Abstracts with Names Arne Anderdal and Jo Asgeir Lie
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Celtic-Colours-Guide-2019-1
11-19 October 2019 • Cape Breton Island Festival Guide e l ù t h a s a n ò l l g r a t e i i d i r h . a g L s i i s k l e i t a h h e t ò o e c b e , a n n i a t h h a m t o s d u o r e r s o u ’ a n d n s n a o u r r a t I l . s u y l c a g n r a d e h , n t c e , u l n l u t i f u e r h l e t i u h E o e y r r e h a t i i s w d h e e e d v i p l , a a v d i b n r a a t n h c a e t r i a u c ’ a a h t a n a u h c ’ a s i r h c a t l o C WELCOME Message from the Atlantic Canada Message de l’Agence de promotion A Message from the Honourable Opportunities Agency économique du Canada atlantique Stephen McNeil, M.L.A. Premier Welcome to the 2019 Celtic Colours Bienvenue au Celtic Colours On behalf of the Province of Nova International Festival International Festival 2019 Scotia, I am delighted to welcome you to the 2019 Celtic Colours International Tourism is a vital part of the Atlantic Le tourisme est une composante Festival. -
1-888-355-7744 Toll Free 902-567-3000 Local
celtic-colours•com REMOVE MAP TO USE Official Festival Map MAP LEGEND Community Event Icons Meat Cove BAY ST. LAWRENCE | Capstick Official Learning Outdoor Participatory Concert Opportunities Event Event ST. MARGARET'S VILLAGE | ASPY BAY | North Harbour Farmers’ Visual Art / Community Local Food White Point Market Heritage Craft Meal Product CAPE NORTH | Smelt Brook Map Symbols Red River SOUTH HARBOUR | Pleasant Bay Participating Road BIG INTERVALE | Community Lone Shieling NEIL’S HARBOUR | Dirt Road Highway Cabot Trail CAPE BRETON HIGHLANDS NATIONAL PARK Cap Rouge TICKETS & INFORMATION 1-888-355-7744 TOLL FREE Keltic Lodge 902-567-3000 LOCAL CHÉTICAMP | Ingonish Beach INGONISH | Ingonish Ferry La Pointe GRAND ÉTANG HARBOUR | Wreck Cove Terre Noire Skir Dhu BELLE CÔTE | ATLANTIC.CAA.CA French River Margaree Harbour North Shore INDIAN BROOK | Chimney Corner East Margaree MARGAREE CENTER | Tarbotvale NORTH EAST MARGAREE | ENGLISHTOWN | Dunvegan MARGAREE FORKS | Big Bras d’Dor NORTH RIVER | SYDNEY MINES | Lake O’Law 16 BROAD COVE | SOUTH WEST MARGAREE | 17 18 15 Bras d’Dor 19 Victoria NEW WATERFORD | 12 14 20 21 Mines Scotchtown SOUTH HAVEN | 13 Dominion INVERNESS | 2 South Bar GLACE BAY | SCOTSVILLE | MIDDLE RIVER | 11 NORTH SYDNEY | ST. ANN'S | Donkin STRATHLORNE | Big Hill BOULARDERIE | 3 PORT MORIEN | 125 SYDNEY | L 10 Westmount A BADDECK | 4 K Ross Ferry E Barachois A COXHEATH | I MEMBERTOU | N 5 S East Lake Ainslie 8 L I 9 7 E 6 SYDNEY RIVER | WAGMATCOOK7 | HOWIE CENTRE | WEST MABOU | 8 Homeville West Lake Ainslie PRIME BROOK | BOISDALE -
Beethoven and Banjos - an Annual Musical Celebration for the UP
Beethoven and Banjos - An Annual Musical Celebration for the UP Beethoven and Banjos 2018 festival is bringing Nordic folk music and some very unique instruments to the Finnish American Heritage Center in Hancock, Michigan. Along with the musicians from Decoda (Carnegie Hall’s resident chamber group) we are presenting Norwegian Hardanger fiddler Guro Kvifte Nesheim and Swedish Nyckelharpist Anna Gustavsson. Guro Kvifte Nesheim grew up in Oslo, Norway, and started playing the Hardanger fiddle when she was seven years old. She has learned to play the traditional music of Norway from many great Hardanger fiddle players and has received prizes for her playing in national competitions for folk music. In 2013 she began her folk music education in Sweden at the Academy of Music and Drama in Gothenburg. Guro is composing a lot of music, and has a great interest and love for the old music traditions of Norway and Sweden. In 2011 she went to the world music camp Ethno and was bit by the “Ethno-bug”. Since then she has attended many Ethno Camps as a participant and leader, and setup Ethno Norway with a team of fellow musicians. In spring 2015 she worked at the Opera House of Gothenburg with the dance piece “Shadowland”. The Hardanger fiddle is a traditional instrument from Norway. It is called the Hardanger Fiddle because the oldest known Hardanger Fiddle, made in 1651, was found in the area Hardanger. The instrument has beautiful decorations, traditional rose painting, mother-of-pearl inlays and often a lion’s head. The main characteristic of the Hardanger Fiddle is the sympathetic strings that makes the sound very special – it’s like an old version of a speaker that amplifies the sound. -
The Fiddle Traditions the Violin Comes to Norway It Is Believed That The
The fiddle traditions The violin comes to Norway It is believed that the violin came to that violins from this period were Norway in the middle of the 1600s brought home by, amongst others, from Italy and Germany. This was Norwegian soldiers who fought in probably as a result of upper class wars in Europe. music activities in the towns. But, much suggests that fiddle playing was known in the countryside before this. Already around 1600 ‘farmer fiddles’ are described in old sources, and named fiddlers are also often encountered. We know of the Hardanger fiddle from the middle of the 1600s, which implies that a fiddle-making industry was already established in the countryside before the violin was popular in the Norwegian towns. Rural craftsmen in Norway must have acquired knowledge about this new instrument from 1500s Italy and been inspired by it. One can imagine From 1650 onwards, the violin quickly became a popular instrument throughout the whole of the country. We have clear evidence of this in many areas – from Finnmark, the rural areas of the West Coast and from inland mountain and valley districts. The fiddle, as it was also called, was the pop instrument of its day. There exist early descriptions as to how the farming folk amused themselves and danced to fiddle music. In the course of the 1700s, its popularity only increased, and the fiddle was above all used at weddings and festive occasions. Fiddlers were also prominent at the big markets, and here it was possible to find both fiddles and fiddle strings for sale. -
Searchable-Printable PDF Index by Tune Type
BS1: Brenda Stubbert’s Collection of Fiddle Tunes Mo Nighean Dubh .................... air .................. CBF ....... 100 BS2: Brenda Stubbert: The Second Collection Mrs. Campbells Birthday .......... air .................. CBF ....... 107 CBF: The Cape Breton Fiddlers Collection Mrs. J. H. Alexander ................. air .................. WF .......... 89 JH1: Jerry Holland’s Collection of Fiddle Tunes Mrs. Major L. Stewart of the Island of Java JH2: Jerry Holland: The Second Collection ................................................. air .................. WF .......... 85 LC: The Lighthouse Collection My Cape Breton Home ............. air .................. JH1 ......... 83 WF: Winston Fitzgerald: A Collection of Fiddle Tunes My Lily ...................................... air .................. JH1 ......... 81 Nanny Store's Melody .............. air .................. CBF ....... 104 italics indicate alternate titles Never Say Goodbye .................. air .................. BS2 ......... 71 ................................................. air .................. JH2 ....... 114 Airs, Laments, Songs, &c. Pennyless and Stranded ........... air .................. LC ......... 112 After the Storm ........................ air .................. LC ......... 113 Rose Acre ................................. air .................. WF .......... 85 Always Welcome ..................... air .................. CBF ....... 109 Rosebud of Allendale ............... air .................. BS2 ......... 70 Ark an D'or House ................... -
The Lochaber Royal National Mòd 2017
Agenda Item 5(b) Report RES/53b/17 No HIGHLAND COUNCIL Committee: Corporate Resources Committee Date: November 17th 2017 Report Title: The Lochaber Royal National Mòd 2017 Report By: Area Care & Learning Manager West Area ( Lead for Gaelic) Gaelic Development Officer 1. Purpose/Executive Summary 1.1 The purpose of the report is to:- • inform Members on the Royal National Mòd Loch Abar which took place between 13th- 21st October 2017. • to seek approval to begin to plan for future Royal National Mòds which will take place in the Highland Council area after 2020. 2. Recommendations 2.1 Members are asked to: i. to note the positive impact of the Royal National Mòd in the Lochaber area. ii. approve early work on securing the Royal National Mòd to the Highland Council area beyond 2020. 3. An Comunn Gàidhealach (ACG) 3.1 An Comunn Gàidhealach (ACG) is the organisation responsible for running the Royal National Mòd. ACG establishes the Local Organising Committee (LOC) in the area where the Mòd takes place. 4 Mòd Loch Abar 4.1 On October 13th Mòd Loch Abar commenced with a torchlight street parade led by the Deputy First Minister which departed from Cameron Square in Fort William High Street to the Nevis Centre, where the Official Opening Ceremony took place 4.2 Elected Members were present at the Torchlight Parade and the Opening Ceremony. The Chairperson of Corporate Resources Committee welcomed the Mòd to Lochaber on behalf of the Highland Council, The Deputy First Minister gave the keynote address. The Mòd was officially opened by Kate Forbes MSP. -
Passing of the Baton Stein Fjell Contacts Juletrefest
PASSING OF THE BATON JULETREFEST (CHRISTMAS TREE PARTY) Kathy Browne, President-Elect Sunday, December 8, 2 p.m., Loveland We are installing new and returning officers at the Come to Stein Fjell's Juletrefest and enjoy food, Jule- December meeting. It is important to have some continui- nisse, singing around the tree, the Christmas Story in Eng- ty in leadership roles, but it is equally critical to change lish and Norwegian, and more. It also is your last chance some of the key positions each year. Fresh perspectives this year to buy Christmas gifts at butikken. The Juletrefest and different styles provide vitality, which is important to will be held at King of Glory Lutheran Church, 2919 Wilson the survival of our lodge. This is true even when the out- Avenue, Loveland. going people have done an extraordinary job. Think of it Please call Barbara Nolin at 970.667.7641 by as a relay race where one runner is able to hand the baton December 2nd to let her know the number of on to the next runner, allowing the team to maintain its children you will be bringing, so Julenisse forward momentum for a longer time. The lodge is in can provide for them. Bring your children, need of a new editor for Posten. We could lose this critical your grandchildren, and/or your neighbor's communication link if no one steps in to accept the baton. children. Along with this annual changing of the guard is the For the potluck dinner, if your last name begins with need to confirm what lodge members are thinking. -
Sunset Side of Cape Breton Island
2014 ACTIVITY 2014 ActivityGUIDE Guide Page 1 SUNSET of Cape Breton SIDE • Summer Festivals • Scottish Dances • Kayaking • Hiking Trails • Horse Racing • Golf • Camping • Museums • Art Galleries • Great Food • Accommodations • Outdoor Concerts and more... WELCOME HOME www.invernesscounty.ca Page 2 2014 Activity Guide A must see during your visit to Discover Cape Breton Craft our Island is the Cape Breton Centre for Craft & Design in Art and craft often mirror the downtown Sydney. The stunning heritage, lifestyle and geography Gallery Shop contains the work of the region where artists live of over 70 Cape Breton artisans. and work. Nowhere is this more Hundreds of unique and one- evident than on Cape Breton of-a-kind items are on display Island with its stunning landscapes, and available for purchase. The rich history and traditions that Centre also hosts exhibitions have fostered a dynamic creativity and a variety of craft workshops Visual Artist Kenny Boone through the year. among its artisans. Fabric Dyeing by the Sea - Ann Schroeder Discover the connections between Cape Breton’s culture and Craft has a celebrated history geography and the work of our artisans by taking to the road with on our Island and, in many the Cape Breton Artisan Trail Map or download the App. Both will communities, craft remains set you on a trail of discovery and beauty with good measures of a living tradition among culture, history, adventure and charm. contemporary artisans who honour and celebrate both Artful surprises can be found tucked in the nooks and crannies form and function in endlessly throughout the Island: Raku potters on the North Shore, visual artists creative ways. -
IAIN Mclachlan an Island Heritage
IAIN McLACHLAN An Island Heritage Traditional Music of the Western Isles IAIN McLACHLAN, Traditional Musician. Born: 21 setting’ or ‘a Skye setting’ of such and such a reel. His October, 1927, in Hacklett, Benbecula. Died: 21 February father played melodeon for local dances and Iain learned 1995 in Creagorry, Benbecula, aged 67. melodeon from him. While still a boy, Iain used to sit at the knee of a local retired fiddle teacher and dancing WITH THE death of Iain McLachlan in 1995, Scottish master, Donald MacPhee (of Nunton, Benbecula), one traditional music lost one of its finest exponents. Known of the few Hebridean fiddlers of that era, and from him particularly for his masterly touch on the three-row he learned many old fiddle tunes and the old style of Shand Morino button accordion, Iain also played pipes, playing them. fiddle and melodeon and had an extensive knowledge I first remember hearing Iain in a broadcast record- of traditional music. For more than 40 years he had trav- ing made by Fred Macaulay for the Gaelic Department elled by road and ferry to play the accordion at ceilidhs of the BBC. Iain was playing the great pipe tune The and dances throughout the Highlands and Islands. In the Marchioness of Tullibardine on accordion in duet with words of his great friend, fellow button-box player and the piper Roddie Macaulay, of the Creagorry Hotel, play- ceilidh-band leader, Fergie MacDonald, of Acharacle: “I’ve ing chanter. It was such a remarkable sound I resolved lost a truly great friend, but Iain was also the greatest there and then to bring Iain McLachlan to the Kinross three-row button-box player in the Highlands and Islands Festival, which at that time I was involved in organising. -
2019 Experience Guide
2019 EXPERIENCE GUIDE Cabot Trail Cape Breton Highlands National Park Welcome to Cape Breton Island At the northern tip of Nova Scotia, Outdoor Adventure, Coastal Adventure, Living Cultures, Culinary, History, Music & the Arts, and Golf. Inside, you’ll Cape Breton Island is a magical place of find an array of exciting packages and experiences that spectacular coastline, exceptional scenery, range from cooking lobster on a beach in Cape Breton delicious seafood, and rich culture. Highlands National Park to learning traditional basket weaving with an Indigenous Mi’kmaw artisan. There’s so much to see and do on the Island, so it’s best if We recommend spending at least 5-7 days on the Island we break it down for you into seven experience for a full experience. And you may return home after categories: 2 your vacation, but your heart will never leave. 3 PRT-AUXUE Meat Cove NENN A Easy to Find. Hard to Leave. D PRT-AUX-BASQUE A Several carriers fly into the JA Douglas McCurdy Sydney N RGENI Pleasant Bay A 6 S PEE Airport via Halifax Stanfield International Airport; there are C ET UEON QEBEC 2 PNCE EARD SN also direct flights from Toronto, Ontario. 16 Ingonish By car, the Trans-Canada Highway in Nova Scotia will lead NE BNSC 2 DNEY Chéticamp you to Cape Breton Island. Maritime Bus provides bus service 12 45 1 NREL 104 3h from various locations. ONTARIO 14h 30m MNE Visitors from the Northeast United States, New Brunswick OTTAWA 2h 25m 2 15 HIFX Englishtown and Prince Edward Island can ferry to Nova Scotia and 401 ENT R RR Margaree drive through to Cape Breton. -
The Devolution of the Shepherd Trumpet and Its Seminal
Special Supplement to the International Trumpet Guild ® Journal to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching, and literature associated with the trumpet ADDEN DUM TO “THE DEVOLUTI ON OF THE SHEPHERD TRUMPET AND ITS SEMINAL IMP ORTANCE IN MUSIC HISTORY” BY AINDRIAS HIRT January 2015 • Revision 2 The International Trumpet Guild ® (ITG) is the copyright owner of all data contained in this file. ITG gives the individual end-user the right to: • Download and retain an electronic copy of this file on a single workstation that you own • Transmit an unaltered copy of this file to any single individual end-user, so long as no fee, whether direct or indirect is charged • Print a single copy of pages of this file • Quote fair use passages of this file in not-for-profit research papers as long as the ITGJ, date, and page number are cited as the source. The International Trumpet Guild ® prohibits the following without prior writ ten permission: • Duplication or distribution of this file, the data contained herein, or printed copies made from this file for profit or for a charge, whether direct or indirect • Transmission of this file or the data contained herein to more than one individual end-user • Distribution of this file or the data contained herein in any form to more than one end user (as in the form of a chain letter) • Printing or distribution of more than a single copy of the pages of this file • Alteration of this file or the data contained herein • Placement of this file on any web site, server, or any other database or device that allows for the accessing or copying of this file or the data contained herein by any third party, including such a device intended to be used wholly within an institution. -
World Music Series, Karin Loberg Code, Harding Fiddle, October 5, 2015 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 10-5-2015 8:00 PM World Music Series, Karin Loberg Code, Harding Fiddle, October 5, 2015 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "World Music Series, Karin Loberg Code, Harding Fiddle, October 5, 2015" (2015). Conservatory of Music Concert Programs. Program 12. http://lux.lawrence.edu/concertprograms/12 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. WORLD MUSIC SERIES Karin Loberg Code Harding Fiddle Karin Loberg Code Harding Fiddle October 5, 2015 • 8 p.m. Harper Hall, Music-Drama Center Bridal march from Nes Sjåheimen valdresspringar Lyarlått etter Ola Okshovd Mehanken valdresspringar Steinsruden telespringar Sølve-Knut hallingspringar Trulseguten halling Sistelått at Krøsshaugen lèt Jenta med Garde Slidreklukkelåtten Knut Ivarslåtten Vossavalsen Fykeruds farvel til Amerika No intermission The hardingfele, or Harding fiddle, is an indigenous Norwegian folk instrument used primarily to accompany a group of regional dances known as bygdedans. This tradition dates back to at least the mid-17th century, and has continued without interruption to the present day. Some of the physical features that distinguish the hardingfele from a violin are the shorter neck; deeply indented ƒ-holes; a thick, almost flat bridge; ornate decorations; and the presence of six to 10 strings.