DOCSLIB.ORG

Sunday 19Th September

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Wednesday 15th - Sunday 19th September Wednesday 15th - Sunday 192021th September 2021 HIGHLIGHTS INCLUDE: Celia Imrie Joan Bakewell Aardman Model Making Saul David Darcey Bussell Kate Mosse Sir Anthony Seldon Cathy Rentzenbrink Richard Dawkins Tim Harford Kehinde Andrews Tristan Gooley Ann Cleeves Harriet Walter Anita Sethi Victoria Glendinning Michael Caines Alan Johnson Deborah Moggach Richard Ovenden Jacqueline Wilson MG Leonard Jenny Packham And much more... Before the internet Before the printing press Before the written word Language was heard. Human civilization Founded on the spoken word Men and women coming together. Children learning the ways of their elders. The laughter. The music. The chatter. Minds ignited. Hearts inspired. Be there. AUDIFY® Independent Hearing Care Palatine House | Sigford Road | Exeter | EX2 8NL Tel: (01392) 436714 Web: audify.uk HEARING CHECKS | HEARING TECHNOLOGY | HEARING PROTECTION Before the internet WELCOME FROM THE FESTIVAL PRESIDENT Before the printing press Before the written word ast year was the one that showed how Language was heard. Lmuch we all need stories. In the depths of the pandemic, books provided company Human civilization and consolation; they helped us imagine Founded on the spoken word other worlds and purer air. For authors and Men and women coming together. audiences alike, it could have been a disaster Children learning the ways of their elders. year. In Budleigh, our ingenious and flexible team ensured that we still had a lively festival The laughter. The music. The chatter. programme. A few live events were possible – I was lucky enough to share one of them Minds ignited. Hearts inspired. with James Naughtie. For the most part, technology brought us together, and opened Be there. up new possibilities of worldwide connection. This year it is our hope that we can safely meet, greet, listen, applaud – and do it all in person. We have one of the most inspiring programmes yet, and we can’t wait to share Photo by George Miles it. We aim to welcome old and new friends this September, to feel the buzz of live performance and the joy of simply being there. Optimism is the only way forward. The cafes will be busy, the shops will be bustling, a breeze of debate will ripple through the marquee, and hosts and guests can embrace – or at least, shake hands, and give up that uncouth elbow-bumping. And maybe there will be some sunshine...now wouldn’t that be nice? Dame Hilary Mantel HOW TO BOOK Please note that all tickets include VAT. Student concessions are available. BOOK ONLINE: budlitfest.org.uk • BY PHONE: 0333 666 3366 DURING THE FESTIVAL: Tickets can be purchased from the box office in the Festival Marquee on the Green, Station Road, but are subject to availability. COVID 19 AND YOUR SAFETY The Festival is committed to the care of the team and our audiences and will be following the prevailing Government guidelines as regards distancing and venue capacities. Please check our website at budlitfest.org.uk and our Twitter @budleighlitfest for the most up to date information and any programme changes. For booking information, go to page 41. FOLLOW US ON: Twitter @budleighlitfest, Facebook and Instagram AUDIFY® Independent Hearing Care Palatine House | Sigford Road | Exeter | EX2 8NL Cover image by Cathy King, Devon-based printmaker cathykingprints.com and on sale at Tel: (01392) 436714 Web: audify.uk The Brook Gallery, Budleigh Salterton. See page 37. HEARING CHECKS | HEARING TECHNOLOGY | HEARING PROTECTION Budleigh Salterton Literary Festival is a Charitable Incorporated Organisation (registered number1127885). It was founded in 2008 by Susan Ward (1944-2012) 3 FESTIVAL TEAM HON. PRESIDENT: Dame Hilary Mantel DBE CHAIR: Sue Briggs ARTISTIC DIRECTOR: Annie Ashworth FESTIVAL COMMITTEE: ASSOCIATES AND ADVISORS: Carol Ackroyd Louise Burrows Bonnie Blackwell Martin Briggs Jane Burton Barbara Farley Jackie Collins Steve Hagger David Cornes Roger Hennah Rosemarie Davis Gerald McEwen Malcolm Elliott George Norman Ruth Jones Emma Richardson Jennie Milverton Caroline Walshaw John Rust-Andrews Hilary Shiels Jennie Stogdon Gareth Thomas We would like to thank the following for their support with this year’s Festival: All our sponsors and supporters; our authors and the publishers who have sent their authors to us; all the staff at Waterstones Exeter; the venues who have made themselves available for the Festival, including the Public Hall, St Peter’s Church, Temple Church, The Masonic Hall and The Church on the Green; McQueenie Mulholland PR and Wigwam PR; Steve Fearn at SFI Media; the staff at Budleigh Library; Pro Sound and Vagabond Marquee Hire; Suzanne Stuart-Banks at The Interior Studio, Budleigh, for setting the stages; Angela Yarwood at Brook Gallery; Loft at the Community Hub; Al Findlay; Posh Nosh and Jed Falby, Festival artist; all our volunteer drivers and stewards and the Festival interviewers. Festival Photographers: Mike Rice and Sarah Stride at Sarah Jayne Photography Festival Film: Andrew Johnstone, Wild Dog Ltd Programme Design: Bonnie Blackwell 4 Box Office 0333 666 3366 www.budlitfest.org.uk Wednesday 15th Sept WORKSHOP LUCIA LEYFIELD PAUL ARNOTT Wild Ink Workshops LOCAL WRITER Mini Marquee on the Green Windrush - The Soul of a Ship £30 including materials Church on the Green • 10am • £10 10am-12pm It is rare for one vessel, so lyrically named, Pop Up Typewriters to carry the weight of such representation Learn to illustrate an exquisite and quirky – hope, conflict, imperialism and shame. tiny vintage typewriter, and learn some For three decades the Windrush was the fantastically failsafe techniques for sketching maritime ‘Zelig’ of the twentieth century, more complicated subjects even if you can’t playing different roles in the most turbulent draw! Make some lovely creative decisions years in modern times. Acclaimed film- adding colour, collage, printed ephemera, maker and Channel 4 producer, and now bits of old books or real type-written notes. local politician, Paul Arnott digs into the Perfect, too, for cards and envelopes to send gripping history of a ship, first designed by a to a friend. Jewish shipbuilder in Hamburg, who played a role as varied as joy vessel for Nazis and 2-4pm prison ship for Jews, until she famously Pocket Book of Art delivered the first migrants from the Learn to make an amazing multifaceted Caribbean to an unwelcoming Britain, before pocket book and fill it with wondrous works sinking off the Algerian coast in 1954. Hear of art! Lucia will show you some really easy the memories of people inextricably linked and very addictive abstract techniques from to this extraordinary merchant ship at the which you can create your own tiny paintings end of empires. and sculptures using paint and collage. A relaxing workshop suitable for all and you don’t need to be able to draw! Lucia is an artist, letterer and creative educator who creates illustrated journals and artist books. See her work on her Instagram account @wildinksketch and at www.wildink.co.uk. Max 10 people Box Office 0333 666 3366 www.budlitfest.org.uk 5 Wednesday 15th Sept LAURA THOMPSON Heiresses – The Lives of the Million Dollar Babies Public Hall • 10am • £12 We’ve all fantasied about what we’d do if we inherited a fortune, but what would life be like if that actually happened? Laura Thompson is author of several critically acclaimed books, including The Dogs: A Personal History of Greyhound Racing which Photo by Lucy McGrath won the Somerset Maugham Award, and AMY JEFFS and the New York Times bestselling Take Six Girls: The Lives of the Mitford Sisters. In her LUCY HOLLAND latest razor-sharp survey of the world of Myths and Legends the wealthy heiress, she explores the lives Temple Church • 12pm • £12 of women from the seventeenth to the The British Isles are steeped in fantastical twenty-first centuries including Elizabeth stories that shaped our history. Art historian Sloan whose father owned the land that is Amy Jeffs is the author ofStoryland. now Chelsea; Winnaretta Singer, inheritor of Soaked in mist and old magic, it is a new the sewing-machine fortune, whose salon in illustrated mythology of Britain, set in its Paris showcased work by great composers, wildest landscapes. It retells tales of legend, and Alice Silverthorne who walked her black landscape and the yearning to belong from panther along the Promenade in Nice. ‘Life the Creation through to the arrival of the is less sad with money,’ said one heiress. Normans. Exeter Waterstones bookseller, Laura will ask if that really is the truth. Lucy Holland, shares her riveting debut Sistersong, a story of treachery, love and death set in ancient Britain. Photo by Richaard Blower In partnership with Festival Friends 6 Box Office 0333 666 3366 www.budlitfest.org.uk Wednesday 15th Sept DEBORAH MOGGACH OBE and SUSIE BOYT Stories of Our Lives St Peter’s Church • 2pm • £12 Sometimes the remarkable comes out of the unremarkable and we welcome two authors who explore so sensitively the tapestry of our complicated average lives. Tulip Fever and The Best Exotic Marigold Hotel author, Photo by Tobias Alexander Deborah Moggach, is ‘at the height of her ANITA SETHI powers’ according to the Sunday Times in Who am I? A Case of Misunderstood her latest novel The Black Dress. Pru who, Identity abandoned by her long-term husband to contemplate her future alone, buys a black Public Hall • 12pm • £12 dress and discovers a strange new world Movements such as Black Lives Matter, the attending the funerals of people she’s never death of George Floyd, online and sports met. Writer, FT colunmnist and daughter of field racism and controversy about trans Lucian Freud, Susie Boyt explores the lengths rights have pushed the question about we will go to in protecting those we love identity and belonging right to the forefront in her new novel about maternal love and of the international conversation.
Recommended publications
  • TV Preview: Tales of Television Centre at BFI Southbank / Tue 15 May / 18:10

    TV Preview: Tales of Television Centre at BFI Southbank / Tue 15 May / 18:10

    PRESS RELEASE April 2012 12/29 TV Preview: Tales of Television Centre At BFI Southbank / Tue 15 May / 18:10 BFI Southbank is delighted to present a preview screening of Tales of Television Centre, the upcoming feature-length documentary telling the story of one of Britain’s most iconic buildings as the BBC prepares to leave it. The screening will be introduced by the programme’s producer-director Richard Marson The story is told by both staff and stars, among them Sir David Frost, Sir David Attenborough, Dame Joan Bakewell, Jeremy Paxman, Sir Terry Wogan, Esther Rantzen, Angela Rippon, Biddy Baxter, Edward Barnes, Sarah Greene, Waris Hussein, Judith Hann, Maggie Philbin, John Craven, Zoe and Johnny Ball and much loved faces from Pan’s People (Babs, Dee Dee and Ruth) and Dr Who (Katy Manning, Louise Jameson and Janet Fielding). As well as a wealth of anecdotes and revelations, there is a rich variety of memorable, rarely seen (and in some cases newly recovered) archive material, including moments from studio recordings of classic programmes like Vanity Fair, Till Death Us Do Part, Top of the Pops and Dr Who, plus a host of vintage behind-the-scenes footage offering a compelling glimpse into this wonderful and eccentric studio complex – home to so many of the most celebrated programmes in British TV history. Press Contacts: BFI Southbank: Caroline Jones Tel: 020 7957 8986 or email: [email protected] Lucy Aronica Tel: 020 7957 4833 or email: [email protected] NOTES TO EDITORS TV Preview: Tales of Television Centre Introduced by producer-director Richard Marson BBC 2012.
  • Mae Ruth Jones Yn Ymweld  Chwmderi Ac Yn Gofyn Am Help - Yn Y Gymraeg!

    Mae Ruth Jones Yn Ymweld  Chwmderi Ac Yn Gofyn Am Help - Yn Y Gymraeg!

    09.01.20 Cathryn Ings Cyswllt Contact Ffôn Phone 03305 880450 Erthygl i'r Wasg Press Article Mae Ruth Jones yn ymweld â Chwmderi ac yn gofyn am help - yn y Gymraeg! Mae’n siŵr bydd nifer o bobl yn gyfarwydd iawn â gweld yr actores a’r awdures Ruth Jones yn brasgamu lawr strydoedd y Barri fel Nessa yn y sioe hynod o lwyddiannus Gavin a Stacey ar y BBC. Felly, byddai ei gweld hi yng Nghwmderi yn yr opera sebon Pobol y Cwm yn dipyn o sypreis! Ond ar ddydd Mawrth, Ionawr 21, fe fydd Ruth yn ymddangos fel hi ei hun yn chwilio am garej ar ôl i’w char dorri lawr ar y ffordd i Gaerdydd. Mae ymweliad Ruth i’r Cwm yn rhan o gyfres newydd sbon ar S4C yng Ngwanwyn 2020 sef Iaith ar Daith. Mae Ruth yn un o bump seleb sy’n mynd ar daith i rannau gwahanol o Gymru gyda mentor adnabyddus sy’n gallu siarad Cymraeg i geisio dysgu Cymraeg, neu yn achos Ruth, i wella ei Chymraeg llafar. Fel rhan o Iaith ar Daith, mae rhaid i bob un o’r selebs gyflawni nifer o sialensau - ac un o rheini i Ruth oedd dysgu sgript a chael rhan ar Pobol y Cwm - opera sebon mwyaf hirhoedlog a fu ar S4C. Ac er waetha’r ffaith ei bod hi’n nerfus iawn, fe wnaeth Ruth fwynhau’r profiad yn fawr. “O Jiw, o’n i mor nerfus - wir nawr! Yn rhannol, yn amlwg, oherwydd y Gymraeg - actio mewn iaith newydd, rhywbeth wi heb ei wneud o’r blaen ond hefyd oherwydd bod Pobol y Cwm yn chwedlonol, trysor cenedlaethol teledu Cymraeg!” “Roedd cymeriadau yna ar y diwrnod hwnnw o’n i wedi gwylio dros y blynyddoedd a dyma fi yn gorfod actio gyda nhw.
  • Gavin and Stacey Were Cast Who Played Pamela Shipman, on Fat Friends

    Gavin and Stacey Were Cast Who Played Pamela Shipman, on Fat Friends

    L-R: Gavin, Stacey, Smithy and Nessa REPORTS #50 OH! WHAT’S OCCURRING? heat takes a look at the most famous show ever to come out of Barry Island t’s hard to believe, but it’s ten years Mathew Horne and Joanna Page, and gave families and sets of friends. It was GAVIN AND since James Corden and Ruth Jones Larry Lamb, who played Gavin’s dad Mick, actually based on a real couple, whose brought Gavin & Stacey into our a role that was the total opposite of his evil Welsh wedding James attended, then lives. A decade ago, the majority EastEnders character, Archie Mitchell. told his close friend Ruth Jones all about. Iof the Great British public had no idea Reflecting on the show, James tellsheat , James explains, “The wedding was where Barry Island was, had never heard “Gavin & Stacey changed everything, on Barry Island, and Ruth’s from Cardiff anyone ask, “Oh, what’s occurring?” really, for all of us involved in the show. and knows the area quite well. I told her STACEY – nor realised that eating a corn on the cob In your career, you hope that you’ll have I didn’t think anybody had shown a could be considered sexual foreplay. something that resembles a hit. You don’t wedding on TV like the one I had been to.” Without the show, James Corden might ever think that something could mean James based his own character, Smithy, not have become a £10m global superstar as much to people as it does right now.” on a friend of his cousin.
  • Hw Biography 2021

    Hw Biography 2021

    HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London.
  • “My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy

    “My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy

    “My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4.
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien

    Reminder List of Productions Eligible for the 90Th Academy Awards Alien

    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
  • The Nation's Matron: Hattie Jacques and British Post-War Popular Culture

    The Nation's Matron: Hattie Jacques and British Post-War Popular Culture

    The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class.
  • HANCOCK's HALF HOUR COLLECTIBLES Notes To

    HANCOCK's HALF HOUR COLLECTIBLES Notes To

    HANCOCK’S HALF HOUR COLLECTIBLES Notes to Accompany Volume 3 All photographs copyright (C) BBC (unless otherwise stated) The Tony Hancock Appreciation Society is delighted to have given its support to the production of this new and unique series concerning the lost works of Tony Hancock. Tony Hancock: BBC Publicity Shot for Hancock’s Half Hour, November 1956 The Tony Hancock Appreciation Society (THAS) Since its creation in 1976, the THAS has dedicated itself to preserving and promoting the works of Tony Hancock and, more crucially, to finding his broadcasts that were missing from the archives. Over the decades, these efforts have yielded a wealth of material, most notably lost episodes of his most beloved work on Hancock’s Half Hour for both television and radio. Many of these have now been located and returned to the BBC; some feature in this special series of Collectibles, now into 1 its third volume. However, many still remain lost at this time. In addition, our efforts have found other material – shows recorded before Hancock became a household name – from series such as Calling All Forces, Variety Bandbox and Star Bill. Again, examples of these can be found in this series. In the previous volumes, there was an extensive analysis of missing recordings from Hancock’s radio career, and, as ever, we remain hopeful that some of these recordings will emerge from private collections or, perhaps, the archives of the BBC or other institutions. In these notes, we will focus on a number of missing recordings and shows outside the ‘core’ work Hancock did on his eponymous series and those that preceded it.
  • Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442

    Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442

    English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath.
  • Spring 2006 Bulletin 85

    Spring 2006 Bulletin 85

    Advertisements Diary Dates Please refer to VLV when responding to advertisements. VLV Ltd cannot accept any liability or complaint in regard to the following offers. The charge for classified advertisements is 30p per word, 20p for Wednesday 26 April members. Please send typed copy with a cheque made payable to VLV Ltd. For display space please VLV Spring Conference contact Linda Forbes on 01474 352835. The Royal Society, London SW1 10.30am – 5.00pm The Radio Listener's Guide 2006 The Television Viewer's Guide 2006 Wednesday 26 April Presentation of VLV’s Awards G 160 pages G 160 pages for Excellence In Broadcasting G Frequencies for all BBC and commercial radio G Digital TV details of what you need to pick up Sky, The Royal Society, London SW1 stations, plus DAB digital transmitter details. Freeview or cable 1.45pm – 2.30pm G Radio Reviews Independent reviews of over G Transmitter sites for all analogue and digital Thursday, 11 May 130 radios including DAB digital radios. television transmitters. An Evening with Joan Bakewell G News from both BBC and commercial radio stations. G Equipment advice covering TV sets, VCRs, DVD One Whitehall Place, players and recorders, Sky and Freeview. G Digital Radio (DAB) The latest news and information. London SW1 G Freeview set-top box guide. 6.30pm – 8.20pm G Sky and Freeview radio information and G channel lists. Channel lists for Sky and Thursday, 18 May Freeview. VLV Evening Seminar with Mark G Advice showing how to get the G Thompson, BBC Director General best from your radio.
  • The Production of Religious Broadcasting: the Case of The

    The Production of Religious Broadcasting: the Case of The

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository The Production of Religious Broadcasting: The Case of the BBC Caitriona Noonan A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy. Centre for Cultural Policy Research Department of Theatre, Film and Television University of Glasgow Glasgow G12 8QQ December 2008 © Caitriona Noonan, 2008 Abstract This thesis examines the way in which media professionals negotiate the occupational challenges related to television and radio production. It has used the subject of religion and its treatment within the BBC as a microcosm to unpack some of the dilemmas of contemporary broadcasting. In recent years religious programmes have evolved in both form and content leading to what some observers claim is a “renaissance” in religious broadcasting. However, any claims of a renaissance have to be balanced against the complex institutional and commercial constraints that challenge its long-term viability. This research finds that despite the BBC’s public commitment to covering a religious brief, producers in this style of programming are subject to many of the same competitive forces as those in other areas of production. Furthermore those producers who work in-house within the BBC’s Department of Religion and Ethics believe that in practice they are being increasingly undermined through the internal culture of the Corporation and the strategic decisions it has adopted. This is not an intentional snub by the BBC but a product of the pressure the Corporation finds itself under in an increasingly competitive broadcasting ecology, hence the removal of the protection once afforded to both the department and the output.
  • Mothers on Mothers: Maternal Readings of Popular Television

    Mothers on Mothers: Maternal Readings of Popular Television

    From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a MOTHERS ON wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this MOTHERS ON MOTHERS book sheds new light on the varied and diverse ways in which expectant, new MATERNAL READINGS OF POPULAR TELEVISION and existing mothers make sense of popular representations of motherhood on television. The volume examines the ways in which these women find pleasure, empowerment, escapist fantasy, displeasure and frustration in popular depictions of motherhood. The research seeks to present the MATERNAL READINGS OF POPULAR TELEVISION voice of the maternal audience and, as such, it takes as its starting REBECCA FEASEY point those maternal depictions and motherwork representations that are highlighted by this demographic, including figures such as Tess Daly and Katie Hopkins and programmes like TeenMom and Kirstie Allsopp’s oeuvre. Rebecca Feasey is Senior Lecturer in Film and Media Communications at Bath Spa University. She has published a range of work on the representation of gender in popular media culture, including book-length studies on masculinity and popular television and motherhood on the small screen. REBECCA FEASEY ISBN 978-0343-1826-6 www.peterlang.com PETER LANG From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a MOTHERS ON wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this MOTHERS ON MOTHERS book sheds new light on the varied and diverse ways in which expectant, new MATERNAL READINGS OF POPULAR TELEVISION and existing mothers make sense of popular representations of motherhood on television.