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British Library Annual Report and Accounts 2013/14 British Library
British Library Annual Report and Accounts 2013/14 British Library Annual Report and Accounts 2013/14 Presented to Parliament pursuant to section 4(3) and 5(3) of the British Library Act 1972 Ordered by the House of Commons to be printed on 16 July 2014 Laid before the Scottish Parliament by the Scottish Ministers 16 July 2014 Laid before the National Assembly for Wales by the [First Secretary] 16 July 2014 Laid before the National Assembly for Northern Ireland 16 July 2014 HC 361 SG/2014/91 © British Library (2014) The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as British Library copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries related to this publication should be sent to us at [email protected] This publication is available at https://www.gov.uk/government/publications Print ISBN 9781474102834 Web ISBN 9781474102841 Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Office ID SGD004976 Printed on paper containing 75% recycled fibre content minimum Contents Foreword 4 Trustees’ and Accounting Officer’s Responsibilities 6 Objectives and Activities 10 Key Performance Indicators 21 Statistics 24 Financial Review 28 Sustainability Report 33 Remuneration Report 39 Statement of Trustees’ and Directors’ Responsibilities 45 Governance Statement 46 Risk Management 53 The Certificate and Report of the Comptroller and 59 Auditor General to the Houses of Parliament and the Scottish Parliament Statement of Financial Activities 61 Balance Sheet 63 Cash Flow Statement 65 Notes to the Accounts 66 Foreword As we look back on the past year at the British Library, we are once again in the fortunate position of being able to reflect on a number of important achievements. -
A History of the British Library Slavonic and East European Collections: 1952-2004
A History of the British Library Slavonic and East European Collections: 1952-2004 Milan Grba Preface The purpose of this article is to provide an introduction to the British Library Slavonic and East European Department oral history interviews project. The project was carried out over two years, and nineteen former Slavonic and East European department staff took part in it in 2011 and 2012. The material from the oral history project and description in more detail can be accessed via the British Library Sound and Moving Image Catalogue (http://cadensa.bl.uk/cgi-bin/webcat) as the entry ‘the British Library Slavonic and East European Oral History Interviews’. This article is limited only to information that has not been discussed in interviews or published in previous research on the British Library collections.1 It draws on two main sources of information. The unpublished primary sources which were consulted are held in the British Library Archives in the DH 2 series and the published sources were derived from P. R. Harris, A History of the British Museum Library, 1753-1973 (London, 1998).2 The British Library staff office notices were also consulted for the period 1973 to 2000, but this period is examined to a lesser extent. This is partly due to the information already provided in the interviews and partly to the time limits imposed upon the research for this article. Much more attention is needed for the post-1973 period, and without a full grasp and understanding of the archive sources it would be not possible properly to assess the available information held in the British Library 1 Such as P. -
36Th Annual Report and Accounts 2008-09
The knowledge network THE BRITISH LIBRARY Thirty-sixth Annual Report and Accounts 2008/09. Annual Report presented in compliance with section 4(3) of the British Library Act 1972 by the Secretary of State for the Department for Culture, Media and Sport. Accounts prepared pursuant to Section 5(3) of the Act and presented by the Comptroller and Auditor General. Ordered by the House of Commons to be printed 15 July 2009 Laid before the Scottish Parliament by the Scottish Ministers 15 July 2009 HC762 London: The Stationery Office £19.15 SG/2009/121 © Crown Copyright 2009 The text in this document (excluding the Royal Arms and other departmental or agency logos) may be reproduced free of charge in any format or medium providing it is reproduced accurately and not used in a misleading context. The material must be acknowledged as Crown copyright and the title of the document specified. Where we have identified any third party copyright material you will need to obtain permission from the copyright holders concerned. For any other use of this material please write to: Office of Public Sector Information, Information Policy Team, Kew, Richmond, Surrey TW9 4DU [email protected] ISBN: 9 78 010296 1164 Introduction Welcome to the British Library’s Annual Report and Accounts 2008/09 The British Library is the knowledge network in today’s ever-expanding digital world. We connect people with collections, content and their contemporaries from the British Library and other great world institutions. This year’s Annual Report highlights our progress in sharing, preserving and advancing this great treasure house of knowledge, working with partners in the UK and around the world. -
Friends of the National Libraries: a Short History
Friends of the National Libraries: A Short History Saving the nation’s written and By Max Egremont printed heritage This history first appeared in a special edition of The Book Collector in Summer 2011, FNL’s eightieth year. The Trustees of Friends of the National Libraries are grateful to the publisher of The Book Collector for permission to reissue the article in its present, slightly amended, form. A Short History 1 HRH The Prince of Wales. © Hugo Burnand. 2 Friends of the National Libraries Friends of the National he Friends of the National Libraries began as a response to an emergency. From the start, the Friends were fortunate in their leadership. Sir Frederic Libraries has helped save TOn March 21 1931, the Times published a letter signed by a group of the great Kenyon was one of British Museum’s great directors and principal librarians, the nation’s written and and the good, headed by the name of Lord D’Abernon, the chairman of the Royal a classical and biblical scholar who made his name as a papyrologist and widened the printed history since Commission on National Museums and Galleries. The message was that there was appeal of the museum by introducing guide lecturers and picture postcards; he also had a need for an organisation similar to the National Art Collections Fund (now called literary credentials as the editor of the works of Robert and Elizabeth Barrett Browning. 1931. FNL awards grants the Art Fund) but devoted to rare books and manuscripts. The reason for this The Honorary Treasurer Lord Riddell, a former associate of Lloyd George, came to national, regional was that sales of rare books and manuscripts from Britain to institutions and to from the world of politics and the press. -
Hw Biography 2021
HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London. -
Exploring the History of the First World War
EXPLORING THE HISTORY OF THE FIRST WORLD WAR supported by: WHO ARE WE? Gateways to the First World War is a public engagement centre funded by the Arts and Humanities Research Council. Based at the University of Kent, the Gateways team includes specialists on First World War research from the Universities of Brighton, Greenwich, Portsmouth, Leeds and Queen Mary University of London. It also has close links with organisations such as the Imperial War Museum, National Maritime Museum, War Memorials Trust and many more across the UK and internationally. Gateways can offer advice, guidance and support on developing projects to commemorate the First World War. For more information visit our website at: www.gatewaysfww.org.uk or email [email protected]. COMMEMORATING THE FIRST WORLD WAR The First World War shaped the 20th century, and its repercussions are still felt today. It proved to be an immensely complex phenomenon influencing lives across the planet in myriad ways, and as such has fascinated historians and the wider public alike ever since. The centenary of the conflict gives us the chance to re-evaluate the experience. It is an opportunity for us all to question our understandings and perceptions of this momentous event in history. This booklet provides advice on resources for research for those interested in the history of the First World War and ideas for developing and funding centenary projects. HOW CAN I FIND OUT MORE ABOUT AN INDIVIDUAL? The National Archives (TNA): Key personal information is often found in the individual service records and medal card indexes. These can be downloaded (for a fee) or you can view them for free by visiting TNA at Kew. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
The Changing Role of the Library: Missions and Ethics
Purdue University Purdue e-Pubs Proceedings of the IATUL Conferences 1999 IATUL Proceedings The changing role of the library: missions and ethics David Russon The British Library David Russon, "The changing role of the library: missions and ethics." Proceedings of the IATUL Conferences. Paper 29. https://docs.lib.purdue.edu/iatul/1999/papers/29 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. THE CHANGING ROLE OF THE LIBRARY: MISSIONS AND ETHICS David Russon, Deputy Chief Executive, The British Library, London, UK E-mail: [email protected] I recognise that the theme of your conference - the changing role of the library - focuses on academic libraries and the changes that will stem from the changes in educational structures and organisations, and in new approaches to teaching and learning. Given that national libraries play a significant role in the educational systems of their countries, these changes will also impact on them. However what I should like to do in the time allotted to me this morning is to describe some of the broader questions of mission and ethics that the British Library has recently been addressing. The British Library experience is I believe of relevance to all national libraries, and much of it to academic libraries. National Libraries depend upon the general public for their very existence. All of them survive to a very great extent on the tax payer. In the face of huge competing pressure on government funding, particularly for education and health, national libraries will only flourish if they have political support, and that political support will only be forthcoming if there is a general recognition that national libraries make a significant contribution to national life. -
Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath. -
Directory to Western Printed Heritage Collections
Directory to western printed heritage collections A. Background to the collections B. Major named Collections of rare books C. Surveys of Early and Rare Books by Place of Origin D. Surveys of Special Collections by Format A. Background to the Collections A1. Introduction. The Library was founded in 1973 (British Library Act 1972). A number of existing collections were transferred into its care at that time, the most extensive of which were those of the British Museum’s Department of Printed Books (including the National Reference Library of Science and Invention), Department of Mss, and Department Oriental Mss and Printed Books. Other collections of rare and special materials have been added subsequently, most notably the India Office Library & Records in 1982. The Library today holds over 150 million collection items, including books, pamphlets, periodicals, newspapers, printed music, maps, mss, archival records, sound recordings, postage stamps, electronic titles, and archived websites; this figure includes an estimated 4.1 million books, pamphlets and periodical titles printed in the West from the 15th cent to the 19th cent. The breadth of collecting in terms of subjects, dates, languages, and geographical provenance has always been a feature of collection building policies. A wide range of heritage materials continues to be acquired from Britain and overseas through purchase and donation. The Library’s early printed materials feature prominently in a range of digital facsimile products, e.g. Early English Books Online, Eighteenth Century Collections Online, Early Music Online, Nineteenth Century Collections Online, and Google Books. Direct links to facsimiles are increasingly provided from the Library’s website, particularly from the main catalogues. -
July – December 2019 British Library
Follow us on Twitter @BL_Publishing Our trade distributor Spain and Portugal Italy Jenny Padovani Penny Padovani Titles in this catalogue can be [email protected] T +39 0575 614338 ordered direct from our distributor: [email protected] South East and North Asia Marston Book Services Publishers International New Zealand Milton Park, Abingdon Marketing David Bateman Ltd OXON, OX14 4SB T +44 1202 896210 [email protected] T +44 (0) 1235 465500 [email protected] [email protected] South Africa, Namibia, Lesotho, [email protected] Greece and Cyprus Swaziland and Botswana Isabella Curtis Peter Hyde Associates UK local representatives T +30 210 7218995 [email protected] [email protected] London and South East For all other sales territories, USA and Canada Pinnacle Booksales UK point of sale and marketing Trafalgar Square Publishing [email protected] materials T +1 800 888 4741 [email protected] [email protected] Maria Vassilopoulos South West England Africa (excluding South Africa, T +44 (0)20 7412 7704 British Library Debbie Jones Namibia, Lesotho, Swaziland T +44 (0)7710759720 T +44 (0)1822 617 223 and Botswana) [email protected] M +44 (0)7850 621204 Matthew Walsh [email protected] Gunnar Lie & Associates Ltd For publicity Midlands, Norfolk, Oxford, Tel: +44 (0)20 8605 1097 Cambridge and Wales E-mail: [email protected] Abbie Day Ian Tripp T +44 (0)20 7412 7266 Publishing Middle East (including Turkey T +44 (0)7970 450162 [email protected] July – December -
Price Lists from the Sloane MS 3961, the British Library
Kusukawa/Courten/JHC/Appendices/ Page 1 of 48 © The British Library Board (Sloane MSS 3961 & 3962) Appendix I This is a transcription of William Courten’s (1642-1702) price lists from the Sloane MS 3961, the British Library, some of which is written in cipher.1 The transcription is presented in a chronological order, not in the order in which they appear in the manuscript. Standard contractions and abbreviations have been spelt out silently, including Courten’s shorthand for September (‘7ber’), October (‘8ber’), November (‘9ber’) and December (‘Xber’). Owing to limitations of space and time, no systematic effort has been made to identify objects listed here among the surviving material at the British Museum, the British Library or the Natural History Museum. Conventions used in this transcription: \ /: insertion by Courten [ ]: originally written in cipher by Courten, decoded ( ): my comments The following abbreviations have been retained: aXa = £X B. = bought E or est. = estimated D = double g. = given gXg = X guineas N. K. or n. k. = not known pcl = parcel(s) pre = pair ps = piece(s) R. = reversus (of a coin) SXS or XS = X shillings v.p. = very pretty )X) or X) = X pence Abbreviation used in notes: BL The British Library BM The British Museum Heal A. Heal, The London Goldsmiths, 1200-1800 (Cambridge, 1935). OAO Oxford Art Online (Oxford, 2007-15, online edition) ODNB Oxford Dictionary of National Biography (Oxford, 2004-15, online edition) OED Oxford English Dictionary (Oxford, 2015, online edition) RSA Royal Society Archives 1 Keys to Courten’s ciphers were supplied by frederic Madden in BL, Add.