The Morgue File
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Femininity and Dress in fic- Tion by German Women Writers, 1840-1910
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Scripts, skirts, and stays: femininity and dress in fic- tion by German women writers, 1840-1910 https://eprints.bbk.ac.uk/id/eprint/40147/ Version: Full Version Citation: Nevin, Elodie (2015) Scripts, skirts, and stays: femininity and dress in fiction by German women writers, 1840-1910. [Thesis] (Unpub- lished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Scripts, Skirts, and Stays: Femininity and Dress in Fiction by German Women Writers, 1840-1910 Elodie Nevin Thesis submitted for the degree of PhD in German 2015 Department of European Cultures and Languages Birkbeck, University of London Declaration for PhD thesis I have read and understood the regulations for students of Birkbeck, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. Signed: Date: 12/08/2015 2 Abstract This thesis examines the importance of sartorial detail in fiction by German women writers of the nineteenth century. Using a methodology based on Judith Butler’s gender theory, it examines how femininity is perceived and presented and argues that clothes are essential to female characterisation and both the perpetuation and breakdown of gender stereotypes. -
Replica Styles from 1795–1929
Replica Styles from 1795–1929 AVENDERS L REEN GHistoric Clothing $2.00 AVENDERS L REEN GHistoric Clothing Replica Styles from 1795–1929 Published by Lavender’s Green © 2010 Lavender’s Green January 2010 About Our Historic Clothing To our customers ... Lavender’s Green makes clothing for people who reenact the past. You will meet the public with confidence, knowing that you present an ac- curate picture of your historic era. If you volunteer at historic sites or participate in festivals, home tours, or other historic-based activities, you’ll find that the right clothing—comfortable, well made, and accu- rate in details—will add so much to the event. Use this catalog as a guide in planning your period clothing. For most time periods, we show a work dress, or “house dress.” These would have been worn for everyday by servants, shop girls, and farm wives across America. We also show at least one Sunday gown or “best” dress, which a middle-class woman would save for church, weddings, parties, photos, and special events. Throughout the catalog you will see drawings of hats and bonnets. Each one is individually designed and hand-made; please ask for a bid on a hat to wear with your new clothing. Although we do not show children’s clothing on most of these pages, we can design and make authentic clothing for your young people for any of these time periods. Generally, these prices will be 40% less than the similar adult styles. The prices given are for a semi-custom garment with a dressmaker- quality finish. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
When You Buy a Fur Jo Ann Breckenridge Iowa State College
Volume 28 Article 7 Number 6 The Iowa Homemaker vol.28, no.6 1948 When You Buy A Fur Jo Ann Breckenridge Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Breckenridge, Jo Ann (1948) "When You Buy A Fur," The Iowa Homemaker: Vol. 28 : No. 6 , Article 7. Available at: http://lib.dr.iastate.edu/homemaker/vol28/iss6/7 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. by ./ o Ann Breckenridge A ND THERE were mink coats and a strap less ermine formal with a wrap to match Full length coats, above, m·e blended muskrat. and a leopard sport coat and a white mink shortie all floating around on pink cloud hangers. And the terribly handsome man said, 'All for you, fair lady,' just like a King Arthur knight. And just as I was putting on the mink, the alarm clock woke me up!" been patched. The best grade has as few seams as \t\Thether you dream of mink or mouton, Vicky's possible. Be sure the dye is even throughout. You'll discovered you'll need to take more with you than a pay $39 to $200 for your coat of coney. full piggy bank or a willing father when you go fur shopping. -
Fashion,Costume,And Culture
FCC_TP_V4_930 3/5/04 3:59 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V4_930 3/5/04 3:59 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 4: Modern World Part I: 19004 – 1945 SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
French and Fashionable Anne Beem Iowa State College
Volume 35 | Number 13 Article 6 1955 French and Fashionable Anne Beem Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Beem, Anne (1955) "French and Fashionable," The Iowa Homemaker: Vol. 35 : No. 13 , Article 6. Available at: http://lib.dr.iastate.edu/homemaker/vol35/iss13/6 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Toni Miley reports- FRENCH and FASHIONABLE Toni Miley, after spending 14 months in France, by Anne Beem saw her exaggerated ideas of French creations take a T echnical Journalism junior nosedive when she discovered the aver.age French woman's taste in clothes. Paris- horne of the world Shoe styles in Paris are very similar to ours. The famous fashion designers- has even felt a modified greatest difference is the slender heel. The base of the influence of the Davy Crockett coonskin cap! A typi heel is very narrow, tapering off to a pencil-like thin cal example was the old French woman who used the ness. familiar cap with its tail hanging down the back to R egardless of where Toni went, French women were dress up her raccoon coat. seen in suits. The practical suit was worn for dressy occasions, semi-dressy events and even for shopping. -
Daily Iowan (Iowa City, Iowa), 1943-03-14
Ration Calendar Light Snow OA8 "AU o01lpoa • ulol... ,..,••• 1/ FllEL OIL OOUpGD • oxpl,.. April 1,8, IOWA: Licbt.Dow In north 00,.,.B8 o.u,.n 25 ...plr.. Mar•• 11/ liDd t porUou 8UOAIC .oupon II 'ICpl". ~r.. "b 161 THE DAILY IOWAN HROIIN, •• ",..n 17 upl'lI Iv.. J(' cold., loda,. Iowa City's Morning Newspaper fIVE CENTS IOWA CITY, IOWA SUNDAY, MARCH 14, 1943 VOLUME XLID NUMBER 144 e I e al 5 n, 1 U.S.·TRAINED CHINESE AIRMEN NOW FIGHT SIDE BY SIDE WITH YANKS Visiting Eden Warns Allies of Long Road Ador Very III To Victory as Talks With F.D.R. Begin Unloads 1,000 • War, Global Security Tons of Bombs Germans Gain Will Be Chief Points Of Vital Conferences Upon Railways WASHINGTON (AP) - Warn- On Kharkov ing that "we'vc gol a long way yct to go" on the road to victory, Pummels Supply Route Reds Admit Situation Anthony Eden, British foreign sec To Coastline Troops l retary, ha tened to get tOGether AJong Somme, Seine ISerious as Enemy Iwith President Roosevelt last night on the vast problcrru of war Advances New Units I LO 'DO~ (AP)-Thc RAF llnd global. ecurity. • h'oPP d mor thlln 1, ton LONDON, Sunday (AP)-Gcr The president invited Eden for J[ bomb on E "pn Frid , man troops gained fresh ground in a dinner and a lalk. the White the flaming right for Kharkov. a Housc announced. Anothcr guest night, and y . t rdllY 11ft rnoo;, midnight Moscow bulletin an was John G. Winant, the Ameri whil fil't' till w re l'1Il>ing nounced today, and Russian field can ambas. -
Rer~O Flashy Cocktail Dress and Hat ~~HITNEY Grey Business Suit, Prince-Nez CHORUS ~Jot"EN, SINGING GIRLS BILL COOKER Stree
"'T , ANYTHING GOES Costume Plot ACT I, SC I Caprice Bar, afternoon smart hotel ~JO~1E~j -~1EN REr~O Flashy cocktail dress and hat ~~HITNEY Grey business suit, prince-nez CHORUS~JOt"EN, SINGING GIRLS BILL COOKER Street clothes Assorted Cocktail dresses and hats DANCINGGIRLS JOHN Bartenders jacket, dark pants Spangled cocktail sheaths bow tie CHORUSMEN/SINGING Business suits, dark colors DANCINGBOYS suits to go with girls ACT I, SC lIOn the ship t1RS. HARCOURT ~JHITr~EY Palm beach suit and hat Summer suit with hat JUNIOR Sports jacket and pants HOPEHARCOURT Young smart afternoon dress and BISHOP DOBSO~J hat, gloves and bag Clerical suit with collar ~1RS.t~E~JT~/ORTH Middle aged. Smart dress or suit SIR DEVELIN Cutaway and bowler with fur scarf and hat I SNOOKS Street dress and hat, somewhat BILLY ~~hite dinner jacket flashy BISHOP MOONClerical outfit with black hat REr~O Traveling suit with hat TWOFEDERAL ~1EN BONNIE Nice dress and hat Dark business suits, hats T~JOCHINESE Sol id kimonos and pants w/hats BOr~VOYAGE BON VOYAGE I SI~JGINGGIRLS CHORUSMEN/SINGING ~1E~J Assorted street dresses, suits Business suits and sports out- sport clothes fits with 1 ships officer in white uniform, 2 sailors, 2 porters, DANCINGGIRLS 1 steward Set alike, sports outfits with hats DANCI~IGMEN ~Jhite Sailor uniforms ALL THROUGHTHE NIGHT ALL THROUGHTHE NIGHT DANCI~JGGIRLS DANCINGBOYS Grey tux jackets with black Soft 3/4 length chiffon dresses black pants alike or in 3 to 4 colors WHITNEY Plus fours, sport jacket PURSER White uniform ACT I, SC III On Board BO:~NIE Slacks, halter top and sweater SIR DEVELIr~ Heavy cable knit sweater and HOPE 3 piece linen sun costumes tennis pants sleeveless top, shirt and skirt / , - 2 - MRS. -
Tweed Trousers out Sers Certainly Flatter Those Whose Figure May Ing-Up Grouse in a Pair of White Jeans
Big guns wear tweed trews Britain’s top shots have put aside “outdated” plus-fours and are sporting ankle-length trousers. They’re comfortable and flattering, and perfect for that late-night fuel stop, saysRosie Nickerson HERE’s a definite trend emerg- there are many reasons for this new jeans for years. One well-known lady shot was ing for more experienced shots departure in shooting fashion. tweed trou- seen by several million viewers on tV walk- to wear long tweed trousers out sers certainly flatter those whose figure may ing-up grouse in a pair of white jeans. the bag shooting. they confer a degree of have expanded since their svelte youth. Plus- wasn’t huge at the end of the day but she looked smartness and individuality in a fours have the unfortunate tendency to make fabulous all the same. Austrians often sport wayt that no other piece of shooting apparel all but the most tall, willowy guns look rather either teeny-tiny lederhosen shorts or go can achieve, imbuing the tweed trouser portly. Women shots abandoned plus-fours Top gun’s choice: Lord James Percy (below) Brigade with a sense of chic that sets them long ago and have been turning up on shoots feels the need for trousers in tweed barbour apart from ordinary plus-foured mortals. in slim-fitting moleskin trousers or nubuck www.thefield.co.uk 83 in for the long-length plus-fours in a thick, Right: William van Cutsem is one of the earliest cotton twill. Spanish guns are partial to elon- pioneers of the tweed-trouser trend. -
A New Fashion Exhibition Shows Nordic British
press release A new fashion exhibition shows Nordic British In its new fashion exhibition, Nordiska museet in Stockholm shows how Nordic fashion, clothes styles and lifestyle are influenced by Britain’s creative industry. The narrative runs from the Middle Ages to the present day, illustrated through fabrics, patterns, clothes and phenomena that have been shaped into a part of everyday life in the Nordics. British: Ever So Nordic opens on 29 March. Cardigan, jumper and trench coat. Tartans and Doc Martens boots. String vest and trousers by Per Götesson from Flowery wallpaper, pyjamas and a cup of tea. Football, tennis 2017. Photo: Peter Segemark and a stroll in the woods wearing wellingtons. These are such commonplace elements of our everyday life that we may not reflect on where they come from. With Brexit around the corner, Nordiska museet in Stockholm shows how centuries of trade relations with Britain have affected Nordic fashions and lifestyle. There are numerous points of contact between Sweden and Britain, and in many ways there is a shared outlook. Nordic design has been influenced through history by styles from Japan to France, Germany and the USA. The British cultural influence is highly noticeable in our daily life and it has spread through all classes in society. Many people are likely to have a cardigan, jumper, rain coat or pyjamas at home, says Helen Persson, curator of the exhibition and head of Nordiska Wedding dress in white silk from 1854, Sweden. museet’s Centre for Dress and Fashion. Photo: Peter Segemark The exhibition British – Ever So Nordic shows imported luxury embroidery and woollen fabrics that are several hundred years old. -
Tate: Arizona County: Yavapai
Annual Report of Home Demonstration Agent, Yavapai County 1950 Item Type text; Report Authors University of Arizona. Agricultural Extension Service. Home Demonstration Agents; Hughes, Lucinda E. Publisher University of Arizona Rights Public Domain: This material has been identified as being free of known restrictions under U.S. copyright law, including all related and neighboring rights. Download date 27/09/2021 01:38:29 Item License http://creativecommons.org/publicdomain/mark/1.0/ Link to Item http://hdl.handle.net/10150/637321 ANNUAL NARRATIVE REPORT �TATE: ARIZONA COUNTY: YAVAPAI REPORT OF: LUCINDA E. HUGHES FROM: DECEMBER 1, 1949 to NOVEMBER .30, 1950 TABLE OF CONTENTS ------- Page Cover and Title Page ••••••••••••••••••••••••••••• o - Table of Contents •••••••••••••••••••••••••••••••• 1 2 Preface ••••••••' •••••••••••••••••••••••••••••••••• .3 Highlight s ••••••••••••••••••••••••••••••••••••••• 4 Projects: Organizati on 'and P'lanning ••.••••••••••••••••• 5 16 Pzogram and Progress Report ••••••••••••• '6 11 House Furnishings and Surroundings •••••••••• 17 21 Cloth ing and Texti les ••••••••••••••••••••••• 22 24 Nutrition Food Preservation and Storage •••••••••• 25 34 Freezing Demon strati on not es ••••••• 28 33 Food Selection and Preparation ••••••••• 34 ,38 Health and Safety ••••••••••••••••••••••••••• 41 42 Recreation and Community Life ••••••••••••••• 43 Extension Information ••••••••••••••••••••••• 44 Page 4-H Club Program: County S ituat ion . 45 Statistical Summary •••••••••••••••••••••••• 46 Summary by Projects ••••••••••••••••