The Theory of Sovereign Debt and Spain Under Philip Ii
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BINONDO FOOD TRIP (4 Hours)
BINONDO FOOD TRIP (4 hours) Eat your way around Binondo, the Philippines’ Chinatown. Located across the Pasig River from the walled city of Intramuros, Binondo was formally established in 1594, and is believed to be the oldest Chinatown in the world. It is the center of commerce and trade for all types of businesses run by Filipino-Chinese merchants, and given the historic reach of Chinese trading in the Pacific, it has been a hub of Chinese commerce in the Philippines since before the first Spanish colonizers arrived in the Philippines in 1521. Before World War II, Binondo was the center of the banking and financial community in the Philippines, housing insurance companies, commercial banks and other financial institutions from Britain and the United States. These banks were located mostly along Escólta, which used to be called the "Wall Street of the Philippines". Binondo remains a center of commerce and trade for all types of businesses run by Filipino- Chinese merchants and is famous for its diverse offerings of Chinese cuisine. Enjoy walking around the streets of Binondo, taking in Tsinoy (Chinese-Filipino) history through various Chinese specialties from its small and cozy restaurants. Have a taste of fried Chinese Lumpia, Kuchay Empanada and Misua Guisado at Quick Snack located along Carvajal Street; Kiampong Rice and Peanut Balls at Café Mezzanine; Kuchay Dumplings at Dong Bei Dumplings and the growing famous Beef Kan Pan of Lan Zhou La Mien. References: http://en.wikipedia.org/wiki/Binondo,_Manila TIME ITINERARY 0800H Pick-up -
Presentación De Powerpoint
Painted by Titian 1551 PHILIP II KING OF SPAIN “ THE PRUDENT” Signature CONTENT AND LANGUAGE INTEGRATED LEARNING UNIT (UNIDAD DIDÁCTICA CLIL) 2017/18 HISTORY lrs Lourdes Ruiz Juana of Castile Philip “The Handsome” Maria of Aragon. Manuel I of Portugal 3rd DAUGTHER OF of Austria 4TH DAUGTHER OF Isabel and Ferdinand Isabel and Ferdinand Charles I of Spain Isabella of Portugal nd Born: 21 May 1527 1st wife 2 wife 3rd wife 4th wife Died: 13 September 1598 Maria Manuela Mary I of England Elizabeth Anna of Austria Philip II of Spain of Portugal “Bloody Mary” of Valois Spain, the Netherlands, Italian Territories & The Spanish Empire lrs 1527: Philip II of Spain was born in Palacio de Pimentel, Valladolid, which was the capital of the Spanish empire. In June 1561, Philip moved his court to Madrid making it the new capital city. Philip was a studious young boy, he learnt Spanish, Portuguese and Latin. 'The Baptism of Philip II' in Valladolid. He enjoyed hunting and sports as well as music. Historical ceiling preserved in Palacio de Pimentel (Valladolid) Also, he was trained in warfare by the . court [kɔːt] N corte Duke of Alba hunting [ˈhʌntɪŋ] N caza, cacería lrs warfare [ˈwɔːfɛər] N guerra, artes militares Look at this map. In 1554-55, Philip’s father, Charles I of Spain and Holy Roman Emperor abdicated in favour of his son Philip and his brother Ferdinand. Charles left all the territories in ORANGE to his son. After different battles and expeditions, Philip’s Empire would include all the territories in GREEN. That is, he took control of Portugal and its colonies in America, Africa and Asia. -
GENDER STEREOTYPES and SEXUAL TRANSGRESSIONS in EARLY MODERN SPAIN and PORTUGAL in Common with the Rest of Early Modern Europe
CHAPTER ONE GENDER STEREOTYPES AND SEXUAL TRANSGRESSIONS IN EARLY MODERN SPAIN AND PORTUGAL In common with the rest of early modern Europe, Spanish and Portuguese societies embraced clearly defined and demarcated gender identities by reproducing and embracing misogynistic stereotypes of male and female behaviour and appearance. Biblical and Aristotelian notions of women/ female bodies as imperfect versions of men/male bodies were widely accepted, even within medical circles. The noted Spanish physician Juan Huarte de San Juan (c.1529–1592), for example, argued in his widely-read Examen de ingenios para las ciencias (1575) that the essential physical characteristics of female bodies – a cold and moist temperature – enabled them to conceive and made them apt to bear children but also sty- mied their intellectual development and thus rendered them inferior to men.1 Overtly misogynistic attitudes can easily be found in the considerable literature relating to the proper education or conduct of women, most notably in works such as The Education of a Christian Woman, published in 1523 by humanist scholar Juan Luis Vives (1493–1540) and the very pop- ular The Perfect Wife by Fray Luis de León (1527–1591), published in 1583 and republished in no less than eight subsequent editions between 1583 and 1621. Women were normally represented as possessing weaker bodies and characters than men. Fray Luis de León, in particular, used his work to promote a rigid definition of the roles of men and women in society: God did not endow women either with the capacity necessary for important business dealings, or with the vigour indispensable for war and agriculture. -
Keyboard Sonatas Nos. 87–92 Levon Avagyan, Piano Antonio Soler (1729–1783) Sonatas Included in Op
Antonio SOLER Keyboard Sonatas Nos. 87–92 Levon Avagyan, Piano Antonio Soler (1729–1783) sonatas included in Op. 4 bear the date 1779. These Sonata No. 92 in D major, numbered Op. 4, No. 2, is Keyboard Sonatas Nos. 87–92 sonatas follow classical procedure and are in several again in four movements and in a style that reflects its movements, although some of the movements had prior date, 1779, and contemporary styles and forms of Born in 1729 at Olot, Girona, Antonio Soler, like many Llave de la Modulación, a treatise explaining the art of existence as single-movement works. Sonata No. 91 in C composition, as well as newer developments in keyboard other Catalan musicians of his and later generations, had rapid modulation (‘modulación agitada’), which brought major starts with a movement that has no tempo marking, instruments. The Presto suggests similar influences – the his early musical training as a chorister at the great correspondence with Padre Martini in Bologna, the leading to a second movement, marked Allegro di molto, world of Haydn, Soler’s near contemporary. The third Benedictine monastery of Montserrat, where his teachers leading Italian composer and theorist, who vainly sought in which the bass makes considerable use of divided movement brings two minuets, the first Andante largo included the maestro di capilla Benito Esteve and the a portrait of Soler to add to his gallery of leading octaves. There is contrast in a short Andante maestoso, a and the second, which it frames, a sparer Allegro. The organist Benito Valls. Soler studied the work of earlier composers. -
Representations of Spain in Early Modern English Drama
Saugata Bhaduri Polycolonial Angst: Representations of Spain in Early Modern English Drama One of the important questions that this conference1 requires us to explore is how Spain was represented in early modern English theatre, and to examine such representation especially against the backdrop of the emergence of these two nations as arguably the most important players in the unfolding game of global imperialism. This is precisely what this article proposes to do: to take up representative English plays of the period belonging to the Anglo-Spanish War (1585–1604) which do mention Spain, analyse what the nature of their treat- ment of Spain is and hypothesise as to what may have been the reasons behind such a treatment.2 Given that England and Spain were at bitter war during these twenty years, and given furthermore that these two nations were the most prominent rivals in the global carving of the colonial pie that had already begun during this period, the commonsensical expectation from such plays, about the way Spain would be represented in them, should be of unambiguous Hispanophobia. There were several contextual reasons to occasion widespread Hispanophobia in the period. While Henry VIII’s marriage to Catherine of Aragon (1509) and its subsequent annulment (1533) had already sufficiently complicated Anglo-Hispanic relations, and their daughter Queen Mary I’s marriage to Philip II of Spain (1554) and his subsequent becoming the King of England and Ireland further aggravated the 1 The conference referred to here is the International Conference on Theatre Cultures within Globalizing Empires: Looking at Early Modern England and Spain, organised by the ERC Project “Early Modern European Drama and the Cultural Net (DramaNet),” at the Freie Universität, Ber- lin, November 15–16, 2012, where the preliminary version of this article was presented. -
The Libro Verde: Blood Fictions from Early Modern Spain
INFORMATION TO USERS The negative microfilm of this dissertation was prepared and inspected by the school granting the degree. We are using this film without further inspection or change. If there are any questions about the content, please write directly to the school. The quality of this reproduction is heavily dependent upon the quality of the original material The following explanation of techniques is provided to help clarify notations which may appear on this reproduction. 1. Manuscripts may not always be complete. When it is not possible to obtain missing pages, a note appears to indicate this. 2. When copyrighted materials are removed from the manuscript, a note ap pears to indicate this. 3. Oversize materials (maps, drawings, and charts) are photographed by sec tioning the original, beginning at the upper left hand comer and continu ing from left to right in equal sections with small overlaps. Dissertation Information Service A Bell & Howell Information Company 300 N. Zeeb Road, Ann Arbor, Michigan 48106 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 9731534 Copyright 1997 by Beusterien, John L. All rights reserved. UMI Microform 9731534 Copyright 1997, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Titic 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 Reproduced with permission -
Foresight Hindsight
Hindsight, Foresight ThinkingI Aboutnsight, Security in the Indo-Pacific EDITED BY ALEXANDER L. VUVING DANIEL K. INOUYE ASIA-PACIFIC CENTER FOR SECURITY STUDIES HINDSIGHT, INSIGHT, FORESIGHT HINDSIGHT, INSIGHT, FORESIGHT Thinking About Security in the Indo-Pacific Edited by Alexander L. Vuving Daniel K. Inouye Asia-Pacific Center for Security Studies Hindsight, Insight, Foresight: Thinking About Security in the Indo-Pacific Published in September 2020 by the Daniel K. Inouye Asia-Pacific Center for Security Studies, 2058 Maluhia Rd, Honolulu, HI 96815 (www.apcss.org) For reprint permissions, contact the editors via [email protected] Printed in the United States of America Cover Design by Nelson Gaspar and Debra Castro Library of Congress Cataloging-in-Publication Data Name: Alexander L. Vuving, editor Title: Hindsight, Insight, Foresight: Thinking About Security in the Indo-Pacific / Vuving, Alexander L., editor Subjects: International Relations; Security, International---Indo-Pacific Region; Geopolitics---Indo-Pacific Region; Indo-Pacific Region JZ1242 .H563 2020 ISBN: 978-0-9773246-6-8 The Daniel K. Inouye Asia-Pacific Center for Security Studies is a U.S. Depart- ment of Defense executive education institution that addresses regional and global security issues, inviting military and civilian representatives of the United States and Indo-Pacific nations to its comprehensive program of resident courses and workshops, both in Hawaii and throughout the Indo-Pacific region. Through these events the Center provides a focal point where military, policy-makers, and civil society can gather to educate each other on regional issues, connect with a network of committed individuals, and empower themselves to enact cooperative solutions to the region’s security challenges. -
Britain and the Dutch Revolt 1560–1700 Hugh Dunthorne Frontmatter More Information
Cambridge University Press 978-0-521-83747-7 - Britain and the Dutch Revolt 1560–1700 Hugh Dunthorne Frontmatter More information Britain and the Dutch Revolt 1560–1700 England’s response to the Revolt of the Netherlands (1568–1648) has been studied hitherto mainly in terms of government policy, yet the Dutch struggle with Habsburg Spain affected a much wider commu- nity than just the English political elite. It attracted attention across Britain and drew not just statesmen and diplomats but also soldiers, merchants, religious refugees, journalists, travellers and students into the confl ict. Hugh Dunthorne draws on pamphlet literature to reveal how British contemporaries viewed the progress of their near neigh- bours’ rebellion, and assesses the lasting impact which the Revolt and the rise of the Dutch Republic had on Britain’s domestic history. The book explores affi nities between the Dutch Revolt and the British civil wars of the seventeenth century – the fi rst major challenges to royal authority in modern times – showing how much Britain’s chang- ing commercial, religious and political culture owed to the country’s involvement with events across the North Sea. HUGH DUNTHORNE specializes in the history of the early modern period, the Dutch revolt and the Dutch republic and empire, the his- tory of war, and the Enlightenment. He was formerly Senior Lecturer in History at Swansea University, and his previous publications include The Enlightenment (1991) and The Historical Imagination in Nineteenth-Century Britain and the Low Countries -
Thomas Donovan Professor Ruiz HIST129A-1 18 May 2020 Second
1 Thomas Donovan Professor Ruiz HIST129A-1 18 May 2020 Second Paper Prompt One Despite being largely ignored in our age the awe inspiring value of art becomes apparent in a multitude of instances. Be it for the expression of the human condition, one’s individual experience, or the perspective of a culture, great art has served as enlightened entertainment for humankind. However, outside of the realm of intellectual pastimes, art finds a rather unique value in its relation to the study of history. For, art of a past age gives the current age a greater understanding of the past’s conception of themselves and their world. The most common example of such is the work of the supposive Homer who in his poems expresses the Greek values and mirrors elements of the power struggles of the day. The same can be noted of the Spanish play The Trickster of Seville, a work which provides insight into the culture and politics of old 17th century Iberia. As this is art’s relation to a historian, a primary source that allows a brief look into the culture and age which produced it. The seventeenth century saw Spain under the Habsburg monarchy who ruled the most powerful empire in Europe yet the cracks of Spanish society had already come to the forefront of Spanish intellectual discourse.1 The Trickster of Seville, a work produced around the 1600s by the Spanish playwright Tirso de Molina, lived during a time of Spanish history that is characterized by art which describes Spain as a nation filled with those who had an attitude 1 Lynch, John 2 which turned away from productive work in the hopes of finding quick success instead.2 Such can be understood when contemplating the vast wealth acquired by the conquests of the new world. -
Looking Beyond the Walls
Looking Beyond the Walls It was a sunny morning when Jose Estrella decided to take a walk by the Maestranza plaza in Intramuros, Manila City. Estrella was the administrator of the Intramuros Administration (IA), an organization attached to the Department of Tourism (DOT) of the Philippines. He was walking by the plaza because he wanted to check on the current state of Maestranza in preparation for several meetings he had lined up for the week. A concert had recently been held at the Maestranza plaza, and an exhibit had been held a few weeks ago. A civic organization was currently eying Maestranza as the venue for its annual meeting six months from now. A few years back, however, this portion of Intramuros where the Pasig River can be seen had an unwelcoming sewage-like smell that dominated a person’s senses. It consequently was not a pleasurable place for a walk. There were informal settlers who had made their homes and lives right in the middle of the street, blocking important historical markers and obstructing the view of Pasig River as well as portions of the historic walls of Manila. A few meters from Maestranza were ruins of what used to be the Central Bank of the Philippines. No matter how historic and rich in potential this area was, it was not a prime tourism destination. As the administrator of Intramuros, Estrella was proud that in the two years’ time since he had assumed his position, the plaza had a facelift, allowing it to become a viable venue for different events and an open space good for a morning or afternoon stroll. -
The Sustainable Debts of Philip II: a Reconstruction of Spain's Fiscal
The Sustainable Debts of Philip II: A Reconstruction of Spain’s Fiscal Position, 1560-1598* Mauricio Drelichman Hans-Joachim Voth The University of British Columbia ICREA/Universitat Pompeu Fabra and and CIFAR CEPR This Draft: January 2010 Abstract: The defaults of Philip II have attained mythical status as the origin of sovereign debt crises. We reassess the fiscal position of Habsburg Castile, deriving comprehensive estimates of revenue, debt, and expenditure from new archival data. The king’s debts were sustainable. Primary surpluses were large and rising. Debt/revenue ratios were broadly unchanged across Philip’s reign. Castilian finances in the sixteenth century compare favorably with those of other early modern fiscal states at the height of their imperial ambitions, including Britain. The defaults of Philip II therefore reflected short-term liquidity crises, and were not a sign of unsustainable debts. * For helpful comments, we thank Daron Acemoglu, George Akerlof, Carlos Alvarez Nogal, Fernando Broner, Albert Carreras, Marc Flandreau, Caroline Fohlin, Regina Grafe, Avner Greif, Viktoria Hnatkovska, Angela Redish, Alberto Martín, Paolo Mauro, David Mitch, Kris Mitchener, Joel Mokyr, Lyndon Moore, Roger Myerson, Kevin O’Rourke, Sevket Pamuk, Richard Portes, Leandro Prados de la Escosura, Nathan Sussman, Alan M. Taylor, Francois Velde, Jaume Ventura, and Eugene White. Seminar audiences at American University, Harvard, Sciences Po, Hebrew University, UBC, UPF, UC Irvine, LSE, HEI Geneva, NYU-Stern, the ECB, and Rutgers, as well as the EHA meetings in Austin, the CREI / CEPR Conference on “Crises – Past, Policy, and Theory”, CIFAR, NBER, CEPR – ESSIM, the BETA Workshop, and the Utrecht Workshop on Financial History offered advice and constructive criticism. -
Battleground Perceptions in the Portuguese Early Modern Atlantic
WIH0010.1177/0968344517725540War in HistoryDantas da Cruz 725540research-article2018 Original Article War in History 1 –26 From Flanders to Pernambuco: © The Author(s) 2018 Reprints and permissions: Battleground Perceptions in sagepub.co.uk/journalsPermissions.nav https://doi.org/10.1177/0968344517725540DOI: 10.1177/0968344517725540 the Portuguese Early Modern journals.sagepub.com/home/wih Atlantic World Miguel Dantas da Cruz Instituto de Ciências Sociais – Lisbon University, Portugal Abstract This article addresses the way the Portuguese experience in the seventeenth-century battlefields of Flanders, during the Iberian Union (1580–1640), reshaped Portuguese military thought and culture. It argues that their traditional martial perceptions – almost exclusively based in imperial experiences, especially against the Muslims in North Africa and in India – were transformed by the direct exposure to Spanish military endeavours in Europe. It also argues that the experience in Flanders resurfaced in the South Atlantic, in all its religious and political dimensions, transforming the prestige of Brazil as a battlefield. Finally, the article revisits the way the Flanders experience poisoned Spanish–Portuguese relations. Keywords Portuguese Atlantic, Iberian Union, War of Flanders, martial imaginary, battleground perceptions Introduction King Sebastian, in his attempt to go to North Africa, to attack the Moors himself, beyond being moved by the zeal of exalting the Catholic Faith, and spreading the Christian religion, had the example of all of his ancestors, who were always the Generals of their own Arms, and the first ones to attack. King John I went in person to take Ceuta with his four sons in a massive fleet. Afonso V went himself three times…to carry on with the war on the Berber Coast, where he achieved many victories… Manuel I was also determined to go there, carrying on with this Corresponding author: Miguel Dantas da Cruz, Instituto de Ciências Sociais – Lisbon University, Av.