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A “total domination,” 105 Abbey Theatre, Dublin, 16, 41n9, 52, Ali: Fear Eats the Soul (Angst Essen 55 Seele Auf, Fassbinder), 195, 200 Abortion, 99, 111–112, 114n4 Alter, Jonathan, 21 Abstract art, 164 Alternative for Germany (AfD), 76, Abu Ghraib prison, 22 191, 198, 199, 204, 205 Activists Ambulatory events, 165 criticism by, 201 Ancient Greek tragedy, 11–45 in Ireland, 111 Antigone, 12–26 leftist, Germany, 79, 81, 191, 194 Hecuba, 26–29 on stage, 88 Medea, 11, 26–27 theatre makers, 39, 64 Suppliants, The (Aeschylus), 3, Actors for Human Rights, 87–88, 93 11–13, 30, 31, 33, 39, 44n27, Adoption, 97, 107, 114n4, 45n37 114–115n5 And Suddenly Wakeful Nights (Et Agamben, Giorgio Soudain des nuits d’éveil, Théâtre homo sacer/bare life, 15, 23, 26, du Soleil), 177 104, 184–185 Angst Essen Seele Auf (Ali: Fear Eats nation-states, 184–185 the Soul, Fassbinder), 195, 200 state of exception, 23–25, 145, Anonymity, 140, 146, 166 146 Anouilh, Jean, 14, 15, 41n4 Taliban, 25, 43n22 Anti-capitalism, 173–174

1 Note: Page numbers followed by “n” refer to notes.

Antigone, 12–26 Illegal Helpers (Illegale Helfer, language, 17, 41n11, 42n12 Obexer), 75–81 modern interpretations, 13–15 Letters Home (Refugee Club modern productions, 15–16; Impulse), 84–87 Antigona Furiosa, 16, 24; Situation, The (Ronen), 82, Antigone in New York, 16, 24; 125–128 Burial at Thebes, The (Heaney), Trip, The (Hamdoun), 89–90, 203 16–24; Island, The (Fugard, Autonomy, 17, 41n11 Kani, Ntshona), 15 Azas, Anestis, 91 Anti-war demonstrations, 22, 43n19 Argentina, 16, 24 Arns, Inke, 141–142 B Asylum Monologues (Ice and Fire), Bacon, Christine, 93 87–88, 210 Ballhaus Naunynstrasse, 36, 195 Asylum seekers Bare life, 4, 15, 26, 43n22, 104, 113, Asylum! Asylum! (O’ Kelly), 51–60, 185 67 See also Homo sacer legal procedures, Ireland, 55, 56, Beuys, Joseph, 164–166, 168–171 68–69n4 Bewegung (movement), 169 political activism, 192 Billington, Michael, 61–62, 69n8, rights, Germany, 30, 34–38, 45n34, 131–132 76, 80, 86, 204 Bios, 104 Audience experience, 53, 181–182 Bitte Liebt Österreich (Please Love Audience identification, 57 Austria, Schlingensief), 150–152 Aura, 93–94 Borchmeyer, Florian, 95n2 Austria Border control, 2–3, 91, 186n6 Austrian government, 30–31, 151, Borscht, Mirko, 32, 44n29 153–155 Bottoms, Stephen, 92 Identitarian movement, 205 Brady, Cardinal Sean, 115n11 Please Love Austria (Schlingensief), Braidotti, Rosi, 164 150–152 Bratu Hansen, Miriam, 93 Authenticity, 75, 92–94 Brecht, Bertolt, 51, 67, 79, 121 Author-function, 140, 146, 156 Britain, see United Kingdom (UK) Autobiographical plays Brogan, Patricia Burke, 100–102, Asylum Monologues (Ice and Fire), 114n3 87–88 Buckle, Adrian, 62 Come Good Rain (Seremba), 88–89 Bühne für Menschenrechte (Stage for Common Ground (Ronen), 82–83, Human Rights), 88 125 Bulgaria, 153, 159, 193, 197 Dear Home Office (Phosphorus Burgtheater, Vienna, 32, 205 Theatre), 86–87 Burial at Thebes, The (Heaney), 16–24 European Trilogy (Rau), 83–84 Burials, 19, 42n14, 102, 105, 116n15 INDEX 235

Bush, George W., 19–25, 42n16, Child sexual abuse, see Sexual abuse 44n25 Children of Herakles, The (Sellars), Butler, Judith 30–31 ecstatic state, 29 Church of Fear of the Stranger in Me, A ethics, 12 (Eine Kirche der Angst vor den homo sacer/bare life, 15, 26 Fremden in Mir, Schlingensief), state of exception, 8, 24 171 By the Bog of Cats (Carr), 26–27 Churchill, Caryl, 128–132 Citizenship EU, 5, 8, 38, 91 C Germany, 189–190 Cafés, 7, 202, 203 Ireland, 67n2 Calypso Theatre Company, 52 Janša, Janez, 148 Cambria (O’Kelly), 53–54 Magdalenes, 104 Campsfield House, 7 Malta, 62, 70n10 Capitalism and the nation state, 155–157 Fluxus, 166 Netrebko, Anna, 33 nomadic lifestyle, 27 and nomadism, 163, 184 NSK and Janez Janša, 139, 157 NSK, 142–145 Théâtre du Soleil, 173–174, 180 Civil courage, see Subversive action Carlson, Marvin, 93 Cixous, Hélène, 174–175, 181–183 Carr, Marina, 40 Clarke, Jocelyn, 59 adaptation of Hecuba, 27–29 Collective artwork, 166 By the Bog of Cats, 26–27 Collective identity, 140, 146 Case Farmakonisi, 90–92 Colonialism, 17, 19 Casey, Bishop Eamon, 114n2 Come Good Rain (Seremba), 88–89 Celebrity status, 93–94 Common Ground (Ronen), 82–83, Centre for Political Beauty, 152–160 125 Charges (Die Schutzbefohlenen, Common space, 164, 166, 173–174, Jelinek), 3, 31–32, 40, 44n28, 179, 180 204 See also Collective artwork Michael Thalheimer’s production, 32 Concrete art, 164 Mirko Borscht’s production, 32–34 Confession, 101, 109, 115n12 Nicolas Stemann’s production, 30, Consensus, 128 34–38, 200–201 Corcoran, Steven, 121, 128 Sebastian Nübling’s production, Corless, Catherine, 97, 104, 116n15 38–39 Cox, Emma, 56 Silent Majority production, 39–40, Croatia, 142, 149, 193 205 Cross-identification, 5, 122, 135–137 Cheney, Dick, 25, 44n24 Dirt (Dreck, Schneider), 132–135 Cherry Orchard, The (Erpulat), 125 Journey Home, The (Elkana), Chief, The (Beuys), 170 135–136 236 INDEX

D autobiographical plays; Asylum Davis Cross, Mai’a K., 2, 8 Monologues (Ice and Fire), Dead are Coming, The (CPB), 153 87–88; Come Good Rain Dear Home Office (Phosphorus (Seremba), 88–89; Common Theatre), 86–87 Ground (Ronen), 82–83, 125; Death penalty, 24 Dear Home Office (Phosphorus Deleuze, Gilles, 157, 163, 169–170 Theatre), 86–87; European Demonstrations, 22, 43n19, 191, 201 Trilogy (Rau), 83–84; Illegal Deportation Helpers (Illegale Helfer, Cambria (O’Kelly), 53–54 Obexer), 75–81; Letters Home Frontex, 2–3 (Refugee Club Impulse), Illegal Helpers (Illegale Helfer, 84–87; Situation, The (Ronen), Obexer), 75–81 82, 125–128; Trip, The unaccompanied minors, 68n4, 87 (Hamdoun), 89–90, 203 Derrida, Jacques, 37, 157 celebrity status, 93–94 Desubjectivation, 164, 166, 174, professional actors, 87–88, 93; 180–182, 201, 202 Hamdoun, Anis, 89; Seremba, Detention centres, 7–8, 22, 152, 158 George, 88–89 See also Guantánamo Bay tribunal plays, 73, 92; Case Detention policy, 62, 70n11 Farmakonisi, 91–92; Tribunal Deuflhard, Amelie, 205 12, 90–91 Deutsche Oper, 199–200 verbatim theatre, 73, 74, 90, 92 Dickson, Andrew, 176, 185n4 Douglass, Frederick, 53–54 Die Schutzbefohlenen, see Charges (Die Dreck (Dirt, Schneider), 132–135 Schutzbefohlenen, Jelinek) Dublin, 22, 43n19 Direct address, 51, 67 Dublin Regulation, 76, 77, 191–192 Dirt (Dreck, Schneider), 132–135 Duffy, Kate, 86, 92 Discipline and Punish (Foucault), 98 Displaced people, 1 See also Refugees E Dissensus, 121–137 East Germany, 80, 189 cross-identification, 122, 136, 137; Eating Refugees (Flüchtlinge Fressen, Journey Home, The (Elkana), CPB), 155, 159 135–136 Eclipsed (Brogan), 100–102 Dirt (Dreck, Schneider), 132–135 Economic migrants, 179, 189 Seven Jewish Children (Churchill), Ecstatic state, 29 128–132 Edinburgh Lyceum, 13 Situation, The (Ronen), 125–128 Ein Fest für Baba Dengis (A Feast at Third Generation; Third Generation: Baba Dengis, Grips Theater), 199 Work in Progress (Ronen), Eine Kirche der Angst vor dem Fremden 122–125 in Mir (A Church of Fear of the Documentary theatre, 73–94 Stranger in Me, Schlingensief), authenticity, 92–94 171 INDEX 237

Elkana, Amos, 135 Finland, 70n13, 211 Empathy, 3, 66–67 Finnegan, Frances, 103, 109, 113 Empire (Rau), 83–84 First Fall of the European Wall (CPB), Epstein, Amit, 122, 123 152–153, 159 Erpulat, Nurkan, 195 “First World Camp” (Hrvatin), Et Soudain des nuits d’éveil (And 145–146 Suddenly Wakeful Nights, Théâtre Fisek, Emine, 185n5, 186n6 du Soleil), 177 Fleming, Katie, 14, 40n3 Ethics, 11–12, 37, 93–94, 131, 156 Flüchtlinge Fressen (Eating Refugees, Eurasian Siberian Symphony (Beuys), CPB), 155, 159 169 Fluxus, 6, 163–168 European Agency for Management of Beuys, Joseph, 168–170 the External Borders, see Frontex Schlingensief, Christoph, 171 European Trilogy (Rau), 83–84 Forbidden Fruit (Murphy & De Rosa), European Union (EU) 114n2 border control, 2, 3, 91 Forgotten Maggies, The, 111 immigration, 2, 8, 57, 76, 81, 91, Forsyth, A., 84 152–153, 190–194, 211 Foucault, Michel nationalism, 7 author-function, 140 relocation programme, 62, 70n12, on Bentham’s panopticon, 103 211 Catholic Church, 101 Tribunal 12, 90–91 Discipline and Punish, 98 “Exile Ensemble,” 125, 196–197 moral codes, 100 “Extraordinary rendition,” 24 nation-states, 143–144 prison reform campaign, 174 Frears, Stephen, 107 F Freedom of movement, 38, 148, 180 Farawayan (O’Kelly), 52–53 Friedman, Ken, 164, 165 Fascist imagery, 141 Frontex, 2–3, 91 Fassbinder, Rainer Werner, 195, 200 Fugard, Athol, 15 Fear (Richter), 197–199, 204–205 Feast at Baba Dengis, A (Ein Fest für Baba Dengis, Grips Theater), 199 G Federal Emergency Programme (CPB), Galvin, Treasa, 55, 68n4 152, 154–155 Gambaro, Griselda, 16 Felt, 170 Gastarbeiter (guest workers), 189–190 Fictional accounts, 51–67 Gender politics, 17 Asylum! Asylum! (O’Kelly), 51–60, Geographical movement, 164, 173, 67 179 Lampedusa (Lustgarten), 51, 60–67 German theatre, 194–205 Filliou, Robert, 165 Deutsche Oper, Berlin, 199–200 Finisterra, Jude, 154–155 Grips Theater, Berlin, 199 Finkle, David, 180–181 Hajusom ensemble, Hamburg, 203 238 INDEX

German theatre (cont.) Grips Theater, Berlin, 199 Kampnagel theatre, Hamburg, 205 Groneberg, Yvonne, 77 Maxim Gorki Theater, Berlin, 38, Guantánamo Bay, 15, 19, 24, 25, 43, 39, 82, 125–127, 153, 155, 44n25 195–196; “Exile Ensemble,” Guardian newspaper, 61, 131 125, 196–197 Guattari, Felix, 163, 169–170 Refugee Club Impulse, 85, 200, Guest workers (Gastarbeiter), 189–190 201 Schaubühne, Berlin, 84, 122, 197–198, 204–205 H Staatsschauspiel Dresden, 202–204 Habima Theatre, Israel, 122 Thalia Theater, Hamburg, 30, Hajusom ensemble, Hamburg, 203 34–36, 132, 203, 204 Hamdoun, Anis, 89 Theater an der Ruhr, 201–202 Hardt, Michael, 184 Theater Bremen, 32–33, 201 Heaney, Seamus, 16–24, 40, 42 Germany Hecuba, 26–29 Centre for Political Beauty (CPB), Hederman, Mark Patrick, 112 152–160 Hegel, G.W.F., 14, 40n2 Dirt (Dreck, Schneider), 132–135 Hermanis, Alvis, 204 immigration, 152, 190–194 Hillje, Jens, 195 Letters Home (Refugee Club Holland, Eugene, 163, 184 Impulse), 84–86 Homo sacer, 15, 23, 26, 104 nationalism, 134, 191, 199 Hospitality, 11–12, 37, 175, 180, 182, rights of asylum seekers, 37, 38, 200 45n34 How to Explain Pictures to a Dead rights of refugees, 39 Hare (Beuys), 169 Situation, The (Ronen), 125–128 Hrvatin, Emil Third Generation; Third Generation: “First World Camp,” 145–146 Work in Progress (Ronen), Slovene National Theatre, 147 122–125 ‘Life [in Progress]’, 149 Turkish immigrants, 189–190 Hughes, Francis, 19 Global citizenship, 184 Human rights, 8, 21, 67–68n3, 76, Glowacki, Janusz, 16 91, 156–157, 185, 192–193 Goldberg, Jeffrey, 131 Hungary, 7–8, 193, 211 Golden Age, The (L’Age d’or, Théâtre du Soleil), 177 Gray, Ramin, 13 I Grech, Herman, 62, 65, 66, 70n14 I Like America and America Likes Me Greek Coast Guard, 91, 92 (Beuys), 169, 170 Greek tragedy, see Ancient Greek Ice and Fire, 87, 88, 93, 94 tragedy Identification, see Audience Greig, David, 13 identification; Cross- Griffith, Mark, 42n12 identification; Subversive INDEX 239

identification; Subversive Sisters of Our Lady of Charity, 102, over-identification 111 Identitarian Movement, 205 social change, 111, 113 Identity documents, 142–145, Travellers, 27 147–149 unwed mothers, 97–103, 113, Illegal Helpers (Illegale Helfer, 116n14 Obexer), 75–81, 204, 210 Isherwood, Christopher, 181 In our Name (In unserem Namen, Isin, Engin, 142 Nübling), 38–39 Island, The (Fugard, Kani, Ntshona), “In Transit” (Theater Bremen), 32–34 15 Independent newspaper, 28 Israel, 125 Inglis, Tom, 98, 99, 114n4, 115n13, Journey Home, The (Elkana), 116n14 135–136 Invention of a People, The (Sholtz), Seven Jewish Children (Churchill), 163–164 128–132 Ireland Situation, The (Ronen), 126 abortion, 99, 111–112, 114n4 Third Generation; Third Generation: British colonialism, 17, 19 Work in Progress (Ronen), immigration, 54–60, 69n4, 69n7 122–125 Magdalene laundries, 100, 105–106; advocacy groups, 111; bare life, 104–105; J Eclipsed (Brogan), 100–102; Jahangard, Rosanna, 87, 92 Forgotten Maggies, The, 111; Janša, Janez, 145–150, 156, 157 Laundry (Lowe), 108–110; Jean Monnet Bridge (CPB), 153–154 living conditions, 103; Jebb, R., 42n15 Magdalene Sisters, The Jeffers, Ailson, 86, 183 (Mullan), 106; Philomena Jelinek, Elfriede, 3, 31–34, 38, 40, (Frears), 107; public interest in, 45n36 100, 102, 111, 113; Sex in a Journey Home, The (Elkana), 135–136 Cold Climate (Humphries), Jugendtheaterbüro, 85 106; Stained Glass at Samhain Justice for Magdalenes, 111 (Brogan), 102, 114n3; television documentaries, 105; “total domination,” 105 K national identity, 56, 69n5 Kampnagel theatre, Hamburg, 205 relocation programme, 69n4, 70n12 Kani, John, 15 Roman Catholic religious order, Kelting, Lily, 159 98–100; campaigns challenging Kiernander, Adrian, 175, 176 authority of, 112–113; Kohl, Helmut, 190–191 confession, 115n12; Mass Kreft, Lev, 148 attendance, 112, 115n12; Kriegerin (The Warrior, Grips sexual abuse, 114n2, 115n11 Theater), 199 240 INDEX

Kurdi, Aylan, 28, 154, 193 Magdalene laundries, 100 Kushner, Tony, 131 advocacy groups, 111 Kustow, Michael, 179 bare life, 104–105 Eclipsed (Brogan), 100–102 Forgotten Maggies, The, 111 L Laundry (Lowe), 108–110 Lacan, Jacques, 14–15, 41n4 living conditions, 103 L’Age d’or (The Golden Age, Théâtre Magdalene Sisters, The (Mullan), du Soleil), 177 106 Lahr, John, 179 Philomena (Frears), 107 Lampedusa, 70n9 public interest in, 100, 102, 111, Lampedusa (Lustgarten), 51, 60–67 113 Langhoff, Shermin, 7, 194–197 Sex in a Cold Climate (Humphries), Language 106 of Antigone, 13–14, 42n12 Sisters of Our Lady of Charity, 102 language courses, 7, 203 Stained Glass at Samhain (Brogan), language classes in performances, 102, 114n3 40, 126 television documentaries, 105 multilingual performances, 38, 39, “total domination,” 105 125, 126, 165, 181–183 Magdalene Memorial Committee, 111 poetic language, 13, 59 Magdalene Sisters, The (Mullan), 106 Larsen, Kay, 169 Magdalene Survivors Together, 111 Last Caravan Stop, The (Le Dernier Malta, 62, 64–67 Caravansérail, Théâtre du Soleil), citizenship, 62, 70n10 6–7, 176–183 detention policy, 62, 70n11 Lee, Philomena, 107, 111 relocation, 70n12 Lehrstück (teaching play), 51–52, 67, Marschall, Anika, 159 79, 121 Martin, Carol, 74–75, 90, 94 Letters Home (Refugee Club Impulse), Mass attendance, 112 84–86, 200 Maxim Gorki Theatre, Berlin, 38, 39, Levinas, Emmanuel, 12, 37 82, 125–127, 153, 155, 195–196 “Life [in Progress]” (Janez Janša), 149 “Exile Ensemble,” 125, 196–197 Lilienthal, Matthias, 194, 202–203 May, Todd, 129 Linden, Sonja, 52, 87 Mbembe, Achille, 104, 105 London, 22, 43n19 McAleese, Mary, 111–112 Lowe, Louise, 109 McCarter, Jeremy, 180 Lustgarten, Anders, 60–61, 64 McEvoy, William, 175, 180, 182, 183 McGarry, Patsy, 59 Medea, 11, 26–27 M Megson, Chris, 84 Maciunas, George, 164–168 Mere life, see Bare life Mad Blood (Verrücktes Blut, Erpulat & Merkel, Angela, 191–193 Hillje), 195 Merriman, Vic, 53, 59, 60 INDEX 241

Metoikos, 13–14 National identity cards, see Identity Migrant Offshore Aid Station documents (MOAS), 65 National Institute for Dramatic Miller, Judith, 173, 174, 177 Writing (NIDS), 196 Minoritarianism, 166, 174–175, Nationalism, 7, 17, 209–211 180–181 See also Germany, nationalism Mnouchkine, Ariane, 172–174, 176, Nation-states, 142–144, 156, 180, 177 184–185, 209 Mohammed, Binyam, 43n21 Nazi concentration camps, 25–26, Monologues 43n22, 75, 105 Asylum Monologues (Ice and Fire), Nazi era, 80, 141 88 Negri, Antonio, 184 Charges (Die Schutzbefohlenen, Neue Slowenische Kunst (NSK), Jelinek), 32 139–145, 156–157 Dirt (Dreck, Schneider), 132, 133 Neuland (New Country, Deutsche Empire (Rau), 83 Oper), 199–200 Lampedusa (Lustgarten), 51, 60, New York Times, 112, 181 67 Nichols, Bill, 90 Seven Jewish Children (Churchill), Nomad citizenship, 184 130, 131 Nomadic Subjects (Braidotti), 164 Trip, The (Hamdoun), 89 Nomadism, 163–185 Monroe, Alexei, 144 Fluxus, 164–171; Beuys, Joseph, Moral codes, 100 168–170; Schlingensief, Morgenland (Staatsschauspiel Christoph, 171 Dresden), 202 Théâtre du Soleil, 171–173, Mother and baby homes, see 183–185; And Suddenly Magdalene laundries Wakeful Nights (Et Soudain des Mother, The (Brecht), 51–52, 79 nuits d’éveil), 177; Golden Age, Movement, 169 The (L’Age d’or), 177; Last See also Geographical movement Caravan Stop, The (Le Dernier Mullan, Peter, 106 Caravansérail), 176–183; Multilingualism, 39 salaries, 185n4 See also Language, multilingual Non-artists, 166–167 performances Northern Ireland, 17, 19 Munich Kammerspiele, 202, 203 Ntshona, Winston, 15 Murphy, Annie, 114n2 Nübling, Sebastian, 38 “My Right is Your Right,” 200–201 Nuda vita, see Bare life

N O Naked life, see Bare life Obexer, Maxi, 75, 76, 78, 81, 196, “NAME Readymade” (Janez Janša), 204 147–149 Oedipus at Colonus, 11 242 INDEX

O’Kelly, Donal, 51–59, 67 Professional actors, 30, 83, 87, 88, Cambria, 53–54 93–94 Farawayan, 52–53 Hamdoun, Anis, 89 O’Kelly, Emer, 58–59 Seremba, George, 88–89 One in Four, 111 Professional artists, 166–167 Ono, Yoko, 165 Operation Hera, 3 O’Toole, Fintan, 57, 59 R Ovadia, Moni, 12–13 Racism, 36, 133, 201 Rancière, Jacques, 121–123, 134, 136, 137 P Rau, Milo, 83–84 Paget, Derek, 74, 75, 90, 93 Realistic drama, 51, 67 Palestine, 125 Refugee camps, 30, 145–146, 177 Journey Home, The (Elkana), Sangatte Refugee Centre, 180, 135–136 185n5, 186n6 Seven Jewish Children (Churchill), Refugee Club Impulse, 85, 200, 201 128–132 Refugee crisis, 12, 158, 206 Situation, The, 126 Refugees Third Generation; Third Generation: political activism, 192 Work in Progress (Ronen), rights, 39, 68n3 122–125 See also Displaced people Parker, Ian, 143 Reider, Dimi, 191 Parr, Adrian, 157 Reinelt, Janelle, 81 Passports, see Identity documents Relocation programme, 62, 70n12, Patriotic Europeans Against the 211 Islamisation of the West Repetition, 157 (PEGIDA), 191, 202, 204 Representability of others, 182–183 Patterson, Ben, 165 Richter, Falk, 197–199, 204–205 Peacock Theatre, Dublin, 51 Roman Catholic religious order, Pearson, Joseph, 83–84 98–113 Penal institutions, 98 challenges to authority, 111–113, Phillpot, Clive, 185n2 116n14 Philomena (Frears), 107 confession, 101, 115n12 Philomena Project, 111 Magdalene laundries, 100; advocacy Phosphorus Theatre, London, 86 groups, 111; bare life, Pintal, Lorraine, 16 104–105; Eclipsed (Brogan), Please Love Austria (Bitte Liebt 100–102; Forgotten Maggies, Österreich, Schlingensief), The, 111; Laundry (Lowe), 150–152 108–110; living conditions, Political conversion, 51, 52, 57, 103; Magdalene Sisters, The 64–67, 78–79 (Mullan), 106; Philomena INDEX 243

(Frears), 107; public interest in, Sex in a Cold Climate (Humphries), 100, 102, 111, 113; Sex in a 106 Cold Climate (Humphries), Sexual abuse, 111, 112, 114n2, 106; Stained Glass at Samhain 115n11 (Brogan), 102, 114n3; Sexuality, 99–101, 103 television documentaries, 105; Shearer, Julie, 55, 69n5, 69n7 “total domination,” 105 Sheridan, Kathy, 116n15 Mass attendance, 112 Sholtz, Janae, 163–164 sexual abuse, 112, 114n2, 115n11 Shorto, Russell, 112 Sisters of Our Lady of Charity, 102 Sieg, Katrin, 81, 88 Ronen, Yael, 122 Silent Majority, 39–40, 205 Common Ground, 82–83, 125 Singleton, Brian, 175, 177–178, 181 Situation, The, 82, 125–128 Siracusa theatre, 12 Third Generation; Third Generation: Sisters of Our Lady of Charity, 102, 111 Work in Progress, 122–125 Sisters of the Good Shepherd, 113 Winterreise, 197 Situation, The (Ronen), 82, 125–128 Rosenthal, Mark, 168, 169 Sixsmith, Martin, 100, 105, 107 Royal Shakespeare Company, 27 Slavery, 53, 105 Ruf, Michael, 88 Slovene National Theatre (Hrvatin), 147 Slovenia, see Janša, Janez; Neue Slowenische Kunst (NSK) S Smith, James, 102 St. Mary’s home, Tuam, 97, 113 Smith, Owen, 165, 168 Salaries, 173, 185n4 Smyth, Father Brendan, 114n2, Salzmann, Sasha Marianna, 196 115n11 Sangatte Refugee Centre, 177, 180, Social change, 52, 110–113 185n5, 186n6 Social control, 26, 40, 98–100, 156 Sarrazin, Thilo, 191 Solomon, Alisa, 131 Sasse, Sylvia, 141–142 Sovereignty, 8, 24 Schaubühne, Berlin, 75n2, 84, 122, Spain, 3, 153, 193 197–198, 204–205 Spazju Kreattiv, 65–66 Schengen zone, 2, 9n4 Staatsschauspiel Dresden, 202–204 Schlingensief, Christoph, 5, 150–152, Stage for Human Rights (Bühne für 156, 158, 171 Menschenrechte), 88 Schneider, Robert, 132–135 Stained Glass at Samhain (Brogan), Security Integration in Europe (Davis 102, 114n3 Cross), 2 State of exception, 8, 23–26, 145, 146 Sellars, Peter, 30–31 Stemann, Nicolas, 30, 34–36, 38, Seremba, George, 59, 88–89, 45n36, 200 95n4 Stevens, Lara, 180–182 Seven Jewish Children (Churchill), Storey, Andy, 8–9n3, 52–53 128–132 Stratford-upon-Avon, 27 244 INDEX

Subversive action, 79–81 Last Caravan Stop, The (Le Dernier Subversive affirmation, 141–142 Caravansérail), 6, 176–183 Subversive identification, 139–160 salaries, 185n4 Centre for Political Beauty (CPB), Thompson, Dorothy, 103 152–160 Tinius, Jonas, 202, 206 Janša, Janez, 139–150, 156, 157 Torture, 9n3, 21–22, 43n17, 43n21, Neue Slowenische Kunst (NSK), 43n23, 52, 55, 58, 76, 84 142–145, 156–157 “Total domination,” 105 Schlingensief, Christoph, 150–152, Totalitarian imagery, 140–141 156, 158, 171 Tower of Babel project, 52 Subversive over-identification, 142, Transcultural theatre, 172, 176 147, 150, 155, 157, 158 Transformation, see Political conversion Suppliants, The (Aeschylus), 3, 11, 31, Transnational identity, 173 33, 39 Transnational movement, 179 modern productions; Charges (Die Transnational state, 142–145 Schutzbefohlenen, Jelinek,), 3, Transnationalism, 164–165, 185, 210 31–32, 40, 44n28; Greig, Travellers, 27 David, 13; Ovadia, Moni, Tribunal 12, 90–91 12–13 Tribunal plays, 73, 92 Sympathy, 55, 56, 58, 59, 129 Case Farmakonisi, 91–92 Symphysiotomy, 112, 115n10 Tribunal 12, 90–91 Trip, The (Hamdoun), 89–90, 203 Trnka, Jamie, 75, 91 T Tscholl, Miriam, 202 Taliban, 20, 25, 43n22, 179 Tuam burial site, 97, 104, 113 Taplin, Oliver, 12–13 Turkey, 189, 194, 211 Teaching play (Lehrstück), 51–52, 67, 79, 121 Terrorists, 15, 21, 205, 206 U Thalheimer, Michael, 32, 203, 205 Unaccompanied minors, 52, 68n4, 79, Thalia Theatre, Hamburg, 30, 86, 87 34–36, 45n30, 45n35, 132, Unconquerable, The (Beuys), 169 203, 204 Unifaun Theatre company, 62–64 Theater an der Ruhr, 201–202 United Kingdom (UK), 7, 13, 53, Theater Bremen, 32, 201 70n13, 194 Theatertreffen, Berlin, 30, 36, 82, Universal Declaration of Human 126, 171, 195, 200–202 Rights (UN), 54–55, 67n3, 76 Théâtre du Soleil, 171–183 “Unlawful combatants,” 25 And Suddenly Wakeful Nights (Et Unwed Irish mothers, 97–100, 105, Soudain des nuits d’éveil), 177 107, 116n14 Golden Age, The (L’Age d’or), 177 See also Magdalene laundries INDEX 245

US Winterreise (Ronen), 197 “war on terror,” 19, 25–26 Wonderland (Maxim Gorki Theatre), Yes Men, 154–155 197

V Y Verbatim theater, 73, 74, 76, 87, 88, Yes Men, 154–155 90, 92, 93, 147 Young, Brigid, 106 Verfremdungseffekt, 121, 136 Youth theatre, 52, 84–87, 199–200 Verrücktes Blut (Mad Blood, Erpulat & Yugoslavia, 125, 141–145 Hillje), 195 Common Ground (Ronen), 82–83

W Z “War on terror,” 19, 25–26 Zeit newspaper, 192 Warrior, The (Kriegerin, Grips Žižek, Slavoj, 14–15 Theater), 199 Neue Slowenische Kunst (NSK), Weiss, Peter, 75 141–143, 145, 150 Welcome cafés, 7, 203 repulsive monsters, 29 What is Philosophy? (Deleuze & torture, 21, 43n17 Guattari), 169–170 “war on terror,” 21, 25 Williams, Emmet, 167 Zoē, 104