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Pure Magazine
PURE MAGAZINOctobeEr 2017 Jack O’Rourke Talks Music, Electric Picnic, Father John Misty and more… The Evolution Of A Modern Gentleman Jimmy Star chats with Hollywood actor... Sean Kanan Sony’s VR capabilities establishes them as serious contenders in the Virtual Reality headset war! Eli Lieb Talks Music, Creating & Happiness… Featured Artist Dionne Warwick Marilyn Manson Cheap Trick Otherkin Eileen Shapiro chats with award winning artist Emma Langford about her Debut + much more EalbumM, tour neMws plus mAore - T urLn to pAage 16 >N> GFORD @PureMzine Pure M Magazine ISSUE 22 Mesmerising WWW.PUREMZINE.COM forty seven Editor in Chief Trevor Padraig [email protected] and a half Editorial Paddy Dunne [email protected] minutes... Sarah Swinburne [email protected] Shane O’ Rielly [email protected] Marilyn Manson Heaven Upside Down Contributors Dave Simpson Eileen Shapiro Jimmy Star Garrett Browne lt-rock icon Marilyn Manson is back “Say10” showcases a captivatingly creepy Danielle Holian brandishing a brand new album coalescence of hauntingly hushed verses and Simone Smith entitled Heaven Upside Down. fantastically fierce choruses next as it Irvin Gamede ATackling themes such as sex, romance, saunters unsettlingly towards the violence and politics, the highly-anticipated comparatively cool and catchy “Kill4Me”. Front Cover - Ken Coleman sequel to 2015’s The Pale Emperor features This is succeeded by the seductively ten typically tumultuous tracks for fans to psychedelic “Saturnalia”, the dreamy yet www.artofkencoleman.com feast upon. energetic delivery of which ensures it stays It’s introduced through the sinister static entrancing until “Je$u$ Cri$i$” arrives to of “Revelation #12” before a brilliantly rivet with its raucous refrain and rebellious bracing riff begins to blare out beneath a instrumentation. -
Hot Rod Circuit Discography Download
Hot rod circuit discography download Complete your Hot Rod Circuit record collection. Discover Hot Rod Circuit's full discography. Shop new and used Vinyl and CDs. Hot Rod Circuit by Hot Rod Circuit, released 01 November 1. Forgive Me 2. Into The Digital Album. Streaming + Download. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Find Hot Rod Circuit discography, albums and singles on AllMusic. Find Hot Rod Circuit bio, music, credits, awards, & streaming links on AllMusic - Originally from Auburn, AL, Hot Rod Circuit. Hot Rod Circuit is an American emo band from Auburn, Alabama established in The next album released by HRC hit record stores in September ; it was entitled "If It's Cool .. Create a book · Download as PDF · Printable version History · Early years · Sorry About Tomorrow · Post Break Up. tan marble albums are available from the band on he upcoming tour. Street Find tickets for Hot Rod Circuit showing at The Brighton Bar - Long Branch on. Switch browsers or download Spotify for your desktop. Originally from Auburn, AL, Hot Rod Circuit comprised Andy Jackson (vocal, In their earlier days, Hot Rod Circuit was known as Antidote, under which name they released the album. Listen to songs and albums by Hot Rod Circuit, including "Gin and Juice," "The Pharmacist," "Forgive Me," and many more. Free with Apple Music. Hot Rod Circuit is another perfect example of a band working their asses off to succeed. Having toured relentlessly since releasing their debut album almost five. Hot Rod Circuit discography and songs: Music profile for Hot Rod Circuit, formed Genres: Indie Rock, Emo-Pop, Emo. -
The Dealership of Tomorrow 2.0: America’S Car Dealers Prepare for Change
The Dealership of Tomorrow 2.0: America’s Car Dealers Prepare for Change February 2020 An independent study by Glenn Mercer Prepared for the National Automobile Dealers Association The Dealership of Tomorrow 2.0 America’s Car Dealers Prepare for Change by Glenn Mercer Introduction This report is a sequel to the original Dealership of Tomorrow: 2025 (DOT) report, issued by NADA in January 2017. The original report was commissioned by NADA in order to provide its dealer members (the franchised new-car dealers of America) perspectives on the changing automotive retailing environment. The 2017 report was intended to offer “thought starters” to assist dealers in engaging in strategic planning, looking ahead to roughly 2025.1 In early 2019 NADA determined it was time to update the report, as the environment was continuing to shift. The present document is that update: It represents the findings of new work conducted between May and December of 2019. As about two and a half years have passed since the original DOT, focused on 2025, was issued, this update looks somewhat further out, to the late 2020s. Disclaimers As before, we need to make a few things clear at the outset: 1. In every case we have tried to link our forecast to specific implications for dealers. There is much to be said about the impact of things like electric vehicles and connected cars on society, congestion, the economy, etc. But these impacts lie far beyond the scope of this report, which in its focus on dealerships is already significant in size. Readers are encouraged to turn to academic, consulting, governmental and NGO reports for discussion of these broader issues. -
News 6-12 9/2/02 11:21 PM Page 5
News 6-12 9/2/02 11:21 PM Page 5 Improv comedy groups announce new campus showtimes – PAGE 13 ARIZONA DAILYW ILDCAT Tuesday, September 3, 2002 wildcat.arizona.edu Vol. 96 Issue. 6 University of Arizona, Tucson ResLife retires dorm recycling Students will now be responsible for buying bins, gathering and dropping off recycling BY KEREN G. RAZ Staff Writer The Department of Residence Life cut its recycling pro- gram this year, handing the job over to students in each res- idence hall to run instead of Residence Life employees. Now, students must buy the recycling bins in their dorms, gather recyclables and truck them to drop off points. Recycling may stop in dorms where there are no students willing to haul off materials. Residence Life Recycling has shifted its focus to concen- trate more on education about the importance of recycling than organizing collections, said Debbie Hanson, Program Coordinator for Residence Life. Jim Van Arsdale, Director of Residence Life, said a pro- posed expansion of the recycling program, not budget cuts, were behind the change. “What I understand is that there was a desire to do more (recycling), and that is what we couldn’t afford,” he said. He would not comment further on why the recycling program had ended. Hanson said budget cuts caused the end of the recycling program. The budget cuts prevented Residence Life from allocating additional funds to meet the demand, she said. See RECYCLING, Page 8 KEVIN KLAUS/Arizona Daily Wildcat UA readies $1M Nearly 2,500 UA fans cheer at CatFest on Saturday during a performance by GoldFinger at Centennial Hall. -
Blink-182 Heads to Hard Rock Hotel & Casino Atlantic City
For Immediate Release BLINK-182 HEADS TO HARD ROCK HOTEL & CASINO ATLANTIC CITY FRIDAY, SEPTEMBER 21 AT 7 PM Atlantic City, NJ (July 23, 2018) – Hard Rock Hotel & Casino Atlantic City welcomes pop- punk rockers blink-182 to Hard Rock Live at Etess Arena on Friday, September 21 at 7 p.m. Tickets are on-sale this Friday, July 27 at 10 a.m. “We are always stoked to get back on the road and play for our fans” say blink-182. “We’re looking forward to playing really fun shows for you all.” Since their humble beginnings twenty-five years ago, when they started playing in a San Diego garage, blink-182 has sold over fifty million albums worldwide and rocked audiences from Adelaide to Zurich having become one of the defining rock bands of their generation. They combine high-energy dynamics with an artistic ambition that transcends any genre. Now with Matt Skiba (of Alkaline Trio) as singer/guitarist, the group has entered a new chapter. Early in 2016, Skiba finally entered the studio with bassist Mark Hoppus and drummer Travis Barker. Although the band had written more than 30 songs in the months before the sessions, once they started working with producer John Feldmann, they soon discarded all the old material and California was born. While blink-182 has already racked up more than their fair share of platinum records and blockbuster singles, Hoppus emphasized, "We're not just a greatest-hits band, although we will play the hits. Blink is alive and well and we're excited about doing cool new stuff.” According to The New York Times, "No punk band of the 1990s has been more influential than blink-182.” Tickets for blink-182 ranging from $39.00 to $59.00 go on sale this Friday, July 27 at 10 AM. -
Audio + Video 6/8/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
New Releases WEA.CoM iSSUE 11 JUNE 8 + JUNE 15 , 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word audio + video 6/8/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- WB 522739 AGAINST ME! White Crosses $13.99 6/8/10 N/A CD- White Crosses (Limited WB 524438 AGAINST ME! Edition) $13.99 6/8/10 5/19/10 White Crosses (Vinyl WB A-522739 AGAINST ME! w/Download Card) $18.98 6/8/10 5/19/10 CD- CUR 78977 BRICE, LEE Love Like Crazy $18.98 6/8/10 5/19/10 DV- WRN 523924 CUMMINS, DAN Crazy With A Capital F (DVD) $16.95 6/8/10 5/12/10 WB A-46269 FAILURE Fantastic Planet (2LP) $24.98 6/8/10 5/19/10 Selections From The Original Broadway Cast Recording CD- 'American Idiot' Featuring REP 524521 GREEN DAY Green Day $18.98 6/8/10 5/19/10 CD- RRR 177972 HAIL THE VILLAIN Population: Declining $13.99 6/8/10 5/19/10 CD- REP 519905 IYAZ Replay $9.94 6/8/10 5/19/10 CD- FBY 524007 MCCOY, TRAVIE Lazarus $13.99 6/8/10 5/19/10 CD- FBY 524670 MCCOY, TRAVIE Lazarus (Amended) $13.99 6/8/10 5/19/10 CD- ATL 522495 PLIES Goon Affiliated $18.98 6/8/10 5/19/10 CD- ATL 522497 PLIES Goon Affiliated (Amended) $18.98 6/8/10 5/19/10 The Twilight Saga: Eclipse CD- Original Motion Picture ATL 523836 VARIOUS ARTISTS Soundtrack $18.98 6/8/10 5/19/10 The Twilight Saga: -
Chapter One Introduction
CHAPTER ONE INTRODUCTION 1.1 BACKGROUND OF THE STUDY We use language every day to communicate with others. For some of us, we are not aware of the importance of language in our daily life. Language has meaning to us and it is really important for our communication. The explanations below will prove how important language is. According to Oxford Advanced Learner‟s Dictionary, the definitions of language are”1) system of communication in speech and writing that is used by people of particular country, 2) a way of expressing ideas and feelings using movements, symbols, and sound” (Hornby, 752). From the definition above we can conclude that language is the most significant thing for us to communicate as we can deliver our feelings and thoughts using language. Chandler supports this idea when he says “language is…the most powerful communication system by far” (Chandler 9). As communication grows, language can be represented through any media. The media that I would like to analyze in this thesis is an album cover. An album cover is included as the language used by the artists to convey their music or their feelings. 1 Maranatha Christian University Generally, an album cover contains the band‟s or artist‟s name and the title of the music album. Another important thing in an album cover is the picture. The picture can have some important roles. First, it may be used by the artist to show his/her identity. For example, the artist may use his/her portrait. Second, it can show the identity of the music. -
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay By: Daniel Levitin (Guest Post)*
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay by: Daniel Levitin (guest post)* Dark Side of the Moon Angst. Greed. Alienation. Questioning one's own sanity. Weird time signatures. Experimental sounds. In 1973, Pink Floyd was a somewhat known progressive rock band, but it was this, their ninth album, that catapulted them into world class rock-star status. “The Dark Side of the Moon” spent an astonishing 14 years on the “Billboard” album charts, and sold an estimated 45 million copies. It is a work of outstanding artistry, skill, and craftsmanship that is popular in its reach and experimental in its grasp. An engineering masterpiece, the album received a Grammy nomination for best engineered non-classical recording, based on beautifully captured instrumental tones and a warm, lush soundscape. Engineer Alan Parsons and Mixing Supervisor Chris Thomas, who had worked extensively with The Beatles (the LP was mastered by engineer Wally Traugott), introduced a level of sonic beauty and clarity to the album that propelled the music off of any sound system to become an all- encompassing, immersive experience. In his 1973 review, Lloyd Grossman wrote in “Rolling Stone” magazine that Pink Floyd’s members comprised “preeminent techno-rockers: four musicians with a command of electronic instruments who wield an arsenal of sound effects with authority and finesse.” The used their command to create a work that introduced several generations of listeners to art-rock and to elements of 1950s cool jazz. Some reharmonization of chords (as on “Breathe”) was inspired by Miles Davis, explained keyboardist Rick Wright. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Music Great Guitar Gathering (DASOTA)
JACKSONVILLE golfing in north florida entertaining u newspaper free weekly guide to entertainment and more | march 1-7, 2007 | www.eujacksonville.com 2 march 1-7, 2007 | entertaining u newspaper table of contents Cover photo courtesy of World Golf Village feature Golfing In North Florida .............................................................................PAGES 19-23 movies Black Snake Moan (movie review) ...................................................................... PAGE 6 Movies In Theaters This Week .....................................................................PAGES 6-11 Craig Brewer interview (Black Snake Moan) ........................................................ PAGE 7 Seen, Heard, Noted & Quoted ............................................................................. PAGE 7 Reno 911!: Miami (movie review) ....................................................................... PAGE 8 Zodiac (movie review) ........................................................................................ PAGE 9 Amazing Grace (movie review) ....................................................................PAGE 10-11 at home The Departed (DVD review) ............................................................................. PAGE 14 2007 Academy Awards (TV Review) ................................................................ PAGE 15 Video Games ................................................................................................... PAGE 16 food Murray Bros. Caddy Shack .............................................................................PAGES -
The Road Ahead New Label, New Album: the Used Preps for an Exciting 2011
PULSE / bEATS by Ian JoulaIn The Road Ahead New label, New album: The used preps for aN exciTiNg 2011 94 March 2011 / 944.com March 2011 / 944.com 95 The Used has been around the proverbial had four singles per release, Artwork only will be performing at MusInk on March block, and a decade into their careers, the had one. 6, a three-day music and tattoo festival, band members are ready for what’s next. Alternative Press and allmusic.com which takes place at the Orange County After achieving early success and heavy praised Artwork, but the album’s commercial Fairgrounds. The band performed at the radio airplay, the band has had albums success hinged on the label doing its job in festival in 2008 and is happy to be back. certified gold and platinum, gone on promoting the record. But after the album “The MusInk show coming up should be numerous world tours and become the pride was leaked two months before its release, really fun,” McCracken says. “I think that and joy of Orem, Utah. That last one may be Howard believes that their label, Reprise, we are doing the day with Hot Water Music, a stretch, but the band’s humble beginnings just gave up. “They kind of lost faith in and anyone who knows Hot Water Music have certainly led it to where it is now. doing anything with [Artwork],” Howard should be really stoked.” Bert McCracken, vocals; Jeph Howard, says. “They didn’t push any of the songs, McCracken also disclosed that the band bass; Dan Whitesides, drums; and Quinn and they really just kind of stopped caring.