Dissident Communication in Stand-Up Comedy
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Turkish German Muslims and Comedy Entertainment CURRENT ISSUES in ISLAM
Turkish German Muslims and Comedy Entertainment CURRENT ISSUES IN ISLAM Editiorial Board Baderin, Mashood, SOAS, University of London Fadil, Nadia, KU Leuven Goddeeris, Idesbald, KU Leuven Hashemi, Nader, University of Denver Leman, Johan, GCIS, emeritus, KU Leuven Nicaise, Ides, KU Leuven Pang, Ching Lin, University of Antwerp and KU Leuven Platti, Emilio, emeritus, KU Leuven Tayob, Abdulkader, University of Cape Town Stallaert, Christiane, University of Antwerp and KU Leuven Toğuşlu, Erkan, GCIS, KU Leuven Zemni, Sami, Universiteit Gent Turkish German Muslims and Comedy Entertainment Settling into Mainstream Culture in the 21st Century Benjamin Nickl Leuven University Press Published with the support of the Popular Culture Association of Australia and New Zealand University of Sydney and KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). © Benjamin Nickl, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. The licence allows you to share, copy, distribute and transmit the work for personal and non- commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: B. Nickl. 2019. Turkish German Muslims and Comedy Entertainment: Settling into Mainstream Culture in the 21st Century. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) Further details about Creative Commons licences -
1 Sex Differences in Preferences for Humor Produced by Men Or Women: Is Humor in the Sex of the Perceiver? [Word Count = <25
1 Sex differences in preferences for humor produced by men or women: Is humor in the sex of the perceiver? [word count = <2500] Address correspondence to: 2 ABSTRACT It is a common argument that men are funnier than women. Recently, this belief has received modest empirical support among evolutionary psychologists who argue that humor results from sexual selection. Humor signals intelligence, and women thus use humor to discriminate between potential mates. From this, it follows that in addition to men being skilled producers of humor, women should be skilled perceivers of humor. Extant research has focused on humor production; here we focus on humor perception. In three studies, men and women identified the most humorous professional comedian (Studies 1 and 2) or individual they know personally (Study 3). We found large sex differences. In all three studies, men overwhelmingly preferred humor produced by other men, whereas women showed smaller (study 1) or no (studies 2 and 3) sex preference. We discuss biological and cultural roots of humor in light of these findings. 3 Sex differences in humor perception: Is humor in the sex of the perceiver? Although sex differences in the ability to produce humor have been debated at least since the 17th century (Congreve, 1695/1761; for more recent discussion, see the dialog between Hitchens and Stanley, Hitchens, 2007; Stanley, 2007), surprisingly few empirical studies exist on the topic. Yet understanding any sex difference in humor production or perception is important, since research suggests that humor mediates crucial social, psychological, and physiological processes. Socially, humor performs invaluable roles in persuasion (Mulkay, 1988) and managing personal relationships (Shiota, Campos, Keltner, & Hertenstein, 2004). -
Along These Lines,April 2016
2016 Washington Youth Tour delegates selected at annual banquet The 2016 Youth Tour Essay finalists were recognized at a recent banquet. Shown left to right are Jamie Martin, William Hartmann, Jessica Litloff, Adam Howe, Sarah Johnson, John Wiese, WAFB Meteorologist Jeff Morrow (keynote and DEMCO Youth Tour Alum of 2002), DEMCO Manager of Member and Public Relations David Latona, Sawyer Welborn, Grace Bordelon, Hannah Cowart, Ashley Gouedy, Kennedy Wilcher and Abigail Wootan. Along these Manager’s Report LINES By John vranic April 2016 DEMCO CEO and General Manager ALONG THESE LINES is an official publication of Dixie Electric Membership Corp. It is written for and distributed to members of the cooperative nine times each year. Dixie Electric Membership Corp. Leaders of tomorrow lauded is a non-profit rural electric cooperative providing service to 100,000 consumer-owners in seven Louisiana parishes. The Cooperative headquarters at Youth Tour banquet is located at 16262 Wax Road, Greenwell Springs, LA. All comments, suggestions and requests for ne of my favorite events to attend Louisiana’s delegation on Capitol Hill. information concerning this publication should be each spring is the annual DEMCO They have lots of time for socializing with addressed to ALONG THESE LINES, Dixie Electric Youth Tour Banquet. young people from other states and also Membership Corp., P.O. Box 15659, Baton Rouge, O LA 70895, (225) 261-1221. This is a special occasion organized receive leadership training and learn more by your local cooperative to recognize the about the country’s electric cooperative the program. DEMCO 12 finalists who have entered the Youth movement. -
Danish Modern Exhibit Opens at the Nordic Heritage Museum in Seattle
E-NEWS | MAY 2014 tivoli fest | MEMORIAL DAY WEEKEND View the full event schedule online at danishvillages.com NEW FOR KIDS: On the east lawn of the museum enjoy ringridning, a traditional competition that is most alive in Southern Jutland. Ringridning is typically performed on horseback, however, our kid-friendly version will be performed on bicycles. The rider who lances the most and smallest rings wins the competition. Prizes will be awarded in two different age categories (4-7 and 8-12) and for the Overall Best Decorated Bicycle. Free registration begins at noon on Saturday, May 24. The competition will start at 1:30 p.m. Ice cream for all participants! danish modern exhibit opens at the nordic heritage museum in seattle The Ant, Peacock and Artichoke are heading west and can be enjoyed at the Nordic Heritage Museum from May 16 through August 31. The public is invited to a gallery talk by Albert Ravenholt Curator of Danish American Culture Tova Brandt on Sunday, May 18 at 1 p.m. Museum of Danish America members in the Pacific Northwest will be receiving additional information about the Members’ Preview on May 15, at which Museum of Danish America Executive Director Dr. John Mark Nielsen will be present. kierkegaard exhibit opens at the danish american center in minneapolis Danish intern Sofie and American intern Madeline recently delivered the traveling exhibit Søren Kierkegaard: The Global Dane to the Danish American Center (DAC) in Minneapolis, MN. The exhibit opens at DAC May 22 and will be on view through June. The opening reception will feature a performance by Claus Damgaard, a Kierkegaard performer from Denmark who is currently a resident scholar at the Hong Kierkegaard Library at St. -
Exploring Racial Interpellation Through Political Satire Mahrukh Yaqoob
Exploring Racial Interpellation through Political Satire Mahrukh Yaqoob Thesis submitted to the University of Ottawa in partial fulfillment of the requirements for the Masters of Arts in Criminology Department of Criminology Faculty of Social Science University of Ottawa © Mahrukh Yaqoob, Ottawa, Canada, 2020 ii ACKNOWLEDGEMENTS First and foremost, I would like to thank my supervisor Professor Eduardo González Castillo for his guidance, encouragement, and support throughout this whole process. Thank you for your patience, kind words, and faith in me. I would like to express my sincere gratitude and appreciation to Professor Eduardo for being a great mentor and for always taking the time to listen and prioritize my work. I feel extremely fortunate to have worked with you and could not have completed this without your guidance and support. Above all, thank you for believing in my ability to succeed. I am truly honoured to have worked with you! Thank you to my family, especially my parents for all the sacrifices you made and for encouraging me to pursue opportunities that come my way. To my sisters, thank you for always being a shoulder to lean on. Lastly, thank you to my friends for always being there and for providing me with laughter and support. iii TABLE OF CONTENTS Acknowledgements ……………………………………………………………………………...ii Table of Contents ……………………………………………………………………………….iii Abstract ………………………………………………………………………………………….iv Introduction & Overview………………………………………………………………………..1 Chapter 1: Theoretical Framework …………………………………………………………....7 1.1 -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
MASTER BOOK 3+3 NEW 17/11/07 9:49 PM Page 2
120859bk Borge:MASTER BOOK 3+3 NEW 17/11/07 9:49 PM Page 2 1. Bizet’s Carmen 3:16 7. Unstarted Symphony 2:43 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded (Victor Borge) (Victor Borge) music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Columbia 38181, mx HCO 3012-1 Narration with piano accompaniment Naxos has engaged a number of respected restorers who have the dedication, skill and experience Recorded 20 December 1947, Hollywood Columbia 38181, mx HCO 3013-1 to produce restorations that have set new standards in the field of historical recordings. 2. Borge On Inspiration 4:05 Recorded 20 December 1947, Hollywood (Victor Borge) 8. Happy Birthday 16:03 Also available from Naxos Nostalgia … With Bing Crosby & Ken Carpenter (Victor Borge) Kraft Music Hall broadcast Columbia CL 554, mx XLP 31303 Recorded 12 March 1942, Hollywood Recorded February 1953, Boston 3. Clair de lune 3:23 9. Warsaw Concerto 5:15 (Claude Debussy) (Richard Addinsell) Piano solo Columbia CL 554, mx XLP 31304 Columbia 38184, mx HCO 3019-1 Recorded February 1953, Boston Recorded 23 December 1947, Hollywood 10. Phonetic Punctuation 5:53 4. Inflation Language 3:15 (Victor Borge) (Victor Borge) Columbia CL 646, mx XLP 34918 Columbia 38183, mx HCO 3017-1 Recorded February 1953, Boston Recorded 22 December 1947, Hollywood 11. A Mozart Opera By Borge 9:10 8.120834 8.120836 8.120837 5. A Lesson In Composition: The Blue (Victor Borge) Serenade 8:39 Columbia CL 646, mx XLP 34917 (Victor Borge) Recorded February 1953, Boston With Bing Crosby, Mary Martin, Ken Carpenter & John Scott Trotter’s Orchestra Transfers & Production: David Lennick Kraft Music Hall broadcast Digital Restoration: Alan Bunting Recorded 29 January 1942, Hollywood 6. -
Program Book
[FRONT COVER] Don’t Miss Silk Road Rising’s Next Show! [Image: Ultra American Poster] 2 016 DECEMBER 01-23 CHRISTMAS AT CHRISTINE’S THE WORLD PREMIERE Written and Performed by Azhar Usman | Directed by Aaron Todd Doug- las Written & Performed by September 6 - 25, 2016 Christine Bunuan Directed by J.R. Sullivan www.UltraAmerican.org [Image: Silk Road Rising Logo w Tagline] [Image: ComEd This new holiday musical revue puts a Silk Road spin on the Christmas season. Logo] [Image: NEA Logo] Chicago favorite Christine Bunuan invites you into her world with Christmas at Season Sponsor Production Sponsor___________ Christine’s. Journey from California to Chicago to the Philippines to a Catholic- September 6-25, 2016 Jewish household, as Christine sings her way through the holiday songbook and a lifetime of yuletide memories. THE WORLD PREMIERE Starring AZHAR USMAN TICKETS AND MORE INFORMATION AT Directed by AARON TODD DOUGLAS www.SilkRoadChristmas.org © www.UltraAmerican.org Season Sponsor Production Sponsor TEAM BIOS Azhar Usman is a standup comedian, actor, writer, and producer from Chicago. He was called “America’s Funniest Muslim” by CNN A World Premiere and was named among the “500 Most Influential Muslims in the Written & Performed by AZHAR USMAN World” by Georgetown University. Formerly an attorney, he has Directed by AARON TODD DOUGLAS worked as a performing artist and entertainment industry professional for over a decade. During that time, as co-creator of the internationally- acclaimed standup revue Allah Made Me Funny–The Official Muslim PRODUCTION TEAM Comedy Tour, he has toured over twenty-five countries, as well as comedy clubs, campuses, and theaters all over the United States. -
The 5Th Annual Desi Comedy Fest Lisa Geduldig, Publicist
The 5th Annual Desi Comedy Fest Lisa Geduldig, Publicist Cell: (415) 205-6515 • [email protected] • www.desicomedyfest.com For Immediate Release Contact: Lisa Geduldig – [email protected] June 8, 2018 (415) 205-6515 - Please don’t publish The Times of India Group Presents… The 5th Annual Desi Comedy Fest The biggest South Asian Comedy Festival in the US 11 days: August 9-19, 2018 9 Northern California cities: San Francisco, Berkeley, Mill Valley, Santa Cruz, Santa Clara, San Mateo, Milpitas, Dublin, and Mountain View Info/Tickets: www.desicomedyfest.com Facebook event page: www.facebook.com/desicomedyfest • Twitter: @desicomedyfest Press page: www.desicomedyfest.com/press Festival trailer: www.youtube.com/watch?v=V4Ew6b-1aBc San Francisco, CA… Bay Area-based Indian-born comedians, Samson Koletkar and Abhay Nadkarni, and The Times of India Group Present The 5th Annual Desi Comedy Fest, an 11- day South Asian stand up comedy extravaganza touring comedy clubs and theaters in 9 Northern California cities: San Francisco, Berkeley, Mill Valley, Santa Cruz, Santa Clara, San Mateo, Milpitas, Dublin, and Mountain View. The festival, the largest of its kind in the US, runs August 9-19 this year and features over 30 South Asian comedians from all over the US, with diverse ethnic (Indian, Pakistani, Bangladeshi, Iranian, Syrian-Mexican, Libyan, Japanese, and Filipino) and religious backgrounds (Muslim, Jewish, Sikh, and Catholic). Last year’s festival boasted an attendance of 2700: up from 700 in 2014, the first year of the festival. 4000 attendees are expected this year. What’s new this year? This year, Koletkar and Nadkarni are partnering with The Times of India Group, India's largest media conglomerate, that just completed The Gaana Music Festival, the largest ever Indian music festival in America. -
Integratedliving Receives International Award
The only way to fi nd out what’s going on! Serving the Hunter for over 20 years with a readership of over 4,000 weekly! Thursday 31st May, 2018 Missed an issue? www.huntervalleyprinting.com.au/Pages/Entertainer.php integratedliving receives See inside international award Driving the Hunter for 60 years! TV Guide A company that had its genesis in Muswellbrook has won the best home care operator in Asia Pacifi c region. integratedliving an organisation that was launched in Muswellbrook over a decade ago and since spread to most states of Australia. The Asia Pacifi c Eldercare Awards saw the organisation up against several international companies. CEO of integratedliving Catherine Daley says AWARD RECOGNITION: CEO of integratedliving Catherine Daley (centre) at the Asia the innovative programs introduced by the Pacifi c Eldercare presentation of awards. company was a big factor in winning the award. integratedliving Australia has a proud history of providing in home support services to older people in regional, rural and remote Australia. From those small beginnings as a local provider for aged care services in Muswellbrook and Murrurundi to being acknowledged as a lead provider in health management and home and community living services, integratedliving has grown to support more than 8000 people in local communities. New areas are being added regularly to the growing network. SESSION TIMES: THURSDAY 31 MAY - WEDNESDAY 6 JUNE Cinema is CLOSED Mondays outside of School & Public Holidays SOLO: A STAR WARS STORY BREATH (M) 135mins (M) 120mins -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Making Islam an American Religion
Religions 2014, 5, 477–501; doi:10.3390/rel5020477 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article Post-9/11: Making Islam an American Religion Yvonne Yazbeck Haddad 1,* and Nazir Nader Harb 2 1 The Center for Muslim-Christian Understanding, Georgetown University, 37th and O Streets, N.W., Washington, DC 20057, USA 2 Department of Arabic and Islamic Studies, Georgetown University, 1437 37th St, N.W., Washington, DC 20057, USA; E-Mail: [email protected] * Author to whom correspondence should be addressed; E-Mail: [email protected]; Tel.: +1-202-687-2575; Fax: +1-202-687-8376. Received: 3 January 2014; in revised form: 19 May 2014 / Accepted: 20 May 2014 / Published: 1210 June 2014 Abstract: This article explores several key events in the last 12 years that led to periods of heightened suspicion about Islam and Muslims in the United States. It provides a brief overview of the rise of anti-Muslim and anti-Islam sentiment known as “Islamophobia”, and it investigates claims that American Muslims cannot be trusted to be loyal to the United States because of their religion. This research examines American Muslim perspectives on national security discourse regarding terrorism and radicalization, both domestic and foreign, after 9/11. The article argues that it is important to highlight developments, both progressive and conservative, in Muslim communities in the United States over the last 12 years that belie suspicions of widespread anti-American sentiment among Muslims or questions about the loyalty of American Muslims. The article concludes with a discussion of important shifts from a Muslim identity politics that disassociated from American identity and ‘American exceptionalism’ to a position of integration and cultural assimilation.