Edinburgh Research Explorer Containing the spectre of the past Citation for published version: Murray, J 2017, 'Containing the spectre of the past: The evolution of the James Bond franchise during the Daniel Craig era', Visual Culture in Britain, vol. 18, no. 2, pp. 247-273. https://doi.org/10.1080/14714787.2017.1338161 Digital Object Identifier (DOI): 10.1080/14714787.2017.1338161 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Visual Culture in Britain Publisher Rights Statement: This is an Accepted Manuscript of an article published by Taylor & Francis in Visual Culture in Britain on 5/7/2017, available online: http://www.tandfonline.com/doi/full/10.1080/14714787.2017.1338161. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact
[email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 06. Oct. 2021 Containing the Spectre of the Past: the Evolution of the James Bond Franchise during the Daniel Craig Era Abstract The notable commercial and critical success of the four James Bond films made with actor Daniel Craig playing the lead role - Casino Royale (Martin Campbell, GB/Cze/USA/Ger/Bah, 2006), Quantum of Solace (Marc Forster, GB/USA, 2008), Skyfall (Sam Mendes, GB/USA, 2012) and Spectre (Sam Mendes, GB/USA, 2015) – has, over the past decade, provoked a sustained increase in the amount of academic commentary and debate around the Bond character, his fictional universe and multimedia incarnations.