As an Ecological Solution for Architecture in a Hot Climate
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Investigating the Patterns of Islamic Architecture in Architecture Design of Third Millennium Mosques
European Online Journal of Natural and Social Sciences 2014; www.european-science.com Vol.3, No.4 Special Issue on Architecture, Urbanism, and Civil Engineering ISSN 1805-3602 Investigating the Patterns of Islamic Architecture in Architecture Design of Third Millennium Mosques Parvin Farazmand1*, Hassan Satari Sarbangholi2 1Young Researchers and Elite Club, Tabriz Branch, Islamic Azad University, Tabriz, Iran; 2Architecture Group of Azad-e-Eslami University, Tabriz Branch *Email: [email protected] Abstract Islamic architecture, which is based on the Islamic school, has been shaped by the total awareness of architects’ of techniques of architecture and adherence to the principles of geometry and inspired by religious beliefs. Principles of geometry and religious beliefs caused certain patterns to take shape in Islamic architecture that were used in designing buildings including mosques. With the advancements in technology, architecture entered a new stage considering the form of construction and the buildings. Islamic architecture and mosque, which is the primary symbol of Islamic architecture, are not different and consequently went through changes in forms and patterns. In this paper, the purpose is to express the place of patterns of Islamic Architecture in the mosques of the third millennium. The method used is descriptive-analytic and the mosques of the third millennium are the statistical population and ten of them are the statistical sample. The tools used are the library studies and the data has been analyzed using chars obtained from Excel. The result indicated that in the architecture of the mosques of the third millennium, the patterns of Islamic architecture have been fixed and proposed, and yet do create different designs that would be novel. -
A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:3, 2018 A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh as strength, comfort and expansion. Throughout history, Abstract—Architecture in Iran has a continuous history from at Iranian architecture had its own originality and simplicity. All least 5000 BC to the present, and numerous Iranian pre-Islamic parts of Iran, especially villages and ancient monuments are elements have contributed significantly to the formation of Islamic like a live but old book of art and architecture, history, which art. At first, decoration was limited to small objects and containers in a brief moment, each page of that opens the gates of several and then progressed in the art of plaster and brickwork. They later applied in architecture as well. The art of gypsum and brickwork, thousand years of history to the visitors [7]. which was prevalent in the form of motifs (animals and plants) in Repeat motifs, symbolic role and decorations are one of the pre-Islam, was used in the aftermath of Islam with the art of main subjects in Iranian art. In Iranian architecture, the calligraphy in decorations. The splendor and beauty of Iranian symbolic elements generally embossed with carving and architecture, especially during the Islamic era, are related to painting integrated with elements of construction and decoration and design. After the invasion of Iran by the Arabs and the environmental, which makes it a new and inseparable introduction of Islam to Iran, the arrival of the Iranian classical architecture significantly changed, and we saw the Arabic calligraphy combination. -
Pdf 129.08 K
The Role of Climate and Culture on the Formation of Courtyards in Mosques Hossein Soltanzadeh* Associate Professor of Architecture, Faculty of Art and Architecture, Tehran Central Branch, Islamic Azad University, Tehran, Iran Received: 23/05/2015; Accepted: 30/06/2015 Abstract The process regarding the formation of different mosque gardens and the elements that contribute to the respective process is the from the foci point of this paper. The significance of the topic lies in the fact that certain scholars have associated the courtyard in mosques with the concept of garden, and have not taken into account the elements that contribute to the development of various types of mosque courtyards. The theoretical findings of the research indicate that the conditions and instructions regarding the Jemaah [collective] prayers on one hand and the notion of exterior performance of the worshiping rites as a recommended religious precept paired with the cultural, environmental and natural factors on the other hand have had their share of founding the courtyards. This study employs the historical analytical approach since the samples are not contemporary. The dependant variables are culture and climate while the form of courtyard in the jame [congregational] mosque is the dependent variable. The statistical population includes the jame mosques from all over the Islamic world and the samples are picked selectively from among the population. The findings have demonstrated that the presence of courtyard is in part due to the nature of the prayers that are recommended to say in an open air, and in part because this is also favoured by the weather in most instances and on most days. -
Architectural Analyses of Wooden Chehelsotun
Latest Trends on Cultural Heritage and Tourism Architectural Analyses of Wooden Chehelsotun (40 columns) of Molla Rostam and Moezzeddin Mosques in Maragheh and Their Effects on Chehelsotun Palace and Aali Qaapou in Isfahan ¹NEGAR KHAIYAT KOLKARI, ²ELNAZ ASHRAFI, ³FARROKH ABDOLLAHZADEH BINA, 4MAJID YAZDANI ¹,²,4 Department of Architecture 3Department of Civil Engineering ¹Islamic Azad University-Bostan Abad Branch, ²Islamic Azad University-Khamneh Branch ³Islamic Azad University-Ahar Branch, 4Islamic Azad University-Azarshahr Branch IRAN ¹[email protected], ²[email protected], ³[email protected], [email protected] Abstract: - The two mosques of Molla Rostam and Moezzeddin in Maragheh which belong to early years of Safavid Dynasty have important place among wooden architectural works of Iran not only for their old age but also for traditional masonry materials used in them and for the work done on them and art used in their creation as well. Wooden Chehelsotun (Forty Columns) of these mosques with their glorious and valuable decorations are among the first and well-known wooden veranda models of Safavid times it means Chehelsotun Palace and Aali Qaapou. Chehelsotun bedchambers such as Meidan and Mehrabad Mosques are built in Bonab after them. Original architectural space of these two mosques with their structural considerations and masonry materials such as grinder, shim/shingle and lost beam beside beautiful decoration of columns and dome interior in wooden head columns are collection of higher wood art elements, painting -
Book of Islamic Arts Overview There Is Much Diversity Within Islamic Culture
Book of Islamic Arts Overview There is much diversity within Islamic culture. During this unit, students will learn about several significant forms of Islamic art (mosque architecture, geometric/arabesque design, and calligraphy) by completing a children’s book that is missing important information or images. The book is divided up into 5 class sessions with an optional 6th session to wrap up missing sections or create a cover. Through the exploration, students will learn that Islamic art around the world can include many different concepts, and they will apply new knowledge through note-taking, graphic organizers, drawing, calligraphy, and optional mosaic portions of the book. When finished, each student will have a completed book that reviews the arts covered in the unit and celebrates the diversity of Muslim culture around the world. Grade 5 Subject Visual Arts Essential Standards • 5.V.2.2 - Use ideas and imagery from the global environment as sources for creating art. • 5.V.3.3 - Create art using the processes of drawing, painting, weaving, printing, stitchery, collage, mixed media, sculpture, ceramics, and current technology. • 5.CX.1 - Understand the global, historical, societal, and cultural contexts of the visual arts. Essential Questions • How do pictures help to tell a story? • How do Muslim artists reflect their local culture through the arts? • What can we learn about Islamic culture from the diversity of Islamic arts? • Why is it important to learn about cultures other than our own? Materials • Copies of the children’s book for each student (attached). The student book is 10 pages long and can be printed on regular copy paper, or on stronger paper like Bristol or cardstock if the teacher intends to use paint. -
Explaining the Role of Light in Quality of the Architectural Spaces in Iranian Mosques
Explaining the Role of Light in Quality of the Architectural Spaces in Iranian Mosques a b c Fariba Alborzi , Farah Habib *, Iraj Etessam a Ph.D., Department of Art and Architecture, Science and Research Branch, Islamic Azad University, Tehran, Iran b Professor, Department of Art and Architecture, Science and Research Branch, Islamic Azad University, Tehran, Iran c Professor, Department of Art and Architecture, Science and Research Branch, Islamic Azad University, Tehran, Iran Received: 06. June. 2016 - Accepted: 26. July. 2016 Abstract The research analyses the essence and relationships between the variables in the context of light and architecture, and aims to develop the knowledge and design based on the light and recognition of the space, an effort was made to analyze the role of light in quality of the Iranian architecture and three samples of the most precious mosques were selected as the instances of this phenomenon, eg., Nasir-Al-Molk Mosque in Shiraz, Sheikh Lotf-Allah Mosque in Isfahan and Vakil Mosque in Shiraz. Light processing has different specifications in each of the mentioned mosques, as it is applied in a specific way which deserves consideration and it represented a number of considerable beautiful aspects. According to the valuable role of light on definition and interpretation of the space, it is assumed that: light has a great value in the quality of the spaces in the architecture of Iranian mosques and the fact it plays an effective role in enhancing the “quality” of the architectural space and to improve the “spatial -
See the Document
IN THE NAME OF GOD IRAN NAMA RAILWAY TOURISM GUIDE OF IRAN List of Content Preamble ....................................................................... 6 History ............................................................................. 7 Tehran Station ................................................................ 8 Tehran - Mashhad Route .............................................. 12 IRAN NRAILWAYAMA TOURISM GUIDE OF IRAN Tehran - Jolfa Route ..................................................... 32 Collection and Edition: Public Relations (RAI) Tourism Content Collection: Abdollah Abbaszadeh Design and Graphics: Reza Hozzar Moghaddam Photos: Siamak Iman Pour, Benyamin Tehran - Bandarabbas Route 48 Khodadadi, Hatef Homaei, Saeed Mahmoodi Aznaveh, javad Najaf ...................................... Alizadeh, Caspian Makak, Ocean Zakarian, Davood Vakilzadeh, Arash Simaei, Abbas Jafari, Mohammadreza Baharnaz, Homayoun Amir yeganeh, Kianush Jafari Producer: Public Relations (RAI) Tehran - Goragn Route 64 Translation: Seyed Ebrahim Fazli Zenooz - ................................................ International Affairs Bureau (RAI) Address: Public Relations, Central Building of Railways, Africa Blvd., Argentina Sq., Tehran- Iran. www.rai.ir Tehran - Shiraz Route................................................... 80 First Edition January 2016 All rights reserved. Tehran - Khorramshahr Route .................................... 96 Tehran - Kerman Route .............................................114 Islamic Republic of Iran The Railways -
Blue Mosque of Tabriz, Goharshadjame Mosque, Jame Mosque of Yazd)
Modern Applied Science; Vol. 10, No. 2; 2016 ISSN 1913-1844 E-ISSN 1913-1852 Published by Canadian Center of Science and Education Studying the Effect of Continent on Three Important Mosque of Timurid Period (Blue Mosque of Tabriz, Goharshadjame Mosque, Jame Mosque of Yazd) Davoud Saremi Naeeni1 & Kobra Hasangholinejad Yasoori2 1 Assistant professor, art and archtecture faculty, university of kharazmi, tehran, Iran and Sistan and Baluchestan University, Zahedan, Iran 2 Phd student of architecture, univer sity of sistan and baluchestan, Zahedan, Iran Correspondence: Davoud Saremi Naeeni, Assistant professor, art and archtecture faculty, University of Kharazmi, tehran, Iran and Sistan and Baluchestan University, Zahedan, Iran. E-mail: [email protected]/ [email protected] Received: November 25, 2015 Accepted: December 7, 2015 Online Published: January 15, 2016 doi:10.5539/mas.v10n2p205 URL: http://dx.doi.org/10.5539/mas.v10n2p205 Abstract Mosques’ architecture is one of the monuments in the history of Iranian architecture that has alwaysbeen of interest andimportance and in the Timurid period was also welcomed by many architects and artists and examples were built that were used as a perfect model for the architects of the next periods. The architecture of this period is known as a good example of harmony with the environment, which is a result of various climatic, historical, economic, cultural and political factors and have had the greatest impact and benefit fromthe continental and social and politicalconditions of Ilkhani and Seljuk periods. Timurid mosques of Iran are from the important elements of Islamic architecture in terms of architectural form and decorations that need to be reviewed in these two factors. -
A Historical Reflection of the University of Rabe Rashidi, Iran
African Journal of History and Culture (AJHC) Vol. 3(9), pp. 140-147, December 2011 Available online at http://www.academicjournals.org/AJHC DOI: 10.5897/AJHC11.032 ISSN 2141-6672 ©2011 Academic Journals Full Length Research Paper A historical reflection of the University of Rabe Rashidi, Iran N. Behboodi 1*, A. Kiani 2, A. Heydari 2 1Department of Archaeology, University of Zabol, Zabol, Iran. 2Department of Geography and Urban Planning, University of Zabol, Zabol, Iran. Accepted 16 November, 2011 Rabe Rashidi has a large collection of academics and residents in the North West of Iran which return to Mughul patriarch periods. It was built in AH 8 century by Rashid al-Din Fadlallah in the government center of Tabriz. Based on proofs, Rashidabad city consist of two separate parts: Rabe Rashidi as one part and Rashidi city as the other part. Rube Rashidi as a castle was located in the central part of the city and it has some functions such as educational, religious and therapeutic. In order to achieve the main purpose of this paper, a reflection was made on the historical University of Rashidi city in ancient Tabriz region. Therefore, in the first stage of this paper, the physical system of Rashidi city was studied. Based on the data achieved from endowment design, a schematic assumption of Rashidi city was made. The methods applied on this research are content analysis and option idea through trial and multiple hypotheses. The analysis of the water supply system in its kind which uniquely helped to form basic fields of the city is schematic. -
The Central Islamic Lands
77 THEME The Central Islamic 4 Lands AS we enter the twenty-first century, there are over 1 billion Muslims living in all parts of the world. They are citizens of different nations, speak different languages, and dress differently. The processes by which they became Muslims were varied, and so were the circumstances in which they went their separate ways. Yet, the Islamic community has its roots in a more unified past which unfolded roughly 1,400 years ago in the Arabian peninsula. In this chapter we are going to read about the rise of Islam and its expansion over a vast territory extending from Egypt to Afghanistan, the core area of Islamic civilisation from 600 to 1200. In these centuries, Islamic society exhibited multiple political and cultural patterns. The term Islamic is used here not only in its purely religious sense but also for the overall society and culture historically associated with Islam. In this society not everything that was happening originated directly from religion, but it took place in a society where Muslims and their faith were recognised as socially dominant. Non-Muslims always formed an integral, if subordinate, part of this society as did Jews in Christendom. Our understanding of the history of the central Islamic lands between 600 and 1200 is based on chronicles or tawarikh (which narrate events in order of time) and semi-historical works, such as biographies (sira), records of the sayings and doings of the Prophet (hadith) and commentaries on the Quran (tafsir). The material from which these works were produced was a large collection of eyewitness reports (akhbar) transmitted over a period of time either orally or on paper. -
False Flag Operation
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 8 Pages Price 50,000 Rials 1.00 EURO 4.00 AED 43rd year No.14006 Thursday AUGUST 5, 2021 Mordad 14, 1400 Dhul Hijjah 25, 1442 Raisi to be sworn in Tokyo 2020: Iran Energy Ministry unveils Imam Mosque: as Irani president weightlifter Davoudi water, electricity elegant, iconic, and today Page 2 snatches silver Page 3 training system Page 4 visually stunning Page 6 Iran: Reports of maritime incidents Western psywar for new adventurism The Iranian Armed Forces have de- coast of the United Arab Emirates (UAE). nounced recent contradictory reports Citing maritime security sources, the False flag operationSee page 3 of maritime incidents and hijacking in report identified the seized vessel as the the Sea of Oman as a Western “psycho- Panama-flagged asphalt/bitumen tanker logical warfare” meant to set the ground Asphalt Princess. for new adventurism. Meanwhile, The Times of London Brigadier General Abolfazl Shekarchi, newspaper quoted British sources as spokesman of the Armed Forces, made saying that they were “working on the the remarks on Tuesday, after Reuters assumption Iranian military or proxies claimed that “Iran-backed forces” were boarded” the Asphalt Princess. believed to have seized an oil tanker off the Continued on page 2 Loading, unloading of goods up 16% at Shahid Rajaee port TEHRAN- Loading and unloading of goods goes were loaded and unloaded at Shahid rose 16 percent at Shahid Rajaee port, Iran’s Rajaee port in the four-month period. -
Muslim Educational Trust Center Architectural Precedence April 29, 2011
Muslim Educational Trust Center Architectural Precedence April 29, 2011 MET’s mission is to enrich the public’s understanding of Islam and dispel common myths and stereotypes, while serving the Muslim community’s educational, social and spiritual needs in order to develop generations of proud and committed Muslims who will lead our community to the forefront of bridge-building dialogue, faith-based community service and stewardship of Earth and humanity. MET Goals Aga Khan Award Winning Project Expressive of Muslim Culture Place of Learning Welcoming to the Broader Community Influences Islamic Architecture Regionalism Sarvestan Palace Historical Context The concept of Unity in multiplicity is the determining factor in integrating Islamic societies. Historically the revelation of Islam as expressed by the prophet Mohammed and the Holy Koran brought together the most diverse cultures and peoples from Spain across to India and beyond. The architecture of the Islamic world throughout history adapted and responded to different cultures and existing traditions of buildings without weakening the spiritual essence which was its source of inspiration. Urban centers in Islamic cities evolved over long periods of time with generations of craftsmen whose sensitivity and experience added variety and a diversity of styles to the environment. The traditional Islamic city reflected a unity which related the architecture of the mosque, the madrassa , the souq, palace and the home as a sequence of spaces... The identity of the city lay in the relationship of its elements. These relationships were generated by the harmonizing of the community with the forces acting on it, that enabled the interaction of cultures, building methods and methods to evolve an Islamic identity in the same way a language maintains its own identity even when it absorbs outside words.