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The James Bond Quiz Eye Spy...Which Bond? 1
THE JAMES BOND QUIZ EYE SPY...WHICH BOND? 1. 3. 2. 4. EYE SPY...WHICH BOND? 5. 6. WHO’S WHO? 1. Who plays Kara Milovy in The Living Daylights? 2. Who makes his final appearance as M in Moonraker? 3. Which Bond character has diamonds embedded in his face? 4. In For Your Eyes Only, which recurring character does not appear for the first time in the series? 5. Who plays Solitaire in Live And Let Die? 6. Which character is painted gold in Goldfinger? 7. In Casino Royale, who is Solange married to? 8. In Skyfall, which character is told to “Think on your sins”? 9. Who plays Q in On Her Majesty’s Secret Service? 10. Name the character who is the head of the Japanese Secret Intelligence Service in You Only Live Twice? EMOJI FILM TITLES 1. 6. 2. 7. ∞ 3. 8. 4. 9. 5. 10. GUESS THE LOCATION 1. Who works here in Spectre? 3. Who lives on this island? 2. Which country is this lake in, as seen in Quantum Of Solace? 4. Patrice dies here in Skyfall. Name the city. GUESS THE LOCATION 5. Which iconic landmark is this? 7. Which country is this volcano situated in? 6. Where is James Bond’s family home? GUESS THE LOCATION 10. In which European country was this iconic 8. Bond and Anya first meet here, but which country is it? scene filmed? 9. In GoldenEye, Bond and Xenia Onatopp race their cars on the way to where? GENERAL KNOWLEDGE 1. In which Bond film did the iconic Aston Martin DB5 first appear? 2. -
Read Our Interview with Earl Cameron Here
INTERVIEW WITH ‘PINDER’ AKA EARL CAMERON, AUGUST 2012 Interview by Anders Frejdh, Editor of From Sweden with Love. Did you always want to become an actor? I had, from my early childhood, a secret yearning for acting but I was far too shy to mention it to anyone. How did you become involved in Thunderball in the first place? I had worked on three films with Coby Brockley "Safaria, Odongo and Killers of Killers of Kilamanjaro" and he wanted me on the first Bond picture "Dr. No" but Saltzman did not think I was right for the part of quarrel however when "Thunderball came along" the part of Pinder came my way. How did you prepare for the film once you were contracted? Did you read the novel or any other of the Fleming novels? I never read any of the Ian Fleming's novels, but the part of Pinder is fairly straight forward which did not cause for much study. How was it like filming on location in the Bahamas? Location on Nassau was very glamorous, more than any other I had or have been on in my seven weeks there was a delight. What did you think about the relationship between Sean Connery and the rest of the crew? As I remember, in relationship with Connery, he was extremely friendly and also with myself. What happened at the end of filming this film, any end-of-shooting party or similar event? Did you attend the premiere and/or any other Bond film premieres over the years? I did not attend the premiere as I was away at the time of the event, in fact, at the end of the filming, I was in Manchester at Grenada Television working on a Production "The Life of Bessie Smith". -
Time to Bond
Etc. Etc. Etc. “I’ve always wanted to play a spy, because it is the ultimate acting exercise. You are never what you seem.” Benedict Cumberbatch Life Imitates Art: The CIA Favored James Bond In his article, “Ian Fleming and the Public Profile of the Time CIA,” published this year in the Journal of Cold War Studies, Christopher Moran, a professor at the University of Warwick, to Bond contends that the CIA attempted to recreate spy gadgets from n recognition of the Bond the James Bond films Goldfinger and From Russia, With Love. Ifranchise’s 50th year in 2012, To write the article, Moran studied declassified letters, Time compiled a list, “James media reports and interviews from the 1950s and 1960s. Bond, Declassified: 50 Things “There was a surprising two-way influence between the CIA You Didn’t Know About 007.” and the James Bond novels during the Cold War, stemming Here are a few highlights: from the mutual admiration between [then CIA director] Al- •In an interview with Life len Dulles and [Bond author] Ian Fleming,” Moran explains. Magazine, John F. Kennedy After meeting Fleming in London in 1959, Dulles tasked listed From Russia, With agency staff to copy Bond gadgets, such as Rosa Klebb’s Love as one of his favorite spring-loaded poison knife shoe used in From Russia, With novels. It’s been reported Love and the homing beacon device used in Goldfinger. that this influenced the Moran also found that Dulles encouraged Fleming to portray filmmakers to select this the agency positively. “For a long time, the James Bond book to be the basis for books had a monopoly on the CIA’s public image and the the second Bond movie, agency used this to its advantage.” ScienceDaily SETRESET following Dr. -
Set Name Card Description Auto Mem #'D Base Set 1 Harold Sakata As Oddjob Base Set 2 Bert Kwouk As Mr
Set Name Card Description Auto Mem #'d Base Set 1 Harold Sakata as Oddjob Base Set 2 Bert Kwouk as Mr. Ling Base Set 3 Andreas Wisniewski as Necros Base Set 4 Carmen Du Sautoy as Saida Base Set 5 John Rhys-Davies as General Leonid Pushkin Base Set 6 Andy Bradford as Agent 009 Base Set 7 Benicio Del Toro as Dario Base Set 8 Art Malik as Kamran Shah Base Set 9 Lola Larson as Bambi Base Set 10 Anthony Dawson as Professor Dent Base Set 11 Carole Ashby as Whistling Girl Base Set 12 Ricky Jay as Henry Gupta Base Set 13 Emily Bolton as Manuela Base Set 14 Rick Yune as Zao Base Set 15 John Terry as Felix Leiter Base Set 16 Joie Vejjajiva as Cha Base Set 17 Michael Madsen as Damian Falco Base Set 18 Colin Salmon as Charles Robinson Base Set 19 Teru Shimada as Mr. Osato Base Set 20 Pedro Armendariz as Ali Kerim Bey Base Set 21 Putter Smith as Mr. Kidd Base Set 22 Clifford Price as Bullion Base Set 23 Kristina Wayborn as Magda Base Set 24 Marne Maitland as Lazar Base Set 25 Andrew Scott as Max Denbigh Base Set 26 Charles Dance as Claus Base Set 27 Glenn Foster as Craig Mitchell Base Set 28 Julius Harris as Tee Hee Base Set 29 Marc Lawrence as Rodney Base Set 30 Geoffrey Holder as Baron Samedi Base Set 31 Lisa Guiraut as Gypsy Dancer Base Set 32 Alejandro Bracho as Perez Base Set 33 John Kitzmiller as Quarrel Base Set 34 Marguerite Lewars as Annabele Chung Base Set 35 Herve Villechaize as Nick Nack Base Set 36 Lois Chiles as Dr. -
Spy Films, American Foreign Policy, and the New Frontier of the 1960S
Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses Spring 2019 Bondmania: Spy Films, American Foreign Policy, and the New Frontier of the 1960s Luke Pearsons Central Washington University, [email protected] Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Cultural History Commons, History of Gender Commons, Political History Commons, and the United States History Commons Recommended Citation Pearsons, Luke, "Bondmania: Spy Films, American Foreign Policy, and the New Frontier of the 1960s" (2019). All Master's Theses. 1202. https://digitalcommons.cwu.edu/etd/1202 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. BONDMANIA: SPY FILMS, AMERICAN FOREIGN POLICY, AND THE NEW FRONTIER OF THE 1960s __________________________________ A Thesis Presented to The Graduate Faculty Central Washington University ___________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts History ___________________________________ by Luke Thomas Pearsons May 2019 CENTRAL WASHINGTON UNIVERSITY Graduate Studies We hereby approve the thesis of Luke Thomas Pearsons Candidate for the degree of Master of Arts APPROVED FOR THE GRADUATE FACULTY ______________ _________________________________________ Dr. Stephen Moore, Committee Chair ______________ _________________________________________ Dr. Daniel Herman ______________ _________________________________________ Dr. Chong Eun Ahn ______________ _________________________________________ Dean of Graduate Studies ii ABSTRACT BONDMANIA: SPY FILMS, AMERICAN FOREIGN POLICY, AND THE NEW FRONTIER OF THE 1960s by Luke Thomas Pearsons May 2019 The topic of this thesis are spy films that were produced during the Cold War, with a specific focus on the James Bond films and their numerous imitators. -
University International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Pablo's Armchair Treasure Hunt 2018
PABLO’S ARMCHAIR TREASURE HUNT 2018 PSYCH0L0GICALs7 Contents Hunt Timeline .......................................................................................................................................... 3 Page 1 Ian Fleming’s Life ......................................................................................................................... 7 Page 2 Letter, Small and Large Numbers.................................................................................................... 9 Page 2 Letter ........................................................................................................................................ 9 Small Numbers ..................................................................................................................................... 9 Large Numbers ..................................................................................................................................... 9 Page 3 Doctor No ................................................................................................................................... 10 Page 4 From Russia With Love ............................................................................................................... 11 Page 5 Goldfinger ................................................................................................................................... 12 Page 6 Thunderball ................................................................................................................................. 13 -
The Glamorization of Espionage in the International Spy Museum
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2015 Counter to Intelligence: The Glamorization of Espionage in the International Spy Museum Melanie R. Wiggins College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the American Film Studies Commons, American Material Culture Commons, American Popular Culture Commons, Other American Studies Commons, and the Sociology of Culture Commons Recommended Citation Wiggins, Melanie R., "Counter to Intelligence: The Glamorization of Espionage in the International Spy Museum" (2015). Undergraduate Honors Theses. Paper 133. https://scholarworks.wm.edu/honorstheses/133 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Counter to Intelligence: The Glamorization of Espionage in the International Spy Museum A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in American Studies from The College of William and Mary by Melanie Rose Wiggins Accepted for____________________________________________________ (Honors, High Honors, Highest Honors) _________________________________________________________ Alan Braddock, Director _________________________________________________________ Charlie McGovern _________________________________________________________ -
Tomorrow Never Dies
Tomorrow Never Dies Svensk premiärtitel: Tomorrow Never Dies Videotitel i Sverige: Tomorrow Never Dies Produktionsuppgifter: Produktionsland: Storbritannien, USA Distributör i Sverige (35 mm): United International Pictures AB Svenska Filminstitutet Distributör i Sverige (hyrvideo) (fysisk): Warner Home Video Sweden AB Distributör i Sverige (köpvideo): Warner Home Video Sweden AB Produktionsbolag: Eon Productions Ltd. United Artists Pictures Inc. Danjaq Inc. Förlaga: Titel: James Bond (Fiktiva personer) Skapade av: Ian Fleming Manus: Bruce Feirstein Producent: Michael G. Wilson Barbara Broccoli Foto: Robert Elswit Musik: David Arnold Produktionsdesign: Allan Cameron Klippning: Dominique Fortin Michel Arcand Regi: Roger Spottiswoode Bildformat: Scope (2,35:1) Färgsystem: Färg Ljudsystem: Dolby Stereo Spectral Recording Censur: 135.071 Datum: 1997-12-10 Aldersgräns: Tillåten från 15 år Längd: 3267meter Sverigepremiär: 1997-12-19 BioPalatset Göteborg Sverige 119 minuter 1997-12-19 Filmstaden Göteborg Sverige 119 minuter 1997-12-19 Palladium Göteborg Sverige 119 minuter 1997-12-19 BioPalatset Malmö Sverige 119 minuter 1997-12-19 DownTown Malmö Sverige 119 minuter 1997-12-19 Royal Malmö Sverige 119 minuter 1997-12-19 BioPalatset 1 Stockholm Sverige 119 minuter 1997-12-19 Filmstaden Sergel Stockholm Sverige 119 minuter 1997-12-19 Filmstaden Söder Stockholm Sverige 119 minuter 1997-12-19 Rigoletto 1 Stockholm Sverige 119 minuter TV-visning: 2000-12-10 TV3 Sverige 114 minuter 2002-01-28 TV3 Sverige 114 minuter Videorelease: 1998-05 Sverige 114 -
An Examination of Jerry Goldsmith's
THE FORBIDDEN ZONE, ESCAPING EARTH AND TONALITY: AN EXAMINATION OF JERRY GOLDSMITH’S TWELVE-TONE SCORE FOR PLANET OF THE APES VINCENT GASSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2019 © VINCENT GASSI, 2019 ii ABSTRACT Jerry GoldsMith’s twelve-tone score for Planet of the Apes (1968) stands apart in Hollywood’s long history of tonal scores. His extensive use of tone rows and permutations throughout the entire score helped to create the diegetic world so integral to the success of the filM. GoldsMith’s formative years prior to 1967–his training and day to day experience of writing Music for draMatic situations—were critical factors in preparing hiM to meet this challenge. A review of the research on music and eMotion, together with an analysis of GoldsMith’s methods, shows how, in 1967, he was able to create an expressive twelve-tone score which supported the narrative of the filM. The score for Planet of the Apes Marks a pivotal moment in an industry with a long-standing bias toward modernist music. iii For Mary and Bruno Gassi. The gift of music you passed on was a game-changer. iv ACKNOWLEDGEMENTS Heartfelt thanks and much love go to my aMazing wife Alison and our awesome children, Daniela, Vince Jr., and Shira, without whose unending patience and encourageMent I could do nothing. I aM ever grateful to my brother Carmen Gassi, not only for introducing me to the music of Jerry GoldsMith, but also for our ongoing conversations over the years about filM music, composers, and composition in general; I’ve learned so much. -
Sydney Program Guide
Page 1 of 25 Sydney Program Guide Sun Jan 20, 2019 06:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 06:30 BEYOND TODAY WS PG Am I A True Disciple Religious program. Cons.Advice: Themes 07:00 LEADING THE WAY WS PG From Valley To Victory - Part 2 Dr. Youssef and the Leading The Way team are committed to sharing the Gospel with the lost and equipping believers to grow into a deeper walk with Christ. Cons.Advice: Themes 07:30 IN TOUCH MINISTRIES TBC In Touch Ministries is the outreach ministry of Dr. Charles Stanley, pastor of First Baptist Church of Atlanta, Georgia. The desire of In Touch is to lead people into a growing relationship with Jesus Christ and strengthen the local church. 08:00 KEY OF DAVID WS PG Christ's Crucifixion Prayer Religious program. Cons.Advice: Themes 08:30 THE INCREDIBLE JOURNEY PRESENTS Repeat WS PG A Jet Pilot's Journey Religious program. Cons.Advice: Themes 09:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 10:00 THE AVENGERS Repeat WS PG Superlative Seven Steed is pleased to receive an invitation to a fancy dress party held by explorer, Sir George Robertson. Dressed as one of Wellington's officers, he sets off to find that the party is taking place on an aeroplane! Starring: Patrick MacNee, Diana Rigg 11:00 ONE MILLION YEARS B.C. 1967 Repeat WS PG One Million Years B.C. In prehistoric times, a young man driven out of the savage Rock Tribe by his father wanders for years encountering many amazing sights, including his first view of the sea - and of a beautiful girl of the gentle Shell people with whom he falls in love. -
Equity Magazine Autumn 2018
www.equity.org.uk MAGAZINE AUTUMN 2018 National Theatre joins Safe Spaces campaign Celebrating the creativity of Northern Ireland New partnership with Actors Centre AGENT OF CHANGE Dawn Hope launches our Change Network CONFERENCE REPORT ELECTION RESULTS WEST END DEAL INSURANCE? EQUITY MAGAZINE SUMMER 2018 IN THIS ISSUE 4 NEWS New Equity Council, discussing artist mental Exclusive Professional Property Cover for health in Parliament and a West End claim Equity members 7 UPFRONT Christine Payne, General Secretary UK/Europe or Worldwide 8 MEET THE MEMBERSHIP cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer Red Sarah: variety performer, mentor, VCEC 14 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. member and founder of the Burlesque Network 10 SUCCESS STORIES GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK Protecting Northern Irish arts, members 18 marching and new website Tel 020 8686 5050 14 DAWN HOPE First Act Insurance* is the preferred insurance intermediary to Why the musical theatre star is getting involved *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 in the union’s Change Network 18 CHANGE NETWORK Equity’s new initiative to amplify black First Act Insurance presents... members’ voices 20 ARC Motions and more from the union’s Annual Representative Conference 10 24 PRESIDENT MAUREEN BEATTIE 26 The actress’s inaugural column 26 CAMPAIGNS Safe Spaces, Brexit, fighting pension inequality 28 HAVE YOUR SAY Theatre’s Girl Club and tips to manage stress Key features include 30 YOUR EQUITY 32 24 • Competitive online quote and buy cover provided by HISCOX.