DOCSLIB.ORG

Listen to Music on Kindle Fire (1St Generation)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Listen to Music on Kindle Fire (1St Generation) Listen to Music on Kindle Fire (1st Generation) © 2018 Amazon.com, Inc. or its affiliates. All rights reserved. Contents Get Started with Music on Kindle Fire Shop for Music Play Music Create and Manage Playlists More Music Library Options Download Music from Your Music Library Delete Downloaded music © 2015 Amazon.com, Inc. or its affiliates. All rights reserved. 2 Listen to Music on Kindle Fire 1st Generation Music tab on the Home page of your Kindle Fire lets you play and download music stored in Your Music Library and shop for music in the Digital Music Store. Note: Prime Music isn't supported on Kindle Fire 1st Generation. For a list of compatible devices that support Prime Music, go to http://www.amazon.com/help/primemusic. Get Started with Music on Your Kindle Fire To purchase, stream, and download music on your Kindle Fire, your device must be connected via Wi-Fi and registered to your Amazon.com account. Tap Music from the Home screen to play or download the music already in your Your Music Library, or to purchase music from the Digital Music Store. Tap Library to see Your Music Library and the music stored locally on the Kindle Fire, or Store to visit the Digital Music Store. Setting Parental Controls To turn on parental controls for Digital Music purchases on your Kindle Fire: 1. Tap the Quick Settings icon 2. Tap More 3. Tap Parental Controls 4. Switch Enable Parental Controls to the ON position 5. Set a parental controls password Shop for Music From the Music Library, tap Store to go to the Digital Music Store. You can browse for music using the Featured, Bestsellers, New Releases and Genres categories. Once you've found the song or album you'd like to purchase, tap the orange price button, then tap Buy or Get. Your purchase will complete and charge your default payment method. Your music is stored in Your Music Library after purchase, and you can either tap Go to your library to stream or download your music, or tap Continue Shopping to return to the Digital Music Store. © 2018 Amazon.com, Inc. or its affiliates. All rights reserved. 3 Use gift cards or promotional codes for digital music purchases To purchase music using an Amazon.com gift card or promotional code, you must first enter your code into Your Account before placing your order. 1. Tap Music from the Home screen. 2. Tap the Menu icon and select Settings. 3. Tap Enter a claim code and enter your gift card or promotional code. Any gift card balance available on your account will be applied to your purchase when it is completed. Some or all of your promotional balance may be restricted to particular stores within Amazon.com and may not be used for digital music. To confirm that your gift card or promotional code was applied, please check your order confirmation e-mail. Play Music To listen to music on your Kindle Fire, tap any song title or press and hold any playlist, artist, album, or song to add it to the "Now Playing" queue. Note: To view, play, or download your music in your Your Music Library, you must be signed in to your Amazon account and your Kindle Fire must be connected to a Wi-Fi network. Find your music To search for music in your Library, tap the magnifying glass icon at the bottom of the screen and enter the name of an artist, album, or song in the search field. You can explore your music by playlists, artists, albums, and songs within the Cloud and Device tabs. The Cloud tab includes all music in your Your Music Library and the Device tab displays all music you’ve © 2018 Amazon.com, Inc. or its affiliates. All rights reserved. 4 downloaded to your Kindle Fire. The music within the Device tab can be accessed without a Wi-Fi connection. Use the Playlists, Artists, Albums, and Songs tabs to browse different categories of music within the selected library. Active tabs are highlighted in orange. Tap on a song or album to play it. Create and Manage Playlists To create a playlist, tap Library, Playlists, and select Create new playlist. Select a name, then tap Save. You can press the orange plus button to add songs to your playlist, or search your device for music using the search bar. When you've finished selecting songs, tap Done. To edit a playlist, select the playlist and tap Edit to see a list of all songs on the playlist. To delete a playlist, press and hold a playlist and select Delete Playlist. This will not remove these songs from your library. To delete songs from your Kindle Fire, press and hold any album or song and select the delete option. More Music Library Options Press and hold the song, album, or artist title to see a list of options: Download album/song/artist: Download music to your Kindle Fire. The music will appear within the Device tab and can be accessed without a Wi-Fi connection. This option will not appear if you have already downloaded the item. Add album/song to Now Playing: Add music to the Now Playing queue. Add album/song to playlist: Select a playlist on the device or create a new one. View artist: Displays all songs from this artist stored your Your Music Library. Shop artist in store: Searches the Digital Music Store for the artist to show you additional songs or albums you can purchase. Remove album/song from device: Removes an album or song you’ve downloaded to your Kindle Fire and frees up storage space. This option only available from the Device tab. © 2018 Amazon.com, Inc. or its affiliates. All rights reserved. 5 Similar menus are available by pressing and holding the name of a playlist or artist within the Cloud or Device tabs. Download Music from Your Music Library To download music from Your Music Library to your Kindle Fire, long-press the song, album, playlist, or artist collection you'd like to download and tap the download option. After your music has downloaded, it can be found under the Device tab. Delete Downloaded Music Music can be deleted from your Kindle Fire by pressing and holding the title from the Device tab and selecting Remove Album/Song from device. Tap Yes to confirm. Music stored in Your Music Library cannot be deleted through the device. To delete music stored in your Your Music Library, go to https://music.amazon.com © 2018 Amazon.com, Inc. or its affiliates. All rights reserved. 6 .
Load more

Recommended publications
  • What's the Download® Music Survival Guide
    WHAT’S THE DOWNLOAD® MUSIC SURVIVAL GUIDE Written by: The WTD Interactive Advisory Board Inspired by: Thousands of perspectives from two years of work Dedicated to: Anyone who loves music and wants it to survive *A special thank you to Honorary Board Members Chris Brown, Sway Calloway, Kelly Clarkson, Common, Earth Wind & Fire, Eric Garland, Shirley Halperin, JD Natasha, Mark McGrath, and Kanye West for sharing your time and your minds. Published Oct. 19, 2006 What’s The Download® Interactive Advisory Board: WHO WE ARE Based on research demonstrating the need for a serious examination of the issues facing the music industry in the wake of the rise of illegal downloading, in 2005 The Recording Academy® formed the What’s The Download Interactive Advisory Board (WTDIAB) as part of What’s The Download, a public education campaign created in 2004 that recognizes the lack of dialogue between the music industry and music fans. We are comprised of 12 young adults who were selected from hundreds of applicants by The Recording Academy through a process which consisted of an essay, video application and telephone interview. We come from all over the country, have diverse tastes in music and are joined by Honorary Board Members that include high-profile music creators and industry veterans. Since the launch of our Board at the 47th Annual GRAMMY® Awards, we have been dedicated to discussing issues and finding solutions to the current challenges in the music industry surrounding the digital delivery of music. We have spent the last two years researching these issues and gathering thousands of opinions on issues such as piracy, access to digital music, and file-sharing.
    [Show full text]
  • EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908
    $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908 II 1111[ III.IIIIIII111I111I11II11I11III I II...11 #90807GEE374EM002# BLBD 897 A06 B0098 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A Overview LONG BEACH CA 90807 -3402 Page 10 New Features l3( AUGUST 2, 2003 Page 57 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT www.billboard.com HOT SPOTS New Player Eyes iTunes BuyMusic.com Rushes Dow nload Service to PC Market BY BRIAN GARRITY Audio -powered stores long offered by Best Buy, Tower Records and fye.com. NEW YORK -An unlikely player has hit the Web What's more, digital music executives say BuyMusic with the first attempt at a Windows -friendly answer highlights a lack of consistency on the part of the labels to Apple's iTunes Music Store: buy.com founder when it comes to wholesaling costs and, more importantly, Scott Blum. content urge rules. The entrepreneur's upstart pay -per-download venture,' In fact, this lack of consensus among labels is shap- buymusic.com, is positioning itself with the advertising ing up as a central challenge for all companies hoping slogan "Music downloads for the rest of us." to develop PC -based download stores. But beyond its iTunes- inspired, big -budget TV mar- "While buy.com's service is the least restrictive [down- the new service is less a Windows load store] that is currently available in the Windows keting campaign, SCOTT BLUI ART VENTURE 5 Trio For A Trio spin on Apple's offering and more like the Liquid (Continued on page 70) Multicultural trio Bacilos garners three nominations for fronts the Latin Grammy Awards.
    [Show full text]
  • Operation Guide for Bundled Best Buy Digital Music Store NWZ-E435F / E436F / E438F
    Operation Guide for Bundled Best Buy Digital Music Store NWZ-E435F / E436F / E438F ©2008 Sony Corporation 4-111-301-11 (1) NWZ-E435F / E436F / E438F.U2.4-111-301-11(1) 2 Table of Contents About the Home menu .......................... 3 About the bundled software ...........................3 Using Rhapsody Service Listening to Rhapsody Channels .......... 4 Adding songs transferred from Rhapsody Channels to the “Music Library” .................6 Displaying the Account Information .... 7 Troubleshooting Troubleshooting .................................... 8 Messages ................................................9 Additional Information About Copyrights ............................... 10 Index ...................................................11 NWZ-E435F / E436F / E438F.U2.4-111-301-11(1) 3 About the Home menu You can listen to Rhapsody Channels transferred from Best Buy Digital Music Store to the player. First you need to install Best Buy Digital Music Store from the supplied CD-ROM onto your computer, and then follow the on-screen instructions to create your account for Rhapsody membership. For details about usage or support of the software, refer to the following web site: http://www.bestbuy.com/digitalmusic When you connect Best Buy Digital Music Store and transfer Rhapsody Channels to the player, (Clock Display) on the Home menu changes to (Rhapsody Channels). Clock Display Rhapsody Channels Hints Even if (Clock Display) is not displayed in the Home menu, you can select “Clock Display” from the option menu. Press the OPTION/PWR OFF button on the Home menu or the “Now Playing” screen and select “Clock Display” from the option menu. About the bundled software Best Buy Digital Music Store With the Best Buy Digital Music Store, you can purchase individual songs, and/ or sign up for a membership to create a subscription account.
    [Show full text]
  • First-Ever Mobile Music Store from AT&T
    First-Ever Mobile Music Store from AT&T 5 October 2004 When a track is selected, PC users or users with compatible handsets may then listen to a 30-second song sample and/or purchase that track, all with just a few clicks from their wireless phone. Once a song or album has been purchased, subscribers then visit the AT&T Wireless mMode Music Store online to download the track to their computers. Users may then burn that track to a CD, or move it to any of the more than 70 portable devices supporting Windows Media. For years, AT&T Wireless' mMode service has informed and entertained customers with some of the best-in-class applications available, from news and sports to gaming and dating. Today, the company turns up the volume on mobile music and significantly expands the functionality of the mobile phone to meet the insatiable demand for digital music. By tying to the company's popular Music ID service, when customers receive a text message Service Turns the Mobile Phone Into a 'Remote with the name and artist of a song they've Control' for PC Downloads Of Digital Music discovered while mobile, they can now click on a Tracks link to go straight to the AT&T Wireless mMode Music Store to buy that digital music track. Building on the success of the company's Music ID service, AT&T Wireless today announced the "When it comes to digital music, consumers don't premier of the mMode Music Store, making the want to be tied to their PC; they want their music entire music discovery, sampling, and purchase experience to be mobile," said Sam Hall, vice process mobile for the first time in U.S.
    [Show full text]
  • The Impact of Technology on Nodes of Popular Music Product
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE IS MUSIC BECOMING PLACELESS? THE IMPACT OF TECHNOLOGY ON NODES OF POPULAR MUSIC PRODUCTION BETWEEN 1991 AND 2010 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Geography By Avo Nersesian December 2012 The thesis of Avo Nersesian is approved: Dr. Ronald Davidson Date Dr. Edward Jackiewicz Date Dr. Steven Graves, Chair Date California State University, Northridge ii Without sound, space itself contracts, for our experience of space is greatly extended by the auditory sense which provides information of the world beyond the visual field. – Yi-Fu Tuan iii Table of Contents Signature Page ................................................................................................................................ ii Epigraph ......................................................................................................................................... iii List of Figures ................................................................................................................................. v Abstract .......................................................................................................................................... vi 1.0 Music geography? ..................................................................................................................... 1 1.1 History of research ................................................................................................................ 2 1.2 Major Themes
    [Show full text]
  • Music Aggregators and Intermediation of the Digital Music Market
    International Journal of Communication 9(2015), 254–273 1932–8036/20150005 Music Aggregators and Intermediation of the Digital Music Market PATRYK GALUSZKA1 University of Lodz, Poland This article demonstrates that, contrary to popular belief, the advent of the Internet has not made intermediaries in the music market obsolete. Individual artists and independent record labels who want to sell their music in digital music stores must deliver their records via third-party companies called music aggregators. Drawing on the concepts of new institutional economics, the article demonstrates that the emergence of music aggregators is a market response to the high level of transaction costs and bargaining asymmetry associated with selling digital music online. The conclusion suggests that the major music conglomerates may seek ownership links with music aggregators, leading to the emergence of vertically integrated companies, which may have profound consequences for cultural markets. Keywords: music aggregators, disintermediation, streaming services, digital music, Spotify, record labels Introduction It is difficult to overstate the influence of the advent of the Internet and digitalization on the functioning of cultural industries. Numerous academics and journalists have described what has been happening to the music, film, book publishing, and other cultural industries since 1999—the year when the first massively popular peer-to-peer (P2P) network—Napster—shook their foundations (e.g., Rogers, 2013; Wikström, 2010). Nevertheless, although 15 years have passed, researchers still have quite divergent opinions about the consequences of these changes for artists, businesses, and the consumers of cultural products. One argument that has been put forward claims that communication technologies help democratize creativity by allowing more equal access to technologies and distribution networks (e.g., Fox, 2004; Frost, 2007; Kasaras, 2002; McLeod, 2005).
    [Show full text]
  • Printmgr File
    Warner Music Group Annual Report 2007 NYSE: WMG www.wmg.com A Message from Chairman and CEO Edgar Bronfman, Jr. Dear Fellow Shareholders: Industry transitions are times of great opportunity, and there is no doubt that the recorded music industry is in the midst of a significant and fundamental transformation. Of course, opportunity does not come without its challenges and this year, Warner Music Group continued to meet and address the challenges of this transition head on, laying the groundwork for future growth. The transformation of the recorded music industry will require not only a clear vision and a progressive strategy to radically alter traditional business models, but also leadership, continued financial discipline and resilience. At Warner Music Group, we are creating the foundation for future growth and believe we have the right strategy in place not only to effectively navigate through these difficult times, but also to reap the rewards of the recorded music industry’s evolution. Looking back on our fiscal 2007, we made meaningful progress in many different areas. Sustaining Digital Leadership During fiscal 2007, digital revenue grew 30% to $460 million or 14% of total revenue and, in the U.S. we once again reported digital SoundScan album share substantially above our physical share. Building upon our digital leadership is essential as the recorded music business rapidly shifts from physical to digital. We entered into selective partnerships across business models that are aimed at driving expanded monetization of our content through new products in the digital space. These partnerships included the acquisition of a majority stake in Zebralution, a German digital distribution company, as well as deals with social networking site, imeem, and online retailer and music discovery site, Lala.com.
    [Show full text]
  • Consumers & Music Discovery
    THE NPD GROUP AUTOMOTIVE BEAUTY COMMERCIAL TECHNOLOGY NARM/NPD 2007 CONSUMER TECHNOLOGY Phase One ENTERTAINMENT FASHION Consumers & Music Discovery FOOD & BEVERAGE FOODSERVICE HOME OFFICE SUPPLIES SOFTWARE SPORTS TOYS WIRELESS Copyright 2007. The NPD Group, Inc. All Rights Reserved. This presentation is Proprietary and Confidential and may not be disclosed in any manner, in whole or in part, to any third party without the express written consent of NPD. 2006 Research Agenda Understanding the Music Consumer Shopping Segments Shopping Profiles Retailer Opportunities The Digital Consumer About them Potential for Kiosks Physical Music Concepts Market Potential 2 2007 Research Agenda Music Discovery How is it happening Selecting retailers The physical music challenge Baby Boomers (this summer) Who are they How is music relevant Ways to effectively market to them 3 Music Discovery Focus groups February 2007 (Tulsa, Chicago, Metro NY) Online survey March 2007 Sample size of 3374 Representative of US population 13-65 years of age Structure: – Listening and music acquisition habits – Purchasing- digital and physical – Discovery and action – Retail affinity and reasons – Attitudes towards music – Non-buyers: Why? 4 Key Messages 1. “Digital” has created new opportunities for discovery and commerce but it may have a dark side Unpaid sharing and outright piracy Introduces a new degree of selectivity Over stimulated consumers with less need to buy, or delayed buying 2. Consumer rejection of the CD is not the cause of the current accelerated sales decline Very few have outright walked away- collecting alive “CD Majority rules” even among youth, heavy buyers Passionate music buyers in a physical/digital coexistence Suggests a content void 3.
    [Show full text]
  • TRANSPARENCY and PAYMENT FLOWS in the MUSIC INDUSTRY Recommendations to Increase Transparency, Reduce Friction, and Promote Fairness in the Music Industry
    RETHINK MUSIC 1 TRANSPARENCY AND MONEY FLOWS IN THE MUSIC INDUSTRY FAIR MUSIC: TRANSPARENCY AND PAYMENT FLOWS IN THE MUSIC INDUSTRY Recommendations to Increase Transparency, Reduce Friction, and Promote Fairness in the Music Industry Rethink Music A Project of Berklee Boston, AUTHORED BY AN INITIATIVE OF Initiative Institute of Creative Massachusetts Entrepreneurship USA (BerkleeICE) RETHINK MUSIC 2 TRANSPARENCY AND MONEY FLOWS IN THE MUSIC INDUSTRY EXECUTIVE SUMMARY The unsurpassed reach of the Internet and the emergence of a range of new digital technologies have transformed virtually every corner of the music industry for fans and creators alike. While consumers enjoy vastly more options, these market disruptions are presenting a range of important challenges for creators, producers, and distributors of music. In our year-long study, the Rethink Music Initiative at the Berklee Institute of Creative Entrepreneurship has sought to identify the underlying barriers to progress and propose solutions to increase transparency, accelerate transactions and cash flows, and reduce inefficiencies in the $45 billion global music industry (including live performances). RETHINK MUSIC 3 TRANSPARENCY AND MONEY FLOWS IN THE MUSIC INDUSTRY EXECUTIVE SUMMARY (CONT.) Musicians are struggling a world where data is readily available NEEDING GREATER and micro-payments can be tracked, to balance their passion for TRANSPARENCY accountability should be a foregone con- music with the need to be clusion. However, the industry has yet to THE MODERN MUSIC BUSINESS require services and intermediaries to knowledgeable and vigilant inherently involves millions of daily mi- provide complete, readable, up-to-date about the financial rewards cro-transactions, generating revenues— data about music sales and uses in an in fractions of pennies—from songs and industry-standard format.
    [Show full text]
  • MUSIC REPORT 04 the DIGITAL MARKET TAKES SHAPE in 2005 04 Digital Music Expands Worldwide
    IFPI:06 DIGITAL MUSIC REPORT 04 THE DIGITAL MARKET TAKES SHAPE IN 2005 04 Digital music expands worldwide 07 GETTING MUSIC TO CONSUMERS IN MORE WAYS 07 Distribution channels diversify 07 Video boosts digital music 08 The record company investment 09 The marketing opportunity 09 Digital-only labels emerge 09 The new digital intermediaries 10 MOBILE MUSIC SHOWS ITS POTENTIAL 10 Mobile music spreads globally 11 From ringtones to ‘real music’ 11 Music drives 3G 12 The handset market 12 The future of mobile music 14 IN THE PIPELINE: LEGITIMATE P2P, DIGITAL RADIO & PODCASTING 14 Legitimate P2P 14 Digital Radio 14 Podcasting 15 MUSIC CONSUMPTION IS CHANGING 15 New IFPI research spotlights the consumer 15 Digital music versus the CD 15 The power of portability 16 CONFRONTING THE CHALLENGES 16 Internet piracy: the biggest obstacle 16 Digital stream ripping: the next big challenge 17 The call to ISPs 18 COURTS IMPROVE THE LANDSCAPE 18 Courts rule against illegal P2P 18 Shutting down ‘piracy havens’ 20 CONTAINING ILLEGAL FILE-SHARING 20 Deterrence: legal actions against file-sharers 20 Education 21 Is the fight against piracy working? 21 Changing attitudes 22 DRM & INTEROPERABILITY: THE KEYS TO FUTURE GROWTH 22 The challenge for DRM 22 Interoperability: a key priority 23 WHAT DIGITAL MUSIC OFFERS THE CONSUMER DIGITAL MUSIC REPORT 2006 PAGE 02 MUSIC – A KEY DRIVER OF THE DIGITAL ECONOMY A new wave of digital commerce, from mobile to broadband, is rolling out worldwide – and music is driving it. At the same time the industry is helping “Music is not only the most transform the experience of the music fan.
    [Show full text]
  • The Evolution of MTV Music Programs an Analysis of the MTV Artists Program Huiming Zhang
    The Evolution of MTV Music Programs An Analysis of the MTV Artists Program A Thesis Submitted to the Faculty of Drexel University by Huiming Zhang in partial fulfillment of the requirements for the degree of Master of Science August 2014 © Copyright 2014 Huiming Zhang. All Rights Reserved i Table of Contents List of Figures ............................................................................................................... ii Abstract ........................................................................................................................ iii CHAPTER 1: INTRODUCTION .................................................................................. 1 Introduction ........................................................................................................................... 1 Background and Need ........................................................................................................... 5 Purpose of the Study ........................................................................................................... 10 Research Questions ............................................................................................................. 11 CHAPTER 2: LITERATURE REVIEW ..................................................................... 12 Introduction ......................................................................................................................... 12 Body of the Review ............................................................................................................
    [Show full text]
  • Consumer Acceptance of Online Digital Music Store Lin Ngo-Ye University of Wisconsin - Milwaukee, [email protected]
    Association for Information Systems AIS Electronic Library (AISeL) Americas Conference on Information Systems AMCIS 2005 Proceedings (AMCIS) 2005 Consumer Acceptance of Online Digital Music Store Lin Ngo-Ye University of Wisconsin - Milwaukee, [email protected] Mujtaba Ahsan University of Wisconsin - Milwaukee, [email protected] Follow this and additional works at: http://aisel.aisnet.org/amcis2005 Recommended Citation Ngo-Ye, Lin and Ahsan, Mujtaba, "Consumer Acceptance of Online Digital Music Store" (2005). AMCIS 2005 Proceedings. 359. http://aisel.aisnet.org/amcis2005/359 This material is brought to you by the Americas Conference on Information Systems (AMCIS) at AIS Electronic Library (AISeL). It has been accepted for inclusion in AMCIS 2005 Proceedings by an authorized administrator of AIS Electronic Library (AISeL). For more information, please contact [email protected]. Ngo-Ye and Ahsan Consumer Acceptance of Online Digital Music Store Consumer Acceptance of Online Digital Music Store Lin Ngo-Ye Mujtaba Ahsan University of Wisconsin-Milwaukee University of Wisconsin-Milwaukee [email protected] [email protected] ABSTRACT While the innovation of online digital music stores represents a revolution in the entertainment industry, there is little rigorous academic research that examines the IT aspects of the movement. In this study, we investigate the salient factors that will affect consumers’acceptance of online digital music stores. Based on the Personal Trait theory, Technology Acceptance Model, and Psychology Flow theory, we propose an integrated conceptual model to explain the emerging phenomena. A simulated lab experiment design and PLS as data analysis method are discussed. The main contribution of this work is theoretical that we identify the factors that may inhibit and promote consumer acceptance of online digital music stores.
    [Show full text]