133-Rainerherschdossier.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

133-Rainerherschdossier.Pdf Comedian/Conductor Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Contents: Karrah O’Daniel-Cambry Biography Opera and Marketing Manager [email protected] Press Sample Programmes Mailing Address: YouTube Video Links 1000 South Denver Avenue Photo Gallery Suite 2104 Tulsa, OK 74119 Website: Complete artist information including video, audio and interviews are available at www.pricerubin.com http://www.pricerubin.com Rainer Hersch – Biography Rainer Hersch is a conductor, pianist and comedian who has performed in over thirty countries across the globe and worked with orchestras from the St Petersburg Philharmonic to the Tasmanian Symphony. His YouTube Fan Channel gets an average 375,000 views a month and he has tens of thousands of followers around the world on social media. Rainer’s first musical studies were at the piano, a student of Norma Fisher, continuing for three years as a conductor at Blackheath Conservatory - including master classes with George Hurst and János Fürst at the Royal Academy of Music. Rainer started his working life in concert agencies, managing some of the great artists of the world. At the same time he developed a hobby - performing stand-up comedy on the London circuit. Short, unpaid slots led to longer, paid appearances which gradually developed into a parallel career. In time, he realised that this was his true vocation and gave up his last straight musical job, Touring Manager of the London Festival Orchestra, to enter the world of professional comedy. Twenty years later, this unique training has kept him in constant demand – combining laughter with music. In that time he has worked with some of the great names in classical music including Alfred Brendel, Marc-André Hamelin and Dame Evelyn Glennie. He has also built up a considerable reputation as a broadcaster, devising and presenting a large number of programmes for the BBC, for whom he remains a well-known contributor. Recent highlights in Rainer Hersch’s career include comedy and ‘straight’ concerts in Australia, Korea, the U.S., Canada and Germany. He also continues as conductor/host of the ‘Johann Strass Gala’ – an annual, twenty-date tour with the Johann Strauss Orchestra across all the major concert halls in the UK and Europe. Rainer Hersch – Biography Rainer speaks English, German, French and Spanish. He lives in London with his wife, Connie, and his pet dog, a miniature schnauzer called Ted who, frankly, only obeys him selectively and only then when there is a treat in the offing. Rainer Hersch – Press “Victor Borge for a new generation.” Sunday Times “Hersch accomplished the near impossible: making a classical symphony concert the coolest – and funkiest - show in town.” Winnipeg Free Press “Two words: See him.” Edmonton Journal “Hersch has done a brilliant job of creating contemporary comedy frm a style of music often perceived as fusty and elitist. A show that could be enjoyed by anyone.” 3 News, New Zealand “Roll over Beethoven, here’s Hersch” Singapore Straights Times “The funniest concert you will ever see.” Time Out London “Gerard Hoffnung meets Victor Borge with stand-up humour thrown in for good measure.” The Times “After seeing this show you’ll find yourself gleefully clapping in the wrong place, creating symphonies of coughs and providing mobile phone counterpoints to the Great Masterworks – the concert hall won’t be the same again.” Tom Service, The Scotsman “An Anglo-Teutonic blend of English self-deprecation and Germanic highbrow virtuosity.” The Guardian Rainer Hersch – Press “You’ll never see another show quite like this.” Edinburgh Evening News “Side splittingly funny…more demolished musical icons than you could shake a baton at.” Glasgow Herald “Most parodies are only funny if the parodist knows what they’re on about, and cares about it too – and this comic maestro qualifies on both counts.” The Guardian Rainer Hersch – Sample Programmes Programme for ‘Comedy Meets the Symphony’ 1st Half Rossini: William Tell Overture* 5 J Strauss II: Perpetuum Mobile* 3 Leroy Anderson: Typewriter 2 J & J Strauss: Pizzicato Polka* 4 Symphony of audience sounds* 3 Handel: Firework Music* 1 British Airways Music* 1 Windows Waltz* 3 Mozart etc Abbreviated Music* 2 Dvorak: Slavonic Dance No.8 4 Mozart” ‘Elvira Madigan’ Concerto, Adagio 7 35 2nd Half Hornpipe* 3 Opera Statistics (Rainer) 6.5 Verdi: Libiamo from La Traviata* 3 Karaoke Orchestra* 2 Brahms: Hungarian Dance No.5 4 Beethoven: ‘Ode to Joy’ Variations* 6 Conducting Competition* 4 Boccherini: Minuet* 3 J Strauss II: Blue Danube* 6 37.5 ENCORE Delibes: Pizzicati Audience Xylophone Solo 3 J Strauss I: Radetzky March* 2 5 Rainer Hersch – Sample Programmes *Arranged Hersch. Rainer Hersch supplies all music, which are in his copyright comedy arrangements. Note – there is no soloist in his programmes unless requested. He plays all solo instruments. OTHER PROGRAMMES INCLUDE: ‘Johann Strauss Gala’ ‘Last Night Of The Proms’ ‘The greatest night of Choral Music...Ever’ (+ choir and soloists) Rainer Hersch – YouTube Links Funny! Orchestra plays Microsoft Windows™ - the waltz https://youtu.be/dGKwx-BFO0E 1.6M views Funniest Classical Orchestra Ever... - Rainer Hersch https://youtu.be/BLXwpGCn2KQ 760,000 views MUST WATCH! Choir Sings Pachelbel Canon Medley https://youtu.be/HFrsBMXipDk 170,000 views Brilliant Comic Soprano - watch what happens in Verse 2! https://youtu.be/KebSIAg2P9I 104,000 views Funny - Classical Music ABBREVIATED - Rainer Hersch https://youtu.be/Wp0snfJRyxg 57,000 views Symphony Orchestra - where do the drinkers sit? https://youtu.be/VFzVh1TCD1g 50,000 views Others available at Rainer Hersch Fan Channel: https://www.youtube.com/user/karenlesliejones Massimiliano Donninelli – Photo Gallery .
Recommended publications
  • Danish Modern Exhibit Opens at the Nordic Heritage Museum in Seattle
    E-NEWS | MAY 2014 tivoli fest | MEMORIAL DAY WEEKEND View the full event schedule online at danishvillages.com NEW FOR KIDS: On the east lawn of the museum enjoy ringridning, a traditional competition that is most alive in Southern Jutland. Ringridning is typically performed on horseback, however, our kid-friendly version will be performed on bicycles. The rider who lances the most and smallest rings wins the competition. Prizes will be awarded in two different age categories (4-7 and 8-12) and for the Overall Best Decorated Bicycle. Free registration begins at noon on Saturday, May 24. The competition will start at 1:30 p.m. Ice cream for all participants! danish modern exhibit opens at the nordic heritage museum in seattle The Ant, Peacock and Artichoke are heading west and can be enjoyed at the Nordic Heritage Museum from May 16 through August 31. The public is invited to a gallery talk by Albert Ravenholt Curator of Danish American Culture Tova Brandt on Sunday, May 18 at 1 p.m. Museum of Danish America members in the Pacific Northwest will be receiving additional information about the Members’ Preview on May 15, at which Museum of Danish America Executive Director Dr. John Mark Nielsen will be present. kierkegaard exhibit opens at the danish american center in minneapolis Danish intern Sofie and American intern Madeline recently delivered the traveling exhibit Søren Kierkegaard: The Global Dane to the Danish American Center (DAC) in Minneapolis, MN. The exhibit opens at DAC May 22 and will be on view through June. The opening reception will feature a performance by Claus Damgaard, a Kierkegaard performer from Denmark who is currently a resident scholar at the Hong Kierkegaard Library at St.
    [Show full text]
  • Catalogue of Photographs of Performers at the Embassy Theatre
    Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies.
    [Show full text]
  • MASTER BOOK 3+3 NEW 17/11/07 9:49 PM Page 2
    120859bk Borge:MASTER BOOK 3+3 NEW 17/11/07 9:49 PM Page 2 1. Bizet’s Carmen 3:16 7. Unstarted Symphony 2:43 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded (Victor Borge) (Victor Borge) music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Columbia 38181, mx HCO 3012-1 Narration with piano accompaniment Naxos has engaged a number of respected restorers who have the dedication, skill and experience Recorded 20 December 1947, Hollywood Columbia 38181, mx HCO 3013-1 to produce restorations that have set new standards in the field of historical recordings. 2. Borge On Inspiration 4:05 Recorded 20 December 1947, Hollywood (Victor Borge) 8. Happy Birthday 16:03 Also available from Naxos Nostalgia … With Bing Crosby & Ken Carpenter (Victor Borge) Kraft Music Hall broadcast Columbia CL 554, mx XLP 31303 Recorded 12 March 1942, Hollywood Recorded February 1953, Boston 3. Clair de lune 3:23 9. Warsaw Concerto 5:15 (Claude Debussy) (Richard Addinsell) Piano solo Columbia CL 554, mx XLP 31304 Columbia 38184, mx HCO 3019-1 Recorded February 1953, Boston Recorded 23 December 1947, Hollywood 10. Phonetic Punctuation 5:53 4. Inflation Language 3:15 (Victor Borge) (Victor Borge) Columbia CL 646, mx XLP 34918 Columbia 38183, mx HCO 3017-1 Recorded February 1953, Boston Recorded 22 December 1947, Hollywood 11. A Mozart Opera By Borge 9:10 8.120834 8.120836 8.120837 5. A Lesson In Composition: The Blue (Victor Borge) Serenade 8:39 Columbia CL 646, mx XLP 34917 (Victor Borge) Recorded February 1953, Boston With Bing Crosby, Mary Martin, Ken Carpenter & John Scott Trotter’s Orchestra Transfers & Production: David Lennick Kraft Music Hall broadcast Digital Restoration: Alan Bunting Recorded 29 January 1942, Hollywood 6.
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]
  • Scandinavian Studies Spring 2009
    Department of Scandinavian Studies The University of Wisconsin-Madison Scandinavian Studies Department Newsletter SPRING 2008 VOLUME X, ISSUE II A Message from the Chair, Kirsten Wolf Our late spring newsletter is this year an early summer newsletter, for this spring semester has been an extraordinarily busy one for faculty, staff, and students. Several undergraduates completed their majors, two students at the master's level (Randolph Ford and Micaelen Freeman) completed their M.A. degrees, three doctoral students (Natalie Van Deusen, Susanne Fahn, and Todd Michel- son-Ambelang), took their preliminary exams and are now dissertators, and one doctoral student (Kari Synnøve Morset) completed her dissertation. In addition to teaching, course work, and examinations, conference travels, con- ference presentations, and not least conference organization have kept members Inside this issue: of the Department occupied. In early May, the Department hosted the at the Monona Terrace Community and Convention Center the 99th annual meeting Department hosted 2 of the Society for the Advancement of Scandinavian Studies. Nearly 300 hun- dred people arrived to participate in the conference, where independent schol- 99th meeting of SASS ars, graduate students, university staff, and professors presented more than 250 Madison Torske 3 papers on a wide range of topics within the field of Scandinavian Studies. Klubben In these perilous economic times, the Department is enormously grateful for AASSC 4 the support of so many foundations and individuals. These gifts are vital to Department hosts 4 helping the Department take advantage of special opportunities. The recent establishment of an annual scholarship by Torske Klubben for a US under- Beaver Creek Retreat graduate or graduate student to conduct research in Norway is much appreci- 5 ated.
    [Show full text]
  • Shall We Dance? Ten Years After Taking Over the American Dance Theater, Judith Jamison -- Alvin Ailey's Astonishing Muse -- Celebrates with a Kennedy Center Honor
    Shall We Dance? Ten years after taking over the American Dance Theater, Judith Jamison -- Alvin Ailey's astonishing muse -- celebrates with a Kennedy Center Honor. By Joanne Kaufman Published Dec 27, 1999 For Judith Jamison, sitting is an aerobic activity. The former star -- and muse -- of the Alvin Ailey American Dance Theater slices her hands through the air, wiggles them alongside her head to illustrate a point, and waves them across her body with tsunami-like force. Perched on a platform chair in her office, Jamison, who's been the company's artistic director since Ailey's death in 1989, suddenly scooches around to point out her artificial hip ("Titanium," she clarifies) and the place in her thighs where surgeons implanted steel some years back. "I'm bionic," she says, now leaning forward, a characteristically warm smile making the long journey east to west across her broad, expressive face. Because the demands on her time and attention, not to mention her sound bites, are great -- and have gotten greater since she was named a recipient of this year's Kennedy Center Honors (the ceremony will be broadcast December 29 at 9 p.m. on Channel 2) -- Jamison tends to hop on board a conversation in the middle. "I'm the caretaker of spirit," she says by way of introduction. "I'm responsible for people who look like this" (she hauls out a cache of eight-by-ten glossies of company members) "and who can dance. That's Dwana Smallwood. And this is Bahiyah Sayyed. That's me directing. I just have gorgeous, gorgeous people.
    [Show full text]
  • CONGRESSIONAL RECORD—SENATE January 22, 2001 Portsmouth Chamber
    January 22, 2001 CONGRESSIONAL RECORD—SENATE 193 will be missed by millions of fans the found his way onto the S.S. American gram Manager for the Navy Advanced world over, including me. Legion, one of the last boats out of Eu- Prototyping Program. Victor Borge often famously told his rope. For the last fifteen years, Mr. Metrey audiences that ‘‘the shortest distance Victor Borge arrived in New York has served as Technical Director of the between two people is a smile.’’ Indeed, penniless and speaking no English. But Naval Surface Warfare Center, the entertainer known the world over he quickly learned the language by Carderock Division, where he has had a as the Clown Prince of Denmark was watching 10-cent movies in midtown profound impact on the Navy’s ap- singularly responsible for millions of Manhattan theaters. In less than two proach to researching, developing, test- upturned lips—and untold bouts of years, he had adapted his act to the ing and evaluating naval vehicles. Dur- hysterical laughter—during a magnifi- English language and debuted on the ing this time, Richard was directly re- cent career as a comedian and musi- Bing Crosby radio show. Within a dec- sponsible for the Division’s entire tech- cian that spanned almost a century. ade he had appeared on Ed Sullivan and nical program—its planning, execution, I’d like to take a few minutes today been offered his own radio program. By and staffing of current programs, as to remember the remarkable life and the end of his career, Borge’s one-man well as strategic planning and new laughter inspired by Victor Borge, an Broadway show, ‘‘Comedy in Music,’’ starts.
    [Show full text]
  • Dissident Communication in Stand-Up Comedy
    ARTICLE COMUN. MÍDIA CONSUMO, SÃO PAULO, V. 14, N. 40, P. 160-179, MAY/AUG. 2017 DOI 10.18568/cmc.v14i40.1348 Dissident communication in stand-up comedy: the case of Arab and Muslim countries A comunicação dissidente na comédia stand-up: o caso dos países árabes e muçulmanos Jacques A. Wainberg1 Abstract: This study is a content analysis of jokes produced and presented by stand-up comedians that in various parts of the world deal with a common theme, the inclusion of the Arab and the Muslim communities in modernity. This kind of humor became popular in many countries of the Middle East and Africa, similar to what is occurring in other continents. Countries like Saudi Arabia, Bahrain and Egypt nowadays tolerate, to some degree, the dissident humor proposed by such humorists. Seeing the Arab and Muslim societies laugh at themselves is a new and startling occurrence, since it breaks with the stereotypical image that they are unable to bear the satire and irony for being dominated by fear and conservatism. Keywords: Stand-up comedy; Humor; Joke; Dissidence Resumo: Este estudo analisa o conteúdo das piadas produzidas e apresenta- das por comediantes stand-up que, em várias partes do mundo, tratam de uma temática comum, a inserção do árabe e do muçulmano na modernidade. Este gênero de humor se difundiu em vários países do Oriente Médio e da África, à semelhança do que ocorre em outros continentes. Os governos de países como Arábia Saudita, Bahrein e Egito toleram hoje em dia, em algum grau, a dissi- dência proposta por tais humoristas.
    [Show full text]
  • Backstage Pass
    4 WKAR is a division of 1 2 3 6 MSU COLLEGE OF • from Anne and John Cauley, • from Cheri H. Ramirez. • from Parker Fairey, in COMMUNICATION in honor of American Red COMMUNITY CONCERTS RADIO READING SERVICE MAR. 2015 HEAR THIS celebration of Texas ARTS AND SCIENCES Cross volunteers and blood Independence Day. donors. Michael Gandolfi: "The Willowtwist" from "Garden of Cosmic Speculation" Lansing Questions about this special Dean on 90.5 FM and wkar.org • from JoAnn Kistler, Symphony Orch/ Timothy Muffitt, conductor service that provides timely and Prabu David COMMUNITY CONCERTS • in celebration of Harper and celebrating her grandson Max Bruch: Concerto No. 1 in g minor for Violin & Orchestra Yevgeny Kutik, violin; Lansing useful information to those unable Tuesdays at 7 pm (repeats Saturdays at 2 pm) Jonah's tenth birthdays! Senior Director of Communications John's 17th birthday and her Symphony Orch/ Timothy Muffitt, conductor to read printed material: Nicole Szymczak With love from Marie, their 5 grandson Will's 13th birthday. Yevgeny Kutik, violin FACULTY RECITAL SERIES 7:30 Maurice Ravel: "Kaddisch" from "Two Hebrew Melodies" STAY Managing Editor Featuring performances from the Jackson Symphony Orchestra other mother. 90.5 (517) 884-4746 TUNED • from Merry Rosenberg, in Franz Schubert: Mass No. 2 in G Elizabeth Toy Botero, soprano; Meg Bragle, mezzo-soprano; Anthony Cepak (JSO), Lansing Symphony Orchestra (LSO), MSU Symphony • from two returned Peace loving memory of her brother Andrew Crane, tenor; Dan Ewart, bass; University Chorale; State Singers; MSU Choral Union; Suren Bagratuni, cello, and Ralph Lansing Symphony Orch/ David Rayl, conductor Votapek, piano.
    [Show full text]
  • Congressional Record—Senate
    S86 CONGRESSIONAL RECORD — SENATE January 22, 2001 though, his music helped save his life Naval Sea Systems Command and Pro- aging and developing chambers, and when two Russian diplomats who were gram Manager for the Navy Advanced has demonstrated success in a number fans of his show helped smuggle him on Prototyping Program. of key areas including economic and a ship bound for Finland, where Borge For the last fifteen years, Mr. Metrey community development, technology found his way onto the S.S. American has served as Technical Director of the and tourism initiatives and govern- Legion, one of the last boats out of Eu- Naval Surface Warfare Center, ment affairs. Her success in developing rope. Carderock Division, where he has had a a highly visible seacoast regional hos- Victor Borge arrived in New York profound impact on the Navy’s ap- pitality and tourism program, her skill penniless and speaking no English. But proach to researching, developing, test- and her record of accomplishment are a he quickly learned the language by ing and evaluating naval vehicles. Dur- tribute to her state and community. watching 10-cent movies in midtown ing this time, Richard was directly re- If the accolades of peers are any Manhattan theaters. In less than two sponsible for the Division’s entire tech- measure of achievement, Robin is at years, he had adapted his act to the nical program—its planning, execution, the top of her game. Her energy, enthu- English language and debuted on the and staffing of current programs, as siasm and skill have allowed her to ac- Bing Crosby radio show.
    [Show full text]
  • Connecticut Daily Campus Serving Storrs Since 1896
    Connecticut Daily Campus Serving Storrs Since 1896 VOL. LXIX, NO. 126 STORRS. CONNECTICUT FRIDAY. MAY 14, 1965 Teach-In On U.S. Viet Nam Policy Begins Tonight In HUB Ballroom by Eileen Zemetls Interested participants can break spurred on by "...the peeved off Into splinter groups for more press release by Dean Rusk cri- "The impact of student opinion intense debate. There will def- ticizing faculty Involvement and on foreign policy making'" and initely be no one position to influence in the formation of "Developing nations and 'Wars which all participants will be student opinion critical of the of Liberation' " are only two expected to adhere. Our main government foreign policy. This of the highly controversial and objective Is to provide a forum may imply government concern varied list of subjects up for for all shades of opinion." at any criticism of Its policy.. discussion in the Student Union Teach-ins, a new phenomenon If so, the situation is a poten- Ballroom in the wee hours of in university political involve- tially dangerous one. The Teach- Friday night and Saturday. ment have grown out of the wide- in hopes to remedy this by open All students are Invited to attend spread controversy over the US discussion." the Teach-in for all or any part bombings in Vietnam. A nation- Dr. Max Putzel, Assistant Dean of the time between Friday mid- wide movement, the Teach-ms of the Graduate Sohool will del- night and Saturday afternoon at have ranged in Intent from anti- iver a lecture on "The Role 6:00 p.m.
    [Show full text]
  • Meadow Brook Music Festival
    Archives ML 38 .02 M47 1982 c.3 Meadow Brook Music Festival AUGUSTJULYAUGUST87 1211 8:00 PM JOANDETROITFRED BAEZWARING'SSYMPHONYSYMPHONYAUGUSTPENNSYLVANIANSORCHESTRA5 STANISLAWSERGIUDETROITNEVILLEROBERTCOMISSIONA,MARRINER,COHEN,SYMPHONYSKROWACZEWSKI,cellistconductingORCHESTRAconductingconducting BILLYFIREWORKS&SWAN KENNETH JEWELL CHORALE WEDNESDAYSTHURSDAYS ARLOKRISMEADOWKRISTOFFERSONGUTHRIEOOK ESTAT KATETOM PAXTONANNA McGARRIGLE OPENINGDETROIT SYMPHONYNIGHT ORCHESTRASEMYONCECILEOXANAGARYBORISMYUNG-WHUNJEAN-PIERREJOSEPHNADJADETROITSIXTENNATHANBERTINI,BERMAN,SALERNO-SONNENBERG,YABLONSKAYA,EHRLlNG,LICAD,GOLDMAN,BYCHKOV,GORDON,SYMPHONYRAMpianistCHUNG,conductingTUESDAYSpianistconductingPAL,violistviolinistconductingORCHESTRAflutistpianistconductingviolinist JUNE 24 JULY 291 AUGUST 310 JULY 2215 JULY 5 ~MONDAYt 36 , Performance Schedule - 1982 DETROIT SYMPHONY ORCHESTRA JULYJUNEJUlAUGUSTJULYAUGUSTY 32410311726 14218 11:008:00 AMPM SHLOMOCHILDREN'STHECLEOVICTORJAMESDETROITSEMYONALFERRANTEDOCMYUNG-WHUNDONALDSTANISLAWOXANAGARYNEVILLESERGIUSIXTENCECILEFIREWORKSCHILDREN'SBUDDY"HOOKEDLOUISMARIAPETEHIRTFOURSEVERINSENFOUNTAINLAINEBERTINI,CLARKGALWAY,MEIRELLES,YABLONSKAYA,MINTZ,RICHEHRLlNG,L1CAD,BORGECOMISSIONA,MARRINER,BYCHKOV,GREEN,SYMPHONYSYMPHONYONLADSFRESHMEN& SKROWACZEWSKI,CONCERTCONCERTTEICHERANDCLASSICS"CHUNG,pianistviolinistconductingflutisttrumpetconductingHISpianistconductingconductingORCHESTRABANDconductingpianistconductingconducting STEVERANDY GOODMANBARLOW THEINKSPOTSFIREWORKSWOODYKENNETH"BIGDETROITJOHNTHEBANDDANKWORTHSUMMERHERMANSYMPHONYSYMPHONYJEAN,SOUNDSOFconductingAND'42"FROMHISPOPSTHUNDERING
    [Show full text]