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Fear and Laughing in the Occupied Territories: Comedienne Maysoon Zayid Transforms Lives
88 al-raida Issue 122 - 123 | Summer / Fall 2008 Fear and Laughing in the Occupied Territories: Comedienne Maysoon Zayid Transforms Lives Dalila Mahdawi A young woman takes a seat before the microphone, from Arizona State University and to cameos in flicks her hair, and surveys her audience. Shaking television shows like Law & Order and As the slightly, she introduces herself, “My name is World Turns, but it soon became clear that she Maysoon Zayid and I’m a Palestinian Muslim virgin didn’t fit the mold. She turned to comedy, giving with cerebral palsy from New Jersey… and if you free performances throughout New York City. She don’t feel better about yourself, maybe you should!” quickly began receiving positive coverage on the The crowd roars. Maysoon Zayid certainly ticks all comedy scene. the minority boxes in both the Arab and American worlds. She seems to derive strength from these Following the September 11th attacks in New York, apparent weaknesses, however, and successfully negative images of Arabs abounded in the American incorporates them into her career as one of the media. Some of Maysoon’s non-Arab friends best Arab-American stand-up comedians. At a asked if she had known the attacks were going to time when so many of her Arab-American cousins happen, while others stopped talking to her. Her are trying hard to be taken seriously, perhaps sister, a UN employee, even received death threats. Maysoon’s willingness to ridicule her identity In response to the experiences of Arab-Americans, is what makes her so successful. -
Arts, Culture and Media 2010 a Creative Change Report Acknowledgments
Immigration: Arts, Culture and Media 2010 A Creative Change Report Acknowledgments This report was made possible in part by a grant from Unbound Philanthropy. Additional funding from the Carnegie Corporation of New York, Ford Foundation, Four Freedoms Fund, and the Open Society Foundations supports The Opportunity Agenda’s Immigrant Opportunity initiative. Starry Night Fund at Tides Foundation also provides general support for The Opportunity Agenda and our Creative Change initiative. Liz Manne directed the research, and the report was co-authored by Liz Manne and Ruthie Ackerman. Additional assistance was provided by Anike Tourse, Jason P. Drucker, Frances Pollitzer, and Adrian Hopkins. The report’s authors greatly benefited from conversations with Taryn Higashi, executive director of Unbound Philanthropy, and members of the Immigration, Arts, and Culture Working Group. Editing was done by Margo Harris with layout by Element Group, New York. This project was coordinated by Jason P. Drucker for The Opportunity Agenda. We are very grateful to the interviewees for their time and willingness to share their views and opinions. About The Opportunity Agenda The Opportunity Agenda was founded in 2004 with the mission of building the national will to expand opportunity in America. Focused on moving hearts, minds, and policy over time, the organization works closely with social justice organizations, leaders, and movements to advocate for solutions that expand opportunity for everyone. Through active partnerships, The Opportunity Agenda uses communications and media to understand and influence public opinion; synthesizes and translates research on barriers to opportunity and promising solutions; and identifies and advocates for policies that improve people’s lives. -
Performing Arabness in Arab American Stand-Up Comedy
77 Performing Arabness DOI: 10.1515/abcsj-2014-0028 Performing Arabness in Arab American Stand-up Comedy YASSER FOUAD SELIM Sohag University Abstract This article deals with the dramatic art of stand-up comedy. It locates Arab American stand-up comedy within a broader American humorous tradition and investigates the way Arab American performers use this art to negotiate and (re)construct their identity. The main question in this article is the way Arab American stand-up comedians define their relationship to the Arab and the western worlds in the process of establishing their Arab American identity. Three humor theories – the relief theory, the incongruity theory, and the superiority theory – are deployed in the study to examine the representation of Arabness in selected Arab American performances. The study argues that Arab American comics minstrelize their own diasporic origin through reinscribing a range of orientalizing practices in order to claim their Americanness. Keywords: Arab American, stand-up comedy, Maysoon Zayid, Ahmed Ahmed, Dean Obeidallah, Aron Kader, humor, identity The art of stand-up comedy is one of the most scholarly marginalized theatrical forms. There is very little academic and scholarly attention given to the study and analysis of stand-up comedy despite its old history and present popularity. Arab American stand-up comedy is the most marginalized in the tradition. This article is an attempt to fill a gap in the study of stand-up comedy in general and the criticism of Arab American artistic expression in particular. The article starts with defining stand-up comedy and tracing its historical connection to the negotiation and projection of ethnicity. -
AXS TV Schedule for Mon. September 30, 2019 to Sun. October 6, 2019
AXS TV Schedule for Mon. September 30, 2019 to Sun. October 6, 2019 Monday September 30, 2019 3:00 PM ET / 12:00 PM PT 6:00 AM ET / 3:00 AM PT The Big Interview Tom Green Live Olivia Newton-John - Still with the magical voice, the star of Grease sits down with Dan and we Cheech & Chong - It’s double the funny on Tom Green Live as Tom sits down with one of the go backstage before her sold out Las Vegas performance. premiere comedy duos of all time: Cheech & Chong! Bringing their patented stoned-out humor to best-selling albums and feature films, Cheech Marin and Tommy Chong lit up the nation with 4:00 PM ET / 1:00 PM PT laughter, then carved out individual careers as TV actors on dramas and sitcoms. The Top Ten Revealed Epic Songs of ‘78 - Find out which Epic Songs of ‘78 make our list as rock experts like Steven Adler 7:00 AM ET / 4:00 AM PT (Guns ‘N Roses), Eddie Trunk, Clem Burke (Blondie) and Eddie Money, along with his daughter Classic Albums Jesse Money, count us down! Black Sabbath: Paranoid - The second album by Black Sabbath, released in 1970, has long at- tained classic status. Paranoid not only changed the face of rock music forever, but also defined 4:30 PM ET / 1:30 PM PT the sound and style of Heavy Metal more than any other record in rock history. Plain Spoken: John Mellencamp This stunning, cinematic concert film captures John with his full band, along with special guest 8:00 AM ET / 5:00 AM PT Carlene Carter, performing his most cherished songs. -
<I>The Axis of Evil Comedy Tour
Global Posts building CUNY Communities since 2009 http://tags.commons.gc.cuny.edu “Persian Like The Cat”: Crossing Borders with The Axis of Evil Comedy Tour Tamara L. Smith/ In the wake of the attacks of September 11, Americans of Middle Eastern heritage experienced a sudden and dramatic change in how their ethnicities were perceived. As comedian and activist Dean Obeidallah explained, “On September 10, I went to bed white, and woke up Arab.”[1] Once comfortable in their American identities, they now had to contend with new cultural forces that configured them as dangerous outsiders. In the months and years that followed, the supposed existence of a so-called “Axis of Evil” of dangerous, anti-American regimes became the justification for expanding military operations abroad, while domestically it fed into a growing Orientalist sentiment that continues to configure Americans of Middle Eastern descent as potentially dangerous outsiders. In 2005, a group of United States comedians of Middle Eastern heritage adopted the alarmist moniker as a tongue-in-cheek title for their stand-up comedy performances. Part commiseration and part public relations, the Axis of Evil Comedy Tour served both as an expression of solidarity between Middle Eastern-Americans and as an act of cultural diplomacy, recasting Middle Eastern ethnic identities as familiar, patriotic, and safe. In this article, I look back to a 2006 performance by the Axis of Evil Comedy Tour in Santa Ana, California, including sets by tour members Ahmed Ahmed, Maz Jobrani, and Aron Kader as well as their guest, New York Arab-American Comedy Festival founder Dean Obeidallah. -
Exploring Racial Interpellation Through Political Satire Mahrukh Yaqoob
Exploring Racial Interpellation through Political Satire Mahrukh Yaqoob Thesis submitted to the University of Ottawa in partial fulfillment of the requirements for the Masters of Arts in Criminology Department of Criminology Faculty of Social Science University of Ottawa © Mahrukh Yaqoob, Ottawa, Canada, 2020 ii ACKNOWLEDGEMENTS First and foremost, I would like to thank my supervisor Professor Eduardo González Castillo for his guidance, encouragement, and support throughout this whole process. Thank you for your patience, kind words, and faith in me. I would like to express my sincere gratitude and appreciation to Professor Eduardo for being a great mentor and for always taking the time to listen and prioritize my work. I feel extremely fortunate to have worked with you and could not have completed this without your guidance and support. Above all, thank you for believing in my ability to succeed. I am truly honoured to have worked with you! Thank you to my family, especially my parents for all the sacrifices you made and for encouraging me to pursue opportunities that come my way. To my sisters, thank you for always being a shoulder to lean on. Lastly, thank you to my friends for always being there and for providing me with laughter and support. iii TABLE OF CONTENTS Acknowledgements ……………………………………………………………………………...ii Table of Contents ……………………………………………………………………………….iii Abstract ………………………………………………………………………………………….iv Introduction & Overview………………………………………………………………………..1 Chapter 1: Theoretical Framework …………………………………………………………....7 1.1 -
Accepted Version
Newcastle University ePrints Campbell E. The cultural politics of justice: Bakhtin, stand-up comedy and post-9/11 securitization. Theoretical Criminology 2011, 15(2), 159-177. Copyright: The definitive version of this article, published by SAGE, 2011, is available at: http://dx.doi.org/10.1177/1362480610387967 Always use the definitive version when citing. Further information on publisher website: http://tcr.sagepub.com/ Date deposited: 27th January 2014 Version of article: Author’s final accepted manuscript This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License ePrints – Newcastle University ePrints http://eprint.ncl.ac.uk THE CULTURAL POLITICS OF JUSTICE: BAKHTIN, STAND-UP COMEDY AND POST 9-11 SECURITIZATION Paper published in: Theoretical Criminology (2011) Volume 15(2): 159-177 Author: Dr Elaine Campbell Reader in Criminology School of Geography, Politics and Sociology Claremont Bridge Building NEWCASTLE UNIVERSITY Newcastle Upon Tyne NE1 7RU United Kingdom Contact details: Tel: +44 (0)191 222 5030 Fax: +44 (0)191 222 5421 E-mail: [email protected] Biography: Elaine Campbell is a Reader in Criminology in the School of Geography, Politics and Sociology at Newcastle University. She teaches courses in cultural criminology, transgression, visual cultures and methodologies, and researches and publishes on the emotionality, aesthetics and ethics of crime and punishment, with a focus on how these are visually and discursively mobilised. THE CULTURAL POLITICS OF JUSTICE: BAKHTIN DOES STAND-UP1 ABSTRACT For Rabelais, `folk humour’ and its boundless forms are far from frivolous, inconsequential aspects of the human condition, but are central to modes of critique and the formation of discourses which seek radical cultural transformation by evading, exposing, resisting, scandalizing and mocking `official culture’. -
Professionally Furnished Model Homes Highlight
CHILDREN’S COLD MEDS TAKEN OFF SHELVES p/04 FIND OUT MORE ON PAGE 11 NEW YORK • WEEKEND, OCTOBER 12-14, 2007 In the nation page 04 Light the way Dalai Lama spreads hope in NYC MARY ALTAFFER/AP MARY Another message No details were available as to why Stephen Coon, 19, was arrested. Brother of Ohio of hate shooter taken Swastika scrawled on into custody Columbia bathroom CLEVELAND. The brother of a high school student who shot and wounded four people before follows noose incident killing himself was led out of his home in handcuffs by police officers Thursday, as family JOSHUA RHETT MILLER members looked on and called [email protected] his name. It was unclear why Stephen MANHATTAN. Two days after a noose was found on the Coon, 19, was being taken into door of a black professor’s office at Teachers College, custody. AP anti-Semitic graffiti was found in a bathroom at Columbia University. In an e-mail to students and faculty, Columbia President Lee Bollinger said the “anti-Semitic smear” New York page 02 was found in a bathroom at Lewisohn Hall, home of the School of General Studies. Subway cell “It has been promptly removed and is now being investigated,” Bollinger wrote. “When words are the service losing offender, as in this incident, I am reluctant to draw attention to them and will exercise restraint in doing its signal? so going forward.” Police said a caricature of a man wearing a yarmul- ke above a swastika drawn in black ink was found on Weekend page 09 a bathroom stall door at about 11:30 a.m. -
Cinzia Schiavini Terrorists on Screen, Actors on Stage Stereotyping Arabs and the Cinema Industry in Contemporary Arab-American Theatre
Cinzia Schiavini Terrorists on Screen, Actors on Stage Stereotyping Arabs and the Cinema Industry in Contemporary Arab-American Theatre Abstract This essay investigates the relationship between the representation of Arab Americans, Arab- American cinema, and the cinema industry as a topic in contemporary theatre through the perspective of Arab-American stage performers and playwrights. As a response to the resurgence of stereotypes and the binary representation of the Good vs Bad Muslim in cinema and TV after 9/11, Arab-American playwrights have used the stage to counter-react to ignorance and prejudice by narrating the everyday struggles of Arab-American artists—and actors in particular—against the over-simplifications and requests of the blockbuster cinema industry. In particular the focus will be on two plays: Jihad Jones and the Kalashnikov Babes (2014) by Youssef El Guindi, and Browntown (2004) by Sam Younis. Both plays question mainstream culture and prejudices through humorous representations of the role of Arab-American artists within the cinema industry and their struggle for visibility beyond the terrorist mask. Keywords: Arab, Arab-American theatre, American cinema, 9/11 1. Arabs, Muslims and the Orientalist discourse he relationship between the Arab world and Hollywood has never been an easy one. T Despite some glowing exceptions that have entered Western imagination with Arabia depicted as a dreamlike world (peopled by characters like Ali Baba, Sinbad and Aladdin’s many cinematic forms, together with some occasional benevolent sheikhs or caliphs), negative stereotypes related to Arabs are deeply ingrained in American cinema industry, whose pervasiveness has always had a profound effect not only on the perception of Arabs, but also of Arab immigrants in the United States. -
Female Muslim Comics Twist Bias Into Comic Jabs
October 18, 2004 Female Muslim Comics Twist Bias into Comic Jabs Run Date: 10/10/04 By Megan Cossey WeNews correspondent A small band of female Muslim comics are breaking cultural and gender stereotypes on stages across the country with a diverse set of convictions and comedic styles. The personal has never seemed so political as when these women crack a joke. (WOMENS E-NEWS)--Tissa Hami strode onstage at a Boston comedy club this past August in black pants, a thigh length black coat and a head covering, stared down her audience and deadpanned "I really should be wearing a long coat but, well," and her voice suddenly turned valley girl, "I was feeling kind of slutty today!" The crowd erupted in relieved laughter, and Hami, 31, still a newbie on the Boston stand-up circuit with only two years under her belt, went on to launch sardonic riffs on fake passports, the racism she faced as an Iranian growing up in the Boston suburbs and the dearth of other female Muslim comics: "Well, I didn't want the competition so I stoned them." She probably won't have to revert to sticks and stones since there really are only a handful of female Muslim comics performing in the United States (plus British-born Shazia Mirza, whose act draws a crowd whenever she crosses the pond). In many ways they don't resemble each other much beyond their religion, a penchant for edgy humor and jokes about getting through airport security. Their families are from very different countries, including Iran, Pakistan and the Israeli-occupied Palestinian territories, and they certainly don't agree on the need to be activists or to "represent." Using the personal, however, has never seemed so political when these women do it. -
Jobrani Shtaynberger Mishal
Maz Muatasem Binyomin Jobrani Mishal Shtaynberger One boy. Two faiths. Winner Official Official Official Official Winner Selection Selection Selection Ecumenical Prize AUDIENCE AWARD Selection ROME Palm Springs MONTREAL WORLD Brooklyn International St. Louis International Napa Valley Film Festival Film Festival Film Festival Film Festival Film Festival Film Festival 2011 2011 2011 2011 2012 2011 synopsis As the son of the Imam of the local Brooklyn mosque, eleven year-old Daud has to juggle the high expectations of his Father (Maz Jobrani) and his feelings of isolation and difference– even from his peers in the Muslim community. Through an innocent act of good faith, Daud inadvertently befriends a group of Jewish boys who mistake him as a fellow classmate at their orthodox school, in the neighboring Jewish community. A genuine friendship grows between Daud and Yoav, one of the Jewish boys, and his family. Unable to resist the joy of a camaraderie that he has never felt before, David, as he is known to the kids, is drawn into a complicated dilemma inspired by youthful deceit and the best of intentions. background DAVID is a street-level look at an eleven-year-old Muslim boy’s struggle to fit in within his family, community, and wider world. What starts as an innocent mistake develops into an unlikely friendship. Two boys, both of conservative religious backgrounds, find commonality in each other. Their connection is born out of a closeness that reflects the unique positions of both the Arab and orthodox Jewish communities in America: they both strive to live modern lives while retaining their core religious and cultural virtues. -
Lights, Camera, Representation and Direction: How Hollywood, Netflix
Lights, Camera, Representation and Direction: How Hollywood, Netflix and other Media Empires Represent Race and Disability Author’s Name: AMRIT SANDHU Supervisor’s Name: Dr. Rachel da Silveira Gorman Advisor’s Name: Dr. Geoffrey Reaume Supervisor’s Signature: Date Approved: Advisor’s Signature: Date Approved: Masters of Arts Graduate Program in Critical Disability Studies York University Toronto, Ontario M3J 1P3 April 3 2020 Table of Contents Section Subject Pages i. Table of Contents Pg. 1 ii. Abstract Pg. 2 iii. Introduction Pg. 3 iv. Intersectionality with Racialized Thought: Taking an Anti- Pg. 4-5 Racist and Feminist Approach v. Looking Back, To Look Forward Pg. 5-7 Disabled Musicians of Colour & Racial Justice Pg. 7-9 The Spectacle of Disability Pg. 9-11 vi. “Superabilities” and the “SuperCrip” Pg. 11-12 vii. Anti-Blackness, Race, Disability and Media Representation Pg. 13-17 viii. Disability Representation and the Disease Model in Film Pg. 17-18 ix. Gender, Race and Disability Representation in Today’s Pg. 18-29 Media x. Disability Representation in Bollywood Pg. 29-32 xi. Disability and Athletes in the Media Pg. 32-34 xii. Disability in Print Media Pg. 34-35 xiii. Disability in Visual Media Pg. 35-38 xiv. Disability in Disney and Netflix Pg. 38-53 xv. Future Pg. 53-57 xvi. Concl usion Pg. 57-58 xvii. References Pg. 59-70 1 Abstract Throughout history, racialized people, and people with disabilities have been harmed by negative stereotypes, especially through the intersection of ableism and racism, which is still going on today. This Major Research Paper is about the lack of representation and the misrepresentation of People of Colour and people with disabilities.