Hot Rod Circuit Discography Download
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
October 6/7/8 Playlist
Station Playlist (created 10/2/2019, 8:56 PM, printed 11/10/2019, 6:38 PM) Page 1 Time Artist - Title Intro/Outro Category Monday, October 7, 2019, 10:00 PM 22:00:00 Lung - Hypochondriac (2:51) Punk (Unsweet Saturday) 22:02:51 Nation of Ulysses - A Kid Who Tells on Another Kid (1:42) Punk (Unsweet Saturday) 22:04:34 Lagwagon - Child Inside (2:09) Punk (Unsweet Saturday) 22:06:44 Slapshot - Moment Of Truth (1:29) Punk (Unsweet Saturday) 22:08:14 Finding Feebas - Blood In The Water (2:46) Punk (Unsweet Saturday) 22:11:00 Our Lady Peace - One Man Army (3:22) Punk (Unsweet Saturday) 22:14:23 I Was Afraid - Sway(3:43) Punk (Unsweet Saturday) 22:18:07 Serafin - Day By Day(3:03) Punk (Unsweet Saturday) 22:21:10 Social Distortion - Ring Of Fire (3:49) Punk (Unsweet Saturday) 22:25:00 The Sea And Cake - Lyric (5:32) Punk (Unsweet Saturday) 22:30:33 Rote Zora - Mi Cuerpo (1:26) Punk (Unsweet Saturday) 22:31:59 Bambis - Run Johnny Run (2:51) Punk (Unsweet Saturday) 22:34:50 The Phlegms - cups of tea (2:23) Punk (Unsweet Saturday) 22:37:14 In My Eyes - Straight Edge Revenge (2:02) Punk (Unsweet Saturday) 22:39:16 Lifetime - 25 Cent Giraffes (2:20) Punk (Unsweet Saturday) 22:41:37 Smithy Ramone - magic leather jacket (1:55) Punk (Unsweet Saturday) 22:43:32 Mudhoney - Generation Genocide (1:11) Punk (Unsweet Saturday) 22:44:44 Los Perros - We Are The Dogs (1:55) Punk (Unsweet Saturday) 22:46:39 Conflict - 1986, The Battle Continues (0:59) Punk (Unsweet Saturday) 22:47:39 Bad Brains - Intro (0:10) Punk (Unsweet Saturday) 22:47:49 Fugazi - Waiting Room (2:51) Punk (Unsweet Saturday) 22:50:41 G.N.A.T. -
PRESSEMITTEILUNG 22.05.2015 the GET up KIDS Kommen Im
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 22.05.2015 THE GET UP KIDS kommen im August nach Köln THE GET UP KIDS sind wieder da. Vier Jahre hat es gedauert seit dem letzten Album „There Are Rules“ (das bekanntlich mit den schönen Worten „Das ist sehr gut“ begann) und den Auftritten bei uns. Jetzt haben Matt Pryor, Rob Pope, sein Bruder Ryan, Jim Suptic und James Dewees bestätigt, dass sie wieder gemeinsam unterwegs sein werden. Aber längere Pausen ist man ja gewohnt von den Emo- Helden aus Kansas City. Einerseits wollten auch all die anderen tollen Projekte wie Reggie And The Full Effect, Spoon, My Chemical Romance oder The New Amsterdams, in die die Bandmitglieder verstrickt sind oder waren, vorangetrieben werden. Und natürlich galt es auch, sich an Matt Pryors Soloalben satt zu hören. Jetzt haben THE GET UP KIDS bestätigt, dass 2015 wieder allen gemeinsam gehören soll. Zum Anlass des 20-jährigen Bestehens der Band haben sich die alten Helden wieder zusammengetan und gehen auf Tour, die sie in Deutschland exklusiv nach Köln führt. Das wird eine der seltenen Gelegenheiten sein, dass man die wunderbaren Hooks live erleben darf, die sofort in jeden Song hineinziehen und dieser fast schon „Wohlfühl“- Sound, der sich um den Hörer legt wie eine Decke. Auch weil die Jungs inzwischen auf eine lange und vielfältige Karriere zurückblicken können, weil sie so viel unterschiedliche Musik gespielt haben, weil sie viel gemeinsam und viel getrennt erlebt haben, wird der Jubiläumsauftritt der GET UP KIDS ein absoluter Höhepunkt werden. -
PDF: V121-N12.Pdf
MIT’s The Weather Oldest and Largest Today: Partly cloudy, 45°F (7°C) Tonight: Clearing skies, 32°F (0°C) Newspaper Tomorrow: Partly cloudy, 43°F (6°C) Details, Page 2 Volume 121, Number 12 Cambridge, Massachusetts 02139 Friday, March 16, 2001 Next House Adopts RBA Pilot Program Half of Dorm’s Freshmen Will Be Selected Over Summer, Live with Advising Groups By Naveen Sunkavally K. Anderson ’02 said a major reason NEWS EDITOR for adopting the program is to make The house government and execu- the dormitory eligible for more tive council of Next House dormitory administrative funds that can be voted unanimously this past Sunday used for residential programming to try out a new residential-based for the entire dormitory. advising program this coming fall. Riordan said that Next House The program will be similar to also chose to try out the program in the one carried out at McCormick order to build a sense of community House last fall. and increase the attention freshmen Under the program, about half of receive to personal issues. While Next House’s freshmen will be pre- there were concerns that the pro- selected through an application gram may create a more classroom- process over the summer and live in like atmosphere in the dormitory, in the vicinity of their associate advis- the end the benefits outweighed the ers, said Next House President costs, Riordan said. MATT YOURST—THE TECH Daniel P. Riordan ’03. The other half About six to seven associate Paula S. Deardon ’03, Maria K. Chan G and Christine Hsu ’03 serve food Saturday at Rosie's of the freshmen living at the dormi- advisers will live in the dormitory, Place, a homeless shelter in Boston. -
Filming Complete for New Bsuads
M UNCIE THE BALL STATE I NDIANA DDDAAAIIILYLYLY NNNEEEWWWSSS T UESDAY, SEPTEMBER 5, 2000 Founded as The Easterner V OLUME 80, NUMBER 11 PARKING SERVICES Annual camp-out sparked by pursuit of permits Line of students numbers In an annual tradition, Parking and third choices. Occasionally a available for comment Friday. Services sold off their excess park- parking map was pulled out of a Food was provided by pizza more than 200 in trail ing passes Friday morning, on a jeans pocket, but for the most delivery, once the drivers under- first-come, first-served, basis. part these students had the cam- stood they were delivering to a down College Avenue. Parking Services will do so again pus layout down pat. For some the sidewalk. Several of the students this Friday, selling all the spots seasonal camp-out was old hat — said that when nature called, they that were turned in last Friday. For Mark Norris said he had done it answered by urinating on the side BY P AUL A LLOR ASSISTANT NEWS EDITOR information on what lots are avail- two years before, and Adam of Parking Services’ building. able students can call 285-PARK Maassel said it was his fourth trip Around 7:10 a.m. student The first few students arrived or www.bsu.edu/parking. to the pavement. employees of parking services cir- at Parking Services around 4 p.m. Armed with sleeping bags, To pass the time, students culated through the crowd, pass- Thursday afternoon. By 10 that blankets and cell phones, the stu- played cards and stayed up all ing out slips for the students to night the line snaked down the dents — and a few faculty mem- night pontificating on the alleged fill out. -
The Dealership of Tomorrow 2.0: America’S Car Dealers Prepare for Change
The Dealership of Tomorrow 2.0: America’s Car Dealers Prepare for Change February 2020 An independent study by Glenn Mercer Prepared for the National Automobile Dealers Association The Dealership of Tomorrow 2.0 America’s Car Dealers Prepare for Change by Glenn Mercer Introduction This report is a sequel to the original Dealership of Tomorrow: 2025 (DOT) report, issued by NADA in January 2017. The original report was commissioned by NADA in order to provide its dealer members (the franchised new-car dealers of America) perspectives on the changing automotive retailing environment. The 2017 report was intended to offer “thought starters” to assist dealers in engaging in strategic planning, looking ahead to roughly 2025.1 In early 2019 NADA determined it was time to update the report, as the environment was continuing to shift. The present document is that update: It represents the findings of new work conducted between May and December of 2019. As about two and a half years have passed since the original DOT, focused on 2025, was issued, this update looks somewhat further out, to the late 2020s. Disclaimers As before, we need to make a few things clear at the outset: 1. In every case we have tried to link our forecast to specific implications for dealers. There is much to be said about the impact of things like electric vehicles and connected cars on society, congestion, the economy, etc. But these impacts lie far beyond the scope of this report, which in its focus on dealerships is already significant in size. Readers are encouraged to turn to academic, consulting, governmental and NGO reports for discussion of these broader issues. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Chapter One Introduction
CHAPTER ONE INTRODUCTION 1.1 BACKGROUND OF THE STUDY We use language every day to communicate with others. For some of us, we are not aware of the importance of language in our daily life. Language has meaning to us and it is really important for our communication. The explanations below will prove how important language is. According to Oxford Advanced Learner‟s Dictionary, the definitions of language are”1) system of communication in speech and writing that is used by people of particular country, 2) a way of expressing ideas and feelings using movements, symbols, and sound” (Hornby, 752). From the definition above we can conclude that language is the most significant thing for us to communicate as we can deliver our feelings and thoughts using language. Chandler supports this idea when he says “language is…the most powerful communication system by far” (Chandler 9). As communication grows, language can be represented through any media. The media that I would like to analyze in this thesis is an album cover. An album cover is included as the language used by the artists to convey their music or their feelings. 1 Maranatha Christian University Generally, an album cover contains the band‟s or artist‟s name and the title of the music album. Another important thing in an album cover is the picture. The picture can have some important roles. First, it may be used by the artist to show his/her identity. For example, the artist may use his/her portrait. Second, it can show the identity of the music. -
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay By: Daniel Levitin (Guest Post)*
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay by: Daniel Levitin (guest post)* Dark Side of the Moon Angst. Greed. Alienation. Questioning one's own sanity. Weird time signatures. Experimental sounds. In 1973, Pink Floyd was a somewhat known progressive rock band, but it was this, their ninth album, that catapulted them into world class rock-star status. “The Dark Side of the Moon” spent an astonishing 14 years on the “Billboard” album charts, and sold an estimated 45 million copies. It is a work of outstanding artistry, skill, and craftsmanship that is popular in its reach and experimental in its grasp. An engineering masterpiece, the album received a Grammy nomination for best engineered non-classical recording, based on beautifully captured instrumental tones and a warm, lush soundscape. Engineer Alan Parsons and Mixing Supervisor Chris Thomas, who had worked extensively with The Beatles (the LP was mastered by engineer Wally Traugott), introduced a level of sonic beauty and clarity to the album that propelled the music off of any sound system to become an all- encompassing, immersive experience. In his 1973 review, Lloyd Grossman wrote in “Rolling Stone” magazine that Pink Floyd’s members comprised “preeminent techno-rockers: four musicians with a command of electronic instruments who wield an arsenal of sound effects with authority and finesse.” The used their command to create a work that introduced several generations of listeners to art-rock and to elements of 1950s cool jazz. Some reharmonization of chords (as on “Breathe”) was inspired by Miles Davis, explained keyboardist Rick Wright. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Literary Revtew
Aura literary arts revtew• Issue 1 Ill Birmingham $6.00 Aura literary arts review VOLUME 30, ISSUE 1 SPRING/SUMMER 2004 The University of Alabama at Birmingham Office of Student Publications HUC 135 1530 3rd Ave. South Birmingham, Al35294-1150 Phone- 205.934.3216 Fax- 205.934.8050 Email - [email protected] Copyright © 1974-2004 Aura Literary Arts Review. No part of this publication may be reproduced in any way, shape or form without the express written consent of the artist in question. All rights revert to each respective artist after publica tion in this journal. For information on reaching an artist in regard to republica tion of work, feel free to contact the magazine. ISSN 0889-74 33 Aura literary arts review Editor-in-Chief Carl Chang Assistant Editor-in-Chief Boyce Nash Art and Design Editor Sharon Casady Production Advisor Christopher Giganti Editorial Assistant Krystal Kimble Faculty Advisor Tony Crunk Student Publications Advisor Amy Kilpatrick Aura Literary Arts Review is a semi-annual publication funded through the Board of Student Publications at the University of Alabama at Birmingham, as well as contributors to the magazine. Aura Literary Arts Review is staffed entirely by graduate and undergraduate students of the university. All proceeds from advertis ing and the sale of the magazine go to help fund both Aura and the other student publications of the University of Alabama at Birmingham. Submission Guidelines All submissions should be accompanied by a self-addressed, stamped envelope. Without such, no response will be offered in regard to publication, nor will the submission be retumed. -
Software Crack
1 Foresights A glance into the crystal HE ORCH ball shows great things PMALSQJLLfc^^ for VU, city, page 10 2QQ3___ ymmJ&LM&Jk Tonight: Starry Night, 44° complete weather on pg. 2 SOFTWARE CRACK »• INSIDE EIS receives first complaint of copyright violations involving software News Becca Klusman only run a copy on a single machine, and two revenue for the company whose product has Legal Anniversary TORCH WRITER or more machines have copies with the same effectively been stolen. The VU violation, serial numbers, that, again, is convincing evi there was no exception. Electronic Information Services (EIS) dence of a violation," said Yohe. The accused student was sharing two received their first software copyright viola Adobe Products and one Macromedia product. tion complaint last week from the Business • • It is possible the The total cost of the programs, had they been Software Alliance (BSA). purchased via retail catalog, would have added "To this point, all the complaints had people running P2P up to $1,080. been related to music files," said Mike Yohe, software may be The only other time in VU history that a Executive Director of EIS. sharing private files software violation occurred was a number of According to their website, the BSA is years ago. EIS investigated an unusually high an organization dedicated to the promotion of without even knowing amount of outbound traffic on a faculty com School of Law celebrates a safe and legal digital world. They represent it." puter. some of the fastest growing digital companies 125 years of excellence MIKE YOHE The investigation revealed that the com in the world.