Caecilia V60n05 1934

Total Page:16

File Type:pdf, Size:1020Kb

Caecilia V60n05 1934 r~~~~~~~~~~l t MAY 1934 } t - .~, } t } Maga:z:ine of t CATHOLIC CHURCH t and SCHOC)L MUSIC t Founded A. D. 1874 by John Singenberger t FEAT1JRES t CARDINAL O'CONNELL TO OIBSERVE GOLDEN JUBILEE SINGENBERGER *SOCIETY FORMED t * CHURCH MUSIC IN AUSTRIA t THE ORGAN MUSIC *OF LEON BOELLMANN * t WHY THE CHlJRCH SINGS t Published by McLAUGHLIr~ & REILLY COMPANY t ])00 Boylston Stree'l, Boston, Mass. LITURGICAL MASSES-McLAUGHLIN & REILLY EDITION • Means Approved St. Gregory "White List" 505 Tappert, H., Mass of St. Rose of UNISON Lima ..•••...••.•••••••••••• .35 (Voice Parts Available) 506 *Tappert, H., Missa SSt Ang. Custo- dum........................ .60 11 Manell. opus 198 $ .60 669 Witt, F. X., Missa Exultet. ••••• •• .80 339 Groin, Mass of St. Joseph. ..••. .. .60 V oice Part .......••..•••••••• .40 342 Grieabacher, Missa Janua Coeli. .. .60 340 Wheeler, V. B., Mass in G minor.. .60 564 Becker, Mass of St. Frands Xavier. .60 Voice Part .............••...• .25 640 Dumler, Missa Cantate Pueri. ...• .60 362 Predmore, Mass of Good Shepherd. .40 622 Smith, Missa Maria Mater Dei. .. .60 THREE PART (S.S.A.) lWO PART 518 Cherubim, Mass of St. Alfons...••$ .35 (Chant, harmonized alternately) 508 Dore, M., Mass in G $ .40 666 Gisela, Mass of Our Lady. .•••••• .60 221 Marsh, W. J., Mass of the Holy 563 Shaefers, Mass of Blessed Julie. •• .60 Angels ..•..............•.... .60 C218 Smith, Mass of Sacred Heart. •..• .60 Voice Part. .. .. •..•........ .. .25 P.G. Cherion, Messe de Stet Cecile.. •• .80 363 Marsh, W. J., Choral Mass. .... .. .60 Voice Part .....•......•...... .25 REQUIEM 519 Meyer, J. J., Mass of St. Theresa.. .35 447 *Singenberger, Mass of St. Francis.. .35 426 *Singenberger, J., Easy and Complete 448 *Singenberger, Mass of St. Anthony .35 Requie.m for I, 2, or 3 voices .••••$ .60 449 *Singenberger, Mass in D. ...•.. .. .35 521 Gregorian, Harmonized by J. Sin- 450 *Singenberger, Mass of St. Rita. .. .60 genberger .................•. .60 451 *Singenberger, Mass of the Holy 521A Voice Part, complete with re­ Ghost ..............•..•..•.. .35 sponses, and common chant. ... .• .15 GREGORIAN MASSES From The Vatican Gradual Transcribed in modern notation 5 (1) Missa "Orbis Factor" (De Dominica) } Accompaniment .80 No. 481 ~( (2) Mass for Sundays of Advent and Lent Voice part .15 No. 520 Missa de Angelis Accomp. by J. B. Singenberger .60 Edited by Otto Singenberger No.. 520a Missa de Angelis Voice part) with Responses and a Panis Angelicus by Browne. Heavy paper cover .15 No. 39b Missa de Angelis Voice part, octavo size, large notes. Mass only .10 No.521 Missa pro Defunctis Harmonized by J. B. Singenberger .60 Edited by Otto Singenberger No. 521a Missa pro Defunctis Voice part, with Libera Sub- venite) In Paradisum) Benedictus) and all Responses. Heavy paper cover 15 (1) Missa "Cum Jubilo" } Harmonized by F. X. Mathias .80 No. 639 { (2) Missa "Alme Pater" Voice part, with Asperges Me) Vidi A quam) and Credo II I. Heavy paper cover .15 McLAUGHLIN & REILLY COMPANY BOSTON, MASSACHUSETTS National Headquarters for Catholic Church Music Editor. OTTO A. SINGENBERGER Associate Editor, WILLIAM ARTHUR REILLY Con;;,ibutors: Ludwig Bonvin 5.1., Buffalo, N. Y.: Gregory Hug1ie, O.S.B., Conception, Mo.; Adelard Bouvilliers O.S.B., Belmont, N. C.; Rev. F. T. Walter, St. Francis, Wise.: Leo P. Manzetti D.D., Baltimore, Md.: Joseph Villani S.C., San Francisco, Cal.; Rev. P. H. Schaefers, Cleveland, Ohio; Sr. M. Cherubim O.S.F., Milwaukee, Wise.; Sr. M. Gisela S.S.N.D., Milwaukee, Wise.; M. Mauro-Cottone, Mus. Doc., New York, N. Y.: Richard Keys Biggs, Hollywood, Cal.: Martin G. Dumler M.M., Cincinnati, Ohio; Joseph J. McGrath, Syra~use, N. Y., etc. Vol. 60 MA"Y 1934 No.5 CONT:ENTS CAF~DINAL O'CONNELL TO OBSEI~VE SACERDOTAL JUBILEE 192 SINGENBERGER SO=TETY FORMED 192 TliE PRESENT STATLTS OF CHURCH lVIUSIC IN ~AUSTRIA Prof. Dr. A. Weissenbaeck 193 MODERN CHURCI-I MUSIC Luchvig Bonvin S.J. 194 LEON BOELLMANN: An Analysis of Organ Compositions Adelard Bouvilliers O.S.B. 195 A RETROSPECTION OF GREGORIj\N CHANT Joseph A. Keller 197 Wl-:IY THE CHURCH SINGS Rev. J. Leo Barley 199 OBITUARIES: Thomas Leonard; Ernest R. Kroeger 203 MUSIC APPRECIATION Sister l\1ary Cherubin1 O.S.F. 221 QUESTION AND i\NSWER BOX Gregory Hugle O.S.B. 225 COMMUNICi\TIONS: Remarks on Dam Gregory Murray's Pamphlet by Arthur ..Angie 227 F~AMOUS HYMNS OF ST. BERNAR1) 229 MUSIC ON THE RADIO 230 PROGR~..!\1VfS 231 19.2 The Caecilia CARDINAL O'CONNELL TO OBSERVE S~INGENGERGER SOCIETY FORMED SACERDOTAL JUBILEE ON THE FOLLOWING MEMORIAL MASS FOR FEAST OF THE SACRED HEART NOTED CHURCH MUSIC LEADER Open Air Masses To Be A Feature of the Milwaukee, Wis.-A society which will seek Observances to promote the church music ideals of the late John B. Singenberger was organized at Pio On March 6th, a committee of the Arch­ Nono high school on Monday, April 9, the diocesan Clergy and representatives from the tenth anniversary of his death, on which day various Religious Orders in the Archdiocese, there was offered in the high school chapel a assembled for the purpose of making plans solemn high Mass in memory of Professor for the observance of the Golden Jubilee of Singenberger. Ordination of His Eminence William Cardinal The music of Singenberger's Mass in honor O'Connell, which will occur on June 8th, the of St. Gregory was sung by a choir of men, F east of the Sacred Heart. students of the great composer and church According to the program proposed; a music leader during his fifty years of teaching solemn Mass of thanksgiving will be celebrated at Pio Nono. The Very Rev. Joseph F. Bar­ on the feast day, at the Cathedral at 10 A.M. bian, archdiocesan school superintendent, was A delegation of four from each parish as well celebrant of the Mass, assisted by the Rev. as representatives from the Religious Orders, Nicholas Brust and the Rev. Oscar Ziegler. will attend. The sermon was preached by His Excellency A Mass of thanksgiving in each parish will the Archbishop of Milwaukee. There was be celebrated on the same day, with a sermon present the son of the late Chevalier Singen­ to be. given on "The Dignity of the Priest­ berger, Prof. Otto Singenberger, director of hood and the Sacred Character of the Power music in the schools of Milwaukee archdiocese. of Jurisdiction" in which reVerence will be Fifty priests and 25 choirmasters attended the made to the accomplishments of His' Eminence memorial Mass. during the past fifty years. General Communion of thanksgiving, by Offic·ers Are Elected both adults and children, will follow with a After the Mass there was a dinner, and fol­ spiritual bouquet of good works from each lo\ving this a meeting in Salzman naIl to honor the memory of Professor Singenberger. The parish of the diocese. Spiritual offerings from Rev. John J. Clark, rector of Pio Nono, gave each parish, will be recorded on cards, and a welcoming address, the Rev. J. J. Pierron bound into book form and presented to the spoke on "What Constitutes Good Church Cardinal. J\1usic"; Joseph G. Grundle on "John B. Sin­ genberger as a Church Musician"; the Rt. Rev. Msgr. M. M. Gerend gave reminiscences of Singenberger, and then Archbishop Stritch OPEN AIR MASSES dwelt on the matter of music in the Church. Solemn open air children's Mass on the F ather Clark presided at the meeting, at campus at Boston College, will be held on 'which the Singenberger society was organized, Saturday, June 9th (Parishes with drum corps and at which Otto Singenberger offered the or bands are invited to send their organiza­ organization his father's insignia as a Knight tions) . of St. Gregory and Knight of St. Sylvester, A solemn open air public Mass "vill be held and a number of his musical manuscripts. J. at Fenway Park, on Sunday, June loth at J. Meyer was elected president, J. G. Grundle vice president, Victor Kozina secretary. The 10 A. M. executive board consists of the Revs. J. J. On June 3rd, a testimonial collection will Pierron, F. T. Walter and J. L. Markowski, be taken up in all the parishes, the proceeds and Messrs. Stemper, -Gramman, Warner, of which, at the insistence of His Eminence, Moderski, Zohlen and Meyer. In addition to will be devoted to the charities of the arch­ these choirmasters" those present included diocese. Messrs. Nickash, Stemper, Wiegers, Bejma, Msgr. R. J. Haberlin, V.G., is Chairman of Jansen, Klima; Bettner, Schaefer, Maultra, the Committee in charge of arrangements. Putkammer and W ol£. The Caecilia 193 The Present Status of C:hurch Music in Austria By PROFESSOR DR. A. WEISSENBAECK, Vienna VEN though the Apostolic Constitu­ from the compositions of these masters that tion ~'Divini cultus" does not expressly might not be considered objectionable, which say SO, there is no doubt in the mind latter would not be difficult to do, since there of any Church musician as to the is little that really conforms in all respects to meaning of the paragraph in the encyclical: the laws of liturgical music. "It has occured from time to time, particularly Austrian musicians have the best intentions during the celebration of the centenary of some of following exactly the demands of the church renowned musician, that the occasion was regulations. As to the fact that the regula­ taken as an excuse to perform certain of the tions of the Mota Proprio have not met with artist's works in church, which, though very the desired results, Austria is certainly not excellent in themselves, are not at all befitting unique. The World War and the succeeding the holiness of the place nor the liturgical economic depression has had its effect on all demands of Divine service, and should not things, and upon church music and the re­ have been thus employed." organization of choirs as well.
Recommended publications
  • The Timeliness of Duruflé's Requiem Book Title
    University of California Press Chapter Title: The Timeliness of Duruflé’s Requiem Book Title: Musical Legacy of Wartime France Book Author(s): LESLIE A. SPROUT Published by: University of California Press. (2013) Stable URL: https://www.jstor.org/stable/10.1525/j.ctt3fh2q4.8 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Musical Legacy of Wartime France This content downloaded from 129.74.250.206 on Mon, 03 Sep 2018 02:20:01 UTC All use subject to https://about.jstor.org/terms 4 The Timeliness of Duruflé’s Requiem Plain-chant and polyphony, dominant ninths and the orchestra of Debussy—without the evidence of an actual performance, Duruflé’s Requiem might appear to be a hotch-potch. But it is the absolute unification in a very personal manner of these seemingly disparate elements that constitutes Duruflé’s chief claim to be taken seriously as a composer. felix aprahamian, “Maurice Duruflé and His Requiem” vichy’s symphonic commissions and the music of the catholic church In May 1941 Maurice Duruflé received a commission from Vichy’s Administration of Fine Arts to write a symphonic poem, for which he was offered ten thousand francs, payable upon completion of the work.1 Reversing the program’s steady decline each year since its inception in 1938, the administration provided ample funds—270,000 francs—to grant a total of seventeen commissions between May and August 1941, the first year of commissions granted under the new regime.
    [Show full text]
  • The Hungarian Rhapsodies and the 15 Hungarian Peasant Songs: Historical and Ideological Parallels Between Liszt and Bartók David Hill
    James Madison University JMU Scholarly Commons Dissertations The Graduate School Spring 2015 The unH garian Rhapsodies and the 15 Hungarian Peasant Songs: Historical and ideological parallels between Liszt and Bartók David B. Hill James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Musicology Commons Recommended Citation Hill, David B., "The unH garian Rhapsodies and the 15 Hungarian Peasant Songs: Historical and ideological parallels between Liszt and Bartók" (2015). Dissertations. 38. https://commons.lib.jmu.edu/diss201019/38 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. The Hungarian Rhapsodies and the 15 Hungarian Peasant Songs: Historical and Ideological Parallels Between Liszt and Bartók David Hill A document submitted to the graduate faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Doctor of Musical Arts School of Music May 2015 ! TABLE!OF!CONTENTS! ! Figures…………………………………………………………………………………………………………….…iii! ! Abstract……………………………………………………………………………………………………………...iv! ! Introduction………………………………………………………………………………………………………...1! ! PART!I:!SIMILARITIES!SHARED!BY!THE!TWO!NATIONLISTIC!COMPOSERS! ! A.!Origins…………………………………………………………………………………………………………….4! ! B.!Ties!to!Hungary…………………………………………………………………………………………...…..9!
    [Show full text]
  • Teaching About Hungarian and Polish Heroes. Fulbright-Hays Summer Seminars Abroad Program, 1998 (Hungary/Poland)
    DOCUMENT RESUME ED 439 037 SO 030 775 AUTHOR Radkey, Janet TITLE Teaching about Hungarian and Polish Heroes. Fulbright-Hays Summer Seminars Abroad Program, 1998 (Hungary/Poland). SPONS AGENCY Center for International Education (ED), Washington, DC. PUB DATE 1998-00-00 NOTE 20p.; For other projects from the 1998 Hungary/Poland program, see SO 030 773-781. PUB TYPE Guides Classroom Teacher (052) Reports Descriptive (141) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Area Studies; *Cultural Context; *European History; Foreign Countries; High Schools; Social Studies; Thematic Approach IDENTIFIERS Fulbright Hays Seminars Abroad Program; Heroes; *Hungary; *Poland ABSTRACT This curriculum project about the history and culture of Hungary and Poland is intended for secondary school students. Theproject features a unit called "Heroes in Our Lives" and points out the sacrifices a few individuals have made for the betterment of all. Students identify heroes and learn about the impact these heroes have made on history and onsociety. Hungarian heroes discussed in the unit are: King Stephen I, Imre Nagy, Ferenc Rakoczi, and Louis Kossuth. Polish heroes discussed are: J. Pitsudski, Tadeusz Kosciuszko, Janusz Korczak, Pope John Paul II, and Lech Walesa;other heroes discussed are Raoul Wallenberg, the 1956 Hungarian Freedom Fighters, and the Solidarity Workers. Teaching methods for the unit include lectureand discussion, a slide presentation on heroic sites, selected readings, poetry, group activities, and an essay accompanied by an oralpresentation on heroes in society and heroes in each individual's life. (BT) Reproductions supplied by EDRS are the best that can be made from the original document. N O cJ Teaching about Hungarian and Polish Heroes.
    [Show full text]
  • Requiem Eucharist for the Commemoration of the Faithful Departed for All Souls’ Sunday 1 November 2020 3.00 Pm Welcome to St Edmundsbury Cathedral
    Requiem Eucharist for the Commemoration of the Faithful Departed for All Souls’ Sunday 1 November 2020 3.00 pm Welcome to St Edmundsbury Cathedral In this afternoon’s All Souls’ Service we remember with thanksgiving the people we love who have died. The Commemoration of the departed on All Souls’ Day celebrates the saints in a more intimate way than All Saints’ Day. It allows us to remember with thanksgiving before God those whom we have known directly: those who gave us life, or who supported and encouraged us on life’s journey or who nurtured us in faith. In our worship, we sense that it is a fearful thing to come before the unutterable goodness and holiness of God, even for those who are redeemed in Christ; that it is searing as well as life-giving to experience God’s mercy. This instinct is expressed in the liturgy of All Souls’ Day. During this service, everyone is invited to bring the names of loved ones departed, written on the small white card crosses, to the cross before the altar, and to light a prayer candle there. Names will not be read aloud so that the total focus of this part of the liturgy may be on silent prayer and our individual commendation to God of those whom we remember but see no more. Music at today’s service The Cathedral Choir sings the Requiem, Op. 48 by Gabriel Fauré, 1845–1924. Service order extracts from Common Worship Services, © The Central Board of Finance of The Church of England. Music reproduced with permission - CCL Licence No 317297 ¶ The Order of Service As the choir and clergy gather at the west end of the Nave, the President welcomes the congregation from the Pavement, and then leads The Greeting President We meet in the name of the Father, and of the Son, and of the Holy Spirit.
    [Show full text]
  • Kalejdoszkóp 6. Évf. 5. Sz. 2008. Szept.-Okt.)
    MAGYAR-ANGOL KULTURÁLIS FOLYÓIRAT 2008. 9 - 10. 2008. HUNGARIAN-ENGLISH CULTURAL MAGAZINE VI. ÉVFOLYAM 5. VOLUME VI. ISSUE 5. ALEJDOSZKÓP Sötétbõl tárul ki a szívünk: Nyíló virág a föld felett. A szolgaságból fényt derítünk, Fegyver nélkül is gyõztesek. KALEIDOSCOPE Tollas Tibor: Október 23. Szervátiusz Tibor Tel: 416 - 391 - 1290 www.resumesolutions.ca CANADA’S LEADING RESUME WRITING, INTERVIEW & CAREER COACHING EXPERTS ♦ Resume Writing Services A professionally written resume multiplies your ♦ Cover Letter Writing chances to land the position you want. Let our ♦ Interview Coaching Certified Writers and Coaches work for you! ♦ Career Coaching WE OFFER RESUME SERVICES INTERVIEW COACHING YOUR RESUME WILL... ♦ Reduce Interview Anxiety ♦ Look impressive ♦ Manage Awkward Questions ♦ Be Easy ro Read ♦ Learn Effective Body Language ♦ Catch the Recruiter’s Eye ♦ Convey Strenght and Values ♦ Dramatically Increase Your ♦ Solidify Job Offers Chances to Gain Winning Interviews CAREER COACHING is a confidential, facilitative process that guides you through the journey of getting from RIGHT NOW to WHERE YOU WANT TO BE in your career. Career Coaching encourages and motivates you to pursue whatever action you need to take to achieve your career goals. Our writers have composed 1000s of resumes for clients ranging from new graduates to senior executives, and are expert of handling complex issues such as gaps in employment, age discrimination, and career changes. GET YOUR DREAM JOB NOW! Tel: 416 - 361 - 1290 [email protected] www.resumesolutions.ca ADJÁTOK VISSZA A HEGYEIMET KOLTAY GÁBOR FILMJE VENDÉGEINK LESZNEK WASS ALBERT FIAI WASS ALBERT-HÉTVÉGE 2008. ÁPRILIS 12-13-14-ÉN A TORONTÓI MAGYAR KULTÚRKÖZPONTBAN KALEJDOSZKÓP - 2008. SZEPTEMBER - OKTÓBER # KALEIDOSCOPE - SEPTEMBER - OCTOBER 2008 Vol.
    [Show full text]
  • Béla Bartók: the Father of Ethnomusicology
    Musical Offerings Volume 3 Number 2 Fall 2012 Article 2 12-2012 Béla Bartók: The Father of Ethnomusicology David Taylor Nelson Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/musicalofferings Part of the Ethnomusicology Commons, European Languages and Societies Commons, Fine Arts Commons, and the Musicology Commons DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Recommended Citation Nelson, David Taylor (2012) "Béla Bartók: The Father of Ethnomusicology," Musical Offerings: Vol. 3 : No. 2 , Article 2. DOI: 10.15385/jmo.2012.3.2.2 Available at: https://digitalcommons.cedarville.edu/musicalofferings/vol3/iss2/2 Béla Bartók: The Father of Ethnomusicology Document Type Article Abstract Béla Bartók birthed the field of ethnomusicology as an academic discipline through his tireless pursuits of folk music, his exposition of the sound of the rural people, and his incorporation of folk-style into his own personal compositions. His work revealed to the world that folk music exists, is important, and stands as an independent academic discipline. I argue that Bartók’s efforts established the field of ethnomusicology because he was one of the first musicians to branch into the study of ethnic music by travelling to collect samples of music, by aurally recording and transcribing folk-tunes, by re-writing these songs into understandable notation with new harmonization, and by then employing this folk-style in his own original compositions.
    [Show full text]
  • Ex Latere Christi Ex Latere Christi
    EX LATEREWoman: Her Nature & CHRISTIVirtues THE PONTIFICAL NORTH AMERICAN COLLEGE WINTER 2020 - ISSUE 1 1 11 First Feature 32 Second Feature 34 Third Feature 36 Fourth Feature EX LATERE CHRISTI EX LATERE CHRISTI Rector, Publisher (ex-officio) VERY Rev. PETER C. HARMAN, STD Academic Dean, Executive Editor (ex-officio) Rev. JOHN P. CUSH, STD Editor-in-Chief Rev. RANDY DEJESUS SOTO, STD Managing Editor MR. AleXANdeR J. WYVIll, PHL Student Editor MR. AARON J. KellY, PHL Assistant Student Editor MR. THOMAS O’DONNell, BA www.pnac.org TAble OF CONTENTS A WORD OF INTRODUCTION FROM THE EXECUTIVE EDITOR 7 Rev. John P. Cush, STD EX LATERE CHRISTI 10 Msgr. William Millea, STL, JCD SAlve, AEDES MATER! 11 Rev. Randy DeJesus Soto, STD WOMAN: HER NATURE & VIRTUES 13 Sr. Mary Angelica Neenan, O.P., STD AS THE PERSON GOES, SO GOES THE WHOLE WORLD 39 Aaron J. Kelly, PHL BEING IN THE RIGHT 51 Alexander J. Wyvill, PHL HANS URS VON BALTHASAR AND DIALOGICAL PHILOSOPHY 91 Rev. Walter R. Oxley, STD JESUS CHRIST: WORD, PREACHER AND LORD 101 Rev. Randy DeJesus Soto, STD HOMILY FOR THE MASS OF THE PASSION OF ST. JOHN THE BAPTIST 131 Rev. Adam Y. Park, STL LOGOS, CREATION AND SCIENCE 135 Rev. Joseph Laracy, STD HOLINESS 163 Msgr. James McNamara, M.Div., MS, PA CATHERINE PICKSTOCK’S EUCHARISTIC THEOLOGY 167 Rev. John P. Cush, STD CONTRIBUTORS 211 6 Rev. JOHN P. CUSH, STD A WORD OF INTRODUCTION FROM THE EXecUTIve EDITOR As the college’s academic dean, it is a joy to present to you Ex Latere Christi, the first academic journal published by the faculty, alumni, and friends of the Pontifical North American College.
    [Show full text]
  • Poetry, Spirituality, and Future Memory in the Light Strings of Felix Gonzalez-Torres
    REQUIEM FOR THE SHADOWS: POETRY, SPIRITUALITY, AND FUTURE MEMORY IN THE LIGHT STRINGS OF FELIX GONZALEZ-TORRES A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of the Arts by Shawn Diamond May, 2016 Thesis written by Shawn Diamond B.A., Kent State University, 2014 M.A., Kent State University, 2016 Approved by _____________________________________ John-Michael Howell Warner, Ph.D., Advisor ____________________________________ Christine Havice, Ph.D., Director, School of Art ____________________________________ John Crawford-Spinelli, Ed.D., Dean, College of Arts iii TABLE OF CONTENTS Page LIST OF FIGURES…………………………………………...…………………...……………..iv ACKNOWLEDGEMENTS…………………..……………...……..……………………………..v I. INTRODUCTION……….……………………………….....…………………………………..1 II. POETRY……………………………..…………………….…………………………………15 III. SPIRITUALITY………..………………..…………………………………..………………31 IV. MEMORY…….……………………………..……...……………………………………….41 V. AFTERWARDS…………….………………………..……………………..………………..52 BIBLIOGRAPHY………………………………..…………………………………………..…..54 FIGURES…………………..………..………………………….………………………………..58 APPENDIX: FINAL SOLILOQUY OF THE INTERIOR PARAMOUR…………...………….66 iv LIST OF FIGURES Figure Page 1. Felix Gonzalez-Torres, “Untitled” (Perfect Lovers), (1987-1990)……..………………...…..1 2. Felix Gonzalez-Torres, “Untitled” (Last Light), (1993)…………………………….………...6 3. Felix Gonzalez-Torres, “Untitled” (A Couple), (1993)…………….......................................13 4. Felix Gonzalez-Torres, “Untitled” (March 5th) #2, (1991).....................................................15
    [Show full text]
  • Changing Images of Purgatory in Selected Us
    FROM PAINFUL PRISON TO HOPEFUL PURIFICATION: CHANGING IMAGES OF PURGATORY IN SELECTED U.S. CATHOLIC PERIODICALS, 1909-1960 Dissertation Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in Theology By Timothy G. Dillon UNIVERSITY OF DAYTON Dayton, Ohio December, 2013 FROM PAINFUL PRISON TO HOPEFUL PURIFICATION: CHANGING IMAGES OF PURGATORY IN SELECTED U.S. CATHOLIC PERIODICALS, 1909-1960 Name: Dillon, Timothy Gerard APPROVED BY: __________________________________________ William L. Portier, Ph. D. Faculty Advisor __________________________________________ Patrick Carey, Ph.D. External Faculty Reader __________________________________________ Dennis Doyle, Ph.D. Faculty Reader __________________________________________ Anthony Smith, Ph.D. Faculty Reader __________________________________________ Sandra Yocum, Ph.D. Faculty Reader ii ABSTRACT FROM PAINFUL PRISON TO HOPEFUL PURIFICATION: CHANGING IMAGES OF PURGATORY IN SELECTED U.S. CATHOLIC PERIODICALS, 1909-1960 Name: Dillon, Timothy Gerard University of Dayton Advisor: Dr. William L. Portier Prior to 1960, U.S. Catholic periodicals regularly featured articles on the topic of purgatory, especially in November, the month for remembering the dead. Over the next three decades were very few articles on the topic. The dramatic decrease in the number of articles concerning purgatory reflected changes in theology, practice, and society. This dissertation argues that the decreased attention
    [Show full text]
  • Representations of Grief in Akhmatova's Requiem And
    Colby College Digital Commons @ Colby Honors Theses Student Research 2008 Representations of Grief in Akhmatova’s Requiem and Pushkin’s the Bronze Horseman Hillary R. Smith Colby College Follow this and additional works at: https://digitalcommons.colby.edu/honorstheses Part of the English Language and Literature Commons Colby College theses are protected by copyright. They may be viewed or downloaded from this site for the purposes of research and scholarship. Reproduction or distribution for commercial purposes is prohibited without written permission of the author. Recommended Citation Smith, Hillary R., "Representations of Grief in Akhmatova’s Requiem and Pushkin’s the Bronze Horseman" (2008). Honors Theses. Paper 294. https://digitalcommons.colby.edu/honorstheses/294 This Honors Thesis (Open Access) is brought to you for free and open access by the Student Research at Digital Commons @ Colby. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Colby. Representations of Grief in Akhmatova’s Requiem and Pushkin’s The Bronze Horseman Hillary Smith Colby College English Senior Honors Thesis – EN 483 First Reader: Patricia Onion Second Reader: Sheila McCarthy Pat and Sheila: thank you both so much for having faith in me in my darkest hours and moments of senioritis (and for being my own personal bronze horseman when necessary) – I couldn’t have done it without you! 2 Table of Contents Note on Translations ………………………………………………………………… 4 Instead of a First Paragraph …………………………………………………………. 5 Introduction ………………………………………………………………………….. 9 Pushkin – a Biography ……………………………………………………………... 11 Akhmatova – a Biography …………………………………………………………. 14 The Parallel Journey’s of Akhmatova and Evgeny ………………………………... 17 The Geography of Grief ……………………………………………………………. 24 A Requiem for Russia ……………………………………………………………… 33 Anna Politkovskaya: A Modern-Day Akhmatova ………………………………….
    [Show full text]
  • Siposjános Angol Karacsáj.Indd
    János Sipos – Ufuk Tafkul KARACHAY-BALKAR FOLKSONGS János Sipos – Ufuk Tafkul KARACHAY-BALKAR FOLKSONGS Institute for Musicology of the Research Centre for the Humanities of the Hungarian Academy of Sciences – L’Harmattan Budapest, 2015 The fi eldwork lasting 10 years were supported by the Stein-Arnold Exploration Fund of the British Academy (2010), the Mellon Fellowship for Research in Turkey (2005, 2011) and the Hungarian Scientifi c Research Fund (OTKA K-42461, K-67997) The publication of the book was supported by the Hungarian Scientifi c Research Fund (OTKA PUB 113373) Photos made by: János Sipos and Ufuk Tavkul English translation by Judit Pokoly © János Sipos, 2015 © Institute for Musicology of the Research Centre for the Humanities, the Hungarian Academy of Sciences, 2015 © L’Harmattan, 2015 ISBN 978-963-414-083-2 L'Harmattan France 5-7 rue de l'Ecole Polytechnique 75005 Paris T.: 33.1.40.46.79.20 Email: [email protected] L'Harmattan Italia SRL Via Degli Artisti 15 10124 TORINO Tél : (39) 011 817 13 88 / (39) 348 39 89 198 Email: [email protected] L’Harmattan Hungary: L’Harmattan Könyvesbolt Párbeszéd Könyvesbolt 1053 Budapest, Kossuth L. u. 14–16. 1085 Budapest, Horánszky utca 20. Tel.: 267-5979 www.konyveslap.hu [email protected] www.harmattan.hu Editor in chief: Ádám Gyenes Design: Gábor Kardos, cover design: László Kára Printed and bound by Séd Nyomda, general director: Szilvia Katona CONTENTS PREFACE . 7 INTRODUCTION . 7 IN THE WAKE OF THE EASTERN CONNECTIONS OF HUNGARIAN FOLK MUSIC . 11 Report on my fi eldwork series in researching folk music .
    [Show full text]
  • Faith and Chivalry
    The Story of the Middle Ages Faith and Chivalry Stained Glass and Night ––– Chivalry The Winning of Enid Bernard of Clairvaux and the Second Crusade –– Saladin Scholasticim: Faith and Reason –– Thomas Aquinas The Triumphs of Thomas – Adoro Te Devote C. Dale Brittain: "Stained Glass and Night" The ever informative C. Dale Brittain delves further into miscellania. http://cdalebrittain.blogspot.ca/2015/06/stained-glass.html http://cdalebrittain.blogspot.ca/2015/03/medieval-night.html Charles Moeller: "Chivalry" Encyclopaedia Article, New Advent (AD 1908) Chivalry was an idea that evolve in ideal and practice over time. As Moeller explains, there were four distinct stages: http://www.newadvent.org/cathen/03691a.htm [The notion of chivalry became the backbone of the chivalric romance, stories of bold deeds, love, and honour. It is common nowadays to confuse chivalry with courtly love, but the two were separate concepts. The stories of the French minstrel, Chretien de Troyes (the first at least to write down legends of the Grail) provide excellent examples of both chivalry and courtly love See how many examples you can pick out in this excerpt from "Erec and Enid." Chretien de Troyes: "The Winning of Enid" From Erec and Enid (AD 1170) (Vv. 27-66.) One Easter Day in the Springtime, King Arthur held court in his town of Cardigan. ... Before the court was disbanded, the King told his knights that he wished to hunt the White Stag, in order to observe worthily the ancient custom. When my lord Gawain heard this, he was sore displeased, and said: "Sire, you will derive neither thanks nor goodwill from this hunt.
    [Show full text]