Sketching Is Seeing NATIONAL GALLERY of ART WELCOME to the National Gallery of Art
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National Mall Existing Conditions
National Park Service U.S. Department of the Interior National Mall and Memorial Parks Washington, D.C. Photographs of Existing Conditions on the National Mall Summer 2009 and Spring 2010 CONTENTS Views and Vistas ............................................................................................................................ 1 Views from the Washington Monument ................................................................................. 1 The Classic Vistas .................................................................................................................... 3 Views from Nearby Areas........................................................................................................8 North-South Views from the Center of the Mall ...................................................................... 9 Union Square............................................................................................................................... 13 The Mall ...................................................................................................................................... 17 Washington Monument and Grounds.......................................................................................... 22 World War II Memorial................................................................................................................. 28 Constitution Gardens................................................................................................................... 34 Vietnam Veterans Memorial........................................................................................................ -
SKETCHBOOK TRAVELER: HUDSON VALLEY a Field Guide to Mindful Travel Through Drawing & Writing
SKETCHBOOK TRAVELER: HUDSON VALLEY A Field Guide to Mindful Travel through Drawing & Writing MATERIALS & EQUIPMENT Anything that makes a mark, and any surface that takes a mark will be perfectly suitable. If you prefer to go to the field accoutered in style, below is a list of optional supplies. SKETCHBOOKS FIELD ARTIST. Watercolor sketchbooks. Various sizes. MOLESKINE. Watercolor sketchbooks. Various sizes. HAND BOOK. Watercolor sketchbook. Various sizes. Recommended: Moleskine Watercolor Sketchbook BRUSHES DAVINCI Travel brushes. https://www.amazon.com/Vinci-CosmoTop-Watercolor-Synthetic- Protective/dp/B00409FCLE/ref=sr_1_4?crid=159I8HND5YMOY&dchild=1&keywords=da+vinci+t ravel+watercolor+brushes&qid=1604518669&s=arts-crafts&sprefix=da+vinci+travel+%2Carts- crafts%2C159&sr=1-4 ESCODA Travel brushes. https://www.amazon.com/Escoda-1468-Travel-Brush- Set/dp/B00CVB62U8 RICHESON Plein air watercolor brush set. https://products.richesonart.com/products/gm- travel-sets WATERCOLORS: Tube and Half-Pans WATERCOLORS L. CORNELISSEN & SON. (London) Full selection of pans, tubes, and related materials. Retail walk-in and online sales. https://www.cornelissen.com MAIMERI. Watercolors. Italy. http://www.maimeri.it GOLDEN PAINTS. QoR Watercolors (recommended) The gold standard in acrylic colors for artists, Golden has developed a new line of watercolors marketed as QoR. It has terrific pigment density and uses a water-soluble synthetic binder in place of Gum Arabic https://www.qorcolors.com KREMER PIGMENTE. (Germany & NYC) Selection of travel sets and related materials. Online and walk-in retail sales. https://shop.kremerpigments.com/en/ SAVOIR-FAIRE is the official representative of Sennelier products in the USA. Also carries a full selection of brushes, papers and miscellaneous equipment. -
World War II-Related Exhibitions at the National Gallery of Art
National Gallery of Art: Research Resources Relating to World War II World War II-Related Exhibitions at the National Gallery of Art During the war years, the National Gallery of Art presented a series of exhibitions explicitly related to the war or presenting works of art for which the museum held custody during the hostilities. Descriptions of each of the exhibitions is available in the list of past exhibitions at the National Gallery of Art. Catalogs, brochures, press releases, news reports, and photographs also may be available for examination in the Gallery Archives for some of the exhibitions. The Great Fire of London, 1940 18 December 1941-28 January 1942 American Artists’ Record of War and Defense 7 February-8 March 1942 French Government Loan 2 March 1942-1945, periodically Soldiers of Production 17 March-15 April 1942 Three Triptychs by Contemporary Artists 8-15 April 1942 Paintings, Posters, Watercolors, and Prints, Showing the Activities of the American Red Cross 2-30 May 1942 Art Exhibition by Men of the Armed Forces 5 July-2 August 1942 War Posters 17 January-18 February 1943 Belgian Government Loan 7 February 1943-January 1946 War Art 20 June-1 August 1943 Nineteenth- and Twentieth-Century Drawings and Watercolors from French Museums and Private Collections 8 August-5 September 1943 (second showing) Art for Bonds 12 September-10 October 1943 1DWLRQDO*DOOHU\RI$UW:DVKLQJWRQ'&*DOOHU\$UFKLYHV ::,,5HODWHG([KLELWLRQVDW1*$ Marine Watercolors and Drawings 12 September-10 October 1943 Paintings of Naval Aviation by American Artists -
THE GUIDED SKETCHBOOK THAT TEACHES YOU HOW to DRAW! Always Wanted to Learn How to Draw? Now’S Your Chance
Final spine = 0.75 in. Book trims with rounded corners THE GUIDED SKETCHBOOK THAT TEACHES YOU HOW TO HOW YOU TEACHES THAT THE GUIDED SKETCHBOOK THE GUIDED SKETCHBOOK THAT TEACHES YOU HOW TO DRAW! Always wanted to learn how to draw? Now’s your chance. Kean University Teacher of the Year Robin Landa has cleverly disguised an entire college-level course on drawing in this fun, hands-on, begging-to-be-drawn-in sketchbook. Even if you’re one of the four people on this planet who have never picked up a pencil before, you will learn how to transform your doodles into realistic drawings that actually resemble what you’re picturing in your head. In this book, you will learn how to use all of the formal elements of drawing—line, shape, value, color, pattern, and texture—to create well-composed still lifes, landscapes, human figures, and faces. Keep your pencils handy while you’re reading because you’re going to get plenty of drawing breaks— and you can do most of them right in the book while the techniques are fresh in your mind. To keep you inspired, Landa breaks up the step-by-step instruction with drawing suggestions and examples from a host of creative contributors including designers Stefan G. Bucher and Jennifer Sterling, artist Greg Leshé, illustrator Mary Ann Smith, animator Hsinping Pan, and more. Robin Landa, Distinguished Professor in the Robert Busch School of Design at Kean University, draws, designs, and has written 21 books about art, design, creativity, advertising, and branding. Robin’s books include the bestseller Graphic Design Solutions (now in its 5th edition); Build Your Own Brand: Strategies, Prompts and Exercises for Marketing Yourself; and Take A Line For A Walk: A Creativity Journal. -
Thank You Very Much for Registering for Our Upcoming Platinum and Palladium Photography Tours
Thank you very much for registering for our upcoming Platinum and Palladium Photography Tours. We are very much looking forward to hosting at the National Gallery of Art, Library of Congress, and Smithsonian National Museum of American History. This promises to be a fantastic day! In anticipation of your arrival, please take a few moments to note the following important information and instructions: - The tours will commence at The National Gallery of Art (NGA) promptly at 8:30 am. Please arrive at the NGA West Building Entrance at 4th Street (see map below) and please wait near the stairs. Upon arrival, you will be escorted through the staff entrance. The museum will not yet be open to the public and all public entrances will be locked. - No entry will be permitted to the building before 8:30 AM, regardless of the weather or outstanding circumstances. If you arrive before 8:30 AM, Security will not grant you access to the museum or the lobby. - The closest Metro stations to the National Gallery of Art are Archives/Navy Memorial (yellow & green lines), Federal Center SW (blue, orange, and silver lines), and Judiciary Square (red line). - If you are driving – there are parking garages near the Gallery. See locations indicated on map below. - Upon arrival at The National Gallery of Art (no later than 8:30 AM!), you will be greeted by FAIC and NGA staff and you will be divided into two groups. One group will begin the day with the NGA tour and the other will board a shuttle and begin with a tour at Library of Congress. -
ANNUAL REPORT 1971 Library of Congress Catalog Card Number 70-173826
National Gallery of Art /> • ,v ^ ' ' \\4< - AS* " ; „ % t . «\ i #00&A%0^ : v : B - 2. ^ "l 'i'> - y "t #gga^ •kit' •••••• . ' -Y J"' " „V. NATIONAL GALLERY OF ART ANNUAL REPORT 1971 Library of Congress Catalog Card Number 70-173826. All rights reserved. No part of this publication may be reproduced without the written permission of the National Gallery of Art, Washington, D C. 20565. Designed by Susan Lehmann. Photographs on pages 2, 31, 53, 57, 58, 65 and 69 (top) by Jan Paul; photographs on pages 1, 4 and 6 by Lee Mann; all other photographs by the photographic staff of the National Gallery of Art, Henry B. Seville, Chief. Printed in the United States of America. FOREWORD ^SCa* Year ^71, covering the period July 1, 1970 to June 30, 1971, marks the second year for which the Trustees of the National Gallery of Art are issuing an Annual Report in its new format, independent of the Gallery's Studies in the History of Art. During the year, a total of 333 works of art were acquired through purchase or gift, 14 exhibitions were held, and the Gallery's national services reached out to an unprecedented number of people in 4,418 communities and in all fifty states. It was a year characterized as well by the appointment of many new members to the Gallery's staff. The Trustees elected a new As- sistant Director, Mr. Charles Parkhurst, formerly director of the Baltimore Museum of Art; a new Secretary and General Counsel, Mr. E. James Adams (formerly Administrator); and a new Administra- tor, Mr. -
America's National Gallery Of
The First Fifty Years bb_RoomsAtTop_10-1_FINAL.indd_RoomsAtTop_10-1_FINAL.indd 1 006/10/166/10/16 116:546:54 2 ANDREW W. MELLON: FOUNDER AND BENEFACTOR c_1_Mellon_7-19_BLUEPRINTS_2107.indd 2 06/10/16 16:55 Andrew W. Mellon: Founder and Benefactor PRINCE OF Andrew W. Mellon’s life spanned the abolition of slavery and PITTSBURGH invention of television, the building of the fi rst bridge across the Mississippi and construction of Frank Lloyd Wright’s Fallingwater, Walt Whitman’s Leaves of Grass and Walt Disney’s Snow White, the Dred Scott decision and the New Deal. Mellon was born the year the Paris Exposition exalted Delacroix and died the year Picasso painted Guernica. The man was as faceted as his era: an industrialist, a fi nancial genius, and a philanthropist of gar- gantuan generosity. Born into prosperous circumstances, he launched several of America’s most profi table corporations. A venture capitalist before the term entered the lexicon, he became one of the country’s richest men. Yet his name was barely known outside his hometown of Pittsburgh until he became secretary of the treasury at an age when many men retire. A man of myriad accomplishments, he is remem- bered best for one: Mellon founded an art museum by making what was thought at the time to be the single largest gift by any individual to any nation. Few philan- thropic acts of such generosity have been performed with his combination of vision, patriotism, and modesty. Fewer still bear anything but their donor’s name. But Mellon stipulated that his museum be called the National Gallery of Art. -
Crowdsourced Guide to Washington DC
Welcome to the City: Washington, D.C. A Crowdsourced Guide by Davidson Alumni and Parents Top “Must Do” Items in the City Listen to Jazz in the Sculpture Garden of the National Gallery of Art. o Free, very fun—grab a picnic basket and your friends and you’re good to go! o Bring a blanket and some snacks and beverages to hear some free jazz and hang with friends. In the winter, come here to ice skate! Go to a show/concert at the Kennedy Center’s Millennium Stage. Be sure to visit the Kennedy Center roof. Attend an outdoor movie screening in the evening. These are free, and there are many locations: Crystal City, Rosslyn, Silver Spring, Bethesda, the Mall, Adams Morgan, Mt. Pleasant, etc. Tour the memorials at night. o View the Korean War Memorial at night when it is lightly raining - so haunting! The other ones are great at night as well. And don't miss the FDR Memorial. o Summer is the ideal time to walk the monuments or zip around in the car with the windows down, at night. It's magical. Attend a Nationals game. While you’re there, rent a kayak for a couple of hours and float down the Anacostia. Visit the Eastern Market Farmer's Market & Flea Market on the weekends. You can sample all sorts of food, browse the flea market, or step inside to get a real meal. Visit Arlington Cemetery. The best view of the city is in front of Robert E. Lee's house, looking out over the Memorial Bridge. -
Were There Really Planned Museums That the Smithsonian Did Not Build?
THE SMITHSONIAN MUSEUM THAT NEVER WAS: WERE THERE REALLY PLANNED MUSEUMS THAT THE SMITHSONIAN DID NOT BUILD? At times it feels as if the Smithsonian is in a perpetual state of building a new museum and has never turned down the idea of a new museum. As one build- ing is completed, another is being planned. Although the process is usually a long one, the outcome is certain – once legislated or donated, the museum will come into existence. Or will it? The following are four case studies of museums that almost but never came to be at the Smithsonian. A MODERN MUSEUM OF ART: THE SAARINEN DESIGN Although the Smithsonian’s enabling act provided for a gallery of art, a national art museum was not a priority in the early decades of the Smithsonian. The earliest art collections were largely destroyed in the 1865 fire in the Castle. Secretary Jo- seph Henry, who thought art attracted “idlers,” sent the remaining art works to the Library of Congress and Corcoran Gallery of Art later Harriet Lane Johnson Collection on display in the U.S. National Museum that year. Some new art was (now the National Museum of Natural History) in 1952 acquired under the second Secretary, Spencer Baird, but the first real impetus for an ment, the paintings would be President Theodore Roos- art gallery did not come until turned over to it. evelt strongly encouraged the 1903 when Mrs. Harriet Lane Smithsonian Board of Regents Johnston, James Buchanan’s The Corcoran Gallery of Art to pursue the collection and niece, bequeathed her art declined the bequest under the third Secretary, Samuel collection to the Corcoran these terms, and the collec- Langley, a Boston aesthete, Gallery of Art, with the stipu- tions were subsequently des- concurred. -
Winter 2020 Film Calendar
National Gallery of Art Film Winter 20 Special Events 11 Abbas Kiarostami: Early Films 19 Checkerboard Films on the American Arts: Recent Releases 27 Displaced: Immigration Stories 31 African Legacy: Francophone Films 1955 to 2019 35 An Armenian Odyssey 43 Hyenas p39 Winter 2020 opens with the rarely seen early work of Abbas Kiarostami, shown as part of a com- plete retrospective of the Iranian master’s legacy screening in three locations in the Washington, DC, area — the AFI Silver Theatre, the Freer Gallery of Art, and the National Gallery of Art. A tribute to Check- erboard Film Foundation’s ongoing documentation of American artists features ten of the foundation’s most recent films. Displaced: Immigration Stories is organized in association with Richard Mosse: Incom- ing and comprises five events that allow audiences to view the migrant crisis in Europe and the United States through artists’ eyes. African Legacy: Franco- phone Films 1955 to 2019 celebrates the rich tradition of filmmaking in Cameroon, Mauritania, Ivory Coast, Senegal, and Niger, including filmmakers such as Med Hondo, Timité Bassori, Paulin Soumanou Vieyra, Ousmane Sembène, Djibril Diop Mambéty, and Moustapha Alassane as well as new work by contemporary Cameroonian artist Rosine Mbakam. An Armenian Odyssey, organized jointly with Post- Classical Ensemble, the Embassy of Armenia, the National Cinema Center of Armenia, and the Freer Gallery, combines new films and recent restorations, including works by Sergei Parajanov, Kevork Mourad, Hamo Bek-Nazaryan, and Rouben Mamoulian, as well as musical events at Washington National Cathedral. The season also includes a number of special events and lectures; filmmaker presentations with Rima Yamazaki and William Noland; and recent documentaries such as Cunningham; Leaving Home, Coming Home: A Portrait of Robert Frank; Museum Town; The Hottest August; Architecture of Infinity; and It Will Be Chaos. -
Art Lessons in the Classroom Fifth Grade Lesson 3
ART LESSONS IN THE CLASSROOM FIFTH GRADE LESSON 3 COLOR DOMINANCE IN STILL LIFE DESCRIPTION OF PROJECT: Teach in multiple sessions Students create a still life making one object dominant through use of color. Controls paint consistency PROBLEM TO SOLVE: to make clean edge. How are elements in a composition organized to create emphasis? STUDENT UNDERSTANDING: VOCABULARY Using warm colors for shapes can create dominance in a Art: composition. acrylic cool colors dominance LEARNING TARGETS AND ASSESSMENT CRITERIA palette picture plane The student: refine still life LT: Refines ideas to create painting composition. warm colors AC: References sketchbook: drafts and redrafts, sketches composition on painting surface. MATERIALS LT: Creates precise shapes using opaque painting media. Resources: AC: Controls paint consistency to make clean edges. Karen Yurkovich, Seeing, LT: Creates emphasis with color. 4Culture; Alfredo Arreguin, Rialto, AC: Creates dominance using warm, intense colors for a key 4Culture; object. Jacob Lawrence, LT: Reflects on painting in writing. The Builders, MAC; AC: Describes refinement process and artistic choices from Abraham van Beyeren, sketch to painting. Still Life, Lobster and Jug Art Materials: EVIDENCE OF LEARNING still life objects, sketchbooks, Art: Painting drawing pencils, 8x8” scrap mat board or references sketchbook and drafts, redrafts, and sketches watercolor paper, composition on painting surface mixing palettes, creates precise shapes by controlling paint consistency to make water containers, clean edges diverse synthetic brushes (flats and rounds ¼” to creates dominance using warm, intense colors for a key object 1”), describes refinement process and artistic choices from sketch to acrylic (or gouache) paints painting in primary colors/white/ black © 2014 ArtsEd Washington/Fifth Grade lesson: Color Dominance in Still Life p1 INSTRUCTIONAL STRATEGIES FOR TEACHERS AND STUDENTS TEACHER STUDENT Demonstrates making studies of small groups (3) of still life objects Makes studies of still life objects. -
Cézanne Drawing Checklist
Cézanne Drawing Checklist Cézanne Drawing The Museum of Modern Art, New York June 06, 2021-September 25, 2021 11w53, On View, 3rd Floor, East Gallery Gallery 1 PAUL CÉZANNE (French, 1839–1906) Pastoral Study (Étude pour pasterole ou idylle) c. 1870 Pencil on paper 4 × 5 1/4" (10.2 × 13.3 cm) Henry and Rose Pearlman Foundation, New York (on extended loan to the Princeton University Art Museum) PAUL CÉZANNE (French, 1839–1906) Aeneas Meeting Dido at Carthage (Énée recontrant Didon à Carthage) c. 1875 Watercolor, gouache, and pencil on laid paper 4 3/4 × 7 1/4" (12 × 18.4 cm) Henry and Rose Pearlman Foundation, New York (on extended loan to the Princeton University Art Museum) PAUL CÉZANNE (French, 1839–1906) Page of Studies, Including Bathers and a Self-Portrait (Feuille d'études avec baigneurs et autoportrait) 1875-1878 Pencil on laid paper 11 5/8 × 9 1/8" (29.5 × 23.2 cm) Henry and Rose Pearlman Foundation (on extended loan to the Princeton University Art Museum) Page 1 of 77 6/1/2021 Cézanne Drawing 1 PAUL CÉZANNE (French, 1839–1906) The Bath of the Courtesan (recto); Nude Female with Attendants (verso) (La Toilette de la courtisane (recto); Femme nue entourée d'amirateurs (verso)) c. 1880 (recto); c. 1885 (possibly later) (verso) Pencil and watercolor on paper 7 1/2 × 8 1/4" (19 × 21 cm) Arkansas Museum of Fine Arts. Purchase PAUL CÉZANNE (French, 1839–1906) Portrait of the Artist (recto); Fragment of a Landscape Study (verso) (Autoportrait (recto); Étude de paysage (verso)) 1880 (recto); n.d.