Running Head: USAGE of HUMOR to OVERSHADOW ISLAMOPHOBIA 103
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Fear and Laughing in the Occupied Territories: Comedienne Maysoon Zayid Transforms Lives
88 al-raida Issue 122 - 123 | Summer / Fall 2008 Fear and Laughing in the Occupied Territories: Comedienne Maysoon Zayid Transforms Lives Dalila Mahdawi A young woman takes a seat before the microphone, from Arizona State University and to cameos in flicks her hair, and surveys her audience. Shaking television shows like Law & Order and As the slightly, she introduces herself, “My name is World Turns, but it soon became clear that she Maysoon Zayid and I’m a Palestinian Muslim virgin didn’t fit the mold. She turned to comedy, giving with cerebral palsy from New Jersey… and if you free performances throughout New York City. She don’t feel better about yourself, maybe you should!” quickly began receiving positive coverage on the The crowd roars. Maysoon Zayid certainly ticks all comedy scene. the minority boxes in both the Arab and American worlds. She seems to derive strength from these Following the September 11th attacks in New York, apparent weaknesses, however, and successfully negative images of Arabs abounded in the American incorporates them into her career as one of the media. Some of Maysoon’s non-Arab friends best Arab-American stand-up comedians. At a asked if she had known the attacks were going to time when so many of her Arab-American cousins happen, while others stopped talking to her. Her are trying hard to be taken seriously, perhaps sister, a UN employee, even received death threats. Maysoon’s willingness to ridicule her identity In response to the experiences of Arab-Americans, is what makes her so successful. -
'The Muslims Are Coming' Show Featuring Muslim-American Comics Hopes to Foster Laughs and Understanding
'The Muslims Are Coming' Show featuring Muslim-American comics hopes to foster laughs and understanding. By Scott Bernarde July 31, 2011 When the producers of “The Muslims are Coming!” were looking for venues for their tour of free comedy performances, Gwinnett County, particularly Lilburn, caught their eye. The satirical standup comedy tour, which features several top Muslim-American comics, aims to dispel “myths associated with Islamaphobia” in shows scheduled in Georgia, Tennessee, Alabama and Florida, and later in Midwest states this fall. The tour comes to the Aurora Theatre in Lawrenceville on Aug. 9, beginning at 8 p.m. Reserve the free tickets here. Shows are scheduled in Gainesville, Fla., Aug. 5 and in Columbus, Ga., Aug. 6, before the Lawrenceville show, then in Birmingham, Nashville and Murfreesboro, Tenn., afterward. Muslim-American comedians Negin Farsad and Dean Obeidallah say the shows — and corresponding documentary by the same name — bring a message of understanding and open communication through laughter to the communities they visit. “It’s going to be funny for everyone. It’s not just for Muslims,” said Obeidallah in a phone interview last week. “Our hope is to use the stand-up comedy to bring people of all faiths and backgrounds to laugh and to foster understanding.” The Dar-E-Abbas mosque controversy in Lilburn caught their attention and prompted Farsad and Obeiballah to search for local venues to host the show. Obeidallah read about the controversy online — the city’s denial of a request by the mosque to expand its facilities on Highway 29 at Hood Road, the subsequent lawsuit filed by the mosque, and the Department of Justice investigation into the city’s decision. -
Turkish German Muslims and Comedy Entertainment CURRENT ISSUES in ISLAM
Turkish German Muslims and Comedy Entertainment CURRENT ISSUES IN ISLAM Editiorial Board Baderin, Mashood, SOAS, University of London Fadil, Nadia, KU Leuven Goddeeris, Idesbald, KU Leuven Hashemi, Nader, University of Denver Leman, Johan, GCIS, emeritus, KU Leuven Nicaise, Ides, KU Leuven Pang, Ching Lin, University of Antwerp and KU Leuven Platti, Emilio, emeritus, KU Leuven Tayob, Abdulkader, University of Cape Town Stallaert, Christiane, University of Antwerp and KU Leuven Toğuşlu, Erkan, GCIS, KU Leuven Zemni, Sami, Universiteit Gent Turkish German Muslims and Comedy Entertainment Settling into Mainstream Culture in the 21st Century Benjamin Nickl Leuven University Press Published with the support of the Popular Culture Association of Australia and New Zealand University of Sydney and KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). © Benjamin Nickl, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. The licence allows you to share, copy, distribute and transmit the work for personal and non- commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: B. Nickl. 2019. Turkish German Muslims and Comedy Entertainment: Settling into Mainstream Culture in the 21st Century. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) Further details about Creative Commons licences -
CULTURAL INGENUITY: STRENGTHENING the MUSLIM AMERICAN IDENTITY a Thesis Submitted to the Faculty of the School of Continuing St
CULTURAL INGENUITY: STRENGTHENING THE MUSLIM AMERICAN IDENTITY A Thesis submitted to the Faculty of The School of Continuing Studies and of The Graduate School of Arts and Sciences in partial fulfillment of the requirements for the degree of Masters of Arts in Liberal Studies By Lena Albibi, B.A. Georgetown University Washington, D.C. February 17, 2009 CULTURAL INGENUITY: STRENGTHENING THE MUSLIM AMERICAN IDENTITY Lena Albibi, B.A. Mentor: John L. Esposito, Ph.D. ABSTRACT Muslims in America must move beyond theological discourse and polemics to creating a dynamic apparatus that can promote indigenous and organic Muslim American culture and that accommodates ideological and cultural diversity. Muslims needs to move beyond attempting solely to correct their image and dispel stereotypes. While these are admirable goals, they cannot be the end goal for engaging in the creative arts, because such a narrowly defined, negative vision does not allow for an organic expression of the self. It is imperative that Muslims establish an artistic tradition in America, because to be an American Muslim is a creative process in itself. Laying the foundation for an expressive culture will ensure that Muslims celebrate their humanity and affirm their dignity, and they will then be free from having to define themselves in opposition to something else. A positive self-definition is what Muslims need. ii CONTENTS ABSTRACT ii CHAPTER I: CULTURAL INGENUITY: STRENGTHENING THE MUSLIM AMERICAN IDENTITY 1 CHAPTER II: ISLAM AND CULTURE 5 CHAPTER III: IMAGE OF MUSLIMS IN AMERICA: POST 9/11 22 CHAPTER IV: ISLAM IN AMERICA 30 Music 32 Comedy 35 TV and Film 38 Clothing 58 Muslim American Monuments and Sports Icons 61 Civic Engagement 64 Muslim American Education 66 CHAPTER V: GOALS FOR DEVELOPING A SUCESSFUL MUSLIM AMERICAN CULTURE 71 CHAPTER VI: CONCLUSION 79 BIBLIOGRAPHY 85 iii CHAPTER I CULTURAL INGENUITY: STRENGTHENING THE MUSLIM AMERICAN IDENTITY, AN INTRODUCTION The tragic events of September 11th thrust Islam and Muslims under the eye of public scrutiny. -
Performing Arabness in Arab American Stand-Up Comedy
77 Performing Arabness DOI: 10.1515/abcsj-2014-0028 Performing Arabness in Arab American Stand-up Comedy YASSER FOUAD SELIM Sohag University Abstract This article deals with the dramatic art of stand-up comedy. It locates Arab American stand-up comedy within a broader American humorous tradition and investigates the way Arab American performers use this art to negotiate and (re)construct their identity. The main question in this article is the way Arab American stand-up comedians define their relationship to the Arab and the western worlds in the process of establishing their Arab American identity. Three humor theories – the relief theory, the incongruity theory, and the superiority theory – are deployed in the study to examine the representation of Arabness in selected Arab American performances. The study argues that Arab American comics minstrelize their own diasporic origin through reinscribing a range of orientalizing practices in order to claim their Americanness. Keywords: Arab American, stand-up comedy, Maysoon Zayid, Ahmed Ahmed, Dean Obeidallah, Aron Kader, humor, identity The art of stand-up comedy is one of the most scholarly marginalized theatrical forms. There is very little academic and scholarly attention given to the study and analysis of stand-up comedy despite its old history and present popularity. Arab American stand-up comedy is the most marginalized in the tradition. This article is an attempt to fill a gap in the study of stand-up comedy in general and the criticism of Arab American artistic expression in particular. The article starts with defining stand-up comedy and tracing its historical connection to the negotiation and projection of ethnicity. -
Exploring Racial Interpellation Through Political Satire Mahrukh Yaqoob
Exploring Racial Interpellation through Political Satire Mahrukh Yaqoob Thesis submitted to the University of Ottawa in partial fulfillment of the requirements for the Masters of Arts in Criminology Department of Criminology Faculty of Social Science University of Ottawa © Mahrukh Yaqoob, Ottawa, Canada, 2020 ii ACKNOWLEDGEMENTS First and foremost, I would like to thank my supervisor Professor Eduardo González Castillo for his guidance, encouragement, and support throughout this whole process. Thank you for your patience, kind words, and faith in me. I would like to express my sincere gratitude and appreciation to Professor Eduardo for being a great mentor and for always taking the time to listen and prioritize my work. I feel extremely fortunate to have worked with you and could not have completed this without your guidance and support. Above all, thank you for believing in my ability to succeed. I am truly honoured to have worked with you! Thank you to my family, especially my parents for all the sacrifices you made and for encouraging me to pursue opportunities that come my way. To my sisters, thank you for always being a shoulder to lean on. Lastly, thank you to my friends for always being there and for providing me with laughter and support. iii TABLE OF CONTENTS Acknowledgements ……………………………………………………………………………...ii Table of Contents ……………………………………………………………………………….iii Abstract ………………………………………………………………………………………….iv Introduction & Overview………………………………………………………………………..1 Chapter 1: Theoretical Framework …………………………………………………………....7 1.1 -
Program Book
[FRONT COVER] Don’t Miss Silk Road Rising’s Next Show! [Image: Ultra American Poster] 2 016 DECEMBER 01-23 CHRISTMAS AT CHRISTINE’S THE WORLD PREMIERE Written and Performed by Azhar Usman | Directed by Aaron Todd Doug- las Written & Performed by September 6 - 25, 2016 Christine Bunuan Directed by J.R. Sullivan www.UltraAmerican.org [Image: Silk Road Rising Logo w Tagline] [Image: ComEd This new holiday musical revue puts a Silk Road spin on the Christmas season. Logo] [Image: NEA Logo] Chicago favorite Christine Bunuan invites you into her world with Christmas at Season Sponsor Production Sponsor___________ Christine’s. Journey from California to Chicago to the Philippines to a Catholic- September 6-25, 2016 Jewish household, as Christine sings her way through the holiday songbook and a lifetime of yuletide memories. THE WORLD PREMIERE Starring AZHAR USMAN TICKETS AND MORE INFORMATION AT Directed by AARON TODD DOUGLAS www.SilkRoadChristmas.org © www.UltraAmerican.org Season Sponsor Production Sponsor TEAM BIOS Azhar Usman is a standup comedian, actor, writer, and producer from Chicago. He was called “America’s Funniest Muslim” by CNN A World Premiere and was named among the “500 Most Influential Muslims in the Written & Performed by AZHAR USMAN World” by Georgetown University. Formerly an attorney, he has Directed by AARON TODD DOUGLAS worked as a performing artist and entertainment industry professional for over a decade. During that time, as co-creator of the internationally- acclaimed standup revue Allah Made Me Funny–The Official Muslim PRODUCTION TEAM Comedy Tour, he has toured over twenty-five countries, as well as comedy clubs, campuses, and theaters all over the United States. -
The 5Th Annual Desi Comedy Fest Lisa Geduldig, Publicist
The 5th Annual Desi Comedy Fest Lisa Geduldig, Publicist Cell: (415) 205-6515 • [email protected] • www.desicomedyfest.com For Immediate Release Contact: Lisa Geduldig – [email protected] June 8, 2018 (415) 205-6515 - Please don’t publish The Times of India Group Presents… The 5th Annual Desi Comedy Fest The biggest South Asian Comedy Festival in the US 11 days: August 9-19, 2018 9 Northern California cities: San Francisco, Berkeley, Mill Valley, Santa Cruz, Santa Clara, San Mateo, Milpitas, Dublin, and Mountain View Info/Tickets: www.desicomedyfest.com Facebook event page: www.facebook.com/desicomedyfest • Twitter: @desicomedyfest Press page: www.desicomedyfest.com/press Festival trailer: www.youtube.com/watch?v=V4Ew6b-1aBc San Francisco, CA… Bay Area-based Indian-born comedians, Samson Koletkar and Abhay Nadkarni, and The Times of India Group Present The 5th Annual Desi Comedy Fest, an 11- day South Asian stand up comedy extravaganza touring comedy clubs and theaters in 9 Northern California cities: San Francisco, Berkeley, Mill Valley, Santa Cruz, Santa Clara, San Mateo, Milpitas, Dublin, and Mountain View. The festival, the largest of its kind in the US, runs August 9-19 this year and features over 30 South Asian comedians from all over the US, with diverse ethnic (Indian, Pakistani, Bangladeshi, Iranian, Syrian-Mexican, Libyan, Japanese, and Filipino) and religious backgrounds (Muslim, Jewish, Sikh, and Catholic). Last year’s festival boasted an attendance of 2700: up from 700 in 2014, the first year of the festival. 4000 attendees are expected this year. What’s new this year? This year, Koletkar and Nadkarni are partnering with The Times of India Group, India's largest media conglomerate, that just completed The Gaana Music Festival, the largest ever Indian music festival in America. -
Making Islam an American Religion
Religions 2014, 5, 477–501; doi:10.3390/rel5020477 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article Post-9/11: Making Islam an American Religion Yvonne Yazbeck Haddad 1,* and Nazir Nader Harb 2 1 The Center for Muslim-Christian Understanding, Georgetown University, 37th and O Streets, N.W., Washington, DC 20057, USA 2 Department of Arabic and Islamic Studies, Georgetown University, 1437 37th St, N.W., Washington, DC 20057, USA; E-Mail: [email protected] * Author to whom correspondence should be addressed; E-Mail: [email protected]; Tel.: +1-202-687-2575; Fax: +1-202-687-8376. Received: 3 January 2014; in revised form: 19 May 2014 / Accepted: 20 May 2014 / Published: 1210 June 2014 Abstract: This article explores several key events in the last 12 years that led to periods of heightened suspicion about Islam and Muslims in the United States. It provides a brief overview of the rise of anti-Muslim and anti-Islam sentiment known as “Islamophobia”, and it investigates claims that American Muslims cannot be trusted to be loyal to the United States because of their religion. This research examines American Muslim perspectives on national security discourse regarding terrorism and radicalization, both domestic and foreign, after 9/11. The article argues that it is important to highlight developments, both progressive and conservative, in Muslim communities in the United States over the last 12 years that belie suspicions of widespread anti-American sentiment among Muslims or questions about the loyalty of American Muslims. The article concludes with a discussion of important shifts from a Muslim identity politics that disassociated from American identity and ‘American exceptionalism’ to a position of integration and cultural assimilation. -
Mirror, Mirror
Published by Americans for The Link Middle East Understanding, Inc. Volume 45, Issue 1 Link Archives: www.ameu.org January-March, 2012 There is only one thing that makes a dream impossible to achieve: the fear of failure. — Paulo Coelho, “The Alchemist” By Maysoon Zayid y name is Maysoon The following is my story in three chap- Zayid. I am a Palestin- ters! Please keep in mind I am a comedian ian-American, come- first, foremost, and for life. Some facts have dian, actress, writer and producer. been been changed to protect the innocent. (Continued on Page 3. When The Link asked me to write an article, I was excited to be in such a great publication. When they told me the topic, my excitement turned to dread. They wanted the article to n be about me and by me. All I could w o r B think was, “How do I do this with- a s e e L out sounding egomaniacal— and in y b o t less than 400 pages?” o h P — Maysoon Zayid on Countdown with Keith Olbermann. The Link Page 2 AMEU Board of Directors About This Issue Jane Adas (Vice President) Deheishe, on the outskirts of which, aptly, he called “Book.” Only a Elizabeth D. Barlow Bethlehem, is a refugee camp. The few copies were printed, and the one he Edward Dillon children here, as elsewhere on the sent me from his home in England now occupies a proud spot in my home’sfar Rod Driver West Bank, grow up under the long- from imposing bookshelf. -
View Program Here
e 22nd Annual FESTIVAL of FAITHS COMPASSION shining like the sun LOUISVILLE, KY APRIL 19-22, 2017 TICKETS AVAILABLE NOW WWW.FESTIVALOFFAITHS.ORG COMPASSION: SHINING LIKE THE SUN THE 22ND ANNUAL FESTIVAL OF FAITHS is a nationally acclaimed multifaith festival of music, poetry, art, film and dialogue with internationally renowned spiritual leaders, practitioners and teachers. The 2017 Festival will explore cultivating compassion in our current economic systems, in world affairs and in ourselves. The Festival offers a platform for conversations on meaning and serves as an honest broker and stakeholder in dialogue around authentic compassion. #COMPASSIONSHINING Join the Conversation. Join the Movement. @FESTIVALOFFAITHS @FESTOFFAITHS @FESTOFFAITHS @FESTOFFAITHS TICKETS SPIRITUAL PRACTICE 8:30 – 9:15 AM FREE AND TICKETED INDIVIDUAL PROGRAM $25.00 FESTIVAL PASS $250.00 WWW.FESTIVALOFFAITHS.ORG (502) 583-3100 [email protected] ZERO WASTE EVENT THE CENTER FOR INTERFAITH RELATIONS IS PROUD TO HOST A ZERO WASTE FESTIVAL OF FAITHS. PLEASE SUPPORT OUR EFFORT TO DIVERT THE WASTE PRODUCED DURING THE FESTIVAL FROM OUR LOCAL LANDFILL BY USING THE RECYCLING AND COMPOST BINS FOUND THROUGHOUT THE KENTUCKY CENTER. PRINTED ON 100% RECYCLED CONTENT, 100% POST-CONSUMER WASTE, PROCESSED CHLORINE-FREE PAPER. KENTUCKY CENTER FOR THE ARTS WEDNESDAY, April 19 8:30 AM SPIRITUAL PRACTICE Jewish Mystical Prayer with Rabbi Rami Shapiro 10 AM GETTING REAL ABOUT COMPASSIONATE CITIES with Karen Armstrong, Joan Brown Campbell, Mayor Greg Fischer, Mayor Francisco -
Alternative Performances of Race and Gender in Hip-Hop Music : Nerdcore Counterculture
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2012 Alternative performances of race and gender in hip-hop music : nerdcore counterculture. Jessica Elizabeth Ronald University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Ronald, Jessica Elizabeth, "Alternative performances of race and gender in hip-hop music : nerdcore counterculture." (2012). Electronic Theses and Dissertations. Paper 1231. https://doi.org/10.18297/etd/1231 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. ALTERNATNE PERFORMANCES OF RACE AND GENDER IN HIP-HOP MUSIC: NERDCORECOUNTERCULTURE By Jessica Elizabeth Ronald B.A., Women's and Gender Studies 2008 M.A., Women's and Gender Studies 2010 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of Pan African Studies University of Louisville Louisville, Kentucky May 2012 ALTERNATIVE PERFORMANCES OF RACE AND GENDER IN HIP-HOP MUSIC: NERDCORE COUNTERCULTURE By Jessica Ronald B.A., Women’s and Gender Studies 2008 M.A., Women’s and Gender Studies 2010 A Thesis Approved on April 18, 2012 by the following Thesis Committee: Dr.