Kollegen Campus Timetable / Session Plan

Total Page:16

File Type:pdf, Size:1020Kb

Kollegen Campus Timetable / Session Plan Vertrauen Glimpse im Team Rassismus und Diskriminierung The new Behind the Warum kein Tiger fundamentals of unterm Schreibtisch Who‘s behind im Journalismus Scene sitzen darf … Ein Workshop BRANDING ! Work of Artists & the curtain für sensiblen Repertoire in the of China Sprachgebrauch Music Industry eCommerce? Program Program #BeALearnfluencer and register today: 136 digital “Kollegen-Campus” sessions in November/December are now available ! The following pages list all of the topics and trainers. The sessions are sorted by date. In addition, some sessions are labeled for specific target groups. However, if you have an interest also in these areas, but may be not a professional, you are also welcome to register for these sessions. Please be aware that you need to re- gister for a session on peoplenet before you can take part in it. To go to the registration page, simply click the peoplenet button on the right. Seats of the sessions are limited, so remember: First come, first serve! There is no maximum number of sessions that can be booked per person, but of course as many colleagues should have the chance to participate in the Kollegen Campus. Therefore, if you are not able to attend the event as planned, please cancel your booked seats via peo-plenet ahead of time. If you have any questions, feel free to ask your contact person from your local Kollegen-Campus team. #BeALearnfluencer Overview of all events: Register here Programm Die Anmeldung für die 136 Sessions im November/Dezember ist ab sofort freigeschaltet. #SeiEinLearnfluencer und melde dich heute noch an! Alle Themen und TrainerInnen findest du auf den folgenden Seiten. Die Sessions sind jeweils nach Datum sortiert. Darüber hinaus sind einige Sessions für bestimmte Zielgruppen extra gekennzeichnet. Bitte beachte, dass du dich für eine Session im peoplenet registrieren musst, bevor du an dieser teilneh- men kannst. Klicke hierzu einfach auf den peoplenet Button auf der rechten Seite der jeweiligen Session und du landest direkt bei der entsprechenden Registrierungsseite. Die Plätze sind je nach Session begrenzt, es gilt daher das Prinzip: First come, first serve! Es gibt keine maximale Anzahl an Sessions die pro Person buchbar sind, allerdings sollen natürlich so viele KollegInnen wie möglich die Chance haben am Kollegen-Campus teilzunehmen. Daher gib deine Plätze zeitnah auch über das peoplenet wieder frei, solltest du nicht wie geplant am Termin teilnehmen können. Bei Fragen kannst du dich gerne an das lokale Kollegen-Campus-Team wenden. Hier findest du alle Veranstaltungen im Überblick: Hier registrieren 2 The mechanics behind internet‘s advertising business Advanced level // Automation of buying and selling ads online November 3, 2020 // The hard competition with GAFAs 7:00–8:30 AM | CET // Online advertising in a post-tracking era English For Marketers / Presentation Sales / Register Publishing here Paul Caucheteux Prisma Media, France Nimm´s zweimal: Bilder und Texte zweitverwenden – so geht´s Anfänger // AGBs, Urheber-Rahmenverträge, rot-gelb-grüne Foto- 3. November 2020 agentur-Listen – wie war das noch mal? // Was darf ich mit dem Content machen? Wen muss ich 9:00–10:30 Uhr | CET vorher fragen? Deutsch // Und wo kann man das alles nachlesen? Für Redak- tionsmitarbei- terInnen Vortrag Hier (Print & registrieren Johanna Berendt, Markus Dingler Digital) Gruner + Jahr, Deutschland Das Wesen von Veränderungen: Anfänger Impulse für einen guten Umgang mit Change // „Nichts ist so beständig wie der Wandel.“ 3. November 2020 // „Wer ein Warum hat, erträgt fast jedes Wie.“ 11:00–12:30 Uhr | CET // Veränderungen lassen sich insbesondere mit einem nachhaltigen Vorgehen gut meistern. Deutsch Vortrag Hier registrieren Torsten König DPV Deutscher Pressevertrieb GmbH, Deutschland Die Höhle der Löwen, meine Business Cases und ich... Anfänger in der SteerCo..und der Tag danach // Fehler vermeiden, besser vorbereiten, nicht abschrecken 3. November 2020 lassen, einfach mal wagen sich mit der eigenen Idee zu melden 13:00–14:30 Uhr | CET // Best Practice zum Business Case Deutsch Vortrag Hier registrieren Jörg Rißel Arvato Systems S4M GmbH, Deutschland 3 Spannend und fesselnd: So hätte Jules Verne IT-Dokumentationen Fortgeschrittene geschrieben // Eine interessante Dokumentation kann man genauso 3. November 2020 schnell schreiben, wie eine schwer lesbare // Keine Dokumentation muss unverständlich sein 13:00–14:30 Uhr | CET // Du musst nur wenige Regeln beachten um lesbare Doku- Deutsch mentationen schreiben zu können Vortrag Hier registrieren Stephan Elter Gruner + Jahr, Deutschland Introduction to Web Development. Learn how to build and host your Beginner level own website from scratch // Learn about HTML and CSS November 3, 2020 3:00–4:30 PM | CET // Learn how to code basic JavaScript November 5, 2020 // Learn how to host and share your website to others November 10, 2020 November 12, 2020 5:00–6:30 PM | CET This session English consists of Register 4 dates! here Jesse Wang Presentation Arvato Systems North America, USA Personal Branding: Der erste Schritt zu deiner Eigenmarke Anfänger // Erste Schritte zur individuellen Branding Strategie 3. November 2020 // Tipps und Best Practices für authentisches Selfbranding 15:00–16:30 Uhr | CET // Klarheit über die eigenen Werte, fachliches Können und Zielgruppe Deutsch Workshop Hier registrieren Kristine Schmidt RTL interactive GmbH, Deutschland Life doesn‘t have to be difficult. Beginner level It can actually be amazing and it starts with you. // Self-Discovery November 3, 2020 // Balance: Concept and tools for exploration 5:00–6:30 PM | CET // Perspective understanding your particular attitudes and points of view English Workshop Register here Freddie Helrich Bertelsmann, Inc., USA 4 Werde zum Outlook Rockstar Anfänger // Hast du noch mehr als drei Ordner in Outlook, 3. November 2020 oder lebst du schon? // Hast du auch den Traum, dein Postfach zu beherrschen 17:00–18:30 Uhr | CET anstatt beherrscht zu werden? Deutsch // Tipps und Tricks zum Sortieren von E-Mails und Ordnerstrukturen Workshop Hier registrieren Thomas Dugaro Gruner + Jahr, Deutschland The Great Fast Forward: How the Pandemic Accelerated 10 years of Beginner level Technology Adoption into 1 // New areas of enterprise productivity and collaboration November 3, 2020 // Technology and tools to watch 7:00–8:30 PM | CET // Consumer and business trends English Presentation Register here Sim Blaustein Bertelsmann Investments, USA The new fundamentals of BRANDING ! Intermediate level // How to define a (your) brand (define the vision and the November 3, 2020 mission, deal with the brand values, the brand book...) // How to develop influence and brand engagement 9:00–10:30 PM | CET // From brand positioning strategy English to innovation strategy For Marketers Workshop Register here Marjorie Pouzadoux Prisma Media, France Schwierige Gespräche führen – effektiv, klar und authentisch Anfänger // Hilfreiche Fragetechniken 4. November 2020 // Starke Botschaften 9:00–10:30 Uhr | CET // Wertschätzendes Auftreten Deutsch Workshop Hier registrieren Nadja Busch Corporate Center, Deutschland 5 Workshopgestaltung: Tipps und Tricks – und was geht remote? Anfänger // Keine Angst for Workshops Für Workshops die moti- 4. November 2020 vieren und weiterbringen // Kommunikation und Planung ist alles 9:30–12:00 Uhr | CET // Austausch von Methoden, Ideen und Erfahrungen Deutsch Workshop Hier registrieren Nina Behrmann DPV, Deutschland Wie gut kennst du deinen Kunden? Aus Kundendaten lernen, Fortgeschrittene um Marketingmaßnahmen zu optimieren // Mehr Customer Insights 4. November 2020 // Besseres Targeting um Neukundenpotentiale zu heben 11:00–12:30 Uhr | CET // Optimierung der Werbe-Etats Deutsch Vortrag Hier registrieren Peter Lipp, Tayfun Aksun AZ Direct Gmbh & Direct Analytics GmbH, Deutschland Vom Chef zum Coach. Vom Diversity- zum Capability Management. Anfänger // Diversity um einen tatsächlichen produktiven Mehrwert 4. November 2020 zu erzeugen // Diversity als ganzheitlichen Ansatz; Impulse 11:00–12:30 Uhr | CET damit Chefs Mentoren werden, die Räume Für zur Entfaltung schaffen und neue gewinn- Deutsch bringende Ideen entstehen lassen Führungs- kräfte // Strahlkraft auf die Gesellschaft zum Workshop Hier langfristigen Abbau von Ressentiments registrieren Pierrot Raschdorff Penguin Random House Verlagsgruppe, Deutschland Let‘s JAMmin – Wie kann mich SAP JAM in der Kollaboration Anfänger unterstützen? // Wie funktioniert die JAM Nutzung? 4. November 2020 // Was kann ich mit JAM machen? Was sind die Kernfunktionen? 13:00–14:30 Uhr | CET // Wie helfen diese mir in meinem Arbeitsalltag? Deutsch Vortrag Hier registrieren Merit David Corporate Center, Deutschland 6 Das Finanzchaos auflösen und mit der Altersvorsorge beginnen – Anfänger meine größten Learnings aus meinem Podcast „What the Finance?“ // Ordnung statt Chaos: So geht „sich mit dem Thema 4. November 2020 Finanzen“ beschäftigen. // Um diese Finanz-Themen müssen wir uns alle mal kümmern. 13:00–14:30 Uhr | CET // private Altersvorsorge: so finde ich heraus, wieviel Geld ich mal brauche Deutsch // diese AnsprechpartnerInnen können mir helfen und diese Literatur ist easy zu verstehen Vortrag Hier registrieren Anissa Brinkhoff Gruner + Jahr, Deutschland Life doesn‘t have to be difficult. Beginner level It can actually be amazing and it starts with you. // Self-Discovery November 4, 2020 // Balance: Concept and tools for exploration 3:00–4:30 PM | CET // Perspective understanding your particular attitudes and points of view English
Recommended publications
  • BMG Rights Management V. Cox Communications
    BMG Rights Management (US)LLC et al v. Cox Enterprises, Inc. et al Doc. 703 IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF VIRGINIA Alexandria Division __________________________________________ ) BMG RIGHTS MANAGEMENT (US) ) LLC, and ROUND HILL MUSIC LP, ) ) Civil No. 1:14-cv-1611 Plaintiffs, ) ) Hon. Liam O’Grady v. ) ) COX COMMUNICATIONS, INC., and ) COXCOM, LLC, ) ) Defendant s. ) __________________________________________) MEMORANDUM OPINION In this copyright action, the putative owners of more than 1,400 musical composition copyrights seek to hold Cox Communications, Inc. and Cox Com, LLC (collectively, “Cox”) contributorily and vicariously liable for alleged copyright infringement taking place over its high-speed internet service. At the close of extensive discovery, the parties cross-moved for summary judgment. Following oral argument, the Court issued an Order (Dkt. No. 675) granting in part and denying in part Plaintiffs’ Motion for Partial Summary Judgment (Dkt. No. 310) and denying Cox’s Motion for Summary Judgment (Dkt. No. 305) for the reasons stated in this memorandum opinion. I. Background Cox provides high-speed internet service to customers nationwide. Plaintiffs BMG Rights Management (US), LLC (“BMG”) and Round Hill Music LP are the putative owners or administrators of approximately 1,400 musical composition copyrights. Plaintiffs allege users of 1 Dockets.Justia.com Cox internet service employ BitTorrent, a type of peer-to-peer (“P2P”) file sharing, to illegally upload and download music files, thereby violating Plaintiffs’ exclusive rights. A. BitTorrent The innovation of P2P file sharing is that it allows “user’s computers [to] communicate directly with each other,” rather than through a central server.
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • Bmi’S Response to the Department of Justice’S June 5, 2019 Request for Public Comments Concerning the Bmi and Ascap Consent Decrees
    BMI’S RESPONSE TO THE DEPARTMENT OF JUSTICE’S JUNE 5, 2019 REQUEST FOR PUBLIC COMMENTS CONCERNING THE BMI AND ASCAP CONSENT DECREES August 9, 2019 Scott A. Edelman Stu Rosen Fiona A. Schaeffer John Coletta Atara Miller BROADCAST MUSIC, INC. MILBANK LLP 7 World Trade Center 55 Hudson Yards 250 Greenwich Street New York, NY 10001-2163 New York, NY 10007-0030 (212) 530-5000 (212) 220-3000 Broadcast Music, Inc. (“BMI”) submits these public comments in response to the request of the Antitrust Division of the Department of Justice (the “DOJ”) pursuant to its review of the consent decree in United States v. BMI, Civ. No. 64-Civ-3787 (the “Decree”). The DOJ initiated this public comment period as part of its ongoing initiative to review legacy antitrust judgments. BMI believes that the Decree has become an impediment to innovation and should be substantially modified, and ultimately terminated, to remove unnecessary restrictions that do not further a legitimate public interest and constrain BMI’s ability to best serve songwriters, composers, music publishers and music users. The Decree reflects an outdated model of antitrust enforcement by regulation. It imposes an inflexible contract structure and a judicial rate-setting process that are unresponsive to market needs, impede BMI (and other music industry participants) from adapting to changes in the marketplace, stifle innovation, and are unnecessary to preserve competition. Ending the perpetual regulation of BMI and the American Society of Composers, Authors, and Publishers (“ASCAP”) (and by extension, large swaths of the music industry) is long overdue. The music licensing marketplace and the modern antitrust framework for assessing competition in that marketplace are virtually unrecognizable from those that existed when the BMI and ASCAP consent decrees were initially entered in 1941.
    [Show full text]
  • NOW That's What I Call Party Anthems – Label Copy CD1 01. Justin Bieber
    NOW That’s What I Call Party Anthems – Label Copy CD1 01. Justin Bieber - What Do You Mean? (Justin Bieber/Jason Boyd/Mason Levy) Published by Bieber Time Publishing/Universal Music (ASCAP)/Poo BZ Inc./BMG Publishing (ASCAP)//Mason Levy Productions/Artist Publishing Group West (ASCAP). Produced by MdL & Justin Bieber. 2015 Def Jam Recordings, a division of UMG Recordings, Inc. Licensed from Universal Music Licensing Division. 02. Mark Ronson feat. Bruno Mars - Uptown Funk (Mark Ronson/Jeff Bhasker/Bruno Mars/Philip Lawrence/Devon Gallaspy/Nicholaus Williams/Lonnie Simmons/Ronnie Wilson/Charles Wilson/Rudolph Taylor/Robert Wilson) Published by Imagem CV/Songs of Zelig (BMI)/Way Above Music/Sony ATV Songs LLC (BMI)/Mars Force Songs LLC (ASCAP)/ZZR Music LLC (ASCAP)/Sony/ATV Ballad/TIG7 Publishing (BMI)/TrinLanta Publishing (BMI)/ Sony ATV Songs LLC (BMI)/ Songs Of Zelig (BMI)/ Songs of Universal, Inc (BMI)/Tragic Magic (BMI)/ BMG Rights Management (ASCAP) adm. by Universal Music Publishing/BMG Rights Management (U.S.) LLC/Universal Music Corp/New Songs Administration Limited/Minder Music. Produced by Mark Ronson, Jeff Bhasker & Bruno Mars. 2014 Mark Ronson under exclusive licence to Sony Music Entertainment UK Limited. Licensed courtesy of Sony Music Entertainment UK Limited. 03. OMI - Cheerleader (Felix Jaehn Remix radio edit) (Omar Pasley/Clifton Dillon/Mark Bradford/Sly Dunbar/Ryan Robert Dillon) Published by Ultra International Music Publishing/Coco Plum Music Publishing. Produced by Clifton "Specialist" Dillon & Omar 'OMI" Pasley. 2014 Ultra Records, LLC under exclusive license to Columbia Records, a Division of Sony Music Entertainment. Licensed courtesy of Sony Music Entertainment UK Limited.
    [Show full text]
  • Oppdatert Liste Samarbeidspartnere 2017
    OPPDATERT LISTE AV Pictures Calon Ltd SAMARBEIDSPARTNERE AWOL Animation Calpartners LLC B & B Company Cambium Catalyst International (CCI) 2017 Baby Cow Productions Candlelight Media Bandai Visual Co. Ltd Cannon Pictures 12 Yard Productions Banijay International Ltd Captured Light Distribution LLC 2929 Entertainment LLC Bankside Films Carey Films Ltd 360 Production Ltd Bard Entertainment Cargo Film & Releasing 3DD Entertainment Bardel Distribution Carnaby Sales and Distribution Ltd 9 Story Enterprises BBL Distribution Inc. Carrere Group D.A. A&E Channel Home Video BBP Music Publishing c/o Black Bear Carsey Werner LLC Abduction Films Ltd Pictures Carlton Film and Television Acacia Beacon Communications Carlton International media ACC Action Concept Cinema GmbH & Becker Group Ltd. Cartoon Network Co. KG Beijing Asian Union Culture and Media Cartoon One ACI Investment Caryn Mandabach Productions Acorn Group Bejuba Entertainment Casanova Multimedia ACORN GROUP INC Bell Phillip Television Productions Inc. Cascade Films Pty Ltd Acorn Media Benaroya Pictures Castle Hill Productions Actaeon Films Bend it Like Beckham Productions Cats and Docs SAS Action Concept Bentley Productions Cat’s on the Roof Action Concept Film und Berlin Animation Film Gmbh CCI Releasing Stuntproduktion GmbH Best Film and Video CDR Communications Action Image GmbH & Co. KG Best Picture Show Celador Productions Adness Entertainment Co. Ltd. Betty TV Celestial Filmed Entertainment Ltd. Adult Swim Productions Beyond International Ltd Celluloid Dreams After Dark Films Big Bright House of Tunes Celsius Entertainment Agatha Christie Production Ltd Big Idea Entertainment Celsius Film Sales Ager Film Big Light Productions Central Independent Television AIM Group LLC. Big Talk Productions Central Park Media Akkord Film Produktion GmBH Billy Graham Evangelistic Association / Channel 4 Learning Alain Siritzky Productions World Wide Pictures Chapter 2 Alameda Films Bio Channel Chatsworth Enterprises Albachiara S.r.l.
    [Show full text]
  • Virtuos 04/2015
    04-2015 Das Mitglieder-Magazin der GEMA Mitglieder-Magazin Das Musik ist uns was wert. Modernisierung des EU-Urheberrechts, BGH-Entscheidungen, drei YouTube-Urteile und vieles mehr: Die Chronik des Jahres Ausblick Mitglieder- versammlung 2016 Jahres-Charts Tantiemen Pflichtmitteilungen Informationen zu Bestsellerlisten: GEMA-Einnahmen und U. a.: Beschränkungen Anträgen und Hotel- Diese Titel lagen 2014 ihre steuerrechtliche der internationalen Sonderkonditionen ganz vorn Behandlung Rechtewahrnehmung editorial Liebe Leserinnen, liebe Leser, das Jahr 2015 neigt sich dem Ende zu – ein geeigneter Zeitpunkt also für einen Rückblick auf die zurückliegenden Monate. Wir können festhalten, dass es für die GEMA ein ereignisreiches Jahr war, und es war ein gutes Jahr! Im Frühjahr konnten wir das beste Geschäftsergebnis in der Geschichte der GEMA präsentieren: Der 2014 erwirtschaftete Gesamt- ertrag lag bei 893,6 Millionen Euro und damit um fast 5 Prozent über dem des Vorjahres. Daher konnten wir auch eine deutlich höhere Verteilungssumme als in früheren Jahren an unsere Mitglieder ausschütten. Einen wegweisenden internationalen Zusammenschluss haben wir im Sommer vollzogen: Nach der wettbewerbsrechtlichen Klärung durch die Europäische Kommission in Brüssel bieten wir nun gemeinsam mit unseren Schwestergesell- schaften aus England (PRS for Music) und Schweden (STIM) unter der Marke ICE (International Copyright Enterprise) das erste integrierte Lizenz- und Verarbei- tungszentrum für den digitalen Musikmarkt an. Dadurch werden wir künftig in der Lage sein, die riesigen Datenmengen der Online-Musikdienste konsolidiert zu verarbeiten und eine schnellere, genauere und effizientere Lizenzierung und Abrechnung zu gewährleisten. Foto: Florian Jaenicke Florian Foto: Dr. Harald Heker, Weiterhin begleitet hat uns in den vergangenen zwölf Monaten das Thema Vorstandsvorsitzender der GEMA YouTube.
    [Show full text]
  • Dmca Safe Harbors: an Analysis of the Statute and Case Law
    DMCA SAFE HARBORS: AN ANALYSIS OF THE STATUTE AND CASE LAW Excerpted from Chapter 4 (Copyright Protection in Cyberspace) from the April 2020 updates to E-Commerce and Internet Law: Legal Treatise with Forms 2d Edition A 5-volume legal treatise by Ian C. Ballon (Thomson/West Publishing, www.IanBallon.net) Ian C. Ballon Greenberg Traurig, LLP Silicon Valley: Los Angeles: 1900 University Avenue, 5th Fl. 1840 Century Park East, Ste. 1900 East Palo Alto, CA 914303 Los Angeles, CA 90067 Direct Dial: (650) 289-7881 Direct Dial: (310) 586-6575 Direct Fax: (650) 462-7881 Direct Fax: (310) 586-0575 [email protected] <www.ianballon.net> LinkedIn, Twitter, Facebook: IanBallon This paper has been excerpted from E-Commerce and Internet Law: Treatise with Forms 2d Edition (Thomson West April 2020 Annual Update), a 5-volume legal treatise by Ian C. Ballon, published by West, (888) 728-7677 www.ianballon.net Ian C. Ballon Silicon Valley 1900 University Avenue Shareholder 5th Floor Internet, Intellectual Property & Technology Litigation East Palo Alto, CA 94303 T 650.289.7881 Admitted: California, District of Columbia and Maryland F 650.462.7881 Second, Third, Fourth, Fifth, Seventh, Ninth, Eleventh and Federal Circuits Los Angeles U.S. Supreme Court 1840 Century Park East JD, LLM, CIPP/US Suite 1900 Los Angeles, CA 90067 [email protected] T 310.586.6575 LinkedIn, Twitter, Facebook: IanBallon F 310.586.0575 Ian C. Ballon is Co-Chair of Greenberg Traurig LLP’s Global Intellectual Property & Technology Practice Group and represents companies in intellectual property litigation (including copyright, trademark, trade secret, patent, right of publicity, DMCA, domain name, platform defense, fair use, CDA and database/screen scraping) and in the defense of data privacy, cybersecurity breach and TCPA class action suits.
    [Show full text]
  • Annual Report 2015 (Financial Information)
    Annual Report 2015 At a Glance Key Figures (IFRS) in € millions 2015 2014 2013 2012 2011 Business Development Group revenues 17,141 16,675 16,179 16,065 15,368 Operating EBITDA 2,485 2,374 2,311 2,210 2,243 EBITDA margin in percent1) 14.5 14.2 14.3 13.8 14.6 Bertelsmann Value Added (BVA)2) 155 188 283 362 359 Group profit 1,108 572 885 612 612 Investments3) 1,259 1,578 1,312 655 956 Consolidated Balance Sheet Equity 9,434 8,380 8,761 6,083 6,149 Equity ratio in percent 41.2 38.9 40.9 32.2 33.9 Total assets 22,908 21,560 21,418 18,864 18,149 Net financial debt 2,765 1,689 681 1,218 1,809 Economic debt4) 5,609 6,039 4,216 4,773 4,913 Leverage factor 2.4 2.7 2.0 2.3 2.4 Dividends to Bertelsmann shareholders 180 180 180 180 180 Distribution on profit participation certificates 44 44 44 44 44 Employee profit sharing 95 85 101 92 107 Figures adjusted for the financial year 2014; figures before 2014 are the most recently reported previous year’s figures. Rounding may result in minor variations in the calculation of percentages in this report. 1) Operating EBITDA as a percentage of revenues. 2) Bertelsmann uses BVA as a strictly defined key performance indicator to evaluate the profitability of the operating business and the return on investment. 3) Taking into account the financial debt assumed, investments amounted to €1,281 million (2014: €1,601 million).
    [Show full text]
  • How Copyright Law May Affect Pop Music Without Our Knowing It
    Texas A&M University School of Law Texas A&M Law Scholarship Faculty Scholarship 12-2014 How Copyright Law May Affect Pop Music without Our Knowing It Peter K. Yu [email protected] Follow this and additional works at: https://scholarship.law.tamu.edu/facscholar Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Peter K. Yu, How Copyright Law May Affect Pop Music without Our Knowing It, 83 UMKC L. Rev. 363 (2014). Available at: https://scholarship.law.tamu.edu/facscholar/405 This Article is brought to you for free and open access by Texas A&M Law Scholarship. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Texas A&M Law Scholarship. For more information, please contact [email protected]. HOW COPYRIGHT LAW MAY AFFECT POP MUSIC WITHOUT OUR KNOWING IT Peter K. Yu* I. INTRODUCTION When copyright law is linked to the creation of music-the focus of this Symposium-interesting questions arise. In the context of classical music, for example, why could Johann Sebastian Bach "recycle" in his Concerto for Four Harpsichords the opening phrase in Antonio Vivaldi's Concerto for Four Violins, Strings and Harpsichord Continuo?' Why could Peter Ilyich Tchaikovsky include in his 1812 Overture repetitive fragments of La Marseillaise and the anthem God Save the Tsar! to portray the clash between the French and Russian armies?2 Would copyright protection in musical works help Wolfgang Amadeus Mozart avoid poverty and the fate of dying penniless? Or would such protection instead lead him to behave more like Johannes Brahms and Giuseppe Verdi, whose creativity slowed down significantly following the introduction of copyright protection?3 * Copyright © 2014 Peter K.
    [Show full text]
  • 2020 Financial Statements for Bertelsmann SE & Co. Kgaa
    Financial Statements and Combined Management Report Bertelsmann SE & Co. KGaA, Gütersloh December 31, 2020 Contents Balance sheet Income statement Notes to the financial statements Combined Management Report Responsibility Statement Auditor’s report 1 FINANCIAL STATEMENTS Assets as of December 31, 2020 in € millions Notes 12/31/2020 12/31/2019 Non-current assets Intangible assets Acquired industrial property rights and similar rights as well as licenses to such rights 1 9 8 9 8 Tangible assets Land, rights equivalent to land and buildings 1 306 311 Technical equipment and machinery 1 1 1 Other equipment, fixtures, furniture and office equipment 1 42 47 Advance payments and construction in progress 1 7 2 356 361 Financial assets Investments in affiliated companies 1 15,974 14,960 Loans to affiliated companies 1 230 712 Investments 1 - - Non-current securities 1 1,461 1,252 17,665 16,924 18,030 17,293 Current assets Receivables and other assets Accounts receivable from affiliated companies 2 4,893 4,392 Other assets 2 94 148 4,987 4,540 Securities Other securities - - Cash on hand and bank balances 3 2,476 513 7,463 5,053 Prepaid expenses and deferred charges 4 20 20 25,513 22,366 2 Equity and liabilities as of December 31, 2020 in € millions Notes 12/31/2020 12/31/2019 Equity Subscribed capital 5 1,000 1,000 Capital reserve 2,600 2,600 Retained earnings Legal reserve 100 100 Other retained earnings 6 5,685 5,485 5,785 5,585 Net retained profits 898 663 10,283 9,848 Provisions Provisions for pensions and similar obligations 7 377 357 Provision
    [Show full text]
  • 2013 Financial Statements for Bertelsmann SE & Co. Kgaa
    ANNUAL FINANCIAL STATEMENTS AS OF DECEMBER 31, 2013, AND MANAGEMENT REPORT BERTELSMANN SE & CO. KGaA, GÜTERSLOH (Translation – the German text is authorative) Annual financial statements 2013 Contents Balance sheet Income statement Notes “List of shareholdings” annex to the notes in accordance with HGB 285 (11) Management report Auditor’s report Responsibility statement 2 Annual financial statements 2013 Bertelsmann SE & Co. KGaA Balance sheet as of December 31, 2013 Assets 12/31/2013 Previous year Notes € € € millions Non-current assets Intangible assets (1) 844,280.30 1 Tangible assets (2) 291,216,329.92 237 Financial assets (3) 12,747,359,728.83 11,404 13,039,420,339.05 11,642 Current assets Receivables and other assets (4) 1,736,575,805.91 913 Securities 1.00 - Cash and cash equivalents (5) 1,425,121,750.94 1,612 3,161,697,557.85 2,525 Prepaid expenses and deferred charges (6) 12,218,335.49 15 16,213,336,232.39 14,182 Shareholders’ equity and liabilities 12/31/2013 Previous year Notes € € € millions Shareholders’ equity Subscribed capital (7) 1,000,000,000.00 1,000 Capital reserve 2,600,000,000.00 2,600 Retained earnings (8) 3,662,000,000.00 2,462 Unappropriated income 1,189,896,716.49 862 8,451,896,716.49 6,924 Provisions Pensions and similar obligations (9) 244,299,057.00 235 Other provisions (10) 117,124,440.50 99 361,423,497.50 334 Financial debt (11) 3,506,024,666.89 3,790 Other liabilities (12) 3,893,702,490.50 3,132 Deferred income (13) 288,861,01 2 16,213,336,232.39 14,182 3 Annual financial statements 2013 Bertelsmann SE & Co.
    [Show full text]
  • Determination of Merger Notification M/10/045
    DETERMINATION OF MERGER NOTIFICATION M/10/045 - BMG/Chrysalis Section 21 of the Competition Act 2002 Proposed acquisition by BMG RM Investments Luxembourg S.a.r.l. of Chrysalis plc. Dated 18 January 2010 Introduction 1. On 20 December 2010, in accordance with section 18 of the Competition Act 2002 (the “Act”), the Competition Authority (the “Authority”) received a notification of a proposed transaction whereby BMG RM Investments Luxembourg S.a.r.l. (“BMG”) would acquire, through its wholly-owned subsidiary Forte Bidco 1 Limited, sole control of Chrysalis plc (“Chrysalis”). The Undertakings Involved The Acquirer 2. BMG is an international group of companies active in music publishing 1 and recorded music 2. 3. BMG has a licensing arrangement with Sony Music Entertainment UK Limited (“Sony”) for the exploitation of BMG’s recorded music rights in relation to certain music catalogues in the State. Effectively this means that Sony collects royalties from the Irish collecting societies 3 in relation to this music catalogue. 4 The revenue generated by BMG in relation to this licensing arrangement is considered by BMG as turnover generated in the United Kingdom. 4. BMG had a similar licensing arrangement with Kobalt Music Group (“Kobalt”) in relation to BMG’s music publishing rights 5 that expired on 1 The European Commission (the “Commission”) has defined music publishing as the exploitation of intellectual property rights of song writers [ Case M4404 Universal/BMG Music Publishing paragraph 12]. Furthermore, the Commission has stated that: “the activities of a music publisher are two-fold (i) the downstream activity of exploiting the works of authors under contract; and (ii) an upstream activity of signing authors and providing them with financial and marketing support as a counterpart to the transfer of their musical works” [ Case M.5533 Bertlesmann/KKR/JV paragraph 31].
    [Show full text]