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June 1984 Kansas City's Free Music and Entertainment Newspaper Issue 42 Modern English: from Punk to Classical
All the Bulk rate news US Postage that's fH paid permit to pitch no. 2419 C PITCtI KCMO June 1984 Kansas City's free music and entertainment newspaper Issue 42 Modern English: From punk to classical is time and is at Worlds of Fun on June 8. Bassist Conroy talked with KC Pitch about the band. how it began and the hard-to-define Modern sound. all met in Culchester, England, 50 miles outside London. We thought it would be a real good to be in a band, so we all went out and thought we After two That British band Modern English performs at Worlds of Fun on music. It's something we've always wanted to do and we really got the chance on this his own words, "Ever- record." changing. Very hard to I wouldn't really are quite con These distinct of touring on the mind like to what we are like because tomorrow way we write our songs. We English and and loss of love ("Heart") I'd we were absolutely like it." don't want to do two songs the same, describe, and last year's "I Melt Listen to their new album and for sound like a young man struck with yourself. Modern English. with all of it's diver of fever. Lead vocalist sify and different dimensions. is a band that lyrics "He's the deserves to heard Trivial pursuits with Rhino Records Annette, the Monkees and "the world's only senior citizen Jewish rock band" words are the By Steve Walker the soundtracks to Blood Feast and 2000 surmise, platinum records do not crowd the eccentric in Maniacs with music by Herschell Gordon walls of Rhino's Santa Monica offices. -
Celebrating Diversity
Celebrating Diversity - Overcoming Adversity part 2: Marcus Roberts by Valerie Etienne- Leveille Marcus Roberts, 1963 – present: Musician, composer, arranger Marcus Roberts was born on August 7th, 1963 in Jacksonville, Florida. He grew up listening to his mother’s gospel singing and the music of the local church. These exposures to music had a lasting impact on his musical style. Marcus began teaching himself to play the piano at the age of five after losing his sight due to glaucoma (1)(2). At the age of ten in 1973, Marcus entered the Florida School for the Deaf and Blind (FSDB). Marcus did not receive formal piano lessons until he was 12 but he progressed very quickly through hard work and good teachers (2). In the 10th grade, he was mainstreamed in the local St. Augustine high school in the morning, and he went to FSDB in the afternoon for music (3). After graduating from FSDB, Marcus went on to study classical piano at the Florida State University (FSU) with Leonidas Lipovetsky (2). Marcus has won many awards and competitions over the years, but the one that is most personally meaningful to him is the Helen Keller Award for Personal Achievement. Marcus Roberts is known for his ability to blend the jazz and classical idioms, which focus on specific technical features, to create something new. He is also well-known for his development of an entirely new approach to jazz trio performance (2). His recordings reflect his artistic versatility and include pieces such as solo piano, duets, trio arrangements of jazz standards, large ensembles, and symphony orchestra (3). -
Kimmel Center Announces 2019/20 Jazz Season
Tweet it! JUST ANNOUNCED! @KimmelCenter 19/20 #Jazz Season features a fusion of #tradition and #innovation with genre-bending artists, #Grammy Award-winning musicians, iconic artists, and trailblazing new acts! More info @ kimmelcenter.org Press Contact: Lauren Woodard Jessica Christopher 215-790-5835 267-765-3738 [email protected] [email protected] KIMMEL CENTER ANNOUNCES 2019/20 JAZZ SEASON STAR-STUDDED LINEUP INCLUDES MULTI-GRAMMY® AWARD-WINNING CHICK COREA TRILOGY, GENRE-BENDING ARTISTS BLACK VIOLIN AND BÉLA FLECK & THE FLECKTONES, GROUNDBREAKING SOLOISTS, JAZZ GREATS, RISING STARS & MORE! MORE THAN 100,000 HAVE EXPERIENCED JAZZ @ THE KIMMEL ECLECTIC. IMMERSIVE. UNEXPECTED. PACKAGES ON SALE TODAY! FOR IMMEDIATE RELEASE (Philadelphia, PA, April 30, 2019) –– The Kimmel Center Cultural Campus announces its eclectic 2019/20 Jazz Season, featuring powerhouse collaborations, critically-acclaimed musicians, and culturally diverse masters of the craft. Offerings include a fusion of classical compositions with innovative hip-hop sounds, Grammy® Award-winning performers, plus versatile arrangements rooted in tradition. Throughout the season, the varied programming showcases the evolution of jazz – from the genre’s legendary history in Philadelphia to the groundbreaking new artists who continue to pioneer music for future generations. The 2019/20 season will kick off on October 11 with pianist/composer hailed as “the genius of the modern piano,” Marcus Roberts & the Modern Jazz Generation, followed on October 27 -
Kimmel Center Cultural Campus Kicks Off 2019/20 Jazz Season with Award-Winning Pianist & Composer Marcus Roberts and the M
Tweet It! The @KimmelCenter 2019/20 jazz season kicks off with the ‘genius of the modern piano’ Marcus Roberts and The Modern Jazz Generation on 10/11. More info @ kimmelcenter.org Press Contact: Lauren Woodard Jessica Christopher 215-790-5835 267-765-3738 [email protected] [email protected] KIMMEL CENTER CULTURAL CAMPUS KICKS OFF 2019/20 JAZZ SEASON WITH AWARD-WINNING PIANIST & COMPOSER MARCUS ROBERTS AND THE MODERN JAZZ GENERATION OCTOBER 11, 2019 In conjunction with 2019 Living Legacy Jazz Award Presented by PECO & Jazz Philadelphia Summit “His combination of talent, ambition, discipline, stylistic openness and resourcefulness suggest that he is a remarkable musician—perhaps even a Phenomenon…” – JAZZ TIMES “He's a virtuoso, a monster musician.” –WYNTON MARSALIS, FOR 60 MINUTES “Pianist Marcus Roberts is known for many things: a genius skill… an immense love of the blues, technological innovations in regard to composing for the blind, and a soulful sense of tradition and invention."- A.D. AMOROSI, THE PHILADELPHIA INQUIRER FOR IMMEDIATE RELEASE (Philadelphia, PA, September 9, 2019) – Hailed as ‘the genius of the modern piano,’ the Kimmel Center Cultural Campus kicks off the 2019/20 Jazz Season with Marcus Roberts and the Modern Jazz Generation Band on Friday, October 11, 2019 at 8:00 p.m. at the Perelman Theater. “Marcus Roberts is truly a revelation in the modern jazz era, and we are delighted to have him serve as the inauguration of this year’s stellar jazz season,” said Ed Cambron, Chief Operating Officer and Executive Vice President of the Kimmel Center for the Performing Arts. -
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard. -
It's All Good
SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes. -
'Slow Drag' Pavageau
NEWSLETTER OCT-2016 ologyology Alcide ‘Slow Drag’ Pavageau G.H.B. JAZZ FOUNDATION • JAZZOLOGY RECORDS GEORGE H. BUCK JAZZ FOUNDATION 1206 DECATUR STREET • NEW ORLEANS, LA 70116 Phone: +1 (504) 525-5000 Office Manager: Lars Edegran Fax: +1 (504) 525-1776 Assistant: Mike Robeson Email: [email protected] Office Hours: Mon-Fri 11am – 5pm Website: www.jazzology.com Entrance: 61 French Market Place Newsletter Editor: Paige VanVorst Contributors: Lars Edegran, Mike Layout & Design: David Stocker Robeson, David Stocker HOW TO ORDER COSTS – U.S. AND FOREIGN MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB Jazz Foundation. You will then receive your membership card by return mail or with your order. *Membership continues as long as you order at least one selection per year. You will also be able to buy our products at a special discounted price: CDs for $13.00 DVDs for $20.00 Books for $25.00 NON-MEMBERS For non-members our prices are: CDs for $15.98 DVDs for $25.00 Books for $30.00 DOMESTIC MAILING & POSTAGE CHARGES There is a flat rate of $3.00 regardless of the number of items ordered. OVERSEAS SHIPPING CHARGES 1 CD $13.00; 2-3 CDS $15.00; 4-6 CDS $20.00; 7-10 CDS $26.00 Canadian shipping charges are 50% of overseas charges ALL PAYMENTS FOR FOREIGN ORDERS MUST BE MADE WITH EITHER: • INTERNATIONAL MONEY ORDER • CHECK DRAWN IN U.S. DOLLARS FROM A U.S. -
Andrew Cyrille Did It the Way He Did
so important to so many drummers? InterviewInterview AC: Joe was a very charismatic personality. He was somebody that was very beguiling. He was another showman, and he would do certain things, and you would try to figure out why he Andrew Cyrille did it the way he did. But the thing about Joe was that his musicianship was at such a high Interview & Photo by Ken Weiss caliber and he had such high intellect. He knew how to play certain things — we call them rudi- ments — in a particular way, so that they would schul are no slouches. It’s a great compliment come up representing the music he was playing Hear Andrew Cyrille with Andy Milne that he wrote that and I’ve been aware of it. I so exactly. He was a heavy point of light within Monday, August 26, 7:30pm & 9:30pm accept the praise but I don’t necessarily agree. a certain period of this music. He used to take Dizzy’s Club Coca Cola All music is based on mathematics and I don’t me to sessions with Stan Getz, Bud Powell and Jazz At Lincoln Center, 60th & Broadway, NYC know that my mathematics is better than anyone Miles Davis and my tongue would be hanging www.jalc.org/dizzys else’s. A lot of times I hear drummers play and I out just checking them out. I remember one time, say, ‘How come I couldn’t think of that?’ and Gary Bartz always teases me about this, he and I were at Julliard and we’d go down and Andrew Cyrille (November 10, 1939) grew up in JI: The critics have been impressed that you’ve listen at the old clubs — like the original Bird- Brooklyn to become one of the preeminent free studied the great past drum masters such as Baby land. -
For Additional Information Contact the Archives Center at 202.633.3270 Or
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. HANK JONES NEA Jazz Master (1989) Interviewee: Hank Jones (July 31, 1918 – May 16, 2010) Interviewer: Bill Brower Date: November 26-27, 2004 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 134 Hank Jones: I was over there for about two and a half weeks doing a promotional tour. I had done a couple of CDs; one was with my brother Elvin and Richard Davis, the bass player. They made – – I think they made two releases from that date. And I did another date with Jack DeJohnette and John Patitucci. But, these two albums were the objects of the promotion. I mean, they promote very, very heavily everyday. I must have had 40 interviews and about 30 record signings at the record shops, plus all of the recording. We did seven concerts and people inevitably want the records, CDs of the concert for us to sign. I have a trio over there, with Jimmy Cobb and John Fink. It was called, “The Great Jazz Trio.” It was not my name, but the Japanese have special names for everything, you know? That's only one in a series of tree others which he called the great jazz trio. The first one was Ron Carter, Tony Williams and myself. But, there had been a succession of different changes in personnel. It changed about six times. The current one was Jimmy Cobb and Dave Fink--Oh, the cookies have arrived and not a minute too soon. -
Jazz Collection: Sir Roland Hanna Und Die Detroiter Pianistentradition
Jazz Collection: Sir Roland Hanna und die Detroiter Pianistentradition Dienstag, 14. Februar, 2017, 21.00 - 22.00 Uhr (Erstausstrahlung) Samstag, 18. Februar, 2017, 17.00 - 18.30 Uhr (Zweitsendung mit Bonustracks) Detroit, die Metropole am Lake Erie, ist zwar die Motor Town, aber ebenso sehr eine Music Town. Das Label Motown steht für Soulmusic, aber aus Detroit kamen seit jeher auch die schwärzesten und heissesten Jazzer, von den Gebrüdern Hank, Thad + Elvin Jones bis zu Sonny Stitt. Auch Pianisten! Einer der wichtigen von ihnen ist - neben Hank Jones, Barry Harris und Tommy Flanagan - Sir Roland Hanna. Roland Hanna’s musikalischer Output war enorm, zwischen 1956 und seinem Todesjahr 2002 sass er bei über dreihundert Plattenproduktionen an den Tasten, davon über fünfzig unter eigenem Namen. Trotzdem bezieht sich kaum ein junger Pianist auf ihn. Warum das so ist, und wie Hanna sich in die Detroiter Pianistengilde einordnet, darüber diskutiert Annina Salis mit dem Berner Pianisten Andy Harder. Gast: Andy Harder Redaktion: Beat Blaser Moderation: Annina Salis Roland Hanna: Live at Maybeck Recital Hall Label: Concord Track 03: Softly As In A Morning Sunrise Track 07: Lush Life Eddie Daniels: First Prize Label: Prestige (Original Jazz Classics) Track 03: Falling In love With love Joe Williams Jones-Lewis Orchestra: Presenting Joe Williams and Thad Jones Label: Blue Note Track 03: Nobody Knows The Way I Feel This Morning Roland Hanna: Glove Label: Black-Hawk Track 01: Love For Sale Sarah Vaughan: Crazy and Mixed Up Label: Pablo Track 08: You Are Too Beautiful New York Jazz Quartet: Blues for Sarka Label: Enja Track 07: Rodney Round Robin Bonustracks – nur in der Samstagsausgabe Swiss Jazz Summit: Meret’s Delight Label: TCB Track 05: Good Vibes Thad Jones - Mel Lewis Label: LRC Track 10: A Child Is Born Thad Jones - Mel Lewis Orchestra: Live At The Village Vanguard Label Blue Note Track 08: The Second Race Track 04: Don’t Git Sassy Sarah Vaughan: Crazy And Mixed Label: Pablo Track 01: I Didn’t Know What Time It Was . -
Jazz Ensembles Sam Skelton and Wes Funderburk DIRECTORS
KENNESAW STATE UNIVERSITY SCHOOL OF MUSIC Jazz Ensembles Sam Skelton and Wes Funderburk DIRECTORS Monday, November 27, 2017 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Fifty-fifth Concert of the 2017-18 Concert Season program Jazz Ensemble II The Mental Misdemeanors of Shuffleupagus Pt. 1 | Wes Funderburk That Old Black Magic | Arlen / Mercer, arr. Funderburk Good Morning, Heartache | Higgenbotham, Drake and Fisher, arr. Funderburk Goody, Goody | Malneck / Mercer, arr. Funderburk Homegrown | Funderburk Intermission Jazz Ensemble I "Thad and More" Crackdown | Thad Jones Watch What Happens | Legrand / Gimble Kristen Houston, vocals Kids Are Pretty People | Thad Jones Is You Is Or Is You Ain’t My Baby? | Austin / Jordan / Collins Rebecca Miller, vocals Alone Together | Dietz / Schwartz / Wolpe Kristin Houston, vocals Ahunk Ahunk | Thad Jones The Lady Is A Tramp | Rodgers & Hart / Wolpe Rebecca Miller, vocals The Biddle De Bop Samba | Thad Jones program notes had Jones (the younger brother of Hank and older brother of Elvin), a harmonically advanced trumpeter/cornetist with a distinctive sound, as well as a talented arranger/composer, had a very productive career. TSelf-taught on trumpet, he started playing professionally with Hank Jones and Sonny Stitt when he was 16. After serving in the military (1943–1946), Jones worked in territory bands in the Midwest. During 1950–1953, he performed regularly with Billy Mitchell's quintet in Detroit and he made a few recordings with Charles Mingus (1954–1955). Jones became well-known during his long period (1954–1963) with Count Basie's Orchestra, taking a "Pop Goes the Weasel" chorus on "April in Paris," and sharing solo duties with Joe Newman. -
Jazz at Lincoln Center Orchestra
CAL PERFORMANCE PRESENTS ABOUT THE ARTISTS Tuesday, September 22, 2009, 8pm The Jazz at Lincoln Center Orchestra (JLCO), Freddie Hubbard, Charles McPherson, Marcus Zellerbach Hall composed of 15 of today’s finest jazz soloists and en- Roberts, Geri Allen, Eric Reed, Wallace Roney semble players, has been the Jazz at Lincoln Center and Christian McBride, as well as from current and resident orchestra for over 13 years. Featured in all former JLCO members Wynton Marsalis, Wycliffe Jazz at Lincoln Center Orchestra aspects of Jazz at Lincoln Center’s programming, Gordon, Ted Nash and Ron Westray. Over the last the remarkably versatile JLCO performs and leads few years, the JLCO has performed collaborations with educational events in New York, across the United with many of the world’s leading symphony or- States and around the world; in concert halls, chestras, including the New York Philharmonic, Wynton Marsalis dance venues, jazz clubs, public parks, river boats the Russian National Orchestra, the Berlin and churches; and with symphony orchestras, bal- Philharmonic, the Boston, Chicago, and London let troupes, local students and an ever-expanding symphonies, and the Orchestra Esperimentale in roster of guest artists. Education is a major part São Paolo, Brazil. In 2006, the JLCO collaborated Wynton Marsalis music director, trumpet of Jazz at Lincoln Center’s mission, and its educa- with Ghanaian drum collective Odadaa!, led by James Zollar trumpet tional activities are coordinated with concert and Yacub Addy, to perform Congo Square, a compo- Ryan Kisor trumpet JLCO tour programming. sition Mr. Marsalis and Mr. Addy co-wrote and Marcus Printup trumpet These programs, many of which feature JLCO dedicated to Mr.