CELIA IMRIE “I Am Very Lucky to Be
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Hw Biography 2021
HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Before-The-Act-Programme.Pdf
Dea F ·e s. Than o · g here tonight and for your Since Clause 14 (later 27, 28 and 29) was an contribution o e Organisation for Lesbian and Gay nounced, OLGA members throughout the country Action (OLGA) in our fight against Section 28 of the have worked non-stop on action against it. We raised Local Govern en Ac . its public profile by organising the first national Stop OLGA is a a · ~ rganisa ·o ic campaigns The Clause Rally in January and by organising and on iss es~ · g lesbians and gay e . e ber- speaking at meetings all over Britain. We have s ;>e o anyone who shares o r cancer , lobbied Lords and MPs repeatedly and prepared a e e eir sexuality, and our cons i u ion en- briefings for them , for councils, for trade unions, for s es a no one political group can take power. journalists and for the general public. Our tiny make C rre ly. apart from our direct work on Section 28, shift office, staffed entirely by volunteers, has been e ave th ree campaigns - on education , on lesbian inundated with calls and letters requ esting informa cus ody and on violence against lesbians and gay ion and help. More recently, we have also begun to men. offer support to groups prematurely penalised by We are a new organisation, formed in 1987 only local authorities only too anxious to implement the days before backbench MPs proposed what was new law. then Clause 14, outlawing 'promotion' of homosexu The money raised by Before The Act will go into ality by local authorities. -
Andrew Cox CV
CELLULOID STYLE Costume Design & Styling by Andrew Cox www.celluloidstyle.com : [email protected] : +44 (0)7785 395828 BIOGRAPHY Andrew started his career studying fashion design and pattern cutting, winning an award for Best Fashion Student. After working in the fashion business, he joined ITV as a costume assistant and stylist. Over the last 16 years Andrew has focused on costume design and his credits include feature flms, television dramas and entertainment shows as well as styling for many well known artists in the music industry. He has headed projects all over the world including Asia, Europe, The Middle East, USA, Africa and the Caribbean QUOTES Variety praised his design of Nick Love’s The Business, quoting “...costume design by Andrew Cox is right on the money”. Total Film said Electricity was “Boldly styled, Boldly acted, Joltingly powerful” Too Much Flavour on Streedance 3D “It's not just the glorious colours on screen that makes it glossy, but the costume too.” Peter Hider, Associate Producer “Andrew’s unerring attention to detail and good humour, despite the often rigorous demands of flming, inspire confdence in both cast and directors.” COUNTRIES WORKED IN Malaysia, Hungary, Jordan, Croatia, South Africa, USA, Germany, Spain, Zimbabwe, Thailand, Bahamas, Puerto Rico, Cyprus, Belgium, Holland, France FEATURE FILM CREDITS NATIVITY ROCKS The fourth instalment of the outrageous family Christmas comedies. Directed by Debbie Isitt, produced by Nick Jones and featuring Celia Imrie, Ruth Jones, Helen George and Craig Revel Horwood. Filmed in Coventry. MIRRORBALL FILMS NATIVITY 3 'DUDE WHERE'S MY DONKEY?' The third in the series of outrageous family Christmas comedies. -
Annual Report 2017
ANNUAL REPORT 2017 Outside cover 2017.indd 1 01/05/2018 13:02:14 Outside cover 2017.indd 2 01/05/2018 13:02:14 EQUITY ANNUAL REPORT 2017 THE EIGHTY SEVENTH ANNUAL REPORT Adopted by the Council at its meeting held on 30 April, 2018 for submission to the Annual Representative Conference 20-21 May, 2018 Equity Incorporating the Variety Artistes’ Federation Guild House Upper St Martin’s Lane London WC2H 9EG Tel: 020 7379 6000 Fax: 020 7379 7001 E-mail: [email protected] Website: www.equity.org.uk Annual report 2017 cover_contents FINAL.indd 5 01/05/2018 12:56:18 Annual report 2017 cover_contents FINAL.indd 6 01/05/2018 12:56:18 CHAPTERCONTENTS 1: GENERAL A. ANNUAL REPRESENTATIVE CONFERENCE ...............................................................................................................7 B. ELECTIONS & REFERENDUMS ..................................................................................................................................7 C. LOBBYING ACTIVITY ..................................................................................................................................................7 D. MARKETING AND COMMUNICATION .......................................................................................................................8 E. RECRUITMENT & RETENTION ..................................................................................................................................9 F. CLARENCE DERWENT AWARDS ..............................................................................................................................11 -
Download Naxos Audiobooks Catalogue
Naxos AudioBooks 2004 Ten years of innovation in audiobooks CLASSIC LITERATURE on CD and cassette AUDIOBOOKS 10TH ANNIVERSARY YEAR www.naxosaudiobooks.com THE FULL CATALOGUE AVAILABLE ONLINE News • New Releases • Features • Authors Actors • Competitions • Distributors • With selected Sound Clips LIST OF CONTENTS JUNIOR CLASSICS & CHILDREN’S FAVOURITES 2 CLASSIC FICTION & A Decade of the Classics MODERN CLASSICS 11 It was Milton’s great poem, Paradise Lost, read by the English POETRY 31 classical actor Anton Lesser that set Naxos AudioBooks on its particular journey to record the great classics of Western literature. DRAMA 35 That was 10 years ago, and since then we have recorded more than 250 titles ranging from Classic Fiction for adults and juniors; poetry, NON-FICTION 40 biographies and histories which have both scholarly and literary presence; and classic drama, dominated, of course, by HISTORIES 41 Shakespeare presented by some of the leading British actors. In addition, we have recorded selections from The Bible and great BIOGRAPHY 44 epics, such as Dante’s The Divine Comedy. And we feel that our own original texts – introductions to classical PHILOSOPHY 45 music, English literature and the theatre and biographies of famous people for younger listeners – have made a special contribution to RELIGION 46 audiobook literature. These have all been recorded to the highest standards, and COLLECTIONS 47 enhanced by the use of classical music taken from the Naxos and Marco Polo catalogues. We felt from the beginning that, generally, it HISTORICAL RECORDINGS 47 was not sufficient to have just a voice reading the text, and that, as in film, music can be used imaginatively to set the period and the BOX SETS 48 atmosphere of a story. -
PSYCHIATRIC HOSPITALS in the UK in the 1960S
PSYCHIATRIC HOSPITALS IN THE UK IN THE 1960s Witness Seminar 11 October 2019 Claire Hilton and Tom Stephenson, convenors and editors 1 © Royal College of Psychiatrists 2020 This witness seminar transcript is licensed under the terms of the Creative Commons Attribution 4.0 International License http://creativecommons.org/licenses/by/4.0/ which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit, provide a link to the Creative Commons license and indicate if changes were made. Please cite this source as: Claire Hilton and Tom Stephenson (eds.), Psychiatric Hospitals in the UK in the 1960s (Witness Seminar). London: RCPsych, 2020. Contents Abbreviations 3 List of illustrations 4 Introduction 5 Transcript Welcome and introduction: Claire Hilton and Wendy Burn 7 Atmosphere and first impressions: Geraldine Pratten and David Jolley 8 A patient’s perspective: Peter Campbell 16 Admission and discharge: 20 Suzanne Curran: a psychiatric social work perspective Professor Sir David Goldberg: The Mental Health Act 1959 (and other matters) Acute psychiatric wards: Malcolm Campbell and Peter Nolan 25 The Maudsley and its relationship with other psychiatric hospitals: Tony Isaacs and Peter Tyrer 29 “Back” wards: Jennifer Lowe and John Jenkins 34 New roles and treatments: Dora Black and John Hall 39 A woman doctor in the psychiatric hospital: Angela Rouncefield 47 Leadership and change: John Bradley and Bill Boyd 49 Discussion 56 The contributors: affiliations and biographical details -
Celia Imrie Actor
Celia Imrie Actor Celia is an award winning actress with an international profile - known for her work in Film, Theatre and Television. She has recently wrapped on the second series of the critically acclaimed series BETTER THINGS. Agents Dallas Smith Associate Agent Sarah Roberts [email protected] +44 (0) 20 3214 0800 Assistant Alexandra Rae [email protected] +44 (0) 20 3214 0800 Sophie Austin Assistant [email protected] Emma Collier [email protected] Roles Film Production Character Director Company THE INN AT THE EDGE OF THE Mrs. H Charles Dance Inn Films WORLD TEXT FOR YOU Jim Strouse Thunder Road Pictures LOVE SARAH Mimi Eliza Schroeder Miraj Films ONE DAY NOTICE Ruth Katzmann Bryce Marrero HAPPY FAMILY Cheyenne Holger Tappe Ambient Entertainment GmbH United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company HUSH Mrs Green Olaf de Fleur Catalyst Global Media Johannesson FINDING YOUR FEET Bif Richard Loncraine Eclipse Films A CURE FOR WELLNESS Victoria Watkins Gore Verbinski Regency Enterprises BRIDGET JONES' BABY Una Sharon Maguire Miramax YEAR BY THE SEA Erikson Alexander Janko Montabela Productions ABSOLUTELY FABULOUS: THE Claudia Mandie Fletcher Fox Searchlight MOVIE Pictures BEST EXOTIC MARIGOLD Madge John Madden Blueprint Pictures HOTEL 2 WHAT WE DID ON OUR Agnes Guy Jenkin & Andy Origin Pictures HOLIDAY Hamilton MOLLY MOON Edna Christopher Rowley Amber Entertainment NATIVITY 3: DUDE, WHERE'S Mrs. Keen Debbie Isitt Mirrorball Films MY DONKEY?! LOVE PUNCH Pen Joel Hopkins Process Media BEST EXOTIC MARIGOLD Madge John Madden Blueprint Pictures HOTEL YOU WILL MEET A TALL DARK Enid Wicklow Woody Allen Dippermouth STRANGER Productions ST. -
Home Chat 19/11/2010 07:25 Page 1
Dec2010_Home Chat 19/11/2010 07:25 Page 1 THE NEWSLETTER OF THE NOËL COWARD SOCIETY DECEMBER 2010 President: HRH The Duke of Kent Vice Presidents: Barry Day OBE • Stephen Fry Tammy Grimes • Penelope Keith CBE Lynn Fontanne, Noël Coward and Alfred Lunt receive Special Tony Awards at the 1970 ceremony in New York or those gathering to join the Society at its annual birthday celebrations for Noël ( December 11th & 12th F in the US and 18th in the UK ) a special treat is in store on both sides of the Atlantic. There are literally only a handful of tickets left for the UK Annual Luncheon at The Garrick Club where members are in for a special treat. Lunch will be taken in the splendid dining room with its walls covered in portraits of the greats of British theatre as the guest of actor Rodney Bewes best remembered, inevitably, as one of TVs ‘Likely Lads’ (for the benefit of US readers this was a series that was a huge success for all involved, not least the put-upon character, Bob Ferris, played by Bewes). In fact, as ever, his career has enjoyed far more breadth Siân Phillips than a single notable role. He has enjoyed a highly successful career in film, TV and theatre as an actor, writer and with his theatre company has recently taken his one-man version of Three Men in a Boat on tour around the UK. In his kind offer to host our event he promises a story about Noël. As he says, “ Everyone (in the profession) has at Rodney Bewes least one story about Noël.