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Fortnight Nears the End
World Bridge Series Championship Philadelphia Pennsylvania, USA 1st to 16th October D B 2010 aily ulletin O FFICIAL S PONSOR Co-ordinator: Jean-Paul Meyer • Chief Editor: Brent Manley • Editors: Mark Horton, Brian Senior, Phillip Alder, Barry Rigal, Jan Van Cleef • Lay Out Editor: Akis Kanaris • Photographer: Ron Tacchi Issue No. 14 Friday, 15 October 2010 FORTNIGHT NEARS THE END These are the hard-working staff members who produce all the deals — literally thousands — for the championships Players at the World Bridge Series Championships have been In the World Junior Championship, Israel and France will start at it for nearly two weeks with only one full day left. Those play today for the Ortiz-Patino Trophy, and in the World Young- who have played every day deserve credit for their stamina. sters Championship, it will be England versus Poland for the Consider the players who started on opening day of the Damiani Cup. Generali Open Pairs on Saturday nearly a week ago. If they made it to the final, which started yesterday, they will end up playing 15 sessions. Contents With three sessions to go, the Open leaders, drop-ins from the Rosenblum, are Fulvio Fantoni and Claudio Nunes. In the World Bridge Series Results . .3-5 Women’s Pairs, another pair of drop-ins, Carla Arnolds and For Those Who Like Action . .6 Bep Vriend are in front. The IMP Pairs leaders are Joao-Paulo Campos and Miguel Vil- Sting in the Tail . .10 las-Boas. ACBL President Rich DeMartino and Patrick McDe- Interview with José Damiani . .18 vitt are in the lead in the Hiron Trophy Senior Pairs. -
WBF Convention Card 2.19
DEFENSIVE AND COMPETITIVE BIDDING LEADS AND SIGNALS OVERCALLS (Style; Responses; 1/2 Level; Reopening) OPENING LEADS STYLE Natural. New suit = constructive NF; Jump in New suit = Nat, F Lead In Partner's Suit WBF Convention Card 2.19 (1x)-1y-..-cue = 3 card raise, Inv+ Suit 3rd and 5th 3rd and 5th (1x)-1M-..-2N = 4+ card raise, Inv+ NT Attitude Attitude Category: Jump in opponent's suit = mixed raise Subseq Country: ENGLAND Other: Event: World Championships Bali 2013 Players: Tony Forrester and Andrew Robson 1NT OVERCALL (2ND/4TH Live; Responses; Reopening) LEADS SYSTEM SUMMARY Direct = 15-18, system on Lead Vs. Suit Vs. NT GENERAL APPROACH AND STYLE Protective = 11-16, system on, except 2} = range enquiry Ace AK(x) AKx(x) 5 Card Majors King KQ(x) AKJ10(x), KQx(x) 1} = 1+ Queen QJ(x) KQ109(x), QJ(x) 1{ = 5+ Jack J10(x), KJ10(x) J10(x), A/KJ10(x) JUMP OVERCALLS (Style; Responses; Unusual NT) 10 109(x), H109(x) 109(x), H109(x) 1-Suit: Pre-emptive; responses as for weak 2 opener 9 9x 9x(x) 2-Suit: 2N = 2 lowest unbid suits Hi-x xx xxx(x) 1NT Openings: 15 - 17 (1})-2{ = Majors 5/5 Lo-x xxx, Hxx Hxx(x) 2 OVER 1 ResponsesNat FG Reopen: SIGNALS IN ORDER OF PRIORITY SPECIAL BIDS THAT MAY REQUIRE DEFENCE DIRECT and JUMP CUE BIDS (Style; Responses; Reopen) Partners Lead Declarer's Lead Discarding 2{ = Bad weak 2 in M (3-8) Cue = Michaels; (1{)-2{ = Majors 5/5; (1M)-2M = OM+m 5/5 Suit:1st Hi = Disc Hi - Even Hi = Disc 2M = Intermediate 2 (9-12) EXCEPT: (1})-2} = Majors 5/4; (1})-2{ = Majors 5/5 2nd Hi - Even Hi - Even Transfer responses to 1} Jump cue asks for stopper in opponent's suit 3rd Transfer responses after 1L-(dbl) NT: 1st Hi = Disc Smith (Hi = Enc) Hi = Disc 1}-2{ = Multi, weak in a Major VS. -
ENG Forrester-Robson.Pdf
DEFENSIVE AND COMPETITIVE BIDDING LEADS AND SIGNALS W B F CONVENTION CARD OVERCALLS (Style: Responses: 1 / 2 Level; Reopening) OPENING LEADS STYLE Natural. New suit = constructive NF; Jump in new suit = Nat, F Lead In Partner’s Suit NCBO: England UCB Suit 3rd and 5th 3rd and 5th (1x)-1M--2N = 4+ card raise, Inv+ NT 4th, middle of 3 3/5th EVENT: Ostend Open CATEGORY Green Jump in opponent’s suit = mixed raise Subseq Jumps in competition = weak 4-9 e.g. (1.)-1-(1)-3=weak Other: PLAYERS: Tony Forrester & Andrew Robson 1NT OVERCALL (2nd/4th Live; Responses; Reopening) LEADS SYSTEM SUMMARY Direct = 15-18, system on Lead Vs. Suit Vs. NT Protective = 11-16, system on Ace AK(x) AKx(x) GENERAL APPROACH AND STYLE King KQ(x) AKJT(x), KQx(x) 5 Card Majors Queen QJ(x) KQT9(x), QJ(x) 1. = 2+ Jack JT(x), KJT(x) JT(x), A/KJT(x) 1NT = 15-17 JUMP OVERCALLS (Style; Responses; Unusual NT) 10 T9(x), HT9(x) T9(x), HT9(x) 1M-2. = Art FG 1-Suit: Pre-emptive (4-11); responses as for weak 2 opener 9 9x 9x(x) 1-2 = 5+ (8+) 2-Suit: 2N = 2 lowest unbid suits Hi-X xx xxx(x) 1/-2/ = 3(4) card raise (8+) Lo-X xxx, Hxx Hxx(x) 1M-3m = Nat FG Reopen: Intermediate SIGNALS IN ORDER OF PRIORITY DIRECT & JUMP CUE BIDS (Style; Response; Reopen) Partner’s Lead Declarer’s Lead Discarding SPECIAL BIDS THAT MAY REQUIRE DEFENCE Cue = Michaels: (1m)-2m = Majors 5/5; (1M)-2M = OM+m 5/5 1 Hi = Disc Hi = Even Hi = Disc 2 = Multi, weak 2 in a M (4-9) OR any 4441 (16+) Jump cue ask for stopper in opponent’s suit Suit 2 Hi = Even Hi = Even 2M = 5M/4+m (5-10) 3 Transfer responses to 1. -
Handbook 2016
The International Bridge Press Association Handbook 2016 The addresses (and photos) in this Handbook are for the IBPA members personal, non commersial, use only 6IBPA Handbook 2015 1 TABLE OF CONTENTS President’s foreword........................................................................................................................................... 3 Fifty Years of IBPA............................................................................................................................................ 4 IBPA Officials .................................................................................................................................................... 7 Former IBPA Officers........................................................................................................................................ 8 The IBPA Bulletin............................................................................................................................................ 10 Advertising ........................................................................................................................................................ 11 Copyright ........................................................................................................................................................... 11 Annual AWARDS............................................................................................................................................. 12 The Bridge Personality of the Year........................................................................................................... -
Club Magazine 26.Pdf
Autumn 2007 Issue Twenty Six The Andrew Robson Bridge Club 31 Parsons Green Lane, SW6 4HH 020 7471 4626 BLUE CHIP NOW CONTAINS SPECIAL ANDREW ROBSON BIDDING PRACTICE • NEW Improver and Advanced Courses • Intriguing Competition • Bridge Secrets – Andrew’s new book www.arobson.co.uk Andrew’s Editorial In an effort to further enhance the quality of the I would like to welcome two new young people teaching, I have devised TWO NEW CORE to the ARBC Team. Natasha Clarke, keen as EIGHT-WEEK mustard, and patient as Job, looks after the COURSES for this Beginner Supervised Play amongst other things. autumn: IMPROVER You’ll love her gentle, reassuring approach. Pip and (new) ADVANCED. Railing, fresh out of school and also boundlessly This is the result of a enthusiastic, is to spend his gap year working at very carefully thought- the Club. Pip was taking my Intermediate Course out reshuffle, which I just a year ago, but he is now winning our hope will give you the Duplicates. I’m sure you’ll benefit from his clear- appropriate topic at thinking approach. the appropriate time. The route for learning My third book, BRIDGE SECRETS, is out (I’m now this great game at taking a break from book-writing for a while). ARBC will now be Whilst it is primarily aimed at the more clearer (no more experienced player, I’m sure you will all find it a arrows pointing rewarding read. I think you will especially enjoy everywhere on the Chapter 19, recounting my highs and lows in 20- cover of the Learning and Playing Pamphlet!). -
The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Bulletin April 2012
Bedfordshire Bridge Association BULLETIN No.238 April 2012 Bulletin Editor: Peter Scott 21 Salters Way, Dunstable, Beds, LU6 1BT Tel: 01582 668488 or 07956 820530 Email: [email protected] Inside this Issue: YOUR BULLETIN REPS Letter to the Editor.............. 3 Please note that the following At Crockfords - nearly! ........ 5 people will be handing out the Easley Blackwood................ 8 latest Bulletins at your local Declarer Play Quiz............... 9 club: Fracas in Poland ................10 Ampthill ................Mike Field Red Suit Transfers .............12 Clifton.................... Alan Ellis Suit Preference Signals.......16 Leighton B ......... David Gilling How Many Queens?............19 PM Bridge.......... Ann Pillinger BBA Committee Report .......20 Bedford ............... Alan Cooke Mike Vogel ........................22 Cranfield ........ Erica Sharrock Answer to Declarer Quiz .....23 Milton Keynes .... David Gilling Brian Keable Part 2 ............24 Wardown............. Peter Scott More on the Merrimac.........26 Please ask one of them if you Recent Results...................27 have not received your copy. An Ethical Dilemma ............28 BACK HOME AFTER AN EVENING AT THE BRIDGE CLUB “Pass me the hairdryer” 2 Editorial: Thank you for your many and varied contributions to this issue which are always very welcome. Please keep them coming. As well as the usual mix of bridge features is a report on decisions recently made by your County Committee which may affect you. So, read on and please let me have your comments and thoughts on the content and anything else you wish to share with others in the next issue. Over to you ... Letter to the Editor English Bridge Union (EBU) membership at club and county level Ever since the English Bridge Union, the counties, and EBU affiliated clubs, introduced the Pay to Play (P2P) scheme into the bridge world, all members of affiliated clubs automatically became members of the EBU. -
Anaheim Daily Bulletin 5
DailyDailyAugust 10-August 20, 2000 72ndBulletinBulletin Summer North American Bridge Championships Friday, Aaugust 11, 2000 Anaheim, California Vol. 72, No. 5Tuesday, August 15, 2000 Editors: Henry Francis and Paul Linxwiler Special game highlights ABA/ACBL Day Today is a big day for United States bridge – we are building bridges for bridge. For the first time ever, the American Bridge Association and the American Contract Bridge League are co-sponsoring a major event at a North American championship tournament. Today’s two-session stratified pairs game is the ABA/ ACBL Stratified Open Pairs. That’s the highlight of ABA/ACBL Day. Anyone playing in this game can have any points Directors honored at Goodwill reception (l to r) Sol Weinstein, Doug Grove, Bobbie Shipley, John Ashton, won credited to either their ABA or their ACBL record. Goodwill Chairman Aileen Osofsky, Chris Patrias, Millard Nachtwey, Betty Bratcher and Tom Quinlan. All each player has to do is enter the player number of the organization to which they want their points cred- ited. Goodwill honors chief directors But ABA/ACBL Day goes further than that. Any The Goodwill Committee honored the directors Now it was time to introduce the three teams. player competing in an event that begins and ends to- who run the North American championships at Spring – Chris Patrias and John Ashton; Summer – day has the same right of choice as to where his points yesterday’s Goodwill Day reception. Sol Weinstein and Doug Grove Fall — Millard will go. That’s true for the morning games, the side The first director called forward by Goodwill Nachtwey and Betty Bratcher. -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
Celluloid Television Culture the Specificity of Film on Television: The
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. https://eprints.bbk.ac.uk/id/eprint/40025/ Version: Full Version Citation: Sexton, Max (2013) Celluloid Television Culture The Speci- ficity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. Max Sexton A thesis submitted for the Degree of Doctor of Philosophy, Birkbeck, University of London, 2012. Declaration I hereby declare that the thesis presented by me for examination of the PhD degree is solely my own work, other than where I have clearly indicated. Birkbeck, University of London Abstract of Thesis (5ST) Notes for Candidate: 1. Type your abstract on the other side of this sheet. 2. Use single-spacing typing. Limit your abstract to one side of the sheet. 3. Please submit this copy of your abstract to the Research Student Unit, Birkbeck, University of London, Registry, Malet Street, London, WC1E 7HX, at the same time as you submit copies of your thesis. 4. This abstract will be forwarded to the University Library, which will send this sheet to the British Library and to ASLIB (Association of Special Libraries and Information Bureaux) for publication to Index to Theses .