United States Studies Centre 2016 Annual Review
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Stephen Harrington Thesis
PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production. -
SSH – October 2007
VOLUME ONE NUMBER FIFTY-FIVE OCTOBER’07 CIRCULATION 22,000 ALEXANDRIA BEACONSFIELD CHIPPENDALE DARLINGTON ERSKINEVILLE KINGS CROSS NEWTOWN PADDINGTON REDFERN SURRY HILLS WATERLOO WOOLLOOMOOLOO ZETLAND WRAPPED THE BEST WITH LOVE BURGERS Local charity celebrates 15 years of good service IN TOWN PAGE 6 The Review PAGE 9 Emily, Charles Firth and Nick at Darlington Newsagency Photo: Ali Blogg Manic Times surprises Most people would recognise Charles Firth as one of the original reporters on Over-reaction? CNNNN and the Election Chaser. And while he remains the Chaser’s War Riot police on Sydney streets Photo: Lisa Hogben on Everything US correspondent, he has returned to Australia as Editor in Chief of Sydney’s newest rag, the Manic Times. If you expect the paper to be more satirical stories from the wayward Firth and friends, then you will be Nicholas McCallum McKinley, Urban Guerrillas’ Ken and the Philippines. Stewart and Iraq Veterans Against Whilst one man was arrested pleasantly surprised. It would seem that the only the War and former US Marine Matt for squirting sauce upon the conclusions to draw from the Howard speaking out against the war pro-American banner, many in Nicholas McCallum the way of gonzo [journalism] in APEC Summit are that when and APEC. the crowd were perplexed as to why Australia,” Firth said, “We’d like to Sydney protests it does so The protest was proceeding the NSW police would permit two After spending the last two years have one 5000 word gonzo piece peacefully and that NSW police peacefully with many questioning demonstrations with opposing views in the States writing his first book, every issue.” are still getting it wrong when the need for such a heavy police to come into such close quarters. -
The Chaser's Media Circus
ABC TV Media Release ABC ANNOUNCES PLAN TO REPLACE THE CHASER’S MEDIA CIRCUS WITH CAT VIDEOS ABC TV management has confirmed it hopes to replace the second series of The Chaser’s Media Circus with cat videos. “As soon as we can find enough left wing cats who instinctively hate Australia, they’ll be replaced,” said an ABC representative. Media Circus – the game show about the news game hosted by Craig Reucassel with Fake Fact Checker Chas Licciardello – returns to ABC on Thursday 10 September at 8pm. It is produced by the creative team behind The Chaser and The Checkout, including Ben Jenkins, Zoë Norton Lodge, Scott Abbot, Andrew Hansen and Julian Morrow. ABC management confirmed that for the second series the show has been moved out of the news division to allow it to be more biased and have less rigorous vetting of the studio audience. Filmed in front of a live audience each week shortly before broadcast, The Chaser’s Media Circus brings together journalists and comedians to dissect the week’s news through a time- honoured technique of media criticism: the trivia quiz. Last year’s guests included George Negus, Senator Nick Xenophon, Lenore Taylor, Chris Kenny, Ellen Fanning, Tracey Spicer, Hugh Riminton, Peter Berner, Dave Hughes and Tom Gleeson, a number of whom have not yet refused to return for Series Two. The new series will also feature Media Circus first timers including Peter Greste and John Safran. Prime Minister Abbott has confirmed he will allow government front benchers to appear on the show. But the producers are lobbying him to have this decision reversed. -
Andrew Hansen
Andrew Hansen Comedian, musician, MC and The Chaser star Andrew Hansen is a comedian, pianist, guitarist, composer and vocalist as well as a writer and performer who is best known as a member of the Australian satirical team on ABC TV’s The Chaser. Andrew is very versatile on the corporate stage too. He can MC an event, give a custom-written comedy presentation or even compose and perform a song if inspired to do so. Andrew’s radio work includes shows on Triple M as well as composing and starring in the musical comedy series and ARIA Award winning album The Blow Parade (triple j, 2010). The Chaser’s TV shows include Media Circus (2014-15), The Hamster Wheel (2011-2013), Yes We Canberra! (2010), The Chaser’s War On Everything (2006-9), The Chaser Decides (2004, 2007) and CNNNN (2002-3). On the Seven network, Andrew produced The Unbelievable Truth (2012). He has also appeared as a guest on most Australian TV shows that have guests. In print he wrote for the humorous fortnightly newspaper The Chaser (1999-2005), eleven Chaser Annuals (Text Publishing, 2000-10), and for the recently launched Chaser Quarterly (2015). On stage Andrew composed and starred in the musical Dead Caesar (Sydney Theatre Company), did two national tours with The Chaser, and two live collaborations with Chris Taylor (One Man Show, 2014 and In Conversation with Lionel Corn, 2015). The Chaser team also runs a cool theatre in Sydney called Giant Dwarf. Andrew composed all The Chaser’s songs as well as the theme music for Media Circus and The Chaser’s War On Everything. -
The Chaser Team
The Chaser Team Satirical Entertainment The Chaser is a satirical media empire which rivals Rupert Murdoch’s News Corp in all fields except power, influence, popularity and profitability. The Chaser is the group behind ABC TV series The Election Chaser (2001), CNNNN (2002) and CNNNN Live (2003) which together have lost a host of Australian and international TV comedy awards. However, their credibility-building run of losses ended in 2004 when CNNNN tied with Kath & Kim to win the Logie for Most Outstanding TV Comedy. In 2005 they won the Logie for Most Outstanding TV Comedy with the hugely popular, The Chaser Decides (ABC). In 2006, the team returned to ABC TV with The Chaser’s War On Everything, which won them two AFI Awards (Best Comedy and Best Comedy Performer for Andrew Hansen), as well as several court appearances. The show returned in 2009. Extremely popular in the corporate arena, The Chaser Team offer a range of speaking and entertainment options tailored to client’s needs. As hosts and presenters, they are beautifully irrelevant with just the right amount of professionalism. As after dinner and keynote speakers, they can present custom-written satirical songs and parodies of corporate presentations including powerpoint and trivia quizzes. More about The Chaser: The Chaser was founded in 1999 as a fortnightly satirical newspaper produced out of a spare bedroom by The Chaser Team: Charles Firth, Craig Reucassel, Julian Morrow, Dominic Knight, Andrew Hansen, Chas Licciardello and Chris Taylor. Since those humble beginnings, the Chaser team has lost its humility and has produced ClassicTM comedy in all media, including print, online, radio, television and Christmas crackers. -
A Dissident Liberal—A Principled Political Career
INTRODUCTION: A DISSIDENT LIBERAL—A PRINCIPLED POLITICAL CAREER John Wanna and Marija Taflaga Introducing Peter Baume’s Political Writings and Selected Speeches (including his unpublished diaries) Peter Erne Baume MD, AC, served in the Australian Senate from August 1974 until January 1991, representing the people of New South Wales as one of their initially 10 and then 12 senators. As a member of the Liberal Party, Baume was a dissident liberal, very much his own man, who often baulked at toeing the party line, and was not afraid of crossing the floor against his party colleagues. He was a highbrow classical intellectual of Jewish faith with professional training in medicine. He tended not to suffer fools gladly but equally was not elitist or aloof in his interactions with others and could be tolerant and empathetic in his demeanour. Like Max Weber, he regarded politics as a vocation, a special calling for those committed to serving the public interest throughout their lives;1 and yet when he came to serve in the legislature and experienced the rough and tumble of political life he often despaired at the lack of principles, vision or even basic understanding of many of his party colleagues. He resented other politicians who ostensibly posed as leaders of the community yet who adopted positions on public policy based on next to no information and were simply prejudicial in making their minds up on issues of national importance (at one time referring 1 See Baume (2000); and his speech later in this volume entitled ‘Four Careers’. xiii A Dissident LIBERAL to them as the ‘fat arses’ of the political system). -
Judicial Ontology, Constitutional Poetics, and •Ÿthe Long War╎╊
Working Paper Series Villanova University Charles Widger School of Law Year 2008 \Militant Judgement?: Judicial Ontology, Constitutional Poetics, and `The Long War"' Penelope J. Pether 1567, [email protected] This paper is posted at Villanova University Charles Widger School of Law Digital Repository. http://digitalcommons.law.villanova.edu/wps/art120 PETHER.FINAL.VERSION 5/1/2008 12:15:59 AM MILITANT JUDGMENT?: JUDICIAL ONTOLOGY, CONSTITUTIONAL POETICS, AND “THE LONG WAR” Penelope Pether* Law is the oNe . To-morrow, yesterday, to-day.1 [T]he truth is always produced by someoNe. .2 I would like this book to be read, appreciated, staked out, aNd coNtested as much by the iNheritors of the formal aNd experimeNtal graNdeur of . the law, as it is by the aesthetes of coNtemporary Nihilism, the refiNed amateurs of literary decoNstructioN, the wild militaNts of a de-alieNated world, aNd by those who are deliciously isolated by amorous coNstructioNs. FiNally, that they say to themselves, makiNg the difficult effort to read me: that maN, iN the seNse that he iNveNts, is all of us at oNce.3 This Article uses Badiou’s theoriziNg of the eveNt aNd of the militaNt iN Being and Event as a basis for aN exploratioN of problems of judicial oNtology aNd coNstitutioNal hermeNeutics raised iN receNt decisioNs by commoN law courts dealiNg with the legislative aNd executive coNfiNemeNt of “Islamic” asylum seekers, “eNemy combatants” and “terrorism suspects,” and certain classes of criminal offeNders iN spaces beyoNd the doctriNes, paradigms, aNd iNstitutioNs of * Professor of Law, VillaNova UNiversity School of Law. ThaNks are due to JoNathaN CharNitski, VillaNova UNiversity School of Law J.D. -
1.011 Project Example, Sydney Opera House
PROJECT EVALUATION Prepared for: 1.011 FINAL TERM PROJECT Prepared by: MIT Students Date: SPRING 2011 Acknowledgements: SYDNEY OPERA HOUSE, OFFICE OF THE CHIEF FINANCIAL OFFICER PROFESSOR JOSEPH SUSSMAN (MIT DEPT. OF CIVIL ENGINEERING) NIHIT JAIN (MIT DEPT. OF CIVIL ENGINEERING) Image courtesy of Kevin Gibbons on Flickr. Table of Contents BACKGROUND 3 THE STAKEHOLDERS 4 STAKEHOLDERS DURING THE INITIAL CONSTRUCTION PERIOD 5 PRESENT DAY STAKEHOLDERS 7 MAJOR ISSUES THAT AFFECTED THE PROJECT 8 COSTS AND BENEFITS 9 INITIAL ANALYSIS 9 LOTTERIES USED FOR FINANCING 9 SIGNIFICANT DECISIONS THAT AFFECTED DESIGN AND IMPLEMENTATION 11 THE FOUR SIGNIFICANT CHANGES TO THE DESIGN AFTER UTZON LEFT: 13 STATUS OF THE PROJECT 14 OUR ANALYSIS OF THE RELEVANT COSTS AND BENEFITS 15 ANALYSIS OF INITIAL CONSTRUCTION COSTS: 15 AONALYSIS OF PERATIONAL PERIOD (19732010): 19 REVENUE 20 EXPENDITURE 21 NET CASH FLOWS 22 CRITIQUE OF THE PROJECT AND PROJECT EVALUATION PROCESS 23 WAS IT A PROFITABLE VENTURE? 23 HOW WE ARE ATTEMPTING TO QUANTIFY ITS VALUE TO THE PEOPLE OF NEW SOUTH WALES? 23 IS IT FINANCIALLY SUSTAINABLE FOR THE FUTURE? 24 ADDITIONAL INFORMATION: WHAT DOES THE AUS $ 800 MILLION TOTAL REFURBISHMENT RECOMMENDED IN 2010 REALLY MEAN? 24 CRITIQUE OF THE PROJECT AND CONCLUSIONS FROM OUR PROJECT EVALUATION PROCESS 25 FROM THIS PROJECT, AND THE MISTAKES MADE THEREIN, WE LEARN: 25 WE LEARN THE IMPORTANCE OF PLANNING WELL BEFORE IMPLEMENTING A PROJECT. COMPLETE DESIGNS WOULD HAVE SAVED THIS PROJECT A GREAT AMOUNT OF MONEY AND TIME. 25 COMMENTS ON THE PROJECT EVALUATION PROCESS 26 APPENDIX 27 GENERAL FORMULAS 27 REVENUE FROM OPERATIONAL PERIOD 28 EXPENDITURE FROM OPERATIONAL PERIOD 29 NET CASH FLOWS FROM OPERATIONAL PERIOD 30 BIBLIOGRAPHY 31 2 NOTE: All amounts given are in actual dollars BACKGROUNDi,,ii iii On November 11, 1954 the honorable John Joseph Cahill, the Premier of New South Wales at the time, convened a conference to discuss the establishment of an opera house in New South Wales, Sydney, Australia. -
Proposed Redistribution of the New South Wales Into Electoral Divisions
Proposed redistribution of New South Wales into electoral divisions OCTOBER 2015 Report of the Redistribution Committee for New South Wales Commonwealth Electoral Act 1918 Feedback and enquiries Feedback on this report is welcome and should be directed to the contact officer. Contact officer National Redistributions Manager Roll Management Branch Australian Electoral Commission 50 Marcus Clarke Street Canberra ACT 2600 PO Box 6172 Kingston ACT 2604 Telephone: 02 6271 4411 Fax: 02 6215 9999 Email: [email protected] AEC website www.aec.gov.au Accessible services Visit the AEC website for telephone interpreter services in 18 languages. Readers who are deaf or have a hearing or speech impairment can contact the AEC through the National Relay Service (NRS): – TTY users phone 133 677 and ask for 13 23 26 – Speak and Listen users phone 1300 555 727 and ask for 13 23 26 – Internet relay users connect to the NRS and ask for 13 23 26 ISBN: 978-1-921427-38-1 © Commonwealth of Australia 2015 © State of New South Wales 2015 The report should be cited as Redistribution Committee for the New South Wales, Proposed redistribution of New South Wales into electoral divisions. 15_0526 The Redistribution Committee for New South Wales (the Committee) has completed its proposed redistribution of New South Wales into 47 electoral divisions. In developing and considering the impacts of the redistribution proposal, the Committee has satisfied itself that the proposed boundaries meet the requirements of the Commonwealth Electoral Act 1918 (Electoral Act). The Committee unanimously agreed on the boundaries and names of the proposed electoral divisions, and recommends its redistribution proposal for New South Wales. -
Narelle Gee Thesis
MAINTAINING OUR RAGE: INSIDE AUSTRALIA’S LONGEST-RUNNING MUSIC VIDEO PROGRAM. By Narelle Gee BA/DipEd (University of NSW) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Creative Industries) School of Media, Entertainment, Creative Arts, Film, Screen and Animation Creative Industries Faculty Queensland University of Technology 2015 Key Words ABC Music Television Alternative Music Music Videos Australian Broadcasting Corporation Popular Music Australian Cultural Industries Production Cultures Australian Television Public Service Broadcasting Creative Labour rage Cultural Production Television Broadcasting Media Culture Television Production Music Industry TV Programs 2 Abstract The thesis, “Maintaining our rage: inside Australia’s longest-running music video program”, takes a reflective and reflexive narrative journey across the decades of rage, from its 1987 creation through to the program’s current incarnation, providing unique insider perspectives and affordances. Australia’s longest-running music video program is also, arguably, the most sustained such program globally (Bodey, 2012; Helper, 2012). Despite its longevity, there has been scarce scholarly analysis of rage, and of what has underpinned its unusual endurance; many music video programs have come and gone during the program’s long-held tenure. How has rage survived the vicissitudes of network programming – particularly within the capricious space of music video programming - and maintained its cultural place and role, for more than a quarter of a century? The significance of this research is that it explores rage’s unusual durability, examines the program’s unique elements, and answers three key research questions: What has been the history of rage as a program and a cultural entity? What has been the cultural significance of rage? How did rage create a shift within the music industry ecology of Australia? This thesis presents an insider’s account of rage, exploring it within its ABC TV and public broadcasting context. -
Comedy Channel Highlights
www.comedychannel.com.au MAY 2010 HIGHLIGHTS 1. Jimeoin Over The Top 2. Festival Month 3. The Chaser’s War On Everything – Red Button Edition Jimeoin Over The Top Thursday at 9pm from May 6 WORLD PREMIERE Brought up in Portstewart, Northern Ireland, comedian Jimeoin stars in JIMEOIN: OVER THE TOP which follows the star’s antics on the road and on stage while touring across the northern-most parts of Australia, his adoptive home. This funny warts-and-all series is part travelogue, part fishing trip and part stand-up show which sees Jimeoin travel all over Australia - from Broome via Darwin to Byron Bay and beyond! Included in this series will also be his performances at the iconic Sydney Opera House, World Famous Spiegel tent and the highly popular Jimeoin's Cooking Show filmed in Adelaide. Jimeoin’s crew is also his friends, cameraman Hamish and childhood pal and tour manager Fergus. Viewers will also get to know the trio travel across country by car, van, planes and skateboard. The gig venues are unconventional too - cattle stations, police stations, pubs and restaurants, as well as the occasional swimming pool. If you’ve had the pleasure of enjoying his comedy shows, you’ll love this series as Jimeoin not only delivers some brilliant stand-up, but also takes us on the most extraordinary fun road trip across Australia. FESTIVAL MONTH Thursdays at 9.30pm from May 6 INCLUDES TWO WORLD PREMIERES To celebrate this year's Sydney Comedy Festival and Melbourne International Comedy Festival THE COMEDY CHANNEL is proud to showcase the world premieres of CRACKER NIGHT 2010 and A Night At the Festival Club 2010. -
Annual Report 2015-16
Annual Report 2015-16 Contents 1 | 16 | Letter from the Chair Our partners 2 | 17 | CEO report Governance 3 | 20 | Highlights from Financial report: 2015-2016 Walkley Foundation Limited 6 | Program reports 6 | Encourage excellence 8 | Promote the value of journalism The Walkley Foundation celebrates and encourages 9 | Guide the industry and craft great Australian journalism, through change telling the stories of our 13 | Be at the heart of the media nation and strengthening our democracy. 15 | Build a sustainable foundation 2 | THE WALKLEY FOUNDATION ANNUAL REPORT 2015–2016 Letter from the Chair he tremendous value of journalism to the public is on display every day. Sometimes it reforms the system, like Caro Meldrum-Hanna, Sam Clark and Max Murch’s Texpose of animal cruelty in the greyhound industry. Sometimes it puts money back in people’s pockets, like Fairfax’s 2016 investigation of a deal between the shop workers’ union and big retailers and fast-food companies. Sometimes it helps us understand the root causes of our problems, like the stories by Jess Hill on domestic violence that won the Gold in the inaugural Our Watch Awards in 2015. We value the little stories as well as the big ones. Hundreds of stories appear across Australia every day, in every medium, that all add up to informing the public about how our world works and who we are. Journalists Quentin tell the stories of Australia. We need to protect and Dempster, celebrate those stories. Chair, Walkley Board of That’s the Walkley Foundation’s mission. That’s why Trustees we’re at the heart of the media.