The Scandinavian Scene
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Beethoven and Banjos - an Annual Musical Celebration for the UP
Beethoven and Banjos - An Annual Musical Celebration for the UP Beethoven and Banjos 2018 festival is bringing Nordic folk music and some very unique instruments to the Finnish American Heritage Center in Hancock, Michigan. Along with the musicians from Decoda (Carnegie Hall’s resident chamber group) we are presenting Norwegian Hardanger fiddler Guro Kvifte Nesheim and Swedish Nyckelharpist Anna Gustavsson. Guro Kvifte Nesheim grew up in Oslo, Norway, and started playing the Hardanger fiddle when she was seven years old. She has learned to play the traditional music of Norway from many great Hardanger fiddle players and has received prizes for her playing in national competitions for folk music. In 2013 she began her folk music education in Sweden at the Academy of Music and Drama in Gothenburg. Guro is composing a lot of music, and has a great interest and love for the old music traditions of Norway and Sweden. In 2011 she went to the world music camp Ethno and was bit by the “Ethno-bug”. Since then she has attended many Ethno Camps as a participant and leader, and setup Ethno Norway with a team of fellow musicians. In spring 2015 she worked at the Opera House of Gothenburg with the dance piece “Shadowland”. The Hardanger fiddle is a traditional instrument from Norway. It is called the Hardanger Fiddle because the oldest known Hardanger Fiddle, made in 1651, was found in the area Hardanger. The instrument has beautiful decorations, traditional rose painting, mother-of-pearl inlays and often a lion’s head. The main characteristic of the Hardanger Fiddle is the sympathetic strings that makes the sound very special – it’s like an old version of a speaker that amplifies the sound. -
The American-Scandinavian Foundation
THE AMERICAN-SCANDINAVIAN FOUNDATION BI-ANNUAL REPORT JULY 1, 2011 TO JUNE 30, 2013 The American-Scandinavian Foundation BI-ANNUAL REPORT July 1, 2011 to June 30, 2013 The American-Scandinavian Foundation (ASF) serves as a vital educational and cultural link between the United States and the five Nordic countries: Denmark, Finland, Iceland, Norway, and Sweden. A publicly supported nonprofit organization, the Foundation fosters cultural understanding, provides a forum for the exchange of ideas, and sustains an extensive program of fellowships, grants, internships/training, publishing, and cultural events. Over 30,000 Scandinavians and Americans have participated in its exchange programs over the last century. In October 2000, the ASF inaugurated Scandinavia House: The Nordic Center in America, its headquarters, where it presents a broad range of public programs furthering its mission to reinforce the strong relationships between the United States and the Nordic nations, honoring their shared values and appreciating their differences. 58 PARK AVENUE, NEW YORK, NY 10016 • AMscan.ORG H.M. Queen Margrethe II H.E. Ólafur Ragnar Grímsson Patrons of Denmark President of Iceland 2011 – 2013 H.E. Tarja Halonen H.M. King Harald V President of Finland of Norway until February, 2012 H.M. King Carl XVI Gustaf H.E Sauli Niinistö of Sweden President of Finland from March, 2012 H.R.H. Princess Benedikte H.H. Princess Märtha Louise Honorary of Denmark of Norway Trustees H.E. Martti Ahtisaari H.R.H. Crown Princess Victoria 2011 – 2013 President of Finland,1994-2000 of Sweden H.E. Vigdís Finnbogadóttir President of Iceland, 1980-1996 Officers 2011 – 2012 Richard E. -
The Fiddle Traditions the Violin Comes to Norway It Is Believed That The
The fiddle traditions The violin comes to Norway It is believed that the violin came to that violins from this period were Norway in the middle of the 1600s brought home by, amongst others, from Italy and Germany. This was Norwegian soldiers who fought in probably as a result of upper class wars in Europe. music activities in the towns. But, much suggests that fiddle playing was known in the countryside before this. Already around 1600 ‘farmer fiddles’ are described in old sources, and named fiddlers are also often encountered. We know of the Hardanger fiddle from the middle of the 1600s, which implies that a fiddle-making industry was already established in the countryside before the violin was popular in the Norwegian towns. Rural craftsmen in Norway must have acquired knowledge about this new instrument from 1500s Italy and been inspired by it. One can imagine From 1650 onwards, the violin quickly became a popular instrument throughout the whole of the country. We have clear evidence of this in many areas – from Finnmark, the rural areas of the West Coast and from inland mountain and valley districts. The fiddle, as it was also called, was the pop instrument of its day. There exist early descriptions as to how the farming folk amused themselves and danced to fiddle music. In the course of the 1700s, its popularity only increased, and the fiddle was above all used at weddings and festive occasions. Fiddlers were also prominent at the big markets, and here it was possible to find both fiddles and fiddle strings for sale. -
The-Royal-Birthday-Calendar-Kopie-3
THE ROYAL PAGES.COM The Royal Birthday European Royal Houses C a l e n d a r January February March April 05 - King Juan Carlos I. of Spain (1938) 01 - Princess Stéphanie of Monaco (1965) 01 - Vice Admiral Sir Timothy Laurence 10 - Princess Ariane of the Netherlands - Prince Vincent and Princess (1955) (2007) 08 05 - Crown Princess Mary of Denmark 15 - King Philippe of the Belgians (1960) Josephine of Denmark (2011) (1972) 02 - Prince Oscar of Sweden (2016) 09 - Catherine, Duchess of Cambridge 16 - Queen Margarethe II. of Denmark 06 - Princess Marie of Denmark (1976) 09 - Princess Adrienne of Sweden (2018) (1982) (1940) 14 - Prince Hans-Adam II. of 16 - Grand Duke Henri of Luxembourg 20 - Sophie, Countess of Wessex (1965) 10 - Prince Edward, Earl of Wessex (1964) Liechtenstein (1945) (1955) 20 - Queen Mathilde of the Belgians (1973) 19 - Prince Andrew, Duke of York (1960) 14 - Prince Albert II. of Monaco (1958) 16 - Princess Eleonore of the Belgians (2008) 19 - Prince Alexander of Sweden (2016) 21 - Princess Ingrid Alexandra of Norway 20 - Princess Leonore of Sweden (2014) 22 - Grand Duchess Maria Teresa of (2004) 21 - Queen Elizabeth II. of the UK (1926) 21 - King Harald V. of Norway (1937) Luxembourg (1956) 23 - Princess Caroline of Hanover (1957) 21 - Princess Isabella of Denmark (2007) 23 - Princess Estelle of Sweden (2012) 23 - Princess Eugenie of York (1990) 23 - Prince Louis of Cambridge (2018) 25 - Princess Charlène of Monaco (1978) 26 - Prince Ernst August V. of Hanover 27 - King Willem of the Netherlands (1967) 30 - King Felipe VI. of Spain (1968) (1954) 29 - Infanta Sofia of Spain (2007) 31 - Princess Beatrix of the Netherlands 30 - King Carl XVI Gustaf of Sweden (1946) (1938) May June July August 02 - Princess Charlotte of Cambridge (2015) 05 - Princess Astrid of the Belgians (1962) 04 - Queen Sonja of Norway (1937) 03 - Prince Louis of Luxembourg (1986) 04 - Archie Harrison Mountbatten-Windsor 06 - King Albert II. -
Program in Chronological Order
Program in Chronological Order * – Corresponding Author Note: Minisymposia (MS) session talk times are only indicative and talks will be scheduled in such a way as to occupy the 90 minute time slot at the discretion of the MS organizer Wednesday, 24 July 2019 09:00-09:15 WeA03.3 Retinal Vessel Segmentation using Round-Wise Features Aggregation on Bracket-Shaped Convolutional Neural Networks WeA02: 08:30-10:00 Hall A8 – Level 1 Hua, Cam-Hao* (Kyung Hee University); Huynh-The, Thien Adaptive and Kalman Filtering (Oral Session) (Kumoh National Institute of Technology); Lee, Sungyoung Chair: Aramendi, Elisabete (University of the Basque Country) (Kyung Hee University) Co-Chair: Sassi, Roberto (Università degli Studi di Milano) 09:15-09:30 WeA03.4 08:30-08:45 WeA02.1 Automatic Classification for the Type of Multiple Synapse Comparison of Single and Multi-Reference QRD-RLS based on Deep Learning July 24 Wednesday Adaptive Filter for Non-Invasive Fetal Electrocardiography Luo, Jie (Hubei University); Hong, Bei (Institute of Automation, Sulas, Eleonora* (University of Cagliari); Urru, Monica (Division Chinese Academy of Sciences); Jiang, Yi (Institute of of Paediatric Cardiology, S.Michele Hospital, Cagliari,); Automation, Chinese Academy of Sciences); Li, Linlin (Institute Tumbarello, Roberto (Division of Paediatric Cardiology, of Automation Chinese Academy of Sciences); Xie, Qiwei S.Michele Hospital, Cagliari,); Raffo, Luigi (University of (Institute of Automation, Chinese Academy of Sciences); Han, Cagliari); Pani, Danilo (University of Cagliari) Hua* (Institute of Automation, Chinese Academy of Sciences) 08:45-09:00 WeA02.2 09:30-09:45 WeA03.5 Physical Activity Estimation from Accelerometry Averse Deep Semantic Segmentation Garnotel, Maël (CRNH); Simon, Chantal (CRNH Rhône- Cruz, Ricardo* (INESC TEC & University of Porto); Pinto Costa, Alpes/CENS, Centre Hospitalier Lyon Sud – 165 chemin); Joaquim F. -
Le Traitement Médiatique Des Sports D'hiver : Approche Comparée France/Pays Scandinaves
ÉCOLE DU JOURNALISME Mastère 2 Journalisme Sportif *** LE TRAITEMENT MÉDIATIQUE DES SPORTS D’HIVER : APPROCHE COMPARÉE FRANCE/PAYS SCANDINAVES Mémoire présenté et soutenu par M. Florian Burgaud *** Année universitaire 2019/2020 REMERCIEMENTS Je remercie chaleureusement Christophe Colette qui m’a aiguillé pendant mes recherches. Je remercie aussi toutes les personnes qui m’ont aidé, de près ou de loin, pour la rédaction de ce mémoire. Un immense merci aux journalistes et aux autres personnes qui ont accepté de répondre à mes questions, à mes interrogations sur le traitement médiatique des sports d’hiver en France et dans les pays scandinaves. Un grand merci, donc, à tous : Nils Christian Mangelrød, Marcus Lindqvist, Viljam Brodahl, Jean-Pierre Bidet, Marc Ventouillac, Franck Lacroix, Sverker Sörlin et Nicolas Mayer. Merci aussi à Arne Idland pour son aide sur le Blink Festival. Merci à tous pour la confiance que vous m’avez accordée. Merci, enfin, à l’École Du Journalisme de Nice de m’avoir permis d’écrire ce mémoire sur un sujet s’insérant parfaitement dans mon projet professionnel. 1 RÉSUMÉ Lors de chaque édition des Jeux olympiques d’hiver, les audiences mesurées par Médiamétrie sont incroyablement élevées – jusqu’à 16 millions de personnes en 1992 pour le programme court féminin de patinage artistique. En partant du constat que les Français aiment les sports d’hiver mais qu’ils sont quasiment invisibles dans le paysage médiatique, à part le biathlon depuis quelques années, nous avons réalisé une approche comparée avec le traitement que les médias scandinaves font des sports d’hiver. Là-bas, les fondeurs et les hockeyeurs, notamment, sont de véritables stars traquées par les journalistes et les sports blancs font la une des journaux toute l’année. -
Passing of the Baton Stein Fjell Contacts Juletrefest
PASSING OF THE BATON JULETREFEST (CHRISTMAS TREE PARTY) Kathy Browne, President-Elect Sunday, December 8, 2 p.m., Loveland We are installing new and returning officers at the Come to Stein Fjell's Juletrefest and enjoy food, Jule- December meeting. It is important to have some continui- nisse, singing around the tree, the Christmas Story in Eng- ty in leadership roles, but it is equally critical to change lish and Norwegian, and more. It also is your last chance some of the key positions each year. Fresh perspectives this year to buy Christmas gifts at butikken. The Juletrefest and different styles provide vitality, which is important to will be held at King of Glory Lutheran Church, 2919 Wilson the survival of our lodge. This is true even when the out- Avenue, Loveland. going people have done an extraordinary job. Think of it Please call Barbara Nolin at 970.667.7641 by as a relay race where one runner is able to hand the baton December 2nd to let her know the number of on to the next runner, allowing the team to maintain its children you will be bringing, so Julenisse forward momentum for a longer time. The lodge is in can provide for them. Bring your children, need of a new editor for Posten. We could lose this critical your grandchildren, and/or your neighbor's communication link if no one steps in to accept the baton. children. Along with this annual changing of the guard is the For the potluck dinner, if your last name begins with need to confirm what lodge members are thinking. -
Reconstruction and Analysis of the Pupil Dilation Signal: Application to a Psychophysiological Affective Protocol
2013 35th Annual International Conference of the IEEE Engineering in Medicine and Biology Society (EMBC 2013) Osaka, Japan 3 – 7 July 2013 Pages 1-534 IEEE Catalog Number: CFP13EMB-POD ISBN: 978-1-4577-0215-0 1/12 Program in Chronological Order * Following Paper Title – Paper not Available Thursday, 4 July 2013 ThA01: 08:00-09:30 Conference Hall (12F) 1.1.1 Nonstationary Processing of Biomedical Signals I (Oral Session) Chair: Yoshida, Hisashi (Kinki Univ.) 08:00-08:15 ThA01.1 Estimation of Dynamic Neural Activity Including Informative Priors into a Kalman Filter Based Approach: A simulation study ........................................................................................................................................ N/A Martínez-Vargas, Juan David Universidad Nacional de Colombia; Castaño-Candamil, Juan Sebastián Universidad Nacional de Colombia; Castellanos-Dominguez, Germán Universidad Nacional de Colombia 08:15-08:30 ThA01.2 Reconstruction and Analysis of the Pupil Dilation Signal: Application to a Psychophysiological Affective Protocol ....................................................................................................................... 5-8 Onorati, Francesco Politecnico di Milano; Barbieri, Riccardo MGH-Harvard Medical School-MIT; Mauri, Maurizio IULM University of Milan; Russo, Vincenzo IULM University of Milan; Mainardi, Luca Politecnico di Milano 08:30-08:45 ThA01.3 Adaptive Sensing of ECG Signals Using R-R Interval Prediction ............................................................................ -
THE TUFTS DAILY Est
Where You Mostly Sunny Read It First 30/20 THE TUFTS DAILY Est. 1980 VOLUME LXVII, NUMBER 23 TUEsday, FEBRUARY 25, 2014 TUFTSDAILY.COM University will not divest Arianna Huffington to speak at Murrow Forum Editor-in-chief and President of the Huffington Post Media Group Arianna from fossil fuels ‘at this time’ Huffington will address the Tufts commu- BY VICTORIA LEISTMAN comes to important decisions within the nity at the ninth annual Edward R. Murrow Daily Editorial Board university.” Forum on Issues in Journalism, accord- Katie Walsh (F ’13), who was initially ing to Director of the Communications University President Anthony Monaco in chosen to serve on the working group and Media Studies (CMS) Program Julie a Feb. 12 announcement stated that the uni- before she graduated last spring, said that Dobrow. versity will adapt three recommendations she feels the members of the group rep- “We always try to get an A-list journal- from the Tufts Divestment Working Group. resent only a minority of the community. ist to come for our Edward R. Murrow The Board of Trustees, during their Feb. The composition reflected an imbalance Forum on Issues in Journalism and it 8 meeting, agreed to adapt the recommen- in the decision-making process and disre- seemed to us that while we have had dations, which include refraining from gard of the recommendations made from a lot of television journalists who have divestment at this time, creating a separate Tufts Divest, she said. come, we have had far fewer print jour- Sustainability Fund — which would allow “Everyone was cherry-picked by the nalists,” Dobrow said. -
The Devolution of the Shepherd Trumpet and Its Seminal
Special Supplement to the International Trumpet Guild ® Journal to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching, and literature associated with the trumpet ADDEN DUM TO “THE DEVOLUTI ON OF THE SHEPHERD TRUMPET AND ITS SEMINAL IMP ORTANCE IN MUSIC HISTORY” BY AINDRIAS HIRT January 2015 • Revision 2 The International Trumpet Guild ® (ITG) is the copyright owner of all data contained in this file. ITG gives the individual end-user the right to: • Download and retain an electronic copy of this file on a single workstation that you own • Transmit an unaltered copy of this file to any single individual end-user, so long as no fee, whether direct or indirect is charged • Print a single copy of pages of this file • Quote fair use passages of this file in not-for-profit research papers as long as the ITGJ, date, and page number are cited as the source. The International Trumpet Guild ® prohibits the following without prior writ ten permission: • Duplication or distribution of this file, the data contained herein, or printed copies made from this file for profit or for a charge, whether direct or indirect • Transmission of this file or the data contained herein to more than one individual end-user • Distribution of this file or the data contained herein in any form to more than one end user (as in the form of a chain letter) • Printing or distribution of more than a single copy of the pages of this file • Alteration of this file or the data contained herein • Placement of this file on any web site, server, or any other database or device that allows for the accessing or copying of this file or the data contained herein by any third party, including such a device intended to be used wholly within an institution. -
World Music Series, Karin Loberg Code, Harding Fiddle, October 5, 2015 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 10-5-2015 8:00 PM World Music Series, Karin Loberg Code, Harding Fiddle, October 5, 2015 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "World Music Series, Karin Loberg Code, Harding Fiddle, October 5, 2015" (2015). Conservatory of Music Concert Programs. Program 12. http://lux.lawrence.edu/concertprograms/12 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. WORLD MUSIC SERIES Karin Loberg Code Harding Fiddle Karin Loberg Code Harding Fiddle October 5, 2015 • 8 p.m. Harper Hall, Music-Drama Center Bridal march from Nes Sjåheimen valdresspringar Lyarlått etter Ola Okshovd Mehanken valdresspringar Steinsruden telespringar Sølve-Knut hallingspringar Trulseguten halling Sistelått at Krøsshaugen lèt Jenta med Garde Slidreklukkelåtten Knut Ivarslåtten Vossavalsen Fykeruds farvel til Amerika No intermission The hardingfele, or Harding fiddle, is an indigenous Norwegian folk instrument used primarily to accompany a group of regional dances known as bygdedans. This tradition dates back to at least the mid-17th century, and has continued without interruption to the present day. Some of the physical features that distinguish the hardingfele from a violin are the shorter neck; deeply indented ƒ-holes; a thick, almost flat bridge; ornate decorations; and the presence of six to 10 strings. -
Preserving Intangibility: W
ICME papers 2003 Preserving intangibility: Who, What, Where? By Daniel Winfree Papuga [email protected] Paper presented at the conference Cultural Traditions in Danger of Disappearing in Contemporary Society - A Challenge for Museums Sibiu, Romania. September 26-30, 2003 Introduction A recent development in the study of culture has been a focus on Intangible cultural heritage. UNESCO has been among the major actors in this process. Such a focus could be seen as a natural development within UNESCO, since the organization had commissioned the report 'Our Creative diversity' in the early 90's which provided an expanded concept of culture (World Commission for Culture and Development 1995). UNESCO defines intangible heritage as "embracing all forms of traditional and popular or folk culture, i.e. collective works originating in a given community and based on tradition. They include oral traditions, customs, languages, music, dance, rituals, festivities..." 1 These traditions may be expressed either through forms of cultural expression, or as cultural spaces which bring together various cultural activities. (UNESCO. 2001) A focus on intangible cultural heritage must: "give precedence to ways of presenting traditional and popular cultures that emphasize the living or past aspects of those cultures (showing their surroundings, ways of life and the works, skills and techniques they have produced)" 2. In other words, such a focus is context oriented. UNESCO promotes a multicultural focus on preservation, both in regard for ethnicity, and for differences