Introduction: Fifty Years On, Looking Back
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Reviews of Recent Publications
Studies in 20th Century Literature Volume 19 Issue 2 Article 10 6-1-1995 Reviews of recent publications Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons, German Language and Literature Commons, Modern Literature Commons, and the Spanish and Portuguese Language and Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation (1995) "Reviews of recent publications," Studies in 20th Century Literature: Vol. 19: Iss. 2, Article 10. https://doi.org/10.4148/2334-4415.1376 This Book Review is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Reviews of recent publications Abstract Adelson, Leslie A. Making Bodies Making History: Feminism and German Identity by Sander L. Gilman Barrat, Barnaby B. Psychoanalysis and the Post-Modern Impulse: Knowing and Being Since Freud's Psychology by Mitchell Greenberg Calinescu, Matei. Rereading by Laurence M. Porter Donahue, Neil H. Forms of Disruption: Abstraction in Modern German Prose by Burton Pike Feminisms of the Belle Epoque, A Historical and Literary Anthology. Jennifer Waelti-Walters and Steven C. Hause, Eds. (Translated by Jette Kjaer, Lydia Willis, and Jennifer Waelti-Walters by Christiane J.P. Makward Hutchinson, Peter. Stefan Heym: The Perpetual Dissident by Susan M. Johnson Julien, Eileen. African Novels and the Question of Orality by Lifongo Vetinde Kristof, Agota. Le Troisième Mensonge by Jane Riles Laronde, Michel. -
2011 Shelf-Registration Document
welcome ! Shelf-Registration Document 2011 Mercialys – 2011 Shelf-Registration Document 10, rue Cimarosa - 75016 Paris Tél. : +33 01 53 70 23 20 E-mail : [email protected] www.mercialys.com www.mercialys.com Shelf-Registration Document 2011 summary Summary 1. Business review (Financial statements for the year ended December 31, 2011) An excellent year in 2011: robust performance and growth throughout the year . 4 A year during which Mercialys stepped up its value creation strategy further . 4 A year confirming the solidity of Mercialys’s business model . 5 2. Financial report Financial statements . 7 Review of activity in 2011 and lease portfolio structure . 10 Review of consolidated results . 12 Subsequent events . 19 Outlook . 19 Review of the results of the parent Company, Mercialys SA . 20 Subsequent events following the Board of Directors meeting of February 9, 2012 that approved 2011 financial statement . 21 3. Portfolio and Valuation Portfolio valued at Euro 2,640 million at December 31, 2011 . 22 A diversified portfolio of retail assets . 24 Presence in areas with strong growth potential . 25 4. Stock market information Trading volume and share price over the last 18 months (source: Euronext Paris) . 31 Breakdown of share capital and voting rights at January 31, 2012 . 32 Crossing of share ownership thresholds . 32 Share buy‑back program . 33 Shareholders’ agreement . 35 Dividend policy . 36 Communication policy . 37 5. Corporate Governance Board of Directors and Executive Management . 38 Statutory Auditors . 56 Chairman’s Report . 58 Statutory Auditors’ report prepared in accordance with Article L 225. ‑235 of the French Commercial Code (“Code de commerce”), on the report prepared by the Chairman of the Board of Directors of Mercialys . -
Botting Fred Wilson Scott Eds
The Bataille Reader Edited by Fred Botting and Scott Wilson • � Blackwell t..b Publishing Copyright © Blackwell Publishers Ltd, 1997 Introduction, apparatus, selection and arrangement copyright © Fred Botting and Scott Wilson 1997 First published 1997 2 4 6 8 10 9 7 5 3 Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 IJF UK Blackwell Publishers Inc. 350 Main Street Malden, MA 02 148 USA All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form Or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher's prior consent in any fo rm of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Ubrary. Library of Congress Cataloging in Publication Data Bataille, Georges, 1897-1962. [Selections. English. 19971 The Bataille reader I edited by Fred Botting and Scott Wilson. p. cm. -(Blackwell readers) Includes bibliographical references and index. ISBN 0-631-19958-6 (hc : alk. paper). -ISBN 0-631-19959-4 (pbk. : alk. paper) 1. Philosophy. 2. Criticism. I. Botting, Fred. -
2011 Activity Report Mercialys – 2011 Activity Report Activity – 2011 Mercialys
welcome ! 2011 Activity Report Mercialys – 2011 Activity Report Activity – 2011 Mercialys 10, rue Cimarosa - 75016 Paris Tél. : +33 01 53 70 23 20 E-mail : [email protected] www.mercialys.com www.mercialys.com OUr GrOUP Profi le Chairman’s message .................... 2 Corporate Governance ............... 6 2011 Highlights ............................. 8 Key fi gures ................................... 10 OUr ValUes Making you feel at home The Esprit Voisin concept: Mercialys’s trademark ....................................... 14 Refl ecting local identity ..................................... 16 Useful ideas ......................................................... 18 Shopping centers in line with their customers ........................................... 20 Responsible retailers and citizens .................. 22 OUr aiM A new way of looking at retail Valentine Grand Centre shopping center: a story shared with the people of Marseille ............... 26 “Esprit Voisin“ concept at the heart of... ....................... 32 Partnerships creating value ............................................... 37 The art of transformation .................................................. 39 Entrepreneurial spirit .......................................................... 40 2006-11: the Alcudia years ............................................ 42 2012: The “Foncière Commerçante” strategy .............. 43 In 2012, they will also adopt the “Esprit Voisin” concept... ............................................ 44 OUR GROUP MERCIALYS Activity Report -
The Teaching of Russian Culture to Americans: Contemporary Values
71t .7487 JARVIS, Donald Karl, 1939- THE TEACHING OF RUSSIAN CULTURE TO AMERICANS; CONTEMPORARY VALUES AND NORMS. The Ohio State University, Ph.D., 1970 Education, general University Microfilms, A XEROX Company, Ann Arbor, Michigan © Copyright by Donald Karl Jarvis 1971 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE TEACHING OP RUSSIAN CULTURE TO AMERICANS: CONTEMPORARY VALUES AND NORMS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Donald Karl Jarvis, B.A. ***** The Ohio State University 1970 Approved by Adviser Department of Foreign Language Education ACKNOWLEDGEMENTS The writer wishes to express appreciation to Professor Douglas Card of the Department of Sociology, The Ohio State University, for his interested assistance in siiggesting sources and evaluating the content of Chapter II. Gratitude is also due the reading committee, Professors Edward D. Allen, M. Eugene Gilliora, and Ronald E. Smith for their assistance in locating materials and their wise advice. Professor Smith's support was exceptionally strong throughout the project. Finally, the writer is indebted to his wife, Janelle Jamison Jarvis, for her continued support in this project, for her typing and editing of the manuscript, and for her valuable suggestions on Chapter IV. ii VITA April 6, 1939 . Born - Ithaca, New York 1964 .............. B.A., Brigham Young Univer sity , Provo, Utah 1964-1965 .......... Teaching Assistant, Depart ment of Foreign Languages, Brigham Young University, Provo, Utah 1965-1966 .......... Teacher of Russian, German, and Mathematics, Beaver High School, Beaver, Utah 1966-1967 .......... Teacher of Russian and United States History, East High School, Salt Lake City, Utah 1967-1970 ..... -
University Microfilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “ Missing Page(s)” . If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Yale French Studies Structuralism
Yale French Studies Structuralism Double Issue - Two Dollars Per Copy - All ArticlesIn English This content downloaded from 138.38.44.95 on Sun, 03 Jan 2016 19:52:13 UTC All use subject to JSTOR Terms and Conditions Yale French Studies THIRTY-SIX AND THIRTY-SEVEN STRUCTURALISM 5 Introduction The Editor LINGUISTICS 10 Structureand Language A ndreMartinet 19 Merleau-Pontyand thephenomenology of language PhilipE. Lewis ANTHROPOLOGY 41 Overtureto le Cru et le cuit Claude Levi-Strauss 66 Structuralismin anthropology Harold W. Scheffler ART 89 Some remarkson structuralanalysis in art and architecture SheldonNodelman PSYCHIATRY 104 JacquesLacan and thestructure of the unconscious JanMiel 112 The insistenceof the letterin the unconscious JacquesLacan LITERATURE 148 Structuralism:the Anglo-Americanadventure GeoffreyHartman 169 Structuresof exchangein Cinna JacquesEhrmann 200 Describingpoetic structures: Two approaches to Baudelaire'sles Chats Michael Riffaterre 243 Towards an anthropologyof literature VictoriaL. Rippere This content downloaded from 138.38.44.95 on Sun, 03 Jan 2016 19:52:13 UTC All use subject to JSTOR Terms and Conditions BIBLIOGRAPHIES 252 Linguistics ElizabethBarber 256 Anthropology Allen R. Maxwell 263 JacquesLacan AnthonyG. Wilden 269 Structuralismand literarycriticism T. Todorov 270 Selectedgeneral bibliography The Editor Cover: "Graph,"photograph by JacquesEhrmann. Editor, this issue: Jacques Ehrmann; Business Manager: Bruce M. Wermuth; General Editor: Joseph H. McMahon; Assistant: Jonathan B. Talbot; Advisory Board: Henri Peyre (Chairman), Michel Beaujour, Victor Brombert, Kenneth Cornell, Georges May, Charles Porter Subscriptions:$3.50 for two years (four issues), $2.00 for one year (two issues), $1.00 per number.323 W. L. HarknessHall, Yale University,New Haven, Connecticut.Printed for YFS by EasternPress, New Haven. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Renaissance Futures: Chance, Prediction, and Play in Northern European Visual Culture, c. 1480-1550 Permalink https://escholarship.org/uc/item/6r20h5s3 Author Kelly, Jessen Lee Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Renaissance Futures: Chance, Prediction, and Play in Northern European Visual Culture, c. 1480-1550 By Jessen Lee Kelly A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Elizabeth Honig, Chair Professor Whitney Davis Professor Niklaus Largier Fall 2011 © 2011, by Jessen Lee Kelly All rights reserved. Abstract Renaissance Futures: Chance, Prediction, and Play in Northern European Visual Culture, c. 1480-1550 By Jessen Lee Kelly Doctor of Philosophy in History of Art University of California, Berkeley Professor Elizabeth Honig, Chair This dissertation examines the relationships between chance and visual culture during the Northern Renaissance, focusing on the use of images in the deliberate, ritualized application of chance in games and divination. I argue that, prior to the development of probability theory in the seventeenth century, images served a critical function in encountering and negotiating uncertainties about the future. The casting of lots for prognostication and play was nothing new in the fifteenth and sixteenth centuries. Yet, aided in part by the growing print industry, the period witnessed the development of new and varied forms for these practices, forms that were increasingly pictorial in character. -
The Moving Frontiers of Intellectual Work. Lucile Dumont
The Moving Frontiers of Intellectual Work. Lucile Dumont To cite this version: Lucile Dumont. The Moving Frontiers of Intellectual Work. : The Importation and Early Recep- tion of Roland Barthes’ Works in the United States (1960s–1980s). Sociologica, Il Mulino, 2017, 10.2383/86984. hal-01702760 HAL Id: hal-01702760 https://hal.archives-ouvertes.fr/hal-01702760 Submitted on 7 Feb 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Moving Frontiers of Intellectual Work The Importation and Early Reception of Roland Barthes’ Works in the United States (1960s–1980s). Lucile Dumont (EHESS, CESSP). [email protected] Publié dans : Sociologica, 1/2017. Symposium / Traveling Theories. The International Circulation of Social Thinkers and Their Works. Ed. by Gisèle Sapiro and Marco Santoro. doi : 10.2383/86984 [version auteure] Abstract: This paper focuses on Barthes’ career and early American reception (1960s–1980s). It aims at showing the construction of Barthes as an intellectual figure in France and in the United States in a perspective of historical sociology of intellectuals and of social sciences and humanities. In studying how the American reception of Barthes’ works takes place in the wider circulation of symbolic goods between the French and American academic, intellectual and literary spaces, it specifically demonstrates the way the crossing of national frontiers, in Barthes’ case, is related to the crossing of disciplinary, professional and intellectual boundaries. -
Theoretical Sociology
Theoretical Sociology Theoretical Sociology A Concise Introduction to Twelve Sociological Theories Jonathan H. Turner To the memory of my dear friend, Clara Dean, who in 1969 began typing all my manuscripts and who, University of California, Riverside at age 85, retired in 2010 from typing, only to die in 2012. I will forever be grateful to her friendship and incredible competence for over forty years in getting my manuscripts ready for publication. Theoretical Sociology A Concise Introduction to Twelve Sociological Theories Jonathan H. Turner To the memory of my dear friend, Clara Dean, who in 1969 began typing all my manuscripts and who, University of California, Riverside at age 85, retired in 2010 from typing, only to die in 2012. I will forever be grateful to her friendship and incredible competence for over forty years in getting my manuscripts ready for publication. FOR INFORMATION: Copyright 2014 by SAGE Publications, Inc. SAGE Publications, Inc. All rights reserved. No part of this book may be reproduced or 2455 Teller Road utilized in any form or by any means, electronic or mechanical, Thousand Oaks, California 91320 including photocopying, recording, or by any information storage E-mail: [email protected] and retrieval system, without permission in writing from the publisher. SAGE Publications Ltd. 1 Oliver’s Yard 55 City Road London EC1Y 1SP Printed in the United States of America United Kingdom Library of Congress Cataloging-in-Publication Data SAGE Publications India Pvt. Ltd. B 1/I 1 Mohan Cooperative Industrial Area A catalog record of this book is available from the Library of Mathura Road, New Delhi 110 044 Congress. -
Surrealism Su Alism
7 × 10 SPINE: 0.8125 FLAPS: 0 Art history / Modernism SU n SURREALISM AT PLAY Susan Laxton writes a new history of surrealism in which she traces the central- ity of play to the movement and its ongoing legacy. For surrealist artists, play RRE took a consistent role in their aesthetic as they worked in, with, and against a post-WWI world increasingly dominated by technology and functionalism. Whether through exquisite corpse drawings, Man Ray’s rayographs, or Joan I Miró’s visual puns, surrealists became adept at developing techniques and pro- cesses designed to guarantee aleatory outcomes. In embracing chance as the means to produce unforeseeable ends, they shi ed emphasis from nal product to process, challenging the disciplinary structures of industrial modernism. As Laxton demonstrates, play became a primary method through which surrealism ALISM refashioned artistic practice, everyday experience, and the nature of subjectivity. “ is long-awaited and important book situates surrealism in relation to Walter Benjamin’s idea that, with the withering of aura, there is an expansion of room for play. Susan Laxton shows how surrealist activities unleashed the revolution- ary power of playfulness on modernity’s overvaluation of rationality and utility. In doing so, they uncovered technology’s ludic potential. is approach casts new light on the work of Man Ray, Joan Miró, and Alberto Giacometti, among AT PLAY AT others, in ways that also illuminate the work of postwar artists.” MARGARET IVERSEN, author of Photography, Trace, and Trauma “ André Breton began the Manifesto of Surrealism by remembering childhood and play: ‘ e woods are white or black, one will never sleep!’ Susan Laxton’s Surrealism at Play recaptures the sense that surrealism should be approached as an activity, and one as open and as transgressive as this. -
Phd Thesis (PDF, 7.48MB)
Journey to Bethickett Raymond Federman’s Early Fiction Nathalie Camerlynck A thesis submitted in fulfilment of the requirement for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences The University of Sydney 2019 ii This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. Nathalie Camerlynck iii for Chorny iv ABSTRACT Raymond Federman (1928-2009) was known as a Beckett scholar, postmodern theorist and avant-garde fiction writer. Born in Paris, Federman escaped deportation during the Nazi occupation. All members of his immediate family perished at Auschwitz. He immigrated to the United States and in 1965 published one of the first monographs on Samuel Beckett, Journey to Chaos: Samuel Beckett’s Early Fiction. He kept writing on Beckett but turned his focus to postmodern theory, coining the terms ‘critifiction’ and ‘surfiction’ to describe his work and that of his contemporaries. Federman’s novels all repeat variations of his own life story. Scholarship on Federman has acknowledged Beckett’s importance, but the depth of this relationship is yet to be explored. This thesis offers a close reading of both the apparent and encoded intertextuality with Beckett in Federman’s writing. In telling his story Federman merges it with the stories of Beckett’s creations, grafting parts of their identity onto his own. These dynamics are especially significant in the early cycle of Federman’s oeuvre, from the 1971 Double or Nothing to the 1982 The Twofold Vibration.