GARY FRIIEDRIICH ALAN KUPPERBERG ROY THOMAS AND OTHERS!! PLUS:: GOLDEN AGE ARTIIST MIKE PEPPE AND MORE!! 4 0 5 3 6 7 7 2 8 5 6 2 8 1 Art ©2012 Marvel Characters, Inc.; Human Torch & Sub-Mariner logos ™ Marvel Characters, Inc. Vol. 3, No. 108 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) AT LAST! Ronn Foss, Biljo White LL IN Mike Friedrich A Proofreader COLOR FOR Rob Smentek .95! Cover Artists $8 Carl Burgos & Bill Everett Cover Colorist Contents Tom Ziuko With Special Thanks to: Writer/Editorial: Magnificent Obsession . 2 “With The Fathers Of Our Heroes” . 3 Glenn Ald Barbara Harmon Roy Ald Heritage Comics 1970s Marvel Bullpenner Warren Reece talks about legends Bill Everett & Carl Burgos— Heidi Amash Archives and how he amassed an incomparable collection of early Timelys. Michael Ambrose Roger Hill “I’m Responsible For What I’ve Done” . 35 Dave Armstrong Douglas Jones (“Gaff”) Part III of Jim Amash’s candid conversation with artist Tony Tallarico—re Charlton, this time! Richard Arndt David Karlen [blog] “Being A Cartoonist Didn’t Really Define Him” . 47 Bob Bailey David Anthony Kraft John Benson Alan Kupperberg Dewey Cassell talks with Fern Peppe about her husband, Golden/Silver Age inker Mike Peppe. -
Set Name Card Description Sketch Auto Mem #'D Odds Point Base Set 1 Iron Fist
Set Name Card Description Sketch Auto Mem #'d Odds Point Base Set 1 Iron Fist. Go Home. 4 Per Pack 20 Base Set 2 The H Word 4 Per Pack 20 Base Set 3 I'm Moving Forward 4 Per Pack 20 Base Set 4 Congratulations Mr. Murdock 4 Per Pack 20 Base Set 5 What's On Your Mind? 4 Per Pack 20 Base Set 6 Close to Collapse 4 Per Pack 20 Base Set 7 Do Yourself a Favor 4 Per Pack 20 Base Set 8 The Hero of Harlem 4 Per Pack 20 Base Set 9 11th & 49th 4 Per Pack 20 Base Set 10 Always the Same Story 4 Per Pack 20 Base Set 11 Heroes your Word not mine 4 Per Pack 20 Base Set 12 As you Requested 4 Per Pack 20 Base Set 13 It's Just a City 4 Per Pack 20 Base Set 14 Requesting Backup Immediately 4 Per Pack 20 Base Set 15 Can I go now? 4 Per Pack 20 Base Set 16 We have Allies 4 Per Pack 20 Base Set 17 What Pop would've Wanted 4 Per Pack 20 Base Set 18 It's a Door 4 Per Pack 20 Base Set 19 Another kind of Hero 4 Per Pack 20 Base Set 20 Trouble in a Pair-of-Dice 4 Per Pack 20 Base Set 21 Just a Matter of Time 4 Per Pack 20 Base Set 22 It's too Late 4 Per Pack 20 Base Set 23 Mean Right Hook 4 Per Pack 20 Base Set 24 Old Friend 4 Per Pack 20 Base Set 25 I'm your Attourney 4 Per Pack 20 Base Set 26 White Hat 4 Per Pack 20 Base Set 27 Black Sky 4 Per Pack 20 Base Set 28 This is who you are 4 Per Pack 20 Base Set 29 I know the Drill 4 Per Pack 20 Base Set 30 This isn't going to workout 4 Per Pack 20 Base Set 31 They're watching everything 4 Per Pack 20 Base Set 32 Welcome Back/ Mr. -
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title Performing Citizens and Subjects: Dance and Resistance in Twenty-First Century Mozambique Permalink https://escholarship.org/uc/item/1w33f4s5 Author Montoya, Aaron Tracy Publication Date 2016 License https://creativecommons.org/licenses/by-nc/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ PERFORMING CITIZENS AND SUBJECTS: DANCE AND RESISTANCE IN TWENTY-FIRST CENTURY MOZAMBIQUE A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in ANTHROPOLOGY with an emphasis in Visual Studies by Aaron Montoya June 2016 The Dissertation of Aaron Montoya is approved: ____________________________________ Professor Shelly Errington, Chair ____________________________________ Professor Carolyn Martin-Shaw ____________________________________ Professor Olga Nájera-Ramírez ____________________________________ Professor Lisa Rofel ____________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Aaron T. Montoya 2016 Table of Contents Abstract iv Agradecimientos vi Introduction 1 1. Citizens and Subjects in Portuguese Mozambique 20 2. N’Tsay 42 3. Nyau 84 4. Um Solo para Cinco 145 5. Feeling Plucked: Labor in the Cultural Economy 178 6. Conclusion 221 Bibliography 234 iii Abstract Performing Citizens and Subjects: Dance and Resistance in Twenty-First Century Mozambique Aaron Montoya This dissertation examines the politics and economics of the cultural performance of dance, placing this expressive form of communication within the context of historic changes in Mozambique, from the colonial encounter, to the liberation movement and the post-colonial socialist nation, to the neoliberalism of the present. The three dances examined here represent different regimes, contrasting forms of subjectivity, and very different relations of the individual to society. -
Volume 8, Number 1
POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 1 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State -
THE PUNISHER WAR JOURNAL by Luis Filipe Based on Marvel Comics
THE PUNISHER THE PUNISHER WARWAR JOURNALJOURNAL by Luis Filipe Based on Marvel Comics character Copyright (c) 2017 This is just a fan made [email protected] OVER BLACK The sound of a POLICE RADIO calling. RADIO All units. Central Park shooting, requiring reinforcements immediately. CUT TO: CELL PHONE POV: Filming towards of Central Park alongside more people. Everyone horrified, but we don't know for what yet. CUT TO: VIDEO FOOTAGE: Now in Central Park where the police and CSI surround an entire area that is filled with CORPSES. A REPORTER talks to the camera. REPORTER Today New York witnessed the biggest outdoor massacre. It is speculated that the victims are members of the Mafia or even gangs, but no confirmation from the police yet. CUT TO: ANOTHER FOOTAGE: With the cameraman zooming in the forensic putting some bodies in black bags. One of them we notice that it's a little girl, and another a woman. REPORTER (O.S.) Apparently there was only one survivor. The victim is in serious condition but the paramedics doubt that he will hold it for long. CUT TO: SHAKY FOOTAGE: The only surviving man being taken on the stretcher to an ambulance. An oxygen mask on his face. His body covered in blood. He still uses his last forces to murmur. MAN My family... I want my... family. He is placed inside the ambulance. As the paramedics slam the ambulance doors - CUT TO BLACK: 2. Then - FADE IN: INT. CASTLE'S APARTMENT - DAY A small place with little furniture. The curtain blocks the sun from the single window of the apartment, allowing only a wispy sunlight to enter. -
Representations of the Criminal in Eighteen-Century England Daniel Gonzalez Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 The culture of crime: representations of the criminal in eighteen-century England Daniel Gonzalez Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Gonzalez, Daniel, "The culture of crime: representations of the criminal in eighteen-century England" (2002). LSU Doctoral Dissertations. 112. https://digitalcommons.lsu.edu/gradschool_dissertations/112 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE CULTURE OF CRIME: REPRESENTATIONS OF THE CRIMINAL IN EIGHTEENTH-CENTURY ENGLAND A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Daniel Gonzalez B.A., Bucknell University, 1992 M.A., McNeese State University, 1995 M.F.A., McNeese State University, 1995 May 2002 Acknowledgments First, I owe a tremendous amount of gratitude to my dissertation director, Dr. Jim Borck, for his continuing encouragement and friendship during this lengthy process. Dr. Elsie Michie has also been a strong voice of encouragement, and without the guidance and support of both of these mentors, this dissertation would never have been completed. When I grow up to be a professor, I want to be just like them; they have helped me more than either can ever know.