DOCSLIB.ORG

Merging Technologies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Merging Technologies Merging Technologies More than 25 years of independence www.merging.com For 3D audio - Audio IP - Monitoring Industries that (could) use 3D audio Cinema Gaming Broadcast (TV/Radio – Live) Opera / Theatre / Musicals VOD / streaming (Netflix etc ) Music production (live) Events / Museum / Exhibition Retail / Installations / shopping malls Medical industry Car industry Audio Immersive / 3D audio / OBA (object based audio) My studio needs to be flexible What infrastructure ? What applications ? What formats ? Ressources ? DAW 1 22.2 BINAURAL PROCESS OBA Creative for LIVE AURO 7.1 ATMOS STEREO 7.1.4 LIVE YOU and your RADIO TV CINEMA studio (s) EVENTS DAW 2 10.2 MIXING Panner DAW 1 22.2 BINAURAL PROCESS OBA Creative for LIVE AURO 7.1 ATMOS STEREO 7.1.4 LIVE YOU and your RADIO TV CINEMA studio (s) EVENTS DAW 2 AES 67 10.2 MIXING INTERCONNECTION Panner AES67 – open protocol • ST 2110 • RAVENNA • Dante AES67 • Multiple sample Rate • High track counts • Interoperability RAVENNA / AES67 Core Audio IO vs. ASIO IO Count & Linux RAVENNA CORE AUDIO IO COUNT RAVENNA ASIO IO COUNT • 128 I/O @ 1fs (44.1kHz / 48kHz) • 128 I/O @ 1fs (44.1kHz / 48kHz) • 128 I/O @ 2fs (88.2 kHz / 96kHz) • 64 I/O @ 2fs (88.2 kHz / 96kHz) • 128 I/O @ 4fs (176.4 kHz / 192 kHz) • 32 I/O @ 4fs (176.4 kHz / 192 kHz) • 16 I/O @ 8fs (352.8 kHz / 384 kHz) Note: The number of I/Os can be configured to less if the application does not support these numbers. Compatibility ANEMAN for MAC & Windows • 6x expansion slots for 8 channel Mic/Line AD boards or 8 channel DA boards - 8 channels Mic/Line AD/DA - HD link 64 channels PT 64 • Wordclock In/Out connectors (BNC) • 2x expansion slots for 8 channel Mic/Line • Sync connector – Video reference In, LTC I/O, AD boards or 8 channel DA boards - 8 MIDI or Bi-Phase I/O channels Mic/Line AD/DA - HD link 64 • 2x Ravenna / AES 67 data ports (RJ-45) channels PT 64 – MADI 64 • MADI Coaxial I/O (BNC) • Wordclock In/Out connectors (BNC) • MADI Optical I/O (SC) • Sync connector – Video reference In, LTC • 3x AES connectors for 12 AES I/O pairs (Sub-D I/O, MIDI or Bi-Phase I/O 25) • 2x Ravenna / AES 67 data ports (RJ-45) • On/Off switch • 1x AES connectors for 4 AES I/O pairs (Sub-D • Dual Power Supply Unit (IEC) for Redundant 25) PS option • 1x ADAT 8 channels / TOS Link Spdif 2 • Secondary MADI expansion slot (BNC & channels i/o Optical SC) • On/Off switch • Dual Power Supply Unit (IEC) for Redundant PS option • Secondary MADI expansion slot (BNC & Optical SC) DAW 1 22.2 BINAURAL PROCESS OBA Creative for LIVE AURO 7.1 ATMOS STEREO 7.1.4 LIVE YOU and your RADIO TV CINEMA studio (s) EVENTS DAW 2 10.2 MIXING Panner MONITORING ANUBIS Up to 4 Monitors Up to 4 Sources Up to 4 Cues Mixes with ultra-low latency Up to 2 Headphones Built-in Dual Gain 32bit Preamp circuitry on all inputs AD split feature on all inputs: Each one of the 4 input channels can be split and have its independent gain and cut feature Exceptional quality and very powerful Headphone Amp suitable for ultra-low to very high impedance headphones (near zero impedance output Input / Talkback DSP Mixer Setup Monitoring Remote control via browser ANUBIS & Merging ecosystem Expandable I/O through Hapi or Horus: Up to 8 Monitors capable of up to 22.2 (maximum 32 channels) Up to 128 Sources capable of up to 22.2 (maximum 128 channels) Up to 8 Cues Up to 256 additional Analogue I/Os Up to 256 additional MADI, AES3, SPDIF I/Os Up to 256 additional AES67/RAVENNA Up to 256 additional Pro Tools HD I/Os In-the-box I/O pairing management with Merging devices Any other AES67/RAVENNA devices pairing using ANEMAN NO LATENCY !! ANEMAN Thank you for your attention www.merging.com Instagram @mergingtech.
Load more

Recommended publications
  • AES67-101: the Basics of AES67
    AES67-101: The Basics of AES67 Anthony P. Kuzub IP Audio Product Manager [email protected] www.Ward-Beck.Systems TorontoAES.org Vice-Chair Ward-Beck.Systems - Audio Domains PREAMPS.audio FILTERING.audio PATCHING.audio MUTING.audio DB25.audio VUMETERS.audio PANELS.audio MATRIXING.audio BUSSING.audio XLR.audio SUMMING.audio AMPLIFY.audio CONSOLES.audio GROUNDING.audio The least you SHOULD know about networking: The physical datalink networks transported sessions presented by the application TX RX DATA 7 - Application DATA PATCHING.audio AES67.audio MATRIXING.audio 2110-30.AES67.audio 6 - Presentation BUSSING.audio 5 - Session 4 - Transport ROUTING.audio IGMP.audio 3 - Network SWITCHING.audio CLOCKING.audio 2 - Data Link MULTICASTING.audio 1 - Physical RJ45.audio The Road to Incompatibility… Dante RAVENNA QLAN Livewire Control & Monitoring Proprietary HTTP, Ember+ TCP, HTTP HTTP, Proprietary Proprietary Proprietary Discovery Bonjour Proprietary Connection Proprietary RTSP, SIP, IGMP Proprietary Proprietary, HTTP, IGMP Management Session Description Proprietary SDP Proprietary Channel # Transport Proprietary, IPv4 RTP, IPv4 RTP, IPv4 RTP, IPv4 Quality of Service DiffServ DiffServ DiffServ DiffServ/802.1pq Encoding & Streaming L16-32, ≤4 ch/flow L16-32, ≤64 cha/str 32B-FP, ≤16 ch/str L24, st, surr Synchronization PTP1588-2002 PTP1588-2008 PTP1588-2008 Proprietary Media Clock 44.1kHz, 192kHz 44.1kHz – 384kHz 48kHz 48kHz AES67-2013 Standard for audio applications of networks: High-performance streaming audio-over-IP interoperability References
    [Show full text]
  • Aoip/AES67: Anatomy of a Full-Stack Implementation Ievgen Kostiukevych IP Media Technology Architect European Broadcasting Union
    From IP Showcase Theatre at IBC 2018 September 2018 C U R A T E D B Y AoIP/AES67: Anatomy of a Full-Stack Implementation Ievgen Kostiukevych IP Media Technology Architect European Broadcasting Union IP SHOWCASE THEATRE AT IBC – SEPT. 14-18, 2018 ©Ievgen Kostiukevych, [email protected], Special for IP Showcase Theatre AOIP IP STACK ON OSI LAYERS • Layer 1: 100BASE-T, 1000BASE-% (T, X, etc.) • Layer 2: Ethernet • Layer 3: IPv4, IGMPv2, DiffServ • Layer 4: UDP • Layer 5: RTP (RTSP) • Layer 6: PCM Audio • Layer 7: “Network-aware” A/D-D/A ©Ievgen Kostiukevych, [email protected], Special for IP Showcase Theatre Curated by the Video Services Forum vsf.tv 1 From IP Showcase Theatre at IBC 2018 September 2018 AUDIO OVER IP IMPLEMENTATION ANATOMY ©Ievgen Kostiukevych, [email protected], Special for IP Showcase Theatre ©Ievgen Kostiukevych, [email protected], Special for IP Showcase Theatre Curated by the Video Services Forum vsf.tv 2 From IP Showcase Theatre at IBC 2018 September 2018 AUDIO OVER IP IMPLEMENTATION ANATOMY • Audio over IP protocols are packet-based • Utilize connectionless, unreliable protocol – UDP • Require additional protocols • I.E. DiffServ to maintain reliable performance • I.E. IEEE1588 to keep stable clock and synchronization • I.E. IGMP to utilize network properly and efficiently ©Ievgen Kostiukevych, [email protected], Special for IP Showcase Theatre ©Ievgen Kostiukevych, [email protected], Special for IP Showcase Theatre Curated by the Video Services Forum vsf.tv 3 From IP Showcase Theatre at IBC 2018 September
    [Show full text]
  • AES67 Standard and What It Means for the AV Industry
    TECH TALK 78 Systems Integration Asia August - September 2015 About AES67 Standard And What It Means For The AV Industry AES67 is not intended to replace existing solutions, but to offer means for interoperability among them Many of you would have heard about the AES67 standard that was developed by the Audio Engineering Society and published in September 2013. To promote the adoption of AES67, The Media Networking Alliance (MNA) was formed in October 2014. SI Asia speaks to Andreas Hildebrand,Senior Product Manager at ALC NetworX GmbH, the company that is responsible for RAVENNA networking technologies and also a member of MNA, to know more about AES67. What is AES67 all about? guidelines. A prerequisite was not In the overall audio eco- What loophole or space is to invent yet another, completely system, how does AES67 this meant to fill which was new solution, but to try to identify and the solutions fit into the not previously available? commonalities among the existing picture? AES67 is a standard published by solutions and use available technology The advantage of having an the Audio Engineering Society on standards and protocols already interoperability standard for various September 11th, 2013, addressing employed. The idea was to allow solutions is obvious: while there may be “High-performance Streaming Audio- current solution providers to adopt a sound ecosystem of products already over-IP Interoperability”. It defines a AES67 with as little effort as possible available for individual solutions, none set of guidelines which provide a basis and provide AES67 interoperability of these solutions can fit all applications for achieving interoperability between either via a special mode of operation areas.
    [Show full text]
  • Overview on IP Audio Networking Andreas Hildebrand, RAVENNA Evangelist ALC Networx Gmbh, Munich Topics
    Overview on IP Audio Networking Andreas Hildebrand, RAVENNA Evangelist ALC NetworX GmbH, Munich Topics: • Audio networking vs. OSI Layers • Overview on IP audio solutions • AES67 & RAVENNA • Real-world application examples • Brief introduction to SMPTE ST2110 • NMOS • Control protocols Overview on IP Audio Networking - A. Hildebrand # 1 Layer 2 Layer 1 AVB EtherSound Layer 3 Audio over IP Audio over Ethernet ACIP TCP unicast RAVENNA AES67 multicast RTP UDP X192 Media streaming Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 3 Layer 2 Layer 1 AVB Terminology oftenEtherSound Layer 3 Audio over IP • ambiguousAudio over Ethernet ACIP TCP unicast • usedRAVENNA in wrongAES67 context multicast RTP • marketingUDP -driven X192 Media streaming • creates confusion Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 4 Layer 2 Layer 1 AVB Terminology oftenEtherSound Layer 3 Audio over IP • ambiguousAudio over Ethernet ACIP TCP Audio over IP unicast • usedRAVENNA in wrongAES67 context multicast RTP • marketingUDP -driven X192 Media streaming • creates confusion Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 5 Layer 7 Application Application Application and Layer 6 Presentation protocol-based layers Presentation HTTP, FTP, SMNP, Layer 5 Session Session POP3, Telnet, TCP, Layer 4 Transport UDP, RTP Transport Layer 3 Network Internet Protocol (IP) Network Layer 2 Data Link Ethernet, PPP… Data Link Layer 1 Physical 10011101 Physical Overview on IP Audio Networking - A. Hildebrand # 10 Physical transmission Classification by OSI network layer: Layer 1 Systems Transmit Receive Layer 1 Physical 10011101 Physical Overview on IP Audio Networking - A. Hildebrand # 12 Physical transmission Layer 1 systems: • Examples: SuperMac (AES50), A-Net Pro16/64 (Aviom), Rocknet 300 (Riedel), Optocore (Optocore), MediorNet (Riedel) • Fully proprietary systems • Make use of layer 1 physical transport (e.g.
    [Show full text]
  • DANTE®® /AES67 NETWORK AUDIO 8 X ANALOGUE INPUT & 4 X AES3
    DARK8ADI DANTE®® /AES67 NETWORK AUDIO 8 x ANALOGUE INPUT & 4 x AES3 INPUT INTERFACE PRODUCT DETAILS 6 BROOKS PLACE, MAIDSTONE, KENT, ME14 1HE. ENGLAND. TEL: +44 (0) 1622 753662 Visit our Website at www.glensound.co.uk FAX: +44 (0) 1622 762330 Glensound Electronics Ltd Thank you for choosing a new Glensound product. All rights reserved. Information contained in this manual is subject to change without notice, if in doubt please contact us for the latest product information. If you need any help with the product then we can be contacted at: Glensound Electronics Ltd 1 – 6 Brooks Place Maidstone Kent ME14 1HE United Kingdom Telephone: +44 (0) 1622 753662 Fax: +44 (0) 1622 762330 EMAIL ADDRESSES General enquires: [email protected] Technical enquires: [email protected] Sales enquires: [email protected] Page 2 of 26 PRODUCT WARRANTY: All equipment is fully tested before dispatch and carefully designed to provide you with trouble free use for many years. We have a policy of supporting products for as long as possible and guarantee to be able to support your product for a minimum of 10 years. For a period of one year after the goods have been despatched the Company will guarantee the goods against any defect developing after proper use providing such defects arise solely from faulty materials or workmanship and that the Customer shall return the goods to the Company’s works or their local dealer. All non-wear parts are guaranteed for 2 years after despatch and any defect developing after proper use from faulty materials or workmanship will be repaired under this warranty providing the Customer returns the goods to the Company's works or their local dealer.
    [Show full text]
  • Ravenna & Aes67 & St2110
    The IP-based Real-Time Media Network RAVENNA & AES67 & ST2110 - Andreas Hildebrand – RAVENNA Technology Evangelist ALC NetworX, Munich # 1 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? # 2 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? # 3 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? # 4 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? Real-time Audio & Video Enhanced Next-Generation Network Architecture # 5 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Why RAVENNA? # 7 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Vision: a platform-independent content exchange technology Requirements: • scalable • fast • shareable • flexible • reliable 2008 • routable • non-proprietary • based on standards # 8 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Layer 2 Layer 1 AVB Audio over IP EtherSound Confusion Layer 3 ACIP TCP Livewire Market EvaluationAudio over Ethernet A-Net Technology Assessmentunicast RTP AES50 UDP MADI multicast CobraNet Media streaming Dante IP! # 10 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Why IP-based Networking? • General advantages of networking: Reliability, flexibility, versatility, accessibility, scalability, cost advantage, maintenance efficiency, … • Availability: IP-capable network equipment and infrastructure readily available and widely deployed • Based on standards: IP standard protocols (the “internet protocols”) are widely supported
    [Show full text]
  • New Products Brochure Innovative Solutions
    new productsFALL-WINTER brochure 2018 New Products Brochure Innovative Solutions TM Visit atlona.com for more complete product information, including data sheets, and specs. 1 new products brochure Innovative Product Solutions Over 155 Active Products BUSINESSES EDUCATION GOVERNMENT HOSPITALITY RESIDENTIAL ENTERTAINMENT Serving Diverse End-User Segments Technologies Supported By Atlona Products: AES67 • AirPlay® • Dolby Atmos® • Dante™ • DisplayPort™ Dolby Vision™ • Google Cast™ • HDBaseT™ • HDMI® • HDR10 HLG • Miracast™ • PoE • USB-C™ ...and more! Visit atlona.com for more complete product information, including data sheets, and specs. 2 new products brochure Atlona OmniStreamTM Low latency, networked AV over 1 Gigabit Ethernet Uncompromised AV over IP performance and reliability The next-generation AV distribution platform for integrators to design and build flexible, scalable, and cost-effective AV systems – with best-in-class AV over IP performance and reliability over Gigabit Ethernet. OMNISTREAM PRODUCT FAMILIES – Tailor an OmniStream networked AV system design to your specific needs: • OmniStream Pro – Networked AV designed for conference rooms, boardrooms, and divisible rooms, plus AV distribution over large networks • OmniStream R-Type – Networked AV streamlined for residential and light commercial AV distribution applications • OmniStream Audio – Audio over IP integration via Dante™ and AES67 • OmniStream USB – Connect USB devices to PCs, peripherals, and displays across a network 4K HDR 1 GB ETHERNET PLUG N’ PLAY Fully compatible with Dolby Works over new or legacy Ready to go with popular Vision, HDR10, and network infrastructure network switches from Cisco, HLG @ 60 Hz Luxul, and Pakedge SECURE VIDEO WALLS POE Supports IEEE 802.1X, HDCP Simple, effortless setup and Power all encoders and 2.2, AES-128, and other configuration for video walls decoders from a network security protocols switch with PoE OmniStream is the only AV over IP platform that streams and decodes Dolby Vision HDR @ 60 Hz and 12-bit resolution.
    [Show full text]
  • AES Standard for Audio Applications of Networks - High-Performance Streaming Audio-Over-IP Interoperability
    AES STANDARDS: DRAFT FOR COMMENT ONLY DRAFT REVISED AES67-xxxx STANDARDS AND INFORMATION DOCUMENTS Call for comment on DRAFT REVISED AES standard for audio applications of networks - High-performance streaming audio-over-IP interoperability This document was developed by a writing group of the Audio Engineering Society Standards Committee (AESSC) and has been prepared for comment according to AES policies and procedures. It has been brought to the attention of International Electrotechnical Commission Technical Committee 100. Existing international standards relating to the subject of this document were used and referenced throughout its development. Address comments by E-mail to [email protected], or by mail to the AESSC Secretariat, Audio Engineering Society, PO Box 731, Lake Oswego OR 97034. Only comments so addressed will be considered. E-mail is preferred. Comments that suggest changes must include proposed wording. Comments shall be restricted to this document only. Send comments to other documents separately. Recipients of this document are invited to submit, with their comments, notification of any relevant patent rights of which they are aware and to provide supporting documentation. This document will be approved by the AES after any adverse comment received within six weeks of the publication of this call on http://www.aes.org/standards/comments/, 2018-02-14 has been resolved. Any person receiving this call first through the JAES distribution may inform the Secretariat immediately of an intention to comment within a month of this distribution. Because this document is a draft and is subject to change, no portion of it shall be quoted in any publication without the written permission of the AES, and all published references to it must include a prominent warning that the draft will be changed and must not be used as a standard.
    [Show full text]
  • DUET Encoder • Decoder
    ™ DUET Encoder • Decoder Distribute 4K UHD Video and Dante™/ AES67 over Gigabit Ethernet It’s here: Video for Dante™ - Visionary Solutions brings the power of Dante™ /AES67 enabled connectivity to video. For Installed AV professionals, the impact of Dante™/ AES67 connectivity has been a game-changer, enabling fast, easy, and economical digital networking of multi-channel audio over IP. Wouldn’t it be great if there was a Dante™/ AES67 solution for video? Introducing PacketAV DUET from Visionary Solutions. The perfect marriage of Audio and Video over IP. q Enterprise Level Security – AES Encryption, 802.1x, HTTPS, SSH q HDMI Loop Through q Ultra-low Latency (visually lossless video) q Built in Video Wall Functions q HDMI 2.0 and HDCP 2.2 Compliant q Adjustable Video Bitrate q USB over IP (KVM) and RS232 over IP q Auto Video Scaler q Dante™ Audio Embedding and De-embedding q POE This Really Does Change Everything PacketAV DUET is nothing short of a paradigm shift for networked AV. True convergence is finally here; a single platform to support Dante™ /AES67 & Video over IP. Integrate 4K UHD video over IP into your Dante™ enabled audio network and bypass the constraints of traditional switch matrix DUET Decoder systems by harnessing the flexibility and scalability of converged IP networks. This is video for audio professionals. DUET Encoder • In-Room Magnification/ • Sports Bars • Reception Areas • Boardroom Systems Image Magnification • Retail • Classroom/Education • Collaborative PC Systems • Commercial & Residential • Live Venues • Digital Signage • Command & Control Rooms AV Systems • Stadiums • Luxury Transport • Courtrooms 2060 Alameda Padre Serra, Suite 100 vsicam.com Visionary Solutions, Inc.
    [Show full text]
  • Synchronized Real Time Audio Streaming Over Ethernet in Embedded Systems
    Synchronized real time audio streaming over ethernet in embedded systems A thesis submitted for the degree Master of Science in Information Technology submitted by Indumathi Duraipandian 926286 Fachbereich Informatik und Elektrotechnik Fachhochschule Kiel January 2018 Declaration of Authorship I, Indumathi Duraipandian, declare that this thesis titled, `SYNCHRONIZED REAL TIME AUDIO STREAMING OVER ETHERNET IN EMBEDDED SYSTEMS' and the work presented in it are my own. I confirm that: This work was done wholly or mainly while in candidature for a research degree at this University. Where any part of this thesis has previously been submitted for a degree or any other qualification at this University or any other institution, this has been clearly stated. Where I have consulted the published work of others, this is always clearly at- tributed. Where I have quoted from the work of others, the source is always given. With the exception of such quotations, this thesis is entirely my own work. I have acknowledged all main sources of help. Where the thesis is based on work done by myself jointly with others, I have made clear exactly what was done by others and what I have contributed myself. Signed: Date: i Abstract In any complex audio video networks such as professional audio recording studios, au- tomotive or in-flight infotainment systems, concert avenues or even home entertainment systems, the connection between the various audio/ video sources and sinks are mostly analog, point to point and serve a single purpose. This leads to tonnes of confusing cables, each cable serving a specific data exchange. Even the digital solutions such as I2S, S/PDIF, AES3 for short distance connections, most for automotive applications and Firewire (IEEE 1394), HDMI or audio over USB for high bandwidth applications, still require purpose built cables and proprietary software to work correctly and still they lack interoperability.
    [Show full text]
  • The Relationship Between Dante, AES67 and SMPTE ST 2110
    v1.0 - Dec 2019 The Relationship Between Dante, AES67 and SMPTE ST 2110 Introduction to the SMPTE ST 2110 Implementation on Dante Preface As of September 2019, all pieces of Audinate’s SMPTE ST 2110 implementation are publicly available. This also updates the pre-existing AES67 implementation, making it ST 2110-compatible and allowing for the multicast stream address to be manually determined. At Audinate, we felt the release of ST 2110 interoperability was a good time to share our vision for how Dante and open standards work together. This document also offers clarity on some myths and misconceptions we hear in the market today, especially around PTPv1 and PTPv2. Table of Contents pg. 1. A Brief History of Audio Networks 1. Network Solutions 1. Legacy: CobraNet and EtherSound 1. Ethernet Evolves 2. Audinate’s View of AES67 2. Origins: Desire for Interoperability between Network Solutions 3. Birth of an “Interoperability Standard” (vs a “Network Solution”) 5. Use the Right Tool for the Job 6. Audinate’s View of SMPTE ST 2110 6. For Video: A Revolutionary Replacement for SDI 6. For Audio: An Incremental Advancement of AES67 9. Audinate’s AES67 and SMPTE ST 2110 Implementation 9. Choose a Mode: AES67 or SMPTE ST 2110 10. AES67 Support Recap 10. AES67 Support in v4.2 11. SMPTE ST 2110 in v4.2 13. Summary – A Practical Take 14. Appendix – FAQs 14. PTPv1 and PTPv2 17. Other General Clarifications 19. Works Cited A Brief History of Audio Networks Network Solutions LEGACY: COBRANET AND ETHERSOUND CobraNet (1996) and EtherSound (2001) are widely regarded as the first commercially successful audio networks.
    [Show full text]
  • TECHNICAL NOTE Date December 2017 Ref TN402 Raised By: DB Distributed To: As Required
    TECHNICAL NOTE Date December 2017 ref TN402 Raised by: DB Distributed to: as required Soundtracs - Digico(UK) Ltd. unit 10 Silverglade Business Park Chessington Surrey KT9 2QL England Tel: +44 1372 845600 Fax: +44 1372 845656 email: [email protected] Connecting DiGiCo Dante I/O with other AES67 devices AES67 is an open standard for audio over IP and audio over ethernet interoperability. The standard was developed by the Audio Engineering Society and published in September 2013. It is a layer 3 protocol suite based on existing standards. The following information is a guide for configuring the DMI DANTE and SDRack 8x8 Dante card for use in an AES67 Network. Please note the following points: - • DMI Dante and SDRack IO Card must be running DiGiCo Dante Firmware V2.0.2 or higher (3.10.2.2) • When AES67 mode is engaged on the DiGiCo Dante IO, the Dante card will be limited to 48kHz only. • Before Enabling AES67 mode in the DANTE device, initialise the DANTE device by pressing “Clear Config” in the AES67 tab in DANTE controller and then Reboot and power cycle the device. • Multicast flows only with up to 8 channels per flow. Multicast IP addresses should be 239.39.X.X • SAP must be supported by other AES67 devices for the DiGiCo IO cards to be detected. Conversion tools, such as RAV2SAP are available to enable detection if SAP is not supported on other AES67 Devices. • 24 Bit (L24) only. • PTP clocks on other AES67 Devices must be set to MEDIA E2E Profile. P2P is not supported by DANTE.
    [Show full text]