Reliable Streaming Media Delivery
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Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
Press Release
[2020-34] Press Release Request For Immediate Release Pages : 4 Date of 9.30.2020 (Wednesday) Contact Hannah Cho 323-936-3015 Release Join us on 10/3 for a virtual art festival in celebration of the most traditional Asian holiday, Moon Festival Under the Same Moon Multicultural Art Festival Premiere on YouTube, Vimeo, and Bilibili |Saturday, Oct 3, 6:30pm ▶ Event : Under the Same Moon: Multicultural Art Festival ▶ Premiere: Saturday, October 3, 2020, 6:30p.m.(PDT) ▶ Platform: Premiere on YouTube, Vimeo, and Bilibili at SINOUSART ▶ Presenters : Korean Cultural Center LA, Sino US Performing Arts Organization, Storrier Stearns Japanese Garden ▶ For more Info: [email protected] or 323-936-3015 Hannah Cho The Korean Cultural Center, Los Angeles (Wijin Park, Director) as a co-present partner in cooperation with Sino US Performing Arts Organization (SINOUS) and the Storrier Stearns Japanese Garden (Garden) will present a special virtual Festival, Under the Same Moon: Multicultural Art Festival on Saturday, October 3, 2020. It’s premiering on the Sino US Performing Arts Organization (SINOUS) YouTube, Vimeo, and Bilibili channel (search "sinousarts" and watch on our video channels for free). Similar to Thanksgiving with the theme of harvest and reunion, Moon Festival has enjoyed a long tradition and wide popularity among the Asian communities and beyond. This virtual event will connect the multicultural communities as we embrace unity, festivity, creativity, and diversity. The show will present a wide range of amazing performances of Korean, Chinese, Japanese, Hawaiian, and American styles and genres, with exciting fusions of East and West, now and then, performed and recorded by artists mostly from home. -
Video Codec Requirements and Evaluation Methodology
Video Codec Requirements 47pt 30pt and Evaluation Methodology Color::white : LT Medium Font to be used by customers and : Arial www.huawei.com draft-filippov-netvc-requirements-01 Alexey Filippov, Huawei Technologies 35pt Contents Font to be used by customers and partners : • An overview of applications • Requirements 18pt • Evaluation methodology Font to be used by customers • Conclusions and partners : Slide 2 Page 2 35pt Applications Font to be used by customers and partners : • Internet Protocol Television (IPTV) • Video conferencing 18pt • Video sharing Font to be used by customers • Screencasting and partners : • Game streaming • Video monitoring / surveillance Slide 3 35pt Internet Protocol Television (IPTV) Font to be used by customers and partners : • Basic requirements: . Random access to pictures 18pt Random Access Period (RAP) should be kept small enough (approximately, 1-15 seconds); Font to be used by customers . Temporal (frame-rate) scalability; and partners : . Error robustness • Optional requirements: . resolution and quality (SNR) scalability Slide 4 35pt Internet Protocol Television (IPTV) Font to be used by customers and partners : Resolution Frame-rate, fps Picture access mode 2160p (4K),3840x2160 60 RA 18pt 1080p, 1920x1080 24, 50, 60 RA 1080i, 1920x1080 30 (60 fields per second) RA Font to be used by customers and partners : 720p, 1280x720 50, 60 RA 576p (EDTV), 720x576 25, 50 RA 576i (SDTV), 720x576 25, 30 RA 480p (EDTV), 720x480 50, 60 RA 480i (SDTV), 720x480 25, 30 RA Slide 5 35pt Video conferencing Font to be used by customers and partners : • Basic requirements: . Delay should be kept as low as possible 18pt The preferable and maximum delay values should be less than 100 ms and 350 ms, respectively Font to be used by customers . -
Download Article (PDF)
Advances in Social Science, Education and Humanities Research, volume 123 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017) The Application of New Media Technology in the Ideological and Political Education of College Students Hao Lu 1, a 1 Jiangxi Vocational & Technical College of Information Application, Nanchang, China [email protected] Keywords: new media; application; the Ideological and Political Education Abstract: With the development of science and technology, new media technology has been more widely used in teaching. In particular, the impact of new media technology on college students’ ideological and political education is very important. The development of new media technology has brought the opportunities to college students’ ideological and political education while bringing the challenges. Therefore, it is an urgent task to study on college students’ ideological and political education under the new media environment. 1. Introduction New media technology, relative to traditional media technology, is the emerging electronic media technology on the basis of digital technology, internet technology, mobile communication technology, etc. it mainly contains fetion, wechat, blog, podcast, network television, network radio, online games, digital TV, virtual communities, portals, search engines, etc. With the rapid development and wide application of science and technology, new media technology has profoundly affected students’ learning and life. Of course, it also brings new challenges and opportunities to college students’ ideological and political education. Therefore, how to better use the new media technology to improve college students’ ideological and political education becomes the problems needing to be solving by college moral educators. 2. The intervention mode and its characteristics of new media technology New media technology, including blog, instant messaging tools, streaming media, etc, is a new network tools and application mode and instant messaging carriers under the network environment. -
LJMU Research Online
LJMU Research Online Yang, P, Fan, Q, Yin, H, Min, G, Luo, Y, Lyu, Y, Huang, H and Jiao, L Video Delivery Networks: Challenges, Solutions and Future Directions http://researchonline.ljmu.ac.uk/id/eprint/6324/ Article Citation (please note it is advisable to refer to the publisher’s version if you intend to cite from this work) Yang, P, Fan, Q, Yin, H, Min, G, Luo, Y, Lyu, Y, Huang, H and Jiao, L (2017) Video Delivery Networks: Challenges, Solutions and Future Directions. Computers and Electrical Engineering, 66. pp. 332-341. ISSN 0045-7906 LJMU has developed LJMU Research Online for users to access the research output of the University more effectively. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LJMU Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. The version presented here may differ from the published version or from the version of the record. Please see the repository URL above for details on accessing the published version and note that access may require a subscription. For more information please contact [email protected] http://researchonline.ljmu.ac.uk/ Video Delivery Networks: Challenges, Solutions and Future Directions Qilin Fan1, Hao Yin1, Geyong Min2, Po Yang3, Yan Luo4, Yongqiang Lyu1, Haojun Huang5 and Libo Jiao1 1Research Institute of Information Technology (RIIT), Tsinghua University 2Department of Mathematics and Computer Science, University of Exeter 3Department of Computer Science, Liverpool John Moores University 4Department of Electrical and Computer Engineering, University of Massachusetts Lowell 5Department of Communication Engineering, Wuhan University ABSTRACT ing higher definition video streams, requesting more and Internet video ecosystems are faced with the increasing re- more bandwidth. -
ADMS Intermedia Delivery System™
ADMS Intermedia Delivery System™ > A new evolution in home entertainment > Simplifies the way digital media content is acquired and managed > Designed by Crestron® to be secure, reliable, and fun to use! > Provides seamless access to feature films, music, TV episodes, streaming videos, home movies & photos, and the Internet > WorldSearch® quickly finds any kind of content from your local media library and the Internet > Stylish and intuitive onscreen menus with high-res cover art and metadata display ADMS-BR model shown > Embedded Netflix®, Hulu®, YouTube® and more![1,2] > Onboard optical drive can play BD and DVD media and import CDs (ADMS-BR only) Giving you the power to acquire and manage virtually any content you desire is what Intermedia Delivery is all about. The ADMS provides a ® ® > Built-in secure Web browser with Flash and Silverlight plug-ins streamlined solution for storing and playing all your digital videos, music, > High-definition HDMI® theater output photos and home movies. It also delivers a seamless online experience, > 7.1 surround sound audio output letting you rent major motion pictures from Netflix®, stream videos from ® ® > Two independent digital or analog stereo music zone outputs YouTube and Vimeo , and watch your favorite news, sports, and TV shows through Hulu® and Hulu Plus[1], Metacafe®, Comedy Central®, ESPN®, > Audiophile sound quality with support for FLAC, WAV, WMA Loss- ® less, iTunes Plus® & MP3 CNN , and numerous other top providers. Built-in Web browsing completes > 100% HDCP compliant the experience, giving you full access to all that the Internet has to offer without leaving the comfort of your home theater or living room sofa. -
Audience Affect, Interactivity, and Genre in the Age of Streaming TV
. Volume 16, Issue 2 November 2019 Navigating the Nebula: Audience affect, interactivity, and genre in the age of streaming TV James M. Elrod, University of Michigan, USA Abstract: Streaming technologies continue to shift audience viewing practices. However, aside from addressing how these developments allow for more complex serialized streaming television, not much work has approached concerns of specific genres that fall under the field of digital streaming. How do emergent and encouraged modes of viewing across various SVOD platforms re-shape how audiences affectively experience and interact with genre and generic texts? What happens to collective audience discourses as the majority of viewers’ situated consumption of new serial content becomes increasingly accelerated, adaptable, and individualized? Given the range and diversity of genres and fandoms, which often intersect and overlap despite their current fragmentation across geographies, platforms, and lines of access, why might it be pertinent to reconfigure genre itself as a site or node of affective experience and interactive, collective production? Finally, as studies of streaming television advance within the industry and academia, how might we ponder on a genre-by- genre basis, fandoms’ potential need for time and space to collectively process and interact affectively with generic serial texts – in other words, to consider genres and generic texts themselves as key mediative sites between the contexts of production and those of fans’ interactivity and communal, affective pleasure? This article draws together threads of commentary from the industry, scholars, and culture writers about SVOD platforms, emergent viewing practices, speculative genres, and fandoms to argue for the centrality of genre in interventions into audience studies. -
Hubspot 2010
DATA Brought to you by: www.marketingcharts.com About Charts Quarterly MarketingCharts.com presents hard data and research to marketers by supplying charts and Excel documents. Our data is collected from major data partners. More than 50 datasets are followed at www.marketingcharts.com. A fresh board of charts are published every day on our website. Charts Quarterly captures essential marketing data over the short term for a fast, easy glance at trends. The charts in this collection are ready to use, download, format, and otherwise support your marketing goals. Feel free to share the whole presentation or any slide, with your colleagues and business partners, but please preserve credits to our sponsor, Hubspot, our research partners who provide the source data, and our links to MarketingCharts. 2 At HubSpot, we help small and medium sized businesses get found on the Internet, by offering professional marketers and small business owners a software platform that fully supports their inbound marketing strategies. But strategies need to be developed within the context of current data. That’s why we are sponsoring Charts Quarterly, so that you can have access to the latest Internet trends. We think you’ll be surprised with what some of the charts reveal. For example, who would have thought that in August 2010, Yahoo Sites would rank as the top web property, ahead of Google Sites. Also, companies need to know that nearly six in ten marketers plan on including social media spending in 2011. There are 55 data slides in this issue of Charts Quarterly, and they cover a range of topics, from broadcast media sites to social media sites to financial and health sites to top advertisers in consumer goods. -
Informed Content Delivery Across Adaptive Overlay Networks
Informed Content Delivery Across Adaptive Overlay Networks John Byers Jeffrey Considine Michael Mitzenmacher Stanislav Rost [email protected] [email protected] [email protected] [email protected] Dept. of Computer Science EECS MIT Laboratory for Boston University Harvard University Computer Science Boston, Massachusetts Cambridge, Massachusetts Cambridge, Massachusetts Abstract Categories and Subject Descriptors C.2 [Computer Systems Organization]: Computer- Overlay networks have emerged as a powerful and highly flexible Communication Networks method for delivering content. We study how to optimize through- put of large transfers across richly connected, adaptive overlay net- General Terms works, focusing on the potential of collaborative transfers between Algorithms, Measurement, Performance peers to supplement ongoing downloads. First, we make the case for an erasure-resilient encoding of the content. Using the digital Keywords fountain encoding approach, end-hosts can efficiently reconstruct Overlay, peer-to-peer, content delivery, digital fountain, erasure ¡ the original content of size ¡ from a subset of any symbols drawn correcting code, min-wise summary, Bloom filter, reconciliation, from a large universe of encoded symbols. Such an approach af- collaboration. fords reliability and a substantial degree of application-level flex- ibility, as it seamlessly accommodates connection migration and 1 Introduction parallel transfers while providing resilience to packet loss. How- ever, since the sets of encoded symbols acquired by peers during Consider the problem of distributing a large new file across a downloads may overlap substantially, care must be taken to enable content delivery network of several thousand geographically dis- them to collaborate effectively. Our main contribution is a collec- tributed machines. -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Instart Logic TWITTER LINKEDIN
Instart Logic TWITTER LINKEDIN MOBILE VIDEO AND APPS WEBSITE Who we are Our advantage Instart Logic is a platform designed to make the delivery of It is a fully responsive platform, offering both flexibility and websites and applications fast, secure and easy. It’s the world’s control. It provides: first endpoint-aware application delivery solution. Performance – Helps improve site-wide performance, especially on mobile through image, code and network Instart’s intelligent architecture provides a new way to optimisation techniques. accelerate web and mobile application performance, based on the user’s specific device, browser, and network conditions. Ad Security – Ability to recover lost advertising revenue from ad-blockers. This new breed of technology goes beyond a traditional Security – Helps protect from harmful bots that flood the site, content delivery network (CDN) to enable businesses to deliver skew data and warp search algorithms and shield from rapid customer-centric website and mobile application Distributed Denial of Service (DDoS), brute-force entry, and experiences. other cyber attacks Agility – Use a DevOps first infrastructure allowed for self-sufficient management and deployment of new content and applications throughout network. Our partnership How does our solution work? Telstra will be using Instart Logic to optimise, monetise and AppSpeed: Instart Logic’s endpoint-aware application delivery deliver managed websites and web applications. Those that are solution provides a new way to accelerate web and mobile application performance. It’s intelligent architecture optimises currently on trial include: images, HTML, JavaScript and other page elements based on • Australian Football League (AFL) each user’s specific device, browser, and network conditions. -
A Peer-To-Peer Internet Measurement Platform and Its Applications in Content Delivery Networks
A PEER-TO-PEER INTERNET MEASUREMENT PLATFORM AND ITS APPLICATIONS IN CONTENT DELIVERY NETWORKS BY SIPAT TRIUKOSE Submitted in partial fulfillment of the requirements for the degree of Doctor Of Philosophy DISSERTATION ADVISOR: DR. MICHAEL RABINOVICH DEPARTMENT OF ELECTRICAL ENGINEERING AND COMPUTER SCIENCE CASE WESTERN RESERVE UNIVERSITY JANUARY 2014 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of SIPAT TRIUKOSE candidate for the Doctor of Philosophy degree *. MICHAEL RABINOVICH TEKIN OZSOYOGLU SHUDONG JIN VIRA CHANKONG MARK ALLMAN (date) December 1st, 2010 *We also certify that written approval has been obtained for any proprietary material contained therein. Contents List of Tables . vi List of Figures . ix List of Abbreviations . x Abstract . xi 1 Introduction 1 1.1 Internet Measurements . 1 1.2 Content Delivery Network (CDN) . 4 1.2.1 Akamai and Limelight . 6 1.2.2 Coral . 7 1.3 Outline . 7 1.4 Acknowledgement . 9 2 Related Work 10 2.1 On-demand Network Measurements . 10 2.2 Content Delivery Network (CDN) Research . 12 2.2.1 Performance Assessment . 12 2.2.2 Security . 13 2.2.3 Performance Improvement . 14 3 DipZoom: Peer-to-Peer Internet Measurement Platform 17 3.1 System Overview . 17 i 3.2 The DipZoom Measuring Point (MP) . 21 3.2.1 MP-Loader, MP-Class, and MP Configurations . 25 3.2.2 Authentication . 30 3.2.3 Keep Alive . 37 3.2.4 Measurement . 39 3.3 The DipZoom Client and API . 43 3.4 Security . 44 3.5 Performance . 47 3.5.1 Scalability: Measuring Point Fan-Out .