DOCSLIB.ORG

5 Famous Hidden Song Meanings (That Are Total B.S.) by Chris S

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
5 Famous Hidden Song Meanings (That Are Total B.S.) by Chris S 5 Famous Hidden Song Meanings (That Are Total B.S.) By Chris S. October 05, 2011 1,868,574 views Because songwriters worry more about catchy rhymes than deep meaning, song lyrics can be more abstract and esoteric than Jackson Pollock farting chalk dust into a napkin. The problem is that some fans swear that every nonsensical song has some deeper interpretation just waiting to be decoded. That's why so many classic songs have mythical (and often dark and disturbing) alternate meanings that fans insist are true. They're almost always wrong. For instance ... #5. "Hotel California" -- It's About Satanism, Right? Whether you know "Hotel California" as "that weird Eagles song" or "that weird devil-worshiping song" probably depends on how religious your parents were. When "Hotel California" was released in 1976, everyone heard it but no one really knew what it meant. The lyrics talked about trying to "Kill the beast" and "Stab it with their steely knives," and included the ominous line, "You can check out anytime you like but you can never leave." Honestly, it kind of sounds like they're singing about using the reference section in a library full of giant monsters, since those are the books you can technically check out but aren't permitted to remove from the building. Getty !"Lookin' it up in the local libraaaary!" That was when someone noticed something odd about the album cover, which features a picture of the band in some luxury hotel courtyard with crowds of people in the background. Above the crowd, looking out from a balcony on the upper left, is a shape whose face you can't fully see, but vaguely looks bald, goateed and threatening. It Will Pass !"Hey, sorry everyone, but is the ice machine down there?" Naturally, people came to the conclusion that the figure on the balcony was none other than Anton LaVey, founder of the Church of Satan, author of The Satanic Bible and proud parent of a son that he freaking named Satan. !He even had "Anton + Satan = BFFs" tattooed above his ass. Now that Anton LaVey was found, the lyrics seemed to make sense: "The Beast," "You can never leave" "This could be heaven or this could be hell." "Hotel California" is a song about Anton LaVey converting people to his church of Satanism, from which they could "never leave." The "truth" about the song persists to this day, found in Internet forums, an old issue of The Milwaukee Sentinel and the nothing-if-not-reputable website Jesus Is Savior. Getty !They're on to your globe-spanning Satanist conspiracy, Eagles. Actually ... "Hotel California" has pretty much nothing to do with Satanism. The Eagles have admitted it was a way of speaking out against the greed and hedonism of the music industry in the 1970s (i.e., the drugs, money and women they themselves were drowning in). The photographer responsible for the album cover said the picture expressed "faded loss of innocence and decadence," which is pretentious-speak for "a bunch of assholes standing in a lobby." "What about the face in the window?" you say. "I heard somewhere they didn't even know it was there. Maybe it wasn't Anton LaVey, but really ... a ghost." Unfortunately not. As Snopes points out: "The shadowy figure was a woman hired for the photo shoot." centrosangiorgio.com !That is kind of a lot of hair for a bald man. Yep. The person mistaken for a bald, goatee-sporting antichrist was, in fact, just some lady who had nothing to do with anything and wouldn't even have been memorable were it not for the poor lighting of the photograph and the bafflingly deliberate decision to separate her from the rest of the group, presumably because she showed up late for the shoot and/or got Don Henley's name wrong. #4. Isn't "Lucy in the Sky With Diamonds" About an Acid Trip? Mention the Beatles song "Lucy in the Sky With Diamonds" to a group of people and inevitably one of them will start talking about LSD. And, in fact, we're wagering that most of the people in our readership who know the song only know it as "That song that's secretly about doing acid." After all, it's coded right there in the title, right? Lucy in the Sky with Diamonds. !In 1967, John Lennon alone accounted for nearly 40 percent of the world's LSD consumption. And then you get lyrics like this: "Follow her down to a bridge by a fountain/ Where rocking horse people eat marshmallow pies/ Everyone smiles as you drift past the flowers/ That grow so incredibly high." Getty !So incredibly high. Clearly it's alluding to an acid trip. And this isn't exactly a stretch: The Beatles, remember, were a band that wrote songs about an octopus inviting people to the seabed to visit his garden, people who believe they are Arctic blueberry animals and general dick-twisting insanity. !Really, we're not sure that most of what the Beatles did wasn't about goddamned acid. Actually ... Shockingly, "Lucy in the Sky With Diamonds" is about a girl called Lucy, in the sky, with some diamonds. See, John Lennon's son Julian drew a picture of his best friend Lucy surrounded by diamonds in the sky, and John liked it enough to name the song after it. Wonderlane !Although to be fair, the kid was clearly on acid when he drew it. The Beatles freely admit to using drugs as inspiration for songs, and odds are LSD was one of them. But as for this particular song being a metaphor for the drug itself? Sorry, but no. John Lennon said, "It was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? It's not an acid song." This didn't stop the BBC from banning the song, which, considering they were OK with a song about a child who murdered the fuck out of everyone around him with a goddamn hammer, seems a little hypocritical. Getty !Don't worry, folks. "I Am the Walrus" is still definitely about drugs. All the drugs. #3. "Puff the Magic Dragon" Is Totally About Smoking Pot ... Hopefully, you don't need to be told anything about "Puff the Magic Dragon" by Peter, Paul and Mary, but if you do, please click the link. Even for a children's song, it seems overly bizarre and surreal, so of course it wasn't long after its release in the early 1960s when people started trying to dissect the lyrics: "Puff the magic dragon lived by the sea/ And frolicked in the autumn mist in a land called Honah Lee/ Little Jackie Paper loved that rascal Puff/ And brought him strings and sealing wax and other fancy stuff." !People don't hug like that sober. Remember, this was the '60s, a time when pretty much everyone was smoking weed. So with "Puff the Magic Dragon," aside from the obvious "chasing the dragon" metaphor, people figured that's what the song was about. "Puff," i.e., to smoke, "dragon," as in "draggin[g]" or "to take a drag" and "autumn mist" being the fog of pot smoke. "Little Jackie Paper," the little rascal he was, was obviously a reference to rolling papers. Sealing wax, fancy stuff -- bongs, clearly. People have managed to find meaning in pretty much every line in the song, and we must admit, it seems pretty convincing. And it makes sense that a folk rock trio like Peter, Paul and Mary would aim a song at the rapidly growing hippie movement. BassPlyr23 !Here they are in 2006, looking more like math teachers than doobed-up radicals. Actually ... We're sorry to drag you down to earth like this, but "Puff the Magic Dragon's" writers never intended any hidden meanings. In fact, they were pretty upset about the rumors, claiming the song was about: "... a loss of innocence and having to face an adult world ... I find the fact that people interpret it as a drug song annoying. It would be insidious to propagandize about drugs in a song for little kids." Getty !But what about their 1970 hit, "Hops the Frothy, Full-Bodied Llama"? "I can assure you, it's a song about innocence lost ... What kind of mean-spirited SOB would write a children's song with a covert drug message?" Mary goes on to say that if there were drugs to be mentioned, they'd be mentioned up front: "Believe me, if he wanted to write a song about marijuana, he would have written a song about marijuana." Peter, Paul & Mary !We look forward to hearing from Peter, Paul and Peter's bong soon. Actually kind of hard to argue with that. #2. The "Horse" in "Horse With No Name" HAS to be Heroin ... Even if you've only heard this song once, chances are you know the chorus by heart: "I've been through the desert on a horse with no name/ It felt good to be out of the rain/ In the desert you can't remember your name/ 'Cause there ain't no one for to give you no pain." Getty !"My name is Chuck, CHUCK dammit! Nobody fucking listens." Ridiculous grammar aside, obviously this means something, because nobody writes that kind of line unless there's some deeper meaning behind it. And "horse" is a pretty old and well known slang term for heroin, so naturally that's what a bunch of people figured the song was about.
Load more

Recommended publications
  • Record Collector Magazine
    The Year of the HOBSE hat Mark Linkous of priated lyrical inspiration from south Waits, Grandaddy and Mercury Rev, Sparklehorse once briefly Virginian novelists, Ohio-born cinematog- Sparklehorse cut through their off-kilter died is probably the least raphers and film-makers, l6th Century music with almost perverse experimenta- interesting thing about him. English dramatists, esoteric American tion. They are as likely to create vigorous, In 1997, the American musician troubadors, a French poet and music critic feedback-enfettered rock songs as they collapsed in the en suite bathroom of and a deadpan American songlrrriter. He's are drowsy instrumentals; as likely to a London hotel with his legs pinned also sung about: pigs, horses, butchered forge fragile, debilitated ballads as beneath him for 14 hours. He was cows, "painbirds" and "pianobirds", esoteric, sample-heavy interludes. eventually found by a maid and rabbits, spiders, insects, leeches, hum- For the most part, this music is taken to St. Mary's Hospital, where, mingbirds, "hundreds of sparrows", poignant, melancholic and touching. On for two minutes, his heart stopped wolves, crows, snails, dogs, tigers and their first album, Viuadixiesubmarine- beating. It reads like a meta "more yellow birds". transmissionplot, Linkous even sang rock'n'roll story for a man who like Mark Linkous and his more or less about rescuing an iniured hawk: "I chased kindred spirits Grandaddy - anon)"rnous -has co-conspirators crush guitars, him round, tried to pick him up." Linkous tried to circumvent rock'n'roll clich6. tape loops, organs and frequently distort- has explained, "but he kept biting Nearly dying isn't cool.
    [Show full text]
  • Horse with No Name” Paul Zollo - the Origins of the Iconic, Enigmatic Anthem, in His Own Words It’S One of the Most Famously Mysterious Songs Ever to Become a Hit
    APRIL 3, 2020 Link to article: https://americansongwriter.com/behind-the-song-horse-with-no-name/ Behind The Song: America, “Horse With No Name” Paul Zollo - The Origins of the Iconic, Enigmatic Anthem, In His Own Words It’s one of the most famously mysterious songs ever to become a hit. It’s got enigma baked into it, which may be part of its lasting magic. Like Lennon’s “Norwegian Wood,” and other great though cryptic songs, it doesn’t fill in the entire picture, leaving it instead up to the listener to do that on their own. All of its components enhance this dynamic of hypnotic mystery. There’s the swampy/mystic tone of the track, ethereal yet visceral, just acoustic guitars, bass and conga with no drums. The vocal is delivered as if from a storyteller spinning an ancient mythic tale, not performing as much as testifying, and in language that resounds like coded poetry. We’re in motion the entire time, days are passing, and the heat is relentless. Elemental symbols are everywhere like images from a perplexingly real dream – a dry riverbed, appointed with plants and birds and rocks and things, and incessant sound. And, of course, there’s that mysterious horse, the one with no name, which did forever force the question: Why? Why didn’t anyone name this horse? In search of answers, we turned to the songwriting source himself, Dewey Bunnell, who spoke to us on the phone last week, the final week of March, 2020, at the start of the mandatory stay-at-home orders in California.
    [Show full text]
  • The Roots Report: America at Twin River
    The Roots Report: America at Twin River Okee dokee folks… “Fifty years was not in the plan, but as long as you keep coming we’ll keep playing,” exclaimed Dewey Bunnell of the band America last Friday night at Twin River Casino’s Event Center. America was started as a trio in England by the sons of American Air Force servicemen stationed in England — Bunnell, Gerry Beckley and Dan Peek — in the late ’60s while they were still teenagers in high school. They quickly gained notoriety and soon were one of the bands that defined the sound of the early 1970s. Peek left the band in 1977 and passed away in 2011. America has been Bunnell and Beckley for most of their 50-year history. A few songs into their 90-minute set, Gerry Beckly said, “We’re glad to be back in Rhode Island…we’re sorry it’s been a while since we’ve been here!” The show kicked off with one of their more popular hits, “Tin Man.” That was quickly followed by their 1982 hit, “You Can Do Magic.” The vocals were handed over to drummer Ryland Steen for “Don’t Cross The River.” Multi instrumentalist Steve Fekete added six-string banjo to the mix as well. He also showcased his talents on piano and acoustic guitar, but really demonstrated his playing prowess on electric guitar. Most of the concert consisted of the entire contents of History: America’s Greatest Hits with the exception of “Muskrat Love.” They played other selections from their early albums such as “Riverside” and “Here,” in addition to later album cuts like “The Border” and their #1 hit in Italy, “Survival” about which they commented, “Not so big here!” They mentioned that “Every year we like to dredge up a song from an obscure album to play at a show” and that song this time around was “Greenhouse” from the Hourglass album.
    [Show full text]
  • AXS TV Schedule for Mon. February 24, 2020 to Sun. March 1, 2020
    AXS TV Schedule for Mon. February 24, 2020 to Sun. March 1, 2020 Monday February 24, 2020 4:00 PM ET / 1:00 PM PT 7:00 AM ET / 4:00 AM PT The Top Ten Revealed The Very VERY Best of the 70s Guitar Rock Intros - Find out which epic Guitar Intros make our list as rock experts like Lita Ford, Teen Flicks - We’re ranking your favorite teen flicks of the 70s. From slapstick to romance, these Steven Adler (GnR) and Vinnie Paul (Pantera) count us down! movies had the teens of the 70s flocking to theaters. Find out which 70s teen flicks made our list as Barry Williams, Sebastian Bach and Anson Williams give us their opinions! 4:30 PM ET / 1:30 PM PT The Day The Rock Star Died 7:30 AM ET / 4:30 AM PT John Denver - Often described as “among the most beloved entertainers of his era,” John Denver TrunkFest with Eddie Trunk recorded and released approximately 300 songs, with total sales of over 33 million records Mountain Jam - In this episode of TrunkFest, Eddie heads to New York for Mountain Jam and worldwide. His lyrics reflected his joy in nature and disdain for city life, his enthusiasm for music, checks out the historic grounds of Woodstock, widely considered the home of festivals as we and his relationship trials. know them. Special guests include George Clinton. 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT The 53rd Annual CMA Awards Rock Legends Country Music’s biggest stars are coming together on one stage at The 53rd Annual CMA Awards Elton John - This documentary follows Elton John’s journey from budding songwriter to his 70s - Country Music’s Biggest Night with host Carrie Underwood and special guest hosts Reba McEn- peak as the one of the most prolific artists of his generation, his flamboyant costumes and tire and Dolly Parton in celebration of legendary women in Country Music! Watch as the Country classic songs and closing with being one of the very few musicians who can still top the charts Music industry reveals winners and honors its finest entertainers.
    [Show full text]
  • A Horse with No Name’
    P2JW198000-0-A01200-1--------XA A12 | Tuesday, July 17, 2018 THE WALL STREET JOURNAL. LIFE & ARTS ANATOMY OF A SONG | By Marc Myers AJourney to ‘A Horse With No Name’ IN JANUARY1972, the folk-rock singles to release.We band Americareleased “A Horse The band America—from left, brought in “Desert With No Name,” aloping ballad that Gerry Beckley, Dan Peek and Song” and three oth- manypeople mistakenly attributed Dewey Bunnell—plays in 1973. ersinthe fall of 1971. to Neil Young. We recorded Themellowintrospectivesong, “Horse” at London’s by lead singer and guitarist Dewey MorganStudios.Dan Bunnell, reached No.1onBillboard’s and Iplayedsix-string pop chart, and sent the band’s acoustic guitarswhile eponymous album to No.1aswell— Gerryplayedhis 12- pushing Mr.Young’s“Heart of Gold” string acoustic.Dan single and “Harvest” album out of later overdubbed his the topspots. bassafter we had the Recently, Mr.Bunnell and vocal- basic rhythm track. ist-guitarist GerryBeckley talked about the song’sevolution. The Mr.Beckley: Kim Haw- band currently is on tour in the U.S. orth playeddrums Edited from interviews. and RayCooper came in aftertooverdub DeweyBunnell: In 1967,Iwas an the bongos.The bon- American living with my family in gosadded aclippity- England. My father wasinthe U.S. clop feel of the horse. Air Forceand stationed at an RAF Ioverdubbed my base northwest of London. 12-string guitar solo. I was 15 at the time and friends It wasastrummysolo with Gerry Beckley and Dan Peek, GES that firstascends the whose fathers were stationed IMA scale.Ian suggested I there, too.
    [Show full text]
  • Harvesting Culture on the Curb the Influence of Consumer Culture on the Growing Interest in Urban Agriculture in Copenhagen
    Harvesting Culture On The Curb The influence of consumer culture on the growing interest in urban agriculture in Copenhagen Date: 15 May 2018 Master Thesis Pages/Characters: 80/181.923 Judith Naomi Neijzen (99024) Supervisor: Hanne Pico Larsen, Assistant Professor MA International Business Communication: ICM Abstract Various types of urban food cultivation, commonly referred to as urban agriculture (UA), are on the rise in the Global North, developing as a growing market. Existing literature on UA consump- tion has argued that in this geographical context the practice is driven by secondary needs, partly explaining the paradox in which urban consumers desire to consume a practice that is inherently rural and does not match their chosen urban lifestyle. The consumer motivations and behaviors that hitherto have been investigated mainly focus on rational motivations, unable to fully explain the increase in interest in UA. This thesis suggests that by investigating the consumer culture of UA, one can uncover ulterior socio-cultural reasons to consume UA, answering the research question: “How does consumer culture incite the increas- ing consumption of urban agriculture in Copenhagen?” With point of departure in a constructivist philosophy of science, UA is studied through the lens of Consumer Culture Theory (CCT)—a framework able to illuminate the symbolic, contextual and experimental aspects of consumption. Within two central domains of CCT, the thesis’ theo- retical framework focusses on the person-object relations in regard to identity (consumer iden- tity projects) and the specific culture of the UA marketplace in relation to consumption commu- nities (marketplace cultures). To this end, the study employs the concepts of Self-extension (Belk, 1988) and neo-tribalism (Maffesoli, 1996).
    [Show full text]
  • Party Warehouse Karaoke & Jukebox Song List
    Party Warehouse Karaoke & Jukebox Song List Please note that this is a sample song list from one Karaoke & Jukebox Machine which may vary from the one you hire You can view a sample song list for digital jukebox (which comes with the karaoke machine) below. Song# ARTIST TRACK NAME 1 10CC IM NOT IN LOVE Karaoke 2 10CC DREADLOCK HOLIDAY Karaoke 3 2 PAC CALIFORNIA LOVE Karaoke 4 4 NON BLONDES WHATS UP Karaoke 5 50 CENT IN DA CLUB Karaoke 6 A HA TAKE ON ME Karaoke 7 A HA THE SUN ALWAYS SHINES ON TV Karaoke 8 A1 CAUGHT IN THE MIDDLE Karaoke 9 AALIYAH I DONT WANNA Karaoke 10 ABBA DANCING QUEEN Karaoke 11 ABBA WATERLOO Karaoke 12 ABBA THANK YOU FOR THE MUSIC Karaoke 13 ABBA SUPER TROUPER Karaoke 14 ABBA SOS Karaoke 15 ABBA ROCK ME Karaoke 16 ABBA MONEY MONEY MONEY Karaoke 17 ABBA MAMMA MIA Karaoke 18 ABBA KNOWING ME KNOWING YOU Karaoke 19 ABBA FERNANDO Karaoke 20 ABBA CHIQUITITA Karaoke 21 ABBA I DO I DO I DO I DO I DO Karaoke 22 ABC POISON ARROW Karaoke 23 ABC THE LOOK OF LOVE Karaoke 24 ACDC STIFF UPPER LIP Karaoke 25 ACE OF BASE ALL THAT SHE WANTS Karaoke 26 ACE OF BASE DONT TURN AROUND Karaoke 27 ACE OF BASE THE SIGN Karaoke 28 ADAM ANT ANT MUSIC Karaoke 29 AEROSMITH CRAZY Karaoke 30 AEROSMITH I DONT WANT TO MISS A THING Karaoke 31 AEROSMITH LOVE IN AN ELEVATOR Karaoke 32 AFROMAN BECAUSE I GOT HIGH Karaoke 33 AIR SUPPLY ALL OUT OF LOVE Karaoke 34 ALANIS MORISSETTE YOU OUGHTA KNOW Karaoke 35 ALANIS MORISSETTE THANK U Karaoke 36 ALANIS MORISSETTE ALL I REALLY WANT Karaoke 37 ALANIS MORISSETTE IRONIC Karaoke 38 ALANNAH MYLES BLACK VELVET Karaoke
    [Show full text]
  • Dewey Bunnell & Gerry Beckley
    Florentine Limiteds Blackheart Sassafras Quilted Sapele Flamed Mahogany Cedar Fever Koa/Cedar GS Rosewood/Cedar 314ce Shaded Edgeburst 300s 12-string Dreadnought Baritone + 12-Fret How Picks Affect Tone Dewey Bunnell & Gerry Beckley 45 YEARS OF 2 www.taylorguitars.com | expectations and industry standards by I was curious to see and feel what all guitar about every six weeks as my now VOLUME 83 FALL 2015 a long shot. After receiving it, I added the hoopla was about. I really like the stiffening fingers lose their collective Letters some custom items: an ebony end-pin emphasis on the sustainability of maple “memory.” with abalone dot, fossilized walrus ivory and after meeting Andy Powers wanted Now my focus is solely on tone, not > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars bridge pins, a pre-ban West African to see what he did with the series. I on speed or intricate chords. I do not on the web and went to the store (Sam hard ivory saddle and nut, and an attended my first Taylor Road Show in seek sympathy, but want you to know Ash in Charlotte, North Carolina) and ebony truss rod cover with abalone and March. What a great way to learn about that I encourage students of mine, par- looked at the 416ce and asked if they mother-of-pearl inlay. The tonal depth, body shapes, woods, tones, etc. [Sales ticularly children and disabled vets, to had a 716ce. They did, brand-new, still clarity and sustain are truly impressive. rep] Michael [Venezia] was so funny, buy any version of your guitar they can in the shipping box from Taylor.
    [Show full text]
  • Wildwood Farm CLIPS & CLOPS SEPTEMBER 2020
    WILDWOOD FARM CLIPS & CLOPS OAK HARBOR Issue 15 Wildwood Farm CLIPS & CLOPS Oak Harbor SEPTEMBER 2020 YOUR NEIGH-BORHOOD HULLABALOO The Badass Black embedded with them for a year and a Here is a recent interview with Cowboys of Compton, half. His reporting became the Thompson-Hernádez: remarkable book The Compton California Cowboys: The New Generation of When did you first find out about A new book honors the Compton Cowboys in America’s Urban Black Cowboys in Compton? I was six. It was a Sunday afternoon Cowboys and the Motto they live Heartland, published by HarperCollins and my mom and I were driving down by: “Streets raised us. Horses in April 2020. Thompson-Hernández tells the stories of 10 black cowboys – Alameda Street heading toward the saved us.” from Charles Harris, a rider who opts Compton Swap Meet. I saw these two Black men on horses. It was the first Richland farms, a zoned agricultural for Air Jordan and a Yankee’s baseball time I saw Black folks on horses. It was area in the city of Compton, south of Cap, to Keiara Wade, the only woman the moment when I realized that there Los Angeles, has long fostered a in the group who has been riding since are a lot of different sides to history. vibrant equestrian community. In 1988 she was a toddler. The history I was learning in school Mayisha Akbar created a horseback A central figure in the book is wasn’t the only factual story. It was riding club for local black youth to keep Mayisha’s nephew, Randy Hook, who something I never forgot about.
    [Show full text]
  • GTA SA 360 MANUAL ENG.Pdf
    LOCAL BUSINESS ADVERTISER’S GUIDE WARNING Before playing this game, read the Xbox 360® console, Xbox 360 Kinect® Sensor, and accessory manuals for important safety and health information. www.xbox.com/support. Important Health Warning: Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to WELCOME TO certain visual images, including flashing lights or patterns that may appear in video games. Even people with no history of seizures or epilepsy may have an undiagnosed condition that can cause “photosensitive epileptic seizures” while watching video games. Symptoms can include light-headedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, momentary loss of awareness, and loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents, watch for or ask children about these symptoms—children and teenagers are more likely to experience these seizures. The risk may be reduced by being farther from the screen; using a smaller screen; playing in a well-lit room, and not playing when drowsy or fatigued. If you or any CONTENTS relatives have a history of seizures or epilepsy, consult a doctor before playing. 02 MOST WANTED 03 CONTROLS 05 TRAVEL SERVICES 07 FACTS + ACCOMMODATION 10 HOSPITAL + PERSONAL SAFETY SERVICES 13 MONEY + SHOPPING 14 GAMBLING 16 SPORT + EATING OUT 17 PERSONAL GROOMING SERVICES 18 PERSONALS Local
    [Show full text]
  • A Horse with No Name (Iv)
    A HORSE WITH NO NAME (IV) Choreographers: Release date: October 2011 Rhythm & Phase: Rumba/Two Step IV+1 (Double Cubans) Difficulty: Average Annette & Frank Woodruff Music: Track 1 of America’s Greatest Hits or mp3 download from Amazon or others. The artist IS America. Time & Speed : Original 4:11 cut @ 3:27 & faded out from 3:22. Rue du Camp, 87 Unchanged speed. 7034 Mons, Belgium Tel: 3265 73 19 40 Footwork : Opposite except where indicated (W's footwork in parentheses) E-mail: [email protected] Sequence : Intro – AB – A(1-12) – BC – AB - Ending INTRODUCTION 1 - 2 Wait ; ; CP WALL wt 2 meas ; ; 3 - 4 Box ; ; Sd L, cl R, fwd L, - ; sd R, cl L, bk R, - ; PART A Circle Box ; ; Raisg jnd ld hnds sd L, cl R, fwd L, - ; sd R, cl L, bk R (W under jnd hnds circ 1 - 2 RF 1/2 R, L, R, -; cont circ L, R, L to end fcg M but offset to his R) , - ; With jnd ld hnds still up sd L, trng 1/4 LF rec R, fwd L (W under jnd hnds circ 3 Lariat 3 to LOP ; RF arnd M fwd R, L, R) to LOP LOD, - ; 4 Run 3 ; Fwd R, fwd L, fwd R, - ; 5 Run 3 & ronde ; Fwd L, fwd R, fwd L, lwrg into L knee ronde R CCW swvlg on L ft to fc ptr ; Jng trl hnds in BFLY rk thru R w/ bent knee lookg RLOD, rec L straightng, sd 6 ... to a Fence Line to LOP ; & fwd R to LOP LOD, - ; 7 Run 3 & ronde ; Rpt measure 5 Part A ; Bk R trng 1/4 LF, rec L trng 1/4 LF, sd R (W fwd L, trng 1/2 LF fwd & sd R, sd 8 ..
    [Show full text]
  • Magic Sing Et19kv Tagalog Version 2600 Songs
    Magic Sing Et19kV Tagalog Version 2600 Songs NO TITLE ARTIST COMPOSER 7992 AH DOO DOO DOO WILLIE REVILLAME L. CAMO 7993 BILOG ANG MUNDO MANNY PACQUIAO L. CAMO 7994 BOOM TARAT TARAT WILLIE REVILLAME L. CAMO 7995 CHAMPION SA KANTAHAN MANNY PACQUIAO L. CAMO HEPHEP HOORAY (HAPPY 7996 WILLIE REVILLAME L. CAMO BIRTHDAY) 7997 IKAW AT AKO MANNY PACQUIAO L. CAMO LABAN NATING LAHAT 7998 MANNY PACQUIAO L. CAMO ITO PANALO KA SA PUSO KO 7999 SARAH GERONIMO L. CAMO (EXTREME JINGLE) PARA SA 'YO ANG LABAN 8000 MANNY PACQUIAO L. CAMO NA 'TO 8001 A WHOLE NEW WORLD P. BRYSON & R. BELLE MENKEN/RICE MIKE RENO & ANN 8002 ALMOST PARADISE E. CARMEN/D. PITCHFORD WILSON DIANA ROSS & LIONEL 8003 ENDLESS LOVE L. RICHIE RICHIE 8004 FROM A DISTANCE BETTE MIDLER GOLD, JULIE 8005 HAND IN MY POCKET ALANIS MORISSETTE BALLARD/MORISSETTE 8006 HELLO LIONEL RICHIE L. RICHIE 8007 HERE I AM AIR SUPPLY N. SALLITT 8008 HERO MARIAH CAREY CAREY/AFANASIEFF I JUST CALLED TO SAY I 8009 STEVIE WONDER S. WONDER LOVE YOU I WANNA DANCE WITH 8010 WHITNEY HOUSTON G. MERRILL/S. RUBICAM SOMEBODY 8011 TEARS IN HEAVEN ERIC CLAPTON JENNINGS/CLAPTON TONIGHT I CELEBRATE MY 8012 P. BRYSON & R. FLACK G. GOFFIN/M. MASSER LOVE BAKIT LABIS KITANG 8013 LEA SALONGA A. MALLILLIN MAHAL 8014 BAKIT NGAYON KA LANG OGIE ALCASID O. ALCASID/A.P. DEL ROSARIO 8015 BE MY LADY MARTIN NIEVERA V. SATURNO 8016 FOREVER'S NOT ENOUGH SARAH GERONIMO D. SATURNO/V. SATURNO 8017 HIRAM ZSA ZSA PADILLA G. CANSECO KAHIT MAPUTI NA ANG 8018 SHARON CUNETA R.
    [Show full text]