AES PNW Chapter Meeting Dante
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Ethernet.Pdf
ETHERNET 1 ETHERNET CABLES CAT 5e CABLE: AUDIOLAN 01101 0010 11001 MOBILE AUDIOLAN4P Product advantages • High flexibility • Black outer jacket • Easy to wind • Available in cords – ON AIR PRO range 1 4 2 Applications 3 l Transport of Ethernet, EtherSound. CobraNet, Dante… signals l Audio and video links over twisted pair 5 l Ideal for mobile applications 1. Composition of core: Flexible bare copper Suitable plugs AWG : 26 2. Conductor insulation: Cellular polyethylene Color coding of pairs: According to EIA / TIA standards: Pair 1: blue / white – blue Pair 2: orange / white – orange Pair 3: green / white – green Pair 4: brown / white – brown 3. Drain wire: Multi-strand tin-plated copper Shielding RJ45 Plug: Neutrik Ethercon – NE8MC 4. Shielding: Aluminium foil MMC RJP8BLMER1 5. Outer jacket: black PVC - ø 5.90 mm Electrical characteristics Mecanical characteristics l Resistance of conductors: 132 Ohm / km l Operating temperature: - 20°C + 70°C l Insulation resistance: 5000 MOhm km l Bend radius : 30 mm l Impedance (1 to 100 mhz) : 100 Ohm +/- 15 l Attenuations: Frequency MHz Nominal attenuation dB / 100 m Applying regulation data 1 3.00 l Conform to EN 50575: 2014 + A1 : 2016 10 9.80 100 33.00 l Return Loss (dB) : cat 5E/EIA-TIA 568 B.2 Frequency MHz Return loss dB 1 - 10 >20 + 5 log.(F) 10 - 20 > 25 20 - 100 > 25 -8.6 log. (F/20) Test results by AUVITRAN for the Ethersound links Part nb Type Error-free tested length Practical length AUDIOLAN F / UTP 85 m 75 m Part nb Nb of pairs AWG Jacket Outer Ø Weight Packaging AUDIOLAN 4 26 Black PVC 5.90 mm 40 kg / km Custom length 1 ETHERNET CABLES CAT 5e CABLE: GIGA AUDIO 01101 0010 11001 IN/OUT Product advantages GIGAAUDIO • Transmission over long distances • Effective protection against electromagnetic interference thanks to double shielding • Resistance to UV and weather conditions 1 4 2 Applications 3 l Transport of Ethernet, EtherSound. -
AES67-101: the Basics of AES67
AES67-101: The Basics of AES67 Anthony P. Kuzub IP Audio Product Manager [email protected] www.Ward-Beck.Systems TorontoAES.org Vice-Chair Ward-Beck.Systems - Audio Domains PREAMPS.audio FILTERING.audio PATCHING.audio MUTING.audio DB25.audio VUMETERS.audio PANELS.audio MATRIXING.audio BUSSING.audio XLR.audio SUMMING.audio AMPLIFY.audio CONSOLES.audio GROUNDING.audio The least you SHOULD know about networking: The physical datalink networks transported sessions presented by the application TX RX DATA 7 - Application DATA PATCHING.audio AES67.audio MATRIXING.audio 2110-30.AES67.audio 6 - Presentation BUSSING.audio 5 - Session 4 - Transport ROUTING.audio IGMP.audio 3 - Network SWITCHING.audio CLOCKING.audio 2 - Data Link MULTICASTING.audio 1 - Physical RJ45.audio The Road to Incompatibility… Dante RAVENNA QLAN Livewire Control & Monitoring Proprietary HTTP, Ember+ TCP, HTTP HTTP, Proprietary Proprietary Proprietary Discovery Bonjour Proprietary Connection Proprietary RTSP, SIP, IGMP Proprietary Proprietary, HTTP, IGMP Management Session Description Proprietary SDP Proprietary Channel # Transport Proprietary, IPv4 RTP, IPv4 RTP, IPv4 RTP, IPv4 Quality of Service DiffServ DiffServ DiffServ DiffServ/802.1pq Encoding & Streaming L16-32, ≤4 ch/flow L16-32, ≤64 cha/str 32B-FP, ≤16 ch/str L24, st, surr Synchronization PTP1588-2002 PTP1588-2008 PTP1588-2008 Proprietary Media Clock 44.1kHz, 192kHz 44.1kHz – 384kHz 48kHz 48kHz AES67-2013 Standard for audio applications of networks: High-performance streaming audio-over-IP interoperability References -
Merging Technologies
Merging Technologies More than 25 years of independence www.merging.com For 3D audio - Audio IP - Monitoring Industries that (could) use 3D audio Cinema Gaming Broadcast (TV/Radio – Live) Opera / Theatre / Musicals VOD / streaming (Netflix etc ) Music production (live) Events / Museum / Exhibition Retail / Installations / shopping malls Medical industry Car industry Audio Immersive / 3D audio / OBA (object based audio) My studio needs to be flexible What infrastructure ? What applications ? What formats ? Ressources ? DAW 1 22.2 BINAURAL PROCESS OBA Creative for LIVE AURO 7.1 ATMOS STEREO 7.1.4 LIVE YOU and your RADIO TV CINEMA studio (s) EVENTS DAW 2 10.2 MIXING Panner DAW 1 22.2 BINAURAL PROCESS OBA Creative for LIVE AURO 7.1 ATMOS STEREO 7.1.4 LIVE YOU and your RADIO TV CINEMA studio (s) EVENTS DAW 2 AES 67 10.2 MIXING INTERCONNECTION Panner AES67 – open protocol • ST 2110 • RAVENNA • Dante AES67 • Multiple sample Rate • High track counts • Interoperability RAVENNA / AES67 Core Audio IO vs. ASIO IO Count & Linux RAVENNA CORE AUDIO IO COUNT RAVENNA ASIO IO COUNT • 128 I/O @ 1fs (44.1kHz / 48kHz) • 128 I/O @ 1fs (44.1kHz / 48kHz) • 128 I/O @ 2fs (88.2 kHz / 96kHz) • 64 I/O @ 2fs (88.2 kHz / 96kHz) • 128 I/O @ 4fs (176.4 kHz / 192 kHz) • 32 I/O @ 4fs (176.4 kHz / 192 kHz) • 16 I/O @ 8fs (352.8 kHz / 384 kHz) Note: The number of I/Os can be configured to less if the application does not support these numbers. Compatibility ANEMAN for MAC & Windows • 6x expansion slots for 8 channel Mic/Line AD boards or 8 channel DA boards - 8 channels -
XMOS for AVB Ethernet Based Networking for Audio/Video
Only a few years ago, computer networks were complex beasts tended by special acolytes and running on different standards. Today they have become commonplace in many homes and offices, simply plugged together using Ethernet technology. The same revolutionary change is coming for Audio/Video (AV) networking, as AVB (Audio XMOS for AVB: Video Bridging) products that run over the same network, Ethernet based networking begin to enter the market. for Audio/Video Putting together networks of AV equipment for professional and consumer use, or for use in How Ethernet Works vehicles, is about to become simpler while also Within Ethernet, data is transmitted between delivering better quality. No longer will devices (such as a computer and a printer) in specialist connectors and cables be needed to packets. Each packet carries one or more create a rats' nest of connectivity. Instead addresses for its destination. Like a postal packet traversing the postal system, the network has no Audio Video Bridging (AVB), a set of knowledge of what is in the packet, but uses the international standards, will make setting up address to pass the packet to the next point in the and managing networks almost as simple as network. just plugging together the different elements. In an Ethernet based network, each endpoint Sound and video sources will be mixed and (computer, storage element, printer etc.) is distributed to screens and speakers, with high identified by a unique address and has a single quality, low latency and tight synchronization. connection to the network, through an Ethernet Furthermore, the connectors and cables are switch. -
Aoip/AES67: Anatomy of a Full-Stack Implementation Ievgen Kostiukevych IP Media Technology Architect European Broadcasting Union
From IP Showcase Theatre at IBC 2018 September 2018 C U R A T E D B Y AoIP/AES67: Anatomy of a Full-Stack Implementation Ievgen Kostiukevych IP Media Technology Architect European Broadcasting Union IP SHOWCASE THEATRE AT IBC – SEPT. 14-18, 2018 ©Ievgen Kostiukevych, [email protected], Special for IP Showcase Theatre AOIP IP STACK ON OSI LAYERS • Layer 1: 100BASE-T, 1000BASE-% (T, X, etc.) • Layer 2: Ethernet • Layer 3: IPv4, IGMPv2, DiffServ • Layer 4: UDP • Layer 5: RTP (RTSP) • Layer 6: PCM Audio • Layer 7: “Network-aware” A/D-D/A ©Ievgen Kostiukevych, [email protected], Special for IP Showcase Theatre Curated by the Video Services Forum vsf.tv 1 From IP Showcase Theatre at IBC 2018 September 2018 AUDIO OVER IP IMPLEMENTATION ANATOMY ©Ievgen Kostiukevych, [email protected], Special for IP Showcase Theatre ©Ievgen Kostiukevych, [email protected], Special for IP Showcase Theatre Curated by the Video Services Forum vsf.tv 2 From IP Showcase Theatre at IBC 2018 September 2018 AUDIO OVER IP IMPLEMENTATION ANATOMY • Audio over IP protocols are packet-based • Utilize connectionless, unreliable protocol – UDP • Require additional protocols • I.E. DiffServ to maintain reliable performance • I.E. IEEE1588 to keep stable clock and synchronization • I.E. IGMP to utilize network properly and efficiently ©Ievgen Kostiukevych, [email protected], Special for IP Showcase Theatre ©Ievgen Kostiukevych, [email protected], Special for IP Showcase Theatre Curated by the Video Services Forum vsf.tv 3 From IP Showcase Theatre at IBC 2018 September -
Calrec Network Primer V2
CALREC NETWORK PRIMER V2 Introduction to professional audio networks - 2017 edition Putting Sound in the Picture calrec.com NETWORK PRIMER V2 CONTENTS Forward 5 Introduction 7 Chapter One: The benefits of networking 11 Chapter Two: Some technical background 19 Chapter Three: Routes to interoperability 23 Chapter Four: Control, sync and metadata over IP 27 The established policy of Calrec Audio Ltd. is to seek improvements to the design, specifications and manufacture of all products. It is not always possible to provide notice outside the company of the alterations that take place continually. No part of this manual may be reproduced or transmitted in any form or by any means, Despite considerable effort to produce up to electronic or mechanical, including photocopying date information, no literature published by and scanning, for any purpose, without the prior the company nor any other material that may written consent of Calrec Audio Ltd. be provided should be regarded as an infallible Calrec Audio Ltd guide to the specifications available nor does Nutclough Mill Whilst the Company ensures that all details in this it constitute an offer for sale of any particular Hebden Bridge document are correct at the time of publication, product. West Yorkshire we reserve the right to alter specifications and England UK equipment without notice. Any changes we make Apollo, Artemis, Summa, Brio, Hydra Audio HX7 8EZ will be reflected in subsequent issues of this Networking, RP1 and Bluefin High Density Signal document. The latest version will be available Processing are registered trade marks of Calrec Tel: +44 (0)1422 842159 upon request. -
Midas Consoles and Digital Audio Networks 2010
Midas Consoles and Digital Audio Networks 2010 WALTER NASH ROAD, KIDDERMINSTER. WORCESTERSHIRE. DY11 7HJ. ENGLAND. TEL:+44 1562 741515 FAX:+44 1562 745371 www.midasconsoles.com DOC05-MIDAS 01-06-2010 Due to company policy of continual improvement we reserve the right to change the specifications of any Midas product without prior notice. All manufacturer and product names used in this document are trademarks of their respective owners, which are in no way associated or affiliated with Midas Klark Teknik Ltd. These trademarks are used solely to identify the third party interfaces supported by Midas and Klark Teknik. The term AES50 is used solely for identifying a compliant implementation of AES50, AES standard for digital audio engineering - High-resolution multi-channel audio interconnection (HRMAI). Published by Audio Engineering Society, Inc. Copyright ©2005 by the Audio Engineering Society, New York, NY., USA. www.aes.org. Information subject to change. E&OE © 2010 Midas Klark Teknik Ltd. Forty Years of Innovation and Leadership Midas have a long history of Innovation and leadership in the world of audio mixing consoles, which continues to this day. Originally formed in 1970 by Jeff Byers and Charles Brooke, Jeff became fascinated by the concept of improving and refining professional audio systems, and so Midas went on to develop the first fully integrated modular audio system, comprising consoles, crossovers, amplifiers and speaker systems in conjunction with Dave Martin, which became the calibrated Midas/Martin system of the 1970’s. The first Midas mixer to achieve major success was the PR04, a modular console, and forerunner to the XL3, the first Midas to feature VCA groups, and the world’s first truly dual- purpose console. -
Developments in Audio Networking Protocols By: Mel Lambert
TECHNICAL FOCUS: SOUND Copyright Lighting&Sound America November 2014 http://www.lightingandsoundamerica.com/LSA.html Developments in Audio Networking Protocols By: Mel Lambert It’s an enviable dream: the ability to prominent of these current offerings, ular protocol and the basis for connect any piece of audio equip- with an emphasis on their applicability Internet-based systems: IP, the ment to other system components within live sound environments. Internet protocol, handles the and seamlessly transfer digital materi- exchange of data between routers al in real time from one device to OSI layer-based model for using unique IP addresses that can another using the long-predicted con- AV networks hence select paths for network traffic; vergence between AV and IT. And To understand how AV networks while TCP ensures that the data is with recent developments in open work, it is worth briefly reviewing the transmitted reliably and without industry standards and plug-and-play OSI layer-based model, which divides errors. Popular Ethernet-based proto- operability available from several well- protocols into a number of smaller cols are covered by a series of IEEE advanced proprietary systems, that elements that accomplish a specific 802.3 standards running at a variety dream is fast becoming a reality. sub-task, and interact with one of data-transfer speeds and media, Beyond relaying digital-format signals another in specific, carefully defined including familiar CAT-5/6 copper and via conventional AES/EBU two-chan- ways. Layering allows the parts of a fiber-optic cables. nel and MADI-format multichannel protocol to be designed and tested All AV networking involves two pri- connections—which requires dedicat- more easily, simplifying each design mary roles: control, including configur- ed, wired links—system operators are stage. -
Eclernet Manager User Manual
EclerNet Manager (v6.01r4 – MAY 2021) SOFTWARE EclerNet Software Application USER MANUAL v.20210329 INDEX 1. RELEASE NOTES .................................................................................................................... 7 2. INTRODUCTION ..................................................................................................................... 9 3. MENUS AND TOOLBAR ..................................................................................................... 10 3.1. File Menu ..................................................................................................................................... 10 3.2. Edit Menu .................................................................................................................................... 10 3.3. View Menu .................................................................................................................................. 16 3.4. Help Menu .................................................................................................................................. 17 3.5. The toolbar ................................................................................................................................. 17 4. APPLICATION WINDOWS ................................................................................................ 18 4.1. Available windows ................................................................................................................... 18 4.2. Device Groups display windows: ....................................................................................... -
AES67 Standard and What It Means for the AV Industry
TECH TALK 78 Systems Integration Asia August - September 2015 About AES67 Standard And What It Means For The AV Industry AES67 is not intended to replace existing solutions, but to offer means for interoperability among them Many of you would have heard about the AES67 standard that was developed by the Audio Engineering Society and published in September 2013. To promote the adoption of AES67, The Media Networking Alliance (MNA) was formed in October 2014. SI Asia speaks to Andreas Hildebrand,Senior Product Manager at ALC NetworX GmbH, the company that is responsible for RAVENNA networking technologies and also a member of MNA, to know more about AES67. What is AES67 all about? guidelines. A prerequisite was not In the overall audio eco- What loophole or space is to invent yet another, completely system, how does AES67 this meant to fill which was new solution, but to try to identify and the solutions fit into the not previously available? commonalities among the existing picture? AES67 is a standard published by solutions and use available technology The advantage of having an the Audio Engineering Society on standards and protocols already interoperability standard for various September 11th, 2013, addressing employed. The idea was to allow solutions is obvious: while there may be “High-performance Streaming Audio- current solution providers to adopt a sound ecosystem of products already over-IP Interoperability”. It defines a AES67 with as little effort as possible available for individual solutions, none set of guidelines which provide a basis and provide AES67 interoperability of these solutions can fit all applications for achieving interoperability between either via a special mode of operation areas. -
Overview on IP Audio Networking Andreas Hildebrand, RAVENNA Evangelist ALC Networx Gmbh, Munich Topics
Overview on IP Audio Networking Andreas Hildebrand, RAVENNA Evangelist ALC NetworX GmbH, Munich Topics: • Audio networking vs. OSI Layers • Overview on IP audio solutions • AES67 & RAVENNA • Real-world application examples • Brief introduction to SMPTE ST2110 • NMOS • Control protocols Overview on IP Audio Networking - A. Hildebrand # 1 Layer 2 Layer 1 AVB EtherSound Layer 3 Audio over IP Audio over Ethernet ACIP TCP unicast RAVENNA AES67 multicast RTP UDP X192 Media streaming Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 3 Layer 2 Layer 1 AVB Terminology oftenEtherSound Layer 3 Audio over IP • ambiguousAudio over Ethernet ACIP TCP unicast • usedRAVENNA in wrongAES67 context multicast RTP • marketingUDP -driven X192 Media streaming • creates confusion Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 4 Layer 2 Layer 1 AVB Terminology oftenEtherSound Layer 3 Audio over IP • ambiguousAudio over Ethernet ACIP TCP Audio over IP unicast • usedRAVENNA in wrongAES67 context multicast RTP • marketingUDP -driven X192 Media streaming • creates confusion Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 5 Layer 7 Application Application Application and Layer 6 Presentation protocol-based layers Presentation HTTP, FTP, SMNP, Layer 5 Session Session POP3, Telnet, TCP, Layer 4 Transport UDP, RTP Transport Layer 3 Network Internet Protocol (IP) Network Layer 2 Data Link Ethernet, PPP… Data Link Layer 1 Physical 10011101 Physical Overview on IP Audio Networking - A. Hildebrand # 10 Physical transmission Classification by OSI network layer: Layer 1 Systems Transmit Receive Layer 1 Physical 10011101 Physical Overview on IP Audio Networking - A. Hildebrand # 12 Physical transmission Layer 1 systems: • Examples: SuperMac (AES50), A-Net Pro16/64 (Aviom), Rocknet 300 (Riedel), Optocore (Optocore), MediorNet (Riedel) • Fully proprietary systems • Make use of layer 1 physical transport (e.g. -
DANTE®® /AES67 NETWORK AUDIO 8 X ANALOGUE INPUT & 4 X AES3
DARK8ADI DANTE®® /AES67 NETWORK AUDIO 8 x ANALOGUE INPUT & 4 x AES3 INPUT INTERFACE PRODUCT DETAILS 6 BROOKS PLACE, MAIDSTONE, KENT, ME14 1HE. ENGLAND. TEL: +44 (0) 1622 753662 Visit our Website at www.glensound.co.uk FAX: +44 (0) 1622 762330 Glensound Electronics Ltd Thank you for choosing a new Glensound product. All rights reserved. Information contained in this manual is subject to change without notice, if in doubt please contact us for the latest product information. If you need any help with the product then we can be contacted at: Glensound Electronics Ltd 1 – 6 Brooks Place Maidstone Kent ME14 1HE United Kingdom Telephone: +44 (0) 1622 753662 Fax: +44 (0) 1622 762330 EMAIL ADDRESSES General enquires: [email protected] Technical enquires: [email protected] Sales enquires: [email protected] Page 2 of 26 PRODUCT WARRANTY: All equipment is fully tested before dispatch and carefully designed to provide you with trouble free use for many years. We have a policy of supporting products for as long as possible and guarantee to be able to support your product for a minimum of 10 years. For a period of one year after the goods have been despatched the Company will guarantee the goods against any defect developing after proper use providing such defects arise solely from faulty materials or workmanship and that the Customer shall return the goods to the Company’s works or their local dealer. All non-wear parts are guaranteed for 2 years after despatch and any defect developing after proper use from faulty materials or workmanship will be repaired under this warranty providing the Customer returns the goods to the Company's works or their local dealer.