5Kplayer-Media-Kit.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
UMG V Veoh 9Th Opening Brief.Pdf
Case: 09-56777 04/20/2010 Page: 1 of 100 ID: 7308924 DktEntry: 11-1 No. 09-56777 ____________ IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT ___________________ UMG RECORDINGS, INC.; UNIVERSAL MUSIC CORP.; SONGS OF UNIVERSAL, INC.; UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC.; RONDOR MUSIC INTERNATIONAL, INC.; UNIVERSAL MUSIC—MGB NA LLC; UNIVERSAL MUSIC—Z TUNES LLC; UNIVERSAL MUSIC—MBG MUSIC PUBLISHING LTD., Plaintiffs-Appellants v. VEOH NETWORKS, INC., Defendant-Appellee. _______________________________ On Appeal from the United States District Court for the Central District of California, Western Division—Los Angeles Honorable A. Howard Matz, District Judge __________________________________ APPELLANTS’ BRIEF _____________________________________ Steven Marenberg, Esq. State Bar No. 101033 Brian Ledahl, Esq. State Bar No. 186579 Carter Batsell State Bar No. 254396 IRELL & MANELLA, LLP 1800 Avenue of the Stars Suite 900 Los Angeles, California 90067 Telephone: (310) 277-1010 Facsimile: (310) 203-7199 ATTORNEYS FOR APPELLANTS 2221905 Case: 09-56777 04/20/2010 Page: 2 of 100 ID: 7308924 DktEntry: 11-1 TABLE OF CONTENTS Page CORPORATE DISCLOSURE STATEMENT................................................ 2 JURISDICTIONAL STATEMENT ................................................................. 3 ISSUES PRESENTED ..................................................................................... 4 STATEMENT OF THE CASE ........................................................................ 6 FACTS ........................................................................................................... -
Isabella Clarke Selected to Represent Australia at the Junior Eurovision Song Contest 2017 on Monday 27 November
RELEASED: SUNDAY 10 SEPTEMBER 2017 Isabella Clarke selected to represent Australia at the Junior Eurovision Song Contest 2017 on Monday 27 November ABC is excited to announce that talented young singer Isabella Clarke will represent Australia at the Junior Eurovision Song Contest 2017 (JESC) held on Sunday 26 November at the Tbilisi Sports Palace, Georgia. From Victoria, Isabella is a 13-year-old singing sensation who made her debut on the Melbourne singing scene four years ago. Since then she’s received many accolades performing at various singing competitions and, at present, holds a coveted principal vocalist role in the Victorian State Schools Spectacular. Isabella is self-confessed foodie who enjoys spending time with her family and friends and credits megastars Beyoncé and Mary J. Blige as her inspiration for singing. She loves Australian comedy television shows, knows how to laugh at herself, and is focused and determined both at school and in performing. Tipped for a bright future, Isabella hopes to join her idols and become an international recording artist. ABC and production partner Blink TV selected Isabella in consultation with leading Australian record companies. Isabella Clarke said: “I’m so honoured to be given the opportunity to represent Australia at such an amazing event. I can’t wait to start rehearsals and film the music video! I’m also looking forward to visiting Georgia for the first time and meeting all the other performers. It’s a dream come true and I hope I do my family and Australia proud.” “Isabella displayed all the qualities we were looking for in this year’s Australian representative,” says Michael Carrington, Head of ABC Children’s Television. -
The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
Managing Real Options in Television Broadcasting
Munich Personal RePEc Archive User Generated Content: Web 2.0 Taking the Video Sector by Storm Mabillot, David communications strategies March 2007 Online at https://mpra.ub.uni-muenchen.de/4579/ MPRA Paper No. 4579, posted 23 Aug 2007 UTC User Generated Content: Web 2.0 Taking the Video Sector by Storm David MABILLOT University Paris XIII - CEPN – UMR CNRS 7115 and Maison des Sciences de l'Homme Paris Nord Abstract: This article examines the communities involved in the distribution and sharing of videos on the internet. Firstly, we study the practices connected with user generated content and describe the appearance of new players (YouTube, Dailymotion, Google Video, Zudeo, etc.) in the audiovisual landscape. We then discuss regulation of the new community model of digital content distribution before moving on to underline the need for the film and audiovisual industries to socially construct new cultural and commercial experiences with film fans. Key words: user generated content, information good, communities, markets, audiovisual, film, common good, regulation and intellectual property. ith the advent of Web 2.0, individuals and their social relations Whave moved to the centre of the internet stage (MOUNIER, 2005; GUILLAUD, 2005). A new combination of technologies (Ajax), which encourages total interaction between users and on-line services, is transforming the web from a medium supplied by millions of isolated sites into a platform for the free exchange of information and content produced, edited and distributed by internet surfers, belonging to organised communities and brought together by common interests. This exchange has been made possible by the digitisation and low-cost reproduction of content (MABILLOT, 2006a, 2006b). -
ADMS Intermedia Delivery System™
ADMS Intermedia Delivery System™ > A new evolution in home entertainment > Simplifies the way digital media content is acquired and managed > Designed by Crestron® to be secure, reliable, and fun to use! > Provides seamless access to feature films, music, TV episodes, streaming videos, home movies & photos, and the Internet > WorldSearch® quickly finds any kind of content from your local media library and the Internet > Stylish and intuitive onscreen menus with high-res cover art and metadata display ADMS-BR model shown > Embedded Netflix®, Hulu®, YouTube® and more![1,2] > Onboard optical drive can play BD and DVD media and import CDs (ADMS-BR only) Giving you the power to acquire and manage virtually any content you desire is what Intermedia Delivery is all about. The ADMS provides a ® ® > Built-in secure Web browser with Flash and Silverlight plug-ins streamlined solution for storing and playing all your digital videos, music, > High-definition HDMI® theater output photos and home movies. It also delivers a seamless online experience, > 7.1 surround sound audio output letting you rent major motion pictures from Netflix®, stream videos from ® ® > Two independent digital or analog stereo music zone outputs YouTube and Vimeo , and watch your favorite news, sports, and TV shows through Hulu® and Hulu Plus[1], Metacafe®, Comedy Central®, ESPN®, > Audiophile sound quality with support for FLAC, WAV, WMA Loss- ® less, iTunes Plus® & MP3 CNN , and numerous other top providers. Built-in Web browsing completes > 100% HDCP compliant the experience, giving you full access to all that the Internet has to offer without leaving the comfort of your home theater or living room sofa. -
Hubspot 2010
DATA Brought to you by: www.marketingcharts.com About Charts Quarterly MarketingCharts.com presents hard data and research to marketers by supplying charts and Excel documents. Our data is collected from major data partners. More than 50 datasets are followed at www.marketingcharts.com. A fresh board of charts are published every day on our website. Charts Quarterly captures essential marketing data over the short term for a fast, easy glance at trends. The charts in this collection are ready to use, download, format, and otherwise support your marketing goals. Feel free to share the whole presentation or any slide, with your colleagues and business partners, but please preserve credits to our sponsor, Hubspot, our research partners who provide the source data, and our links to MarketingCharts. 2 At HubSpot, we help small and medium sized businesses get found on the Internet, by offering professional marketers and small business owners a software platform that fully supports their inbound marketing strategies. But strategies need to be developed within the context of current data. That’s why we are sponsoring Charts Quarterly, so that you can have access to the latest Internet trends. We think you’ll be surprised with what some of the charts reveal. For example, who would have thought that in August 2010, Yahoo Sites would rank as the top web property, ahead of Google Sites. Also, companies need to know that nearly six in ten marketers plan on including social media spending in 2011. There are 55 data slides in this issue of Charts Quarterly, and they cover a range of topics, from broadcast media sites to social media sites to financial and health sites to top advertisers in consumer goods. -
FREEVIEW DTT Multiplexes (UK Inc NI) Incorporating Planned Local TV and Temporary HD Muxes
As at 07 December 2020 FREEVIEW DTT Multiplexes (UK inc NI) incorporating planned Local TV and Temporary HD muxes 3PSB: Available from all transmitters (*primary and relay) 3 COM: From *80 primary transmitters only Temp HD - 25 Transmiters BBC A (PSB1) BBC A (PSB1) continued BBC B (PSB3) HD SDN (COM4) ARQIVA A (COM5) ARQIVA B (COM6) ARQIVA C (COM7) HD ARQIVA D (COM8) HD LCN LCN LCN LCN LCN LCN LCN 1 BBC ONE 65 TBN UK 12 QUEST 11 Sky Arts 22 Ideal World 64 Free Sports BBC RADIO: 1 BBC ONE NI Cambridge, Lincolnshire, 74 Shopping Quarter 13 E4 (Wales only) 17 Really 23 Dave ja vu 70 Quest Red+1 722 Merseyside, Oxford, 1 BBC ONE Scot Solent, Somerset, Surrey, 101 BBC 1 Scot HD 16 QVC 19 Dave 26 Yesterday 83 NOW XMAS Tyne Tees, WM 1 BBC ONE Wales 101 BBC 1 Wales HD 20 Drama 30 4Music 33 Sony Movies 86 More4+1 2 BBC TWO 101 BBC ONE HD 21 5 USA 35 Pick 36 QVC Beauty 88 TogetherTV+1 (00:00-21:00) 2 BBC TWO NI BBC RADIO: 101 BBC ONE NI HD 27 ITVBe 39 Quest Red 37 QVC Style 93 PBS America+1 726 BBC Solent Dorset 2 BBC TWO Wales BBC Stoke 102 BBC 2 Wales HD 28 ITV2 +1 42 Food Network 38 DMAX 96 Forces TV 7 BBC ALBA (Scot only) 102 BBC TWO HD 31 5 STAR 44 Gems TV 40 CBS Justice 106 BBC FOUR HD 9 BBC FOUR 102 BBC TWO NI HD 32 Paramount Network 46 Film4+1 43 HGTV 107 BBC NEWS HD Sony Movies Action 9 BBC SCOTLAND (Scot only) BBC RADIO: 103 ITV HD 41 47 Challenge 67 CBS Drama 111 QVC HD (exc Wales) 734 Essex, Northampton, CLOSED 24 BBC FOUR (Scot only) Sheffield, 103 ITV Wales HD 45 Channel 5+1 48 4Seven 71 Jewellery Maker 112 QVC Beauty HD 201 CBBC -
Mtv and Transatlantic Cold War Music Videos
102 MTV AND TRANSATLANTIC COLD WAR MUSIC VIDEOS WILLIAM M. KNOBLAUCH INTRODUCTION In 1986 Music Television (MTV) premiered “Peace Sells”, the latest video from American metal band Megadeth. In many ways, “Peace Sells” was a standard pro- motional video, full of lip-synching and head-banging. Yet the “Peace Sells” video had political overtones. It featured footage of protestors and police in riot gear; at one point, the camera draws back to reveal a teenager watching “Peace Sells” on MTV. His father enters the room, grabs the remote and exclaims “What is this garbage you’re watching? I want to watch the news.” He changes the channel to footage of U.S. President Ronald Reagan at the 1986 nuclear arms control summit in Reykjavik, Iceland. The son, perturbed, turns to his father, replies “this is the news,” and lips the channel back. Megadeth’s song accelerates, and the video re- turns to riot footage. The song ends by repeatedly asking, “Peace sells, but who’s buying?” It was a prescient question during a 1980s in which Cold War militarism and the nuclear arms race escalated to dangerous new highs.1 In the 1980s, MTV elevated music videos to a new cultural prominence. Of course, most music videos were not political.2 Yet, as “Peace Sells” suggests, dur- ing the 1980s—the decade of Reagan’s “Star Wars” program, the Soviet war in Afghanistan, and a robust nuclear arms race—music videos had the potential to relect political concerns. MTV’s founders, however, were so culturally conserva- tive that many were initially wary of playing African American artists; addition- ally, record labels were hesitant to put their top artists onto this new, risky chan- 1 American President Ronald Reagan had increased peace-time deicit defense spending substantially. -
Music Video Production Critique
Music Video Production Critique 2 = Totally Awesome! STRENGTHS 1 = Definite Strength ____1. Good concept: Creative choice of material for audience enjoyment and high “entertainment value”. ____2. Creative stage design, art direction, and costuming contributed to high “production value”. ____3. Good casting enhanced the production (you chose the right performers/dancers/actors for the parts). ____4. Well-organized, practical script for student production crew capabilities and class time limitations. ____5. Well-written script makes its point in clear, concise imagery and action that is easily understood by audience. ____6. Well-paced script tells the story efficiently with no “slow” parts. ____7. Good picture quality - lighting, exposure, color balance give footage a professional look, (looks like “real TV”). ____8. Good shot composition and staging - framing/design of shots reflect professional expertise and aesthetic taste. ____9. Variety of shots - use of different camera angles (low, overhead) and shots (XCU, CU, OS, LS) kept it interesting. ____10. Camera movement (zooms, pans, tilts, dollies) were fluid, steady, and appropriate in enhancing the music video. ____11. Well-timed cuts and fluid continuity make the editing virtually unnoticeable to the audience, (seamless edits). ____12. Maintenance of consistent proc amp settings (luminance, pedestal, tint, chroma) kept shots properly matched. ____13. High-quality audio with clean, clear lyrics and music throughout the video. (No hum or hiss). ____14. Consistent and optimum audio levels maintained throughout the music video. (No pegs or dips). ____15. Balanced mix between audio tracks. (One audio channel doesn't overpower or mask the other channel). ____16. Seamless transitions in audio track intros and exits. (No abrupt jolts or voids). -
Youtube Download Convert to Mp3 Online
Youtube download convert to mp3 online allows you to convert and download your favourite videos from YouTube, Dailymotion and Clipfish in a format like MP3, MP4 and more. It's fast addon for · Infos · Current music charts · Addon. You can now download YouTube videos as MP3 files with HD audio quality. Our leading YouTube to MP3 Converter is also compatible with many other online. Convert YouTube video links to MP3, MP4, AVI with our YouTube Converter and Downloader. Convert your favourite YouTube videos to various formats using our YouTube Converter. Convert and download in these formats: MP3, OGG, AAC, FLAC, WMA, WAV, M4A, MP4, AVI, MOV, MPG, MKV, FLV, WMV. Download YouTube videos to MP3 files in 30 sec. Easy Our FREE YouTube converter makes converting YouTube to mp3 online easier and faster than ever!YouTube Downloader for · YouTube to MP3 · How to download music from. The easiest way to download and convert YouTube to MP3 and MP4. Free YouTube to MP3 and YouTube to MP4 online converter and downloader. Convert and download online video and audio to MP3 from YouTube, SoundCloud, Vimeo, Mixcloud, Bandcamp and more. Unlimited conversions and. Convert any YouTube Video to MP3 with our Totally Free cloud based service. It's lightning fast and no download or registration is required! is the most convenient online application for converting YouTube flash video to MP3 audio. Enjoy music with 2conv - your online mp3 converter. Have you ever needed a fast and reliable YouTube to mp3 converter to download videos and favourite. Converts YouTube videos to MP3; Download YouTube videos; Download MP3 from SoundCloud; Convert Dailymotion videos to MP3; Download Dailymotion. -
A User-Oriented Performance Comparison of Video Hosting Services
Computer Communications 116 (2018) 118–131 Contents lists available at ScienceDirect Computer Communications journal homepage: www.elsevier.com/locate/comcom A user-oriented performance comparison of video hosting services T ⁎ Alessio Botta ,a,b, Aniello Avallonea, Mauro Garofaloa, Giorgio Ventrea,b a University of Napoli Federico II, Napoli, Italy b NM2 srl, Napoli, Italy ARTICLE INFO ABSTRACT Keywords: Internet streaming is responsible for a significant fraction of Internet traffic. It has been reported to account up to Network neutrality 70% of peak traffic in North American fixed access networks, and this figure is expected to reach 80% by Internet video streaming 2020 [1]. Regarding such a killer service of the Internet, much has been discussed regarding if and how video Network performance hosting providers violate or may violate neutrality principles, in order to give users a “better” service compared to their competitors or other services. In this paper, we provide a contribution to this discussion studying three video hosting providers (i.e. YouTube, Vimeo, and Dailymotion). Specifically, we analyze their delivery infra- structures, including where the servers that provide videos are located, and the performance from a user viewpoint. To assess the performance, we measure throughput and RTT as experienced by users watching real videos of different popularity from several locations around the world and at different day hours. We uncover the performance differences of these providers as a function of the different variables under control and move a step forward to understand what causes such differences. We also study the changes in the infrastructures and related performance over time, performing different measurement campaigns over different years. -
Website Or Blog
Home Base Social Media Marketing System Build an Email List Messages need to be repeated through these various Website or Blog Communicate with readers, platforms, you can come into this through any of the builds the connections, brings platforms and then move out into the others in the sales, ties in with your publications or video products Posterous for distributing to various platforms Research, Analysis, Promotion (Active) Promotion (Passive) Products/Services $$$$ Market Watching Status updates, lead generation, research, Look for opportunities to turn your conneting with your fans and followers content into a product or service. DVDs/CDs Distribution Short videos can be turned into a series, once • Gmail, opens you to all the Google products 2 Billion searches a day, second largst search you have built enough they can be turned into and gives you all kinds of feedback. engine, the main host for your videos, all videos DVDs and distributed through CreateSpace/ • Google Alerts, keep up with compeitition, Professional info, resume, status box, Slideshare should be set up with live links and contacts back Amazon, Kunaki, e-junkie.com market awarness to the hub, descriptions and keywords and calls to action. Link to all other web platforms. Books/Print on Demand • Google Analytics, track everything Lulu, CreateSpace, Kindle, Google Books • Blogger, an easy blog platform to start your Other video sites; Vimeo, Daily Motion, web presence Fan Pages, develop followers, news, events, MetaCafe, Blip.tv Photo Books, Posters • Google Reader,