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British Library Annual Report and Accounts 2013/14 British Library
British Library Annual Report and Accounts 2013/14 British Library Annual Report and Accounts 2013/14 Presented to Parliament pursuant to section 4(3) and 5(3) of the British Library Act 1972 Ordered by the House of Commons to be printed on 16 July 2014 Laid before the Scottish Parliament by the Scottish Ministers 16 July 2014 Laid before the National Assembly for Wales by the [First Secretary] 16 July 2014 Laid before the National Assembly for Northern Ireland 16 July 2014 HC 361 SG/2014/91 © British Library (2014) The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as British Library copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries related to this publication should be sent to us at [email protected] This publication is available at https://www.gov.uk/government/publications Print ISBN 9781474102834 Web ISBN 9781474102841 Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Office ID SGD004976 Printed on paper containing 75% recycled fibre content minimum Contents Foreword 4 Trustees’ and Accounting Officer’s Responsibilities 6 Objectives and Activities 10 Key Performance Indicators 21 Statistics 24 Financial Review 28 Sustainability Report 33 Remuneration Report 39 Statement of Trustees’ and Directors’ Responsibilities 45 Governance Statement 46 Risk Management 53 The Certificate and Report of the Comptroller and 59 Auditor General to the Houses of Parliament and the Scottish Parliament Statement of Financial Activities 61 Balance Sheet 63 Cash Flow Statement 65 Notes to the Accounts 66 Foreword As we look back on the past year at the British Library, we are once again in the fortunate position of being able to reflect on a number of important achievements. -
A History of the British Library Slavonic and East European Collections: 1952-2004
A History of the British Library Slavonic and East European Collections: 1952-2004 Milan Grba Preface The purpose of this article is to provide an introduction to the British Library Slavonic and East European Department oral history interviews project. The project was carried out over two years, and nineteen former Slavonic and East European department staff took part in it in 2011 and 2012. The material from the oral history project and description in more detail can be accessed via the British Library Sound and Moving Image Catalogue (http://cadensa.bl.uk/cgi-bin/webcat) as the entry ‘the British Library Slavonic and East European Oral History Interviews’. This article is limited only to information that has not been discussed in interviews or published in previous research on the British Library collections.1 It draws on two main sources of information. The unpublished primary sources which were consulted are held in the British Library Archives in the DH 2 series and the published sources were derived from P. R. Harris, A History of the British Museum Library, 1753-1973 (London, 1998).2 The British Library staff office notices were also consulted for the period 1973 to 2000, but this period is examined to a lesser extent. This is partly due to the information already provided in the interviews and partly to the time limits imposed upon the research for this article. Much more attention is needed for the post-1973 period, and without a full grasp and understanding of the archive sources it would be not possible properly to assess the available information held in the British Library 1 Such as P. -
36Th Annual Report and Accounts 2008-09
The knowledge network THE BRITISH LIBRARY Thirty-sixth Annual Report and Accounts 2008/09. Annual Report presented in compliance with section 4(3) of the British Library Act 1972 by the Secretary of State for the Department for Culture, Media and Sport. Accounts prepared pursuant to Section 5(3) of the Act and presented by the Comptroller and Auditor General. Ordered by the House of Commons to be printed 15 July 2009 Laid before the Scottish Parliament by the Scottish Ministers 15 July 2009 HC762 London: The Stationery Office £19.15 SG/2009/121 © Crown Copyright 2009 The text in this document (excluding the Royal Arms and other departmental or agency logos) may be reproduced free of charge in any format or medium providing it is reproduced accurately and not used in a misleading context. The material must be acknowledged as Crown copyright and the title of the document specified. Where we have identified any third party copyright material you will need to obtain permission from the copyright holders concerned. For any other use of this material please write to: Office of Public Sector Information, Information Policy Team, Kew, Richmond, Surrey TW9 4DU [email protected] ISBN: 9 78 010296 1164 Introduction Welcome to the British Library’s Annual Report and Accounts 2008/09 The British Library is the knowledge network in today’s ever-expanding digital world. We connect people with collections, content and their contemporaries from the British Library and other great world institutions. This year’s Annual Report highlights our progress in sharing, preserving and advancing this great treasure house of knowledge, working with partners in the UK and around the world. -
Friends of the National Libraries: a Short History
Friends of the National Libraries: A Short History Saving the nation’s written and By Max Egremont printed heritage This history first appeared in a special edition of The Book Collector in Summer 2011, FNL’s eightieth year. The Trustees of Friends of the National Libraries are grateful to the publisher of The Book Collector for permission to reissue the article in its present, slightly amended, form. A Short History 1 HRH The Prince of Wales. © Hugo Burnand. 2 Friends of the National Libraries Friends of the National he Friends of the National Libraries began as a response to an emergency. From the start, the Friends were fortunate in their leadership. Sir Frederic Libraries has helped save TOn March 21 1931, the Times published a letter signed by a group of the great Kenyon was one of British Museum’s great directors and principal librarians, the nation’s written and and the good, headed by the name of Lord D’Abernon, the chairman of the Royal a classical and biblical scholar who made his name as a papyrologist and widened the printed history since Commission on National Museums and Galleries. The message was that there was appeal of the museum by introducing guide lecturers and picture postcards; he also had a need for an organisation similar to the National Art Collections Fund (now called literary credentials as the editor of the works of Robert and Elizabeth Barrett Browning. 1931. FNL awards grants the Art Fund) but devoted to rare books and manuscripts. The reason for this The Honorary Treasurer Lord Riddell, a former associate of Lloyd George, came to national, regional was that sales of rare books and manuscripts from Britain to institutions and to from the world of politics and the press. -
Folk Song in Cumbria: a Distinctive Regional
FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one. -
The Chapbooks and Broadsides of James Chalmers III, Printer in Aberdeen: Some Re-Discoveries and Initial Observations on His Woodcuts
The Chapbooks and Broadsides of James Chalmers III, Printer in Aberdeen: Some Re-discoveries and Initial Observations on His Woodcuts IAIN BEAVAN BACKGROUND This essay consists of two related elements. First, an empirical discussion of recent evidence to emerge for chapbook and broadside production in Aberdeen. Second, a consideration of some features of the woodcuts used by James Chalmers III and other chapbook printers, which, in the present context, provide the central evidential theme of this investigation. Previous and contemporary scholars have argued that the north-east of Scotland has the richest ballad and popular song tradition in Britain, and that an analysis of Francis Child’s still unsurpassed and authoritative fi ve-volume compilation, The English and Scottish Popular Ballads, shows that ‘one-third of Child’s Scottish texts and almost one-third of his A-texts [his base or ‘prime’ texts, from which variants may be identifi ed] come from Aberdeenshire’.1 Moreover, ‘of some 10,000 variants of Lowland Scottish songs recorded by the School of Scottish Studies [of Edinburgh University] … several thousand are from the Aberdeen area alone’.2 From the early eighteenth century, popular lowland Scottish song had found itself expressed in printed form, early appearances having been James Watson’s Choice Collection of Comic and Serious Scots Poems, 3 parts (Edinburgh, 1706–11), followed by the Edinburgh Miscellany (Edinburgh, 1720) and Allan Ramsay’s Tea-table Miscellany (Edinburgh, 1723).3 From the mid-eighteenth century also, Scottish chapbook texts appeared in ever increasing numbers, given over to different sub-genres, including histories, prophecies, humorous stories and collections of songs (often called garlands). -
British Library Report to the Digital Library Federation October, 2005 I
British Library Report to the Digital Library Federation October, 2005 TABLE OF CONTENTS i. Collections, services, and systems ii. Projects and programs iii. Specific digital library challenges iv. Digital library publications, policies, working papers, and other documents I. Collections, services, and systems A. Collections Caxton's Chaucer This project has made available William Caxton's two editions of Chaucer's Canterbury Tales, probably printed in 1476 and 1483. The originals are both in the British Library. The digitisation was undertaken by a team of 14 Japanese experts, including a professional photographer, bibliographers and IT specialists, all from the HUMI (Humanities Media Interface) project at Keio University in Tokyo. The work was directed by Professor Toshiyuki Takamiya, a specialist in 15th-century English literature, and managed by Masaaki Kashimura. The images are accompanied with a detailed background on Caxton and his editions of Chaucer's Canterbury Tales, carefully structured to provide information for users ranging from school-leaver age to the level of the specialist scholar. http://www.bl.uk/treasures/caxton/homepage.html Gutenberg Bible Johann Gutenberg's Bible was the first real book to be printed using the technique of printing, which Gutenberg invented in the 1450s. The British Library has two complete copies, one printed on paper and one on vellum (calf's skin). We also have an important one-leaf fragment, and the site also presents two other items in the British Library which are closely connected with Gutenberg's Bible, a school book and a letter of indulgence. The Gutenberg page makes it possible to compare the two complete copies. -
Collectors, Citizens, and the Post Sheila A
Stamping American Memory Digital Humanities Series Editors: Julie Thompson Klein, Wayne State University Tara McPherson, University of Southern California Paul Conway, University of Michigan Stamping American Memory: Collectors, Citizens, and the Post Sheila A. Brennan Big Digital Humanities: Imagining a Meeting Place for the Humanities and the Digital Patrik Svensson Ethical Programs: Hospitality and the Rhetorics of Software James J. Brown Jr. Digital Rhetoric: Theory, Method, Practice Douglas Eyman Web Writing: Why and How for Liberal Arts Teaching and Learning Jack Dougherty and Tennyson O’Donnell, Editors Interdisciplining Digital Humanities: Boundary Work in an Emerging Field Julie Thompson Klein Pastplay: Teaching and Learning History with Technology Kevin Kee, Editor Writing History in the Digital Age Jack Dougherty and Kristen Nawrotzki, Editors Hacking the Academy: New Approaches to Scholarship and Teaching from Digital Humanities Daniel J. Cohen and Tom Scheinfeldt, Editors Teaching History in the Digital Age T. Mills Kelly Manifesto for the Humanities: Transforming Doctoral Education in Good Enough Times Sidonie Smith diGitalculturebooks, an imprint of the University of Michigan Press, is dedicated to publishing work in new media studies and the emerging field of digital humanities. Stamping American Memory Collectors, Citizens, and the Post ••• Sheila A. Brennan University of Michigan Press Ann Arbor Copyright © 2018 by Sheila A. Brennan Some rights reserved This work is licensed under under a Creative Commons Attribution- NonCommercial 4.0 International License. Note to users: A Creative Commons license is only valid when it is applied by the person or entity that holds rights to the licensed work. Works may contain components (e.g., photographs, illustrations, or quotations) to which the rightsholder in the work cannot apply the license. -
Time and the Bibliographer: a Meditation on the Spirit of Book Studies
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications -- Department of English English, Department of Spring 2020 Time and the Bibliographer: A Meditation on the Spirit of Book Studies Matt Cohen Follow this and additional works at: https://digitalcommons.unl.edu/englishfacpubs Part of the Comparative Literature Commons, English Language and Literature Commons, Modern Literature Commons, and the Reading and Language Commons This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Time and the Bibliographer A Meditation on the Spirit of Book Studies Matt Cohen Abstract In light of the global return of tribalism, racism, nationalism, and religious hypocrisy to power’s center stage, it is worth returning to the question of the relevance of bibliography. It is a time when, at least at the seats of power in the United States and some other places, books seem to have become almost meaningless. Bibliographic pioneer D.F. McKenzie’s strategy was not to constrain bibliography in self-defense, but to expand it, to go on the offense. What is our course? This essay explores bibliography’s past in order to suggest ways in which it can gain from an engagement with the methods and motivating concerns of Indigenous studies. The study of books has often functioned within a colonialist set of assumptions about its means and its ends, but at the same time, having been at times in something of a marginalized position themselves in their professions, its practitioners have developed unique tools, passions, and intellectual focuses with decolonial potential. -
Travelling Africa & the Archives 2015 Abstracts
TRAVELLING AFRICA & THE ARCHIVES 5 JUNE 2015 SOAS, University of London Room 116 10:00-10:30 Registration and coffee/tea 10:30 – 12:00 SESSION 1. Jenny SCHANK Travelling the Neighbour’s Colony: Luxembourgish Students in pre- Independence Belgian Congo Stephanie DE GOEIJEN The Archive of Dreams: Malagasy Micropolitics in the Missionary Archive Hana SANDHU ‘I may not be considered a competent witness’: Women’s Travel Writing, Orientalism and the Representation of Egypt LUNCH at the October Gallery for 12:30 2:00-3:30 SESSION 2. Elspeth TOLLEMACHE Re-capturing the International Gaze, Rwanda 1994-95: Stewart Wallis’s Travels in Africa and the Power of the Visual Archive Taaka ODERA The Ndere Dance Troupe Milo GOUGH Multi-Axial Travels in the Highlife Archive: An Audio/Textual Journey through a Music Genre Closing & Reception – THE LAMB Kai EASTON Vessels, Voyages and Visitors: HMS Vanguard and the Royal Tour of South Africa [1947] 2 ABSTRACTS Jenny SCHANK: Travelling the Neighbour’s Colony: Luxembourgish Students in pre-Independence Belgian Congo From 1954 until 1959, the Compagnie Maritime Belge each year offered a free journey to the Belgian Congo to two Luxembourgish students, a report of which they had to hand in upon their return. An exploration of the correspondence between this Belgian shipping company and the Luxembourgish government, the students’ application letters, and the final reports – all consulted during two visits to the Luxembourgish National Archives – gives interesting insights into the wider context of Luxembourg’s ambiguous relationship with its neighbour and the marginalized, only recently discovered, history of the Grand-Duchy’s colonials. -
Our 2019 Mentorship Booklet
Table of Contents 4 About the Program 6 Application Details 8 2019 Staf 14 2019 Mentors 48 Testimonials 52 Student News 58 2019 Partners 60 Student Alumni 65 About the Journal 2 2019 Adroit Summer Mentorship Program | 3 About the Program Now in its seventh year, The Adroit Journal’s Summer Mentorship Program is an entirely free and online program that pairs experienced writers with high school and secondary students (including graduating seniors) interested in exploring about the creative writing processes of drafting, redrafting and editing. This year, the program will cater to the genres of poetry, fction, and nonfction. The aim of the mentorship program is not formalized instruction, but rather an individualized, fexible, and often informal correspondence. Poetry students will share weekly work with mentors and peers, while fction and nonfction students will share biweekly work with mentors and peers. The 2019 Adroit Journal Summer Mentorship Program will begin on June 23rd, and will conclude on August 3rd. Applications for the 2019 Adroit Journal Summer Mentorship Program will be open via our Submittable server from March 15, 2019 until April 15, 2019 at 11:59pm Pacifc Standard Time (PST). ABOUT THE We are very proud of our alumni. Students have subsequently been recognized through the National YoungArts Foundation & United States Presidential Scholar in the Arts designation, the National Scholastic Art & Writing Awards, and the Foyle Young Poet of the Year Awards, among a plethora of other recognition avenues. Over 65% of mentorship graduates have matriculated at Ivy League universities, Stanford, UChicago, Cambridge, or Oxford. Click here to view the mentorship Program alumni college list. -
Catalogue 242: Was It Wise? 1 7
Thomas J. Wise (1858-1937): English book-collector, bibliographer, editor, forger and thief Was it Wise? The Cyril M. Wyatt collection of books, pamphlets and autograph letters pertaining to forgeries, piracies and counterfeit editions —those who made them, those who supported them and those who exposed them— with emphasis on Thomas J. Wise Catalogue 242 April 2021 TERMS AND CONDITIONS OF SALE Unless otherwise described, all books are in the original cloth or board binding, and are in very good, or better, condition with defects, if any, fully described. Our prices are nett, and quoted in Australian dollars. Traditional trade terms apply. Items are offered subject to prior sale. All orders will be confirmed by email. PAYMENT OPTIONS We accept the major credit cards, PayPal, and direct deposit to the following account: Account name: Kay Craddock Antiquarian Bookseller Pty Ltd BSB: 083 004 Account number: 87497 8296 Should you wish to pay by cheque we may require the funds to be cleared before the items are sent. GUARANTEE As a member or affiliate of the associations listed below, we embrace the time-honoured traditions and courtesies of the book trade. We also uphold the highest standards of business principles and ethics, including your right to privacy. Under no circumstances will we disclose any of your personal information to a third party, unless your specific permission is given. TRADE ASSOCIATIONS Australian and New Zealand Association of Antiquarian Booksellers [ANZAAB] Antiquarian Booksellers’ Association [ABA(Int)] International League of Antiquarian Booksellers [ILAB] Australian Booksellers Association NOTE This catalogue has been compiled by Alison Sayers and Kay Craddock, with images by David Cosgrove The title of this catalogue is taken from a poem by A.