DOCSLIB.ORG

Charles Parkhurst Papers 

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Charles Parkhurst Papers  CHARLES PARKHURST PAPERS COLLECTION OVERVIEW Record Group 5* Number Record Group Title &ROOHFWLRQVRI'RQDWHG0DWHULDOV Subgroup Title 0)$$) &KDUOHV3DUNKXUVW3DSHUV Series Titles 0)$$) :DU7LPH6XEMHFW)LOHV 0)$$) $UW5HVWLWXWLRQ5HODWHG1HZVSDSHU&OLSSLQJV 0)$$) $UW([KLELWLRQ&DWDORJXHV 0)$$) 3XEOLFDWLRQV2WKHUWKDQ$UW([KLELWLRQ &DWDORJXHV 0)$$) 3KRWRJUDSK3ULQWV 0)$$) 1HJDWLYHV 0)$$) *ODVV6OLGHV 0)$$) 'LJLWDO6FDQV Abstract 7KLVFROOHFWLRQGRFXPHQWVWKHDFWLYLWLHVRI&KDUOHV3DUNKXUVWD QDYDOOLHXWHQDQWZLWKWKH0RQXPHQWV)LQH$UWVDQG$UFKLYHV 0)$$ 6HFWLRQRIWKH8QLWHG6WDWHV$UP\LQ*HUPDQ\GXULQJ DQGLPPHGLDWHO\DIWHU:RUOG:DU,, Inclusive Dates Volume FXELFIHHW Physical Description $UWLFOHVDQGQHZVSDSHUFOLSSLQJVFRUUHVSRQGHQFHH[KLELWLRQ FDWDORJXHVSKRWRJUDSKVSXEOLFDWLRQVDQGUHSRUWV National Gallery of Art, Washington, D.C., Gallery Archives Revised Feb. 21, 2008 Page 1 of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p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ational Gallery of Art, Washington, D.C., Gallery Archives Revised Feb. 21, 2008 Page 2 of 17 CHARLES PARKHURST PAPERS SCOPE AND CONTENT 7KLVFROOHFWLRQGRFXPHQWV&KDUOHV3DUNKXUVW VDFWLYLWLHVDVDQDYDOOLHXWHQDQWDVVLJQHGWR WKH0RQXPHQWV)LQH$UWVDQG$UFKLYHV 0)$$ 6HFWLRQRIWKH8QLWHG6WDWHV0LOLWDU\ *RYHUQPHQWLQ*HUPDQ\IURPWR'XULQJKLV\HDUZLWKWKH0)$$3DUNKXUVWVHUYHG DVGHSXW\GLUHFWRURIWKH0)$$ VHDVWHUQDQGZHVWHUQGLYLVLRQV+HDOVRSDUWLFLSDWHGLQWKH HYDFXDWLRQRIZRUNVRIDUWVWRUHGDW6FKORVV1HXVFKZDQVWHLQLQ%DYDULDDQGZDVLQYROYHGZLWK WKHUHWULHYDODQGUHFRYHU\RIRWKHUORRWHGDUW,QKHVLJQHGWKHWiesbaden Manifesto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ational Gallery of Art, Washington, D.C., Gallery Archives Revised Feb. 21, 2008 Page 3 of 17 CHARLES PARKHURST PAPERS $DMINISTRATIVE INFORMATION Access/Use Information 7KHVHSDSHUVDUHXQUHVWULFWHG Preferred Citation &KDUOHV3DUNKXUVW3DSHUV1DWLRQDO*DOOHU\RI$UW :DVKLQJWRQ'&*DOOHU\$UFKLYHV Copyright 1RLQIRUPDWLRQDERXWWKHGRQRU¶VFRS\ULJKWLVDYDLODEOH Language 7KHSDSHUVDUHLQ(QJOLVK*HUPDQDQG)UHQFK Acquisition Information *LIWRI&KDUOHV3DUNKXUVW Processing Information 3UHOLPLQDU\RUJDQL]DWLRQZDVSHUIRUPHGE\1DWLRQDO*DOOHU\ RI$UW/LEUDU\VWDII *DOOHU\$UFKLYHVVWDIIFRPSOHWHGWKHSURFHVVLQJDQG SUHSDUHGWKHILQGLQJDLGLQ2FWREHU Contact Information 7HOHSKRQH )DFVLPLOH (PDLOJDOOHU\DUFKLYHV#QJDJRY :HE6LWHZZZQJDJRY Mailing Address 1DWLRQDO*DOOHU\RI$UW *DOOHU\$UFKLYHV %6RXWK&OXE'ULYH /DQGRYHU0' Research Room Location 1DWLRQDO*DOOHU\RI$UW:HVW%XLOGLQJ 6L[WK6WUHHWDQG&RQVWLWXWLRQ$YHQXH1: :DVKLQJWRQ'& National Gallery of Art, Washington, D.C., Gallery Archives Revised Feb. 21, 2008 Page 4 of 17 CHARLES PARKHURST PAPERS ADDITIONAL DESCRIPTIVE INFORMATION Related Materials 6HHA Guide to Research Resources Relating to World War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¶VZRUNDWWKH*DOOHU\ National Gallery of Art, Washington, D.C., Gallery Archives Revised Feb. 21, 2008 Page 5 of 17 CHARLES PARKHURST PAPERS ORGANIZATION Series F1 :$57,0(68%-(&7),/(6 $UUDQJHGDOSKDEHWLFDOO\E\VXEMHFW 7KLVVHULHVGRFXPHQWV&KDUOHV3DUNKXUVW VDFWLYLWLHVZLWKWKH0RQXPHQWV)LQH $UWVDQG$UFKLYHV 0)$$ 6HFWLRQRIWKH8QLWHG6WDWHV0LOLWDU\*RYHUQPHQWLQ *HUPDQ\0DWHULDOVLQWKLVVHULHVLQFOXGHGRFXPHQWVUHODWLQJWRWKH%HUOLQ SDLQWLQJVFRUUHVSRQGHQFHPHPRUDQGDDQGUHSRUWV2IVSHFLDOLQWHUHVWDUHWKH 6FKHQNHU3DSHUVIRXQGLQWKH3DULVRIILFHRIWKHILUP6FKHQNHU,QWHUQDWLRQDOH 7UDQVSRUWHGRFXPHQWLQJDUWVKLSPHQWVWR*HUPDQPXVHXPVDQGJDOOHULHVGXULQJ WKHRFFXSDWLRQRI)UDQFH Series F2 $575(67,787,215(/$7('1(:63$3(5&/,33,1*6 $UUDQJHGFKURQRORJLFDOO\ 7KLVVHULHVFRQVLVWVRIDUWLFOHVDQGQHZVSDSHUFOLSSLQJVFRQFHUQLQJORRWHGDUWDQG ZDUWLPHHIIRUWVWRVDYHZRUNVRIDUWDQGRWKHUFXOWXUDOPRQXPHQWV Series F3 $57(;+,%,7,21&$7$/2*8(6 $UUDQJHGDOSKDEHWLFDOO\E\WLWOH 7KLVVHULHVFRQWDLQVZDUWLPHDUWH[KLELWLRQFDWDORJXHV2IVSHFLDOLQWHUHVWDUHWKH FDWDORJXHVIURPWKHH[KLELWLRQVRIORRWHGDUWDWYDULRXVORFDWLRQVDURXQGWKH 8QLWHG6WDWHVLQFOXGLQJWKH1DWLRQDO*DOOHU\RI$UW:DVKLQJWRQWKH$UW,QVWLWXWH RI&KLFDJRDQGWKH0HWURSROLWDQ0XVHXPRI$UW1HZ<RUN&DWDORJXHVDUHLQ (QJOLVK*HUPDQDQG)UHQFK Series F4 38%/,&$7,21627+(57+$1$57(;+,%,7,21&$7$/2*8(6 $UUDQJHGDOSKDEHWLFDOO\E\DXWKRUDQGWLWOH 7KLVVHULHVLVFRPSULVHGRISXEOLFDWLRQVUHODWLQJWRORRWHGDQGUHSDWULDWHGDUW ,QFOXGHGLQWKLVVHULHVDUHDQXPEHURIJXLGHERRNVLQVWUXFWLRQPDQXDOVDQG DUWLFOHVSXEOLVKHGE\WKH8QLWHG6WDWHVJRYHUQPHQWDVZHOODVSXEOLVKHGUHSRUWV GRFXPHQWLQJWKHZRUNRIWKH0RQXPHQWV)LQH$UWVDQG$UFKLYHV 0)$$ 6HFWLRQDQGRWKHUUHVWLWXWLRQRUJDQL]DWLRQV National Gallery of Art, Washington, D.C., Gallery Archives Revised Feb. 21, 2008 Page 6 of 17 CHARLES PARKHURST PAPERS Series F5 3+272*5$3+35,176 $UUDQJHGDOSKDEHWLFDOO\E\VXEMHFW 7KLVVHULHVFRQWDLQVSXEOLVKHGUHSRUWVGRFXPHQWLQJWKHZRUNRIWKH0RQXPHQWV )LQH$UWVDQG$UFKLYHV 0)$$ 6HFWLRQDQGRWKHUUHVWLWXWLRQRUJDQL]DWLRQV Series F6 1(*$7,9(6 )RUFRQVHUYDWLRQSXUSRVHVQHJDWLYHVDUHVWRUHGVHSDUDWHO\IURPWKHSKRWRJUDSK SULQWV Series F7 */$666/,'(6 )RUFRQVHUYDWLRQSXUSRVHVJODVVVOLGHVDUHVWRUHGVHSDUDWHO\IURPWKHSKRWRJUDSK SULQWVDQGQHJDWLYHV Series F8 ',*,7$/6&$16 'LJLWDOVFDQVDUHPDGHIURPSULQWVDQGQHJDWLYHVRQDQDVQHHGHGEDVLV&RQWDFW DUFKLYHVVWDIIIRULQIRUPDWLRQRQVFDQVWKDWDUHFXUUHQWO\DYDLODEOH National Gallery of Art, Washington, D.C., Gallery Archives Revised Feb. 21, 2008 Page 7 of 17 28MFAA-F Collections of Donated Materials Charles Parkhurst Papers 28MFAA-F1 War-Time Subject Files, 1944 - 1963 Box 1 $FFHVVLRQVWR*HUPDQ0XVHXPVDQG*DOOHULHV'XULQJWKH2FFXSDWLRQRI)UDQFH 7KH6FKHQNHU 3DSHUV >@ %DPEHUJ0)$$3URJUDP>@ %HUOLQ3DLQWLQJV([KLELWLRQ>@ %X[KHLP&ORLVWHU>@ &ROOHFWLRQRI*HUPDQ/HWWHUVDQG0HPRUDQGD3HUWDLQLQJWR&RQILVFDWLRQRI(XURSHDQ$UW 7UHDVXUHV 7UDQVODWHG >@ (/+$*+ROGLQJ&RPSDQ\IRU:DU9HWHUDQ V%XVLQHVVLQ$OVDFH )UHQFK/HJLRQRI+RQRU>@ *RXGVWLNNHU&ROOHFWLRQ>@ +DEHUVWRFN.DUO>@ +HLOEURQQDQG.RFKHQGRUI6DOW0LQHV>@ +|FKVWDGW6FKORVV5HSRVLWRU\>@ +ROLGD\*UHHWLQJV>@ >6FKORVV@/|ZHQVWHLQ>@ 0RQXPHQWV)LQH$UWVDQG$UFKLYHV([KLELWLRQV>@ 0RQXPHQWV)LQH$UWVDQG$UFKLYHV0HPRUDQGD>@ 0RQXPHQWV)LQH$UWVDQG$UFKLYHV3ROLFLHV3URFHGXUHVDQG1RWLFHV>@ 0RQXPHQWV)LQH$UWVDQG$UFKLYHV5HSRUWV>@ 0XQLFK&HQWUDO&ROOHFWLQJ3RLQW>@ >6FKORVV@1HXHQVWHLQ gKULQJHQ >@ >6FKORVV@1HXVFKZDQVWHLQ>@ 3DUNKXUVW&KDUOHV0HPRUDQGDDQG1RWHV>@ 3DUNKXUVW&KDUOHV3HUVRQDO&RUUHVSRQGHQFH>@ 5HSRUWVRQ,QYHVWLJDWLRQV 5HLQKROG.XQVFK+DQV3RVVH+HUPDQQ*RHULQJ&ROOHFWLRQ ,QYROXQWDU\6DOHV)LUPRI$QWRQ3RVVHQEDFKHU >@ National Gallery of Art, Washington, D.C., Gallery Archives Revised Feb. 21, 2008 Page 8 of 17 28MFAA-F Collections of Donated Materials Charles Parkhurst Papers >(LQVDW]VWDE@5RVHQEHUJ>@ Includes collar band Box 2 6+$()>6XSUHPH+HDGTXDUWHUV$OOLHG([SHGLWLRQDU\)RUFH@,QVWUXFWLRQV>@ +HDGTXDUWHUV7RVFDQD5HJLRQ$OOLHG0LOLWDU\*RYHUQPHQW0RQXPHQWVDQG)LQH$UWV6HFWLRQ )LQDO5HSRUW>F@ 8OP5HWXUQRI$UWDQG$UFKLYHV>@ >6FKORVV@8QWHUGLHVVHQ :KLWH/LVWRI*HUPDQ3HUVRQQHO>@ 28MFAA-F2 Art Restitution-Related Newspaper Clippings, 1943 - 1965 Box 2 8QGDWHG>5HIHUHQFH&RSLHV@ >5HIHUHQFH&RSLHV@ >)ROGHURI@>5HIHUHQFH&RSLHVDQG)UDJLOH2ULJLQDOV@ >)ROGHURI@>5HIHUHQFH&RSLHV@ >5HIHUHQFH&RSLHV@ >5HIHUHQFH&RSLHV@ >5HIHUHQFH&RSLHV@ >5HIHUHQFH&RSLHV@ >XQGDWHG@>)UDJLOH2ULJLQDOV@ National Gallery of Art, Washington, D.C., Gallery Archives Revised Feb. 21, 2008 Page 9 of 17 28MFAA-F Collections of Donated Materials Charles Parkhurst Papers 28MFAA-F3 Art Exhibition Catalogues, 1943 - 1948 Box 3 Ergänzungsteil zum Offiziellen Ausstellungskatalog der Groȕen Deutschen Kunstaussellung. ,P +DXVGHU'HXWVFKHQ.XQVW]X0QFKHQ Nazi Art Exhibition Exhibition of
Load more

Recommended publications
  • National Mall Existing Conditions
    National Park Service U.S. Department of the Interior National Mall and Memorial Parks Washington, D.C. Photographs of Existing Conditions on the National Mall Summer 2009 and Spring 2010 CONTENTS Views and Vistas ............................................................................................................................ 1 Views from the Washington Monument ................................................................................. 1 The Classic Vistas .................................................................................................................... 3 Views from Nearby Areas........................................................................................................8 North-South Views from the Center of the Mall ...................................................................... 9 Union Square............................................................................................................................... 13 The Mall ...................................................................................................................................... 17 Washington Monument and Grounds.......................................................................................... 22 World War II Memorial................................................................................................................. 28 Constitution Gardens................................................................................................................... 34 Vietnam Veterans Memorial........................................................................................................
    [Show full text]
  • World War II-Related Exhibitions at the National Gallery of Art
    National Gallery of Art: Research Resources Relating to World War II World War II-Related Exhibitions at the National Gallery of Art During the war years, the National Gallery of Art presented a series of exhibitions explicitly related to the war or presenting works of art for which the museum held custody during the hostilities. Descriptions of each of the exhibitions is available in the list of past exhibitions at the National Gallery of Art. Catalogs, brochures, press releases, news reports, and photographs also may be available for examination in the Gallery Archives for some of the exhibitions. The Great Fire of London, 1940 18 December 1941-28 January 1942 American Artists’ Record of War and Defense 7 February-8 March 1942 French Government Loan 2 March 1942-1945, periodically Soldiers of Production 17 March-15 April 1942 Three Triptychs by Contemporary Artists 8-15 April 1942 Paintings, Posters, Watercolors, and Prints, Showing the Activities of the American Red Cross 2-30 May 1942 Art Exhibition by Men of the Armed Forces 5 July-2 August 1942 War Posters 17 January-18 February 1943 Belgian Government Loan 7 February 1943-January 1946 War Art 20 June-1 August 1943 Nineteenth- and Twentieth-Century Drawings and Watercolors from French Museums and Private Collections 8 August-5 September 1943 (second showing) Art for Bonds 12 September-10 October 1943 1DWLRQDO*DOOHU\RI$UW:DVKLQJWRQ'&*DOOHU\$UFKLYHV ::,,5HODWHG([KLELWLRQVDW1*$ Marine Watercolors and Drawings 12 September-10 October 1943 Paintings of Naval Aviation by American Artists
    [Show full text]
  • Thank You Very Much for Registering for Our Upcoming Platinum and Palladium Photography Tours
    Thank you very much for registering for our upcoming Platinum and Palladium Photography Tours. We are very much looking forward to hosting at the National Gallery of Art, Library of Congress, and Smithsonian National Museum of American History. This promises to be a fantastic day! In anticipation of your arrival, please take a few moments to note the following important information and instructions: - The tours will commence at The National Gallery of Art (NGA) promptly at 8:30 am. Please arrive at the NGA West Building Entrance at 4th Street (see map below) and please wait near the stairs. Upon arrival, you will be escorted through the staff entrance. The museum will not yet be open to the public and all public entrances will be locked. - No entry will be permitted to the building before 8:30 AM, regardless of the weather or outstanding circumstances. If you arrive before 8:30 AM, Security will not grant you access to the museum or the lobby. - The closest Metro stations to the National Gallery of Art are Archives/Navy Memorial (yellow & green lines), Federal Center SW (blue, orange, and silver lines), and Judiciary Square (red line). - If you are driving – there are parking garages near the Gallery. See locations indicated on map below. - Upon arrival at The National Gallery of Art (no later than 8:30 AM!), you will be greeted by FAIC and NGA staff and you will be divided into two groups. One group will begin the day with the NGA tour and the other will board a shuttle and begin with a tour at Library of Congress.
    [Show full text]
  • ANNUAL REPORT 1971 Library of Congress Catalog Card Number 70-173826
    National Gallery of Art /> • ,v ^ ' ' \\4< - AS* " ; „ % t . «\ i #00&A%0^ : v : B - 2. ^ "l 'i'> - y "t #gga^ •kit' •••••• . ' -Y J"' " „V. NATIONAL GALLERY OF ART ANNUAL REPORT 1971 Library of Congress Catalog Card Number 70-173826. All rights reserved. No part of this publication may be reproduced without the written permission of the National Gallery of Art, Washington, D C. 20565. Designed by Susan Lehmann. Photographs on pages 2, 31, 53, 57, 58, 65 and 69 (top) by Jan Paul; photographs on pages 1, 4 and 6 by Lee Mann; all other photographs by the photographic staff of the National Gallery of Art, Henry B. Seville, Chief. Printed in the United States of America. FOREWORD ^SCa* Year ^71, covering the period July 1, 1970 to June 30, 1971, marks the second year for which the Trustees of the National Gallery of Art are issuing an Annual Report in its new format, independent of the Gallery's Studies in the History of Art. During the year, a total of 333 works of art were acquired through purchase or gift, 14 exhibitions were held, and the Gallery's national services reached out to an unprecedented number of people in 4,418 communities and in all fifty states. It was a year characterized as well by the appointment of many new members to the Gallery's staff. The Trustees elected a new As- sistant Director, Mr. Charles Parkhurst, formerly director of the Baltimore Museum of Art; a new Secretary and General Counsel, Mr. E. James Adams (formerly Administrator); and a new Administra- tor, Mr.
    [Show full text]
  • Sketching Is Seeing NATIONAL GALLERY of ART WELCOME to the National Gallery of Art
    sketching is seeing NATIONAL GALLERY OF ART WELCOME to the National Gallery of Art Everyone can draw! Maybe you’re an artist, or maybe you haven’t drawn since you were a child. Sketching is a way to look more closely and notice details. Take a moment, relax, and observe the world around you. Use this sketchbook to draw what you see. Visitors of all are ages welcome; no experience is needed. The National Gallery of Art and its Sculpture Garden are located on the National Mall between 3rd and 9th Streets along Constitution Avenue NW, Washington, DC. The Gallery is located near several Metrorail stops: Archives – Navy Memorial – Penn Quarter (Green and Yellow Lines), Judiciary Square (Red Line), and L’Enfant Plaza (Blue, Orange, and Silver Lines). Metrobuses stop on 4th Street, 7th Street, and Pennsylvania Avenue NW. Gallery Hours Monday – Saturday: 10:00 am – 5:00 pm Sunday: 11:00 am – 6:00 pm Visit nga.gov/community for more information about Sketching Is Seeing. All images in this booklet are details from paintings and sculptures in the National Gallery of Art collection. PROGRAM SCHEDULE Daily in October | All Day | Sketching Is Seeing Throughout the month of October, pick up a sketch- book and pencil at any Information Desk and go on a sketching adventure. Oct 5 & 12 | 11:00 am, noon, 1:00 pm | Mindful Sketching West Building Rotunda Oct 19 & 26 | 11:00 am, noon, 1:00 pm | Mindful Sketching East Building, Ground Level Visit the National Gallery of Art for a 45-minute sketching experience.
    [Show full text]
  • America's National Gallery Of
    The First Fifty Years bb_RoomsAtTop_10-1_FINAL.indd_RoomsAtTop_10-1_FINAL.indd 1 006/10/166/10/16 116:546:54 2 ANDREW W. MELLON: FOUNDER AND BENEFACTOR c_1_Mellon_7-19_BLUEPRINTS_2107.indd 2 06/10/16 16:55 Andrew W. Mellon: Founder and Benefactor PRINCE OF Andrew W. Mellon’s life spanned the abolition of slavery and PITTSBURGH invention of television, the building of the fi rst bridge across the Mississippi and construction of Frank Lloyd Wright’s Fallingwater, Walt Whitman’s Leaves of Grass and Walt Disney’s Snow White, the Dred Scott decision and the New Deal. Mellon was born the year the Paris Exposition exalted Delacroix and died the year Picasso painted Guernica. The man was as faceted as his era: an industrialist, a fi nancial genius, and a philanthropist of gar- gantuan generosity. Born into prosperous circumstances, he launched several of America’s most profi table corporations. A venture capitalist before the term entered the lexicon, he became one of the country’s richest men. Yet his name was barely known outside his hometown of Pittsburgh until he became secretary of the treasury at an age when many men retire. A man of myriad accomplishments, he is remem- bered best for one: Mellon founded an art museum by making what was thought at the time to be the single largest gift by any individual to any nation. Few philan- thropic acts of such generosity have been performed with his combination of vision, patriotism, and modesty. Fewer still bear anything but their donor’s name. But Mellon stipulated that his museum be called the National Gallery of Art.
    [Show full text]
  • Crowdsourced Guide to Washington DC
    Welcome to the City: Washington, D.C. A Crowdsourced Guide by Davidson Alumni and Parents Top “Must Do” Items in the City Listen to Jazz in the Sculpture Garden of the National Gallery of Art. o Free, very fun—grab a picnic basket and your friends and you’re good to go! o Bring a blanket and some snacks and beverages to hear some free jazz and hang with friends. In the winter, come here to ice skate! Go to a show/concert at the Kennedy Center’s Millennium Stage. Be sure to visit the Kennedy Center roof. Attend an outdoor movie screening in the evening. These are free, and there are many locations: Crystal City, Rosslyn, Silver Spring, Bethesda, the Mall, Adams Morgan, Mt. Pleasant, etc. Tour the memorials at night. o View the Korean War Memorial at night when it is lightly raining - so haunting! The other ones are great at night as well. And don't miss the FDR Memorial. o Summer is the ideal time to walk the monuments or zip around in the car with the windows down, at night. It's magical. Attend a Nationals game. While you’re there, rent a kayak for a couple of hours and float down the Anacostia. Visit the Eastern Market Farmer's Market & Flea Market on the weekends. You can sample all sorts of food, browse the flea market, or step inside to get a real meal. Visit Arlington Cemetery. The best view of the city is in front of Robert E. Lee's house, looking out over the Memorial Bridge.
    [Show full text]
  • Were There Really Planned Museums That the Smithsonian Did Not Build?
    THE SMITHSONIAN MUSEUM THAT NEVER WAS: WERE THERE REALLY PLANNED MUSEUMS THAT THE SMITHSONIAN DID NOT BUILD? At times it feels as if the Smithsonian is in a perpetual state of building a new museum and has never turned down the idea of a new museum. As one build- ing is completed, another is being planned. Although the process is usually a long one, the outcome is certain – once legislated or donated, the museum will come into existence. Or will it? The following are four case studies of museums that almost but never came to be at the Smithsonian. A MODERN MUSEUM OF ART: THE SAARINEN DESIGN Although the Smithsonian’s enabling act provided for a gallery of art, a national art museum was not a priority in the early decades of the Smithsonian. The earliest art collections were largely destroyed in the 1865 fire in the Castle. Secretary Jo- seph Henry, who thought art attracted “idlers,” sent the remaining art works to the Library of Congress and Corcoran Gallery of Art later Harriet Lane Johnson Collection on display in the U.S. National Museum that year. Some new art was (now the National Museum of Natural History) in 1952 acquired under the second Secretary, Spencer Baird, but the first real impetus for an ment, the paintings would be President Theodore Roos- art gallery did not come until turned over to it. evelt strongly encouraged the 1903 when Mrs. Harriet Lane Smithsonian Board of Regents Johnston, James Buchanan’s The Corcoran Gallery of Art to pursue the collection and niece, bequeathed her art declined the bequest under the third Secretary, Samuel collection to the Corcoran these terms, and the collec- Langley, a Boston aesthete, Gallery of Art, with the stipu- tions were subsequently des- concurred.
    [Show full text]
  • Winter 2020 Film Calendar
    National Gallery of Art Film Winter 20 Special Events 11 Abbas Kiarostami: Early Films 19 Checkerboard Films on the American Arts: Recent Releases 27 Displaced: Immigration Stories 31 African Legacy: Francophone Films 1955 to 2019 35 An Armenian Odyssey 43 Hyenas p39 Winter 2020 opens with the rarely seen early work of Abbas Kiarostami, shown as part of a com- plete retrospective of the Iranian master’s legacy screening in three locations in the Washington, DC, area — the AFI Silver Theatre, the Freer Gallery of Art, and the National Gallery of Art. A tribute to Check- erboard Film Foundation’s ongoing documentation of American artists features ten of the foundation’s most recent films. Displaced: Immigration Stories is organized in association with Richard Mosse: Incom- ing and comprises five events that allow audiences to view the migrant crisis in Europe and the United States through artists’ eyes. African Legacy: Franco- phone Films 1955 to 2019 celebrates the rich tradition of filmmaking in Cameroon, Mauritania, Ivory Coast, Senegal, and Niger, including filmmakers such as Med Hondo, Timité Bassori, Paulin Soumanou Vieyra, Ousmane Sembène, Djibril Diop Mambéty, and Moustapha Alassane as well as new work by contemporary Cameroonian artist Rosine Mbakam. An Armenian Odyssey, organized jointly with Post- Classical Ensemble, the Embassy of Armenia, the National Cinema Center of Armenia, and the Freer Gallery, combines new films and recent restorations, including works by Sergei Parajanov, Kevork Mourad, Hamo Bek-Nazaryan, and Rouben Mamoulian, as well as musical events at Washington National Cathedral. The season also includes a number of special events and lectures; filmmaker presentations with Rima Yamazaki and William Noland; and recent documentaries such as Cunningham; Leaving Home, Coming Home: A Portrait of Robert Frank; Museum Town; The Hottest August; Architecture of Infinity; and It Will Be Chaos.
    [Show full text]
  • Visitor Guide
    welcome! VISITOR GUIDE VISITOR MAKE IT COUNT AND CHOOSE STRATEGIC BUILDING SUCCESSFUL PORTFOLIOS AND REWARDING CAREERS STRATEGICGROUP.COM Photo credit: Brookfield STRATEGIC INVESTMENT GROUP is located in the Rosslyn neighborhood of Arlington, VA, directly across the Potomac River from Washington, D.C., accessible from the Key Bridge and Curtis Memorial Parkway. The nearest metro stop is Rosslyn Metro Station, which is less than three blocks away from our office. 1001 Nineteenth Street North +1 703.243.4433 tel strategicgroup.com 16th Floor +1 703.243.2266 fax Arlington, VA 22209 USA ® a registered service mark of strategic investment management, llc. DD Logistics ADDRESS DRIVING 1001 19th Street North, 16th Floor » SuperShuttle travels to the D.C. area’s three Arlington, VA 22209 airports 703-243-4433 | strategicgroup.com » Ride-sharing app Uber services the D.C. metro area TRAVEL TIPS » Hail a taxi easily on busy streets or near well-trafficked landmarks and pay with cash or credit card FLYING Ronald Reagan Washington National Airport (DCA) AMTRAK TRAIN 10-minute drive to Rosslyn » We are located a short 25 minute drive from » Accessible on Metrorail’s Blue/Yellow lines D.C.’s Union Station (WAS) » Local Tip: Savor a half smoke from D.C. » Metro rail system is located at Union Station institution Ben’s Chili Bowl in terminal B/C » Take the Orange/Blue/Silver line to the Washington Dulles International Airport Rosslyn Metro Station (IAD) 45-minute drive to Rosslyn » The Silver Line Express Bus to Dulles costs $5 PARKING and gets you to and from the Metro; the 5A There is a garage attached to the right of our Metrobus travels between Dulles and building, managed by Imperial Parking.
    [Show full text]
  • Library of Congress Magazine
    LIBRARY OF CONGRESS MAGAZINE MAY/JUNE 2017 DESIGN INSIDE PLUS Great Public Spaces Beautiful Gardens Storage Solutions for FOR Fabulous Flutes America’s Collections Courtroom Style LIVING LOC.GOV LIBRARY OF CONGRESS MAGAZINE Library of Congress Magazine Vol. 6 No. 3: May/June 2017 Mission of the Library of Congress The Library’s central mission is to provide Congresss, the federal government and the American people with a rich, diverse and enduring source of knowledge that can be relied upon to inform, inspire and engage them, and support their intellectual and creative endeavors. Library of Congress Magazine is issued bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and research institutions, donors, academic libraries, learned societies and allied organizations in the United States. Research institutions and educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. LCM is also available on the web at loc.gov/lcm All other correspondence should be addressed to the Office of Communications, Library of Congress, 101 Independence Ave. S.E., Washington DC 20540-1610. [email protected] loc.gov/lcm ISSN 2169-0855 (print) ISSN 2169-0863 (online) Carla D. Hayden Librarian of Congress Gayle Osterberg Executive Editor John H. Sayers Managing Editor Ashley Jones Designer Shawn Miller Photo Editor Contributing Writers Erin Allen Barbara Bair Jennifer Gavin Mitchell Gold The mezzanine of the Great Hall of the Thomas Jefferson Building Mark Hartsell features intricately designed mosaic tile floors.
    [Show full text]
  • National Gallery of Art
    NATIONAL GALLERY OF ART EAST BUILDING RENOVATION & EXPANSION BUILDING HISTORY The National Gallery of Art is one of the world’s leading art museums with a significant collection of American and European masterworks. Maintaining high standards of excellence and achievement, as well as service to the nation, continues to be the National Gallery’s highest priority. The mission of the Gallery is to serve the country by preserving, collecting, exhibiting, and fostering understanding of works of art for the American Public. The East Building, opened to the public in 1978, is itself a work of “art in architecture” on par with the artwork it exhibits. Designed by the world-renowned architect I.M. Pei, the East Building houses and protects modern collections of paintings, works on paper, sculpture, textiles, and decorative arts. The building preserves the collection and makes it readily available to the American public and visitors from around the world in a safe and secure environment.1 The East Building Renovation and Expansion Project was multifaceted and affected nearly all spaces in the public galleries and included life safety and fire protection improvements; mechanical, electrical, plumbing, and elevator updates; building envelope improvements; new gallery space, sculpture terrace, egress stairs, and art movement/public elevator. The goal was to create new spaces, provide additional code-compliant exit-ways that simultaneously enhance the visitor experience, but not alter the existing character of the building. 1 Excerpt from www.nga.gov PROJECT BACKGROUND In 1997, the National Gallery of Art initiated a Master Facilities Plan (MFP) and then began to implement a program of federally funded capital projects.
    [Show full text]