How to Amplify and Remix Jacket Design Work to Reach More Readers HOW I WORK VINTAGE DESIGN FOCUSED TITLES

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TELLING DESIGN STORIES: How to amplify and remix jacket design work to reach more readers HOW I WORK VINTAGE DESIGN FOCUSED TITLES TITLE: There There AUTHOR: Tommy Orange EDITOR: Kate Harvey (Liz Foley) ISBN: 9781787300354 9781787300361 IMPRINT: Harvill Secker PUB DATE: 02/08/18 FORMAT: Royal Octavo WHAT EXCITES YOU ABOUT THIS BOOK? This novel has everything: an involving community of characters, a window onto a lile-known world (the urban Nave Americans of Oakland, California), newsworthiness, a big heart, contemporary relevance, and a charismac author already endorsed as one of the hoest new US writers. It’s fresh in its approach, unusual in its construcon, and sits well with such peers as Diaz, James and Whitehead. This is excing American wring a world away from the Brooklyn hipster novel. It’s polically urgent and will have wide coverage on US publicaon. Pulitzer-worthy, potenally prize- winning, and very possibly on Oprah’s radar, too. This was acquired (in a six-way aucon) to be a lead tle. There is a gap at Harvill Secker for a significant new American voice (currently we have Erin Morgenstern and Donald Ray Pollock). The agent, Nicole Aragi, also represents Junot Diaz and Colson Whitehead. In-house fans on acquision: Tom Drake-Lee, Chloe Healy, Bethan Jones, Anna Redman, Beth Coates, Alex Russell, Rosanna Boscawen, the HS team. THE PITCH A groundbreaking polyphonic novel, weaving together the stories of contemporary Nave American characters into a dynamic narrave about violence and recovery, family and loss, identy and power. WHO ARE THE READERS? 20-50, literary ficon, current affairs, polically aware, documentaries, contemporary box sets, social media savvy. Pioneers + connectors COMPARABLE/COMPETING TITLES AND AUTHORS? Colson Whitehead, UNDERGROUND RAILROAD: Yaa Gyasi, HOMEGOING; Marlon James A BRIEF HISTORY OF SEVEN KILLINGS; Junot Diaz THE BRIEF WONDROUS LIFE OF OSCAR WAO; Jennifer Egan A VISIT FROM THE GOON SQUAD; DBC Pierre VERNON GOD LITTLE; George Saunders; Jonathan Safran Foer, Eduoard Louis. ANY CHALLENGES OR OBSTACLES? Avoiding a perceived niche around Nave American wring. Hence all the emphasis on posioning with Marlon James, Junot Diaz, Yaa Gyasi, Jennifer Egan. This is a diasporic voice with something urgent and relevant to say, and above all, it’s great storytelling. AUTHOR CREDENTIALS 1 Looking to distill the essence of the novel DJINN PATROL ON THE PURPLE LINE DEEPA ANAPPARA JANUARY 2020 MACHINES LIKE ME IAN McEWAN MURAKAMI & WeTRANSFER MURAKAMI & JAPAN HOUSE THE HANDMAID’S TALE MARGARET ATWOOD THE TESTAMENTS MARGARET ATWOOD KINGSTON UNIVERSITY ANIMATION PRIZE @vintagebooks @vintagebooksdesign penguin.co.uk/vintage vintagebooksdesign.tumblr.com THE STARLESS SEA ERIN MORGENSTERN The image cannot be displayed. Your computer may not have enough memory to open the image, or the image may have been corrupted. Restart your computer, and then open the file again. If the red x still appears, you may have to delete the image and then insert it again. .

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Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
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AP Literature and Composition 2020 Summer Reading Assignment
Dr. Doyle AP Literature and Composition AP Literature and Composition 2020 Summer Reading Assignment DIRECTIONS #1 Readings You will read TWO books of your choice from the lists below, a classic title and a modern title. One of your choices must be selected from the first list of classics that contains some of the most frequently referenced books on the AP Literature exam between 1970-2011. Your second choice must be a modern novel of literary merit. List 2 contains the winners of the Booker Prize and the Pulitzer Prize from the last 20 years. CHOOSE ONE TITLE FROM EACH LIST. You can either borrow books from your local library, download e-books to a device, or purchase your own hard copies to annotate in directly. How to select a book that you will enjoy from the lists below: Do not select a book at random. Although all of these titles are meritorious and significant reads, some of them you will obviously enjoy more than others based on your distinct literary tastes. If you don’t like war stories, don’t pick a war story. You can base your selection on authors that you are familiar with, on researching some of the titles that sound interesting to you, and on recommendations from friends/family that may have read these books before. #2 Dialectical Journal You will complete THREE dialectical journal entries for each book you read (that means SIX entries total: 3 for the classic title + 3 for the modern title = 6 journal entries total). A dialectical journal is a written conversation with yourself about a piece of literature that encourages the habit of reflective questioning.
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Award Winning Books
More Man Booker winners: 1995: Sabbath’s Theater by Philip Roth Man Booker Prize 1990: Possession by A. S. Byatt 1994: A Frolic of His Own 1989: Remains of the Day by William Gaddis 2017: Lincoln in the Bardo by Kazuo Ishiguro 1993: The Shipping News by Annie Proulx by George Saunders 1985: The Bone People by Keri Hulme 1992: All the Pretty Horses 2016: The Sellout by Paul Beatty 1984: Hotel du Lac by Anita Brookner by Cormac McCarthy 2015: A Brief History of Seven Killings 1982: Schindler’s List by Thomas Keneally 1991: Mating by Norman Rush by Marlon James 1981: Midnight’s Children 1990: Middle Passage by Charles Johnson 2014: The Narrow Road to the Deep by Salman Rushdie More National Book winners: North by Richard Flanagan 1985: White Noise by Don DeLillo 2013: Luminaries by Eleanor Catton 1983: The Color Purple by Alice Walker 2012: Bring Up the Bodies by Hilary Mantel 1982: Rabbit Is Rich by John Updike 2011: The Sense of an Ending National Book Award 1980: Sophie’s Choice by William Styron by Julian Barnes 1974: Gravity’s Rainbow by Thomas Pynchon 2010: The Finkler Question 2016: Underground Railroad by Howard Jacobson by Colson Whitehead 2009: Wolf Hall by Hilary Mantel 2015: Fortune Smiles by Adam Johnson 2008: The White Tiger by Aravind Adiga 2014: Redeployment by Phil Klay 2007: The Gathering by Anne Enright 2013: Good Lord Bird by James McBride National Book Critics 2006: The Inheritance of Loss 2012: Round House by Louise Erdrich by Kiran Desai 2011: Salvage the Bones by Jesmyn Ward Circle Award 2005: The Sea by John Banville 2010: Lord of Misrule by Jaimy Gordon 2004: The Line of Beauty 2009: Let the Great World Spin 2016: LaRose by Louise Erdrich by Alan Hollinghurst by Colum McCann 2015: The Sellout by Paul Beatty 2003: Vernon God Little by D.B.C.
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The Fourth Decade of the Booker Prize and the Contemporary Novel in the UK
2017-05-31 11-38-12 --- Projekt: transcript.anzeigen / Dokument: FAX ID 0319462588158106|(S. 1- 2) VOR3853.p 462588158114 From: Anna Auguscik Prizing Debate The Fourth Decade of the Booker Prize and the Contemporary Novel in the UK June 2017, 400 p., 44,99 €, ISBN 978-3-8376-3853-0 This book offers a study of the literary marketplace in the early 2000s. Focusing on the Man Booker Prize and its impact on a novel’s media attention, Anna Auguscik ana- lyses the mechanisms by which the Prize both recognises books that trigger debates and itself becomes the object of such debates. Based on case studies of six novels (by Aravind Adiga, Margaret Atwood, Sebastian Barry, Mark Haddon, DBC Pierre, Zadie Smith) and their attention profiles, this work describes the Booker as a ‘problem-dri- ven attention-generating mechanism’, the influence of which can only be understood in relation to other participants in literary interaction. Anna Auguscik teaches English Literature at the University of Oldenburg, Germany. She is a postdoctoral fellow in the Fiction Meets Science research group. Her research interests include the novel in the literary marketplace, the history and current state of reviewing and criticism, and the relationship between literature and science. For further information: www.transcript-verlag.de/978-3-8376-3853-0 © 2017 transcript Verlag, Bielefeld 2017-05-31 11-38-12 --- Projekt: transcript.anzeigen / Dokument: FAX ID 0319462588158106|(S. 1- 2) VOR3853.p 462588158114 Contents Acknowledgements | 7 Introduction | 9 Situating the Booker Prize in the Context of Literary Interaction | 10 Aims, Questions, Methodological Choices | 13 Structure, Scope, Selection of Texts | 18 PART I: CONTEXTS, OR DEBATING THE PRIZE 1.
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Canterbury Christ Church University's Repository of Research Outputs Http
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Ciocia, S. (2016) "The world loves an underdog," or the continuing appeal of the adolescent rebel narrative: a comparative reading of Vernon God Little, The Catcher in the Rye and Huckleberry Finn. Children's Literature in Education. pp. 1- 20. ISSN 0045-6713. Link to official URL (if available): http://dx.doi.org/10.1007/s10583-016-9287-1 This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] “The World Loves an Underdog,” or the Continuing Appeal of the Adolescent Rebel Narrative: A Comparative Reading of Vernon God Little, The Catcher in the Rye and Huckleberry Finn Abstract The early reception of D. B. C. Pierre’s Vernon God Little (2003) has been characterized by comparisons with two canonical literary antecedents: J. D. Salinger’s The Catcher in the Rye (1951) and, at a greater remove, Mark Twain’s Adventures of Huckleberry Finn (1884). The three novels capitalize on the subversive potential of disaffected teenage narrators, whose compelling vernacular voices, and distinctive position as outsiders in the adult world, are powerful tools for social critique. This article offers an analysis of the continuities and discontinuities in the narrative tradition that links Vernon Little to Huckleberry Finn via the pivotal figure of Holden Caulfield, who is widely considered as the original, unsurpassed model of adolescent rebelliousness in modern literature.
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Fiction Award Winners 2019
1989: Spartina by John Casey 2016: The Sympathizer by Viet Thanh Nguyen National Book 1988: Paris Trout by Pete Dexter 2015: All the Light We Cannot See by A. Doerr 1987: Paco’s Story by Larry Heinemann 2014: The Goldfinch by Donna Tartt Award 1986: World’s Fair by E. L. Doctorow 2013: Orphan Master’s Son by Adam Johnson 1985: White Noise by Don DeLillo 2012: No prize awarded 2011: A Visit from the Goon Squad “Established in 1950, the National Book Award is an 1984: Victory Over Japan by Ellen Gilchrist by Jennifer Egan American literary prize administered by the National 1983: The Color Purple by Alice Walker 2010: Tinkers by Paul Harding Book Foundation, a nonprofit organization.” 1982: Rabbit Is Rich by John Updike 2009: Olive Kitteridge by Elizabeth Strout - from the National Book Foundation website. 1980: Sophie’s Choice by William Styron 2008: The Brief Wondrous Life of Oscar Wao 1979: Going After Cacciato by Tim O’Brien by Junot Diaz 2018: The Friend by Sigrid Nunez 1978: Blood Tie by Mary Lee Settle 2007: The Road by Cormac McCarthy 2017: Sing, Unburied, Sing by Jesmyn Ward 1977: The Spectator Bird by Wallace Stegner 2006: March by Geraldine Brooks 2016: The Underground Railroad by Colson 1976: J.R. by William Gaddis 2005: Gilead by Marilynne Robinson Whitehead 1975: Dog Soldiers by Robert Stone 2004: The Known World by Edward P. Jones 2015: Fortune Smiles by Adam Johnson The Hair of Harold Roux 2003: Middlesex by Jeffrey Eugenides 2014: Redeployment by Phil Klay by Thomas Williams 2002: Empire Falls by Richard Russo 2013: Good Lord Bird by James McBride 1974: Gravity’s Rainbow by Thomas Pynchon 2001: The Amazing Adventures of 2012: Round House by Louise Erdrich 1973: Chimera by John Barth Kavalier and Clay by Michael Chabon 2011: Salvage the Bones by Jesmyn Ward 1972: The Complete Stories 2000: Interpreter of Maladies by Jhumpa Lahiri 2010: Lord of Misrule by Jaimy Gordon by Flannery O’Connor 1999: The Hours by Michael Cunningham 2009: Let the Great World Spin by Colum McCann 1971: Mr.
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“Transatlantic Relations in Zadie Smith's on Beauty”
Green-Card American Fiction: Naturalizing Novels by Visiting Authors ELIZABETH ABELE In 1868, Sir Charles Dilke made this prediction about US culture: “America is becoming, not English merely, but world-embracing in the variety of its type; and, as the English element has given language and history to that land, America offers the English race the moral dictatorship of the globe, by ruling mankind through Saxon institutions and the English tongue.”1 Regardless of whether Dilke was merely attempting rhetorically to extend the influence of a declining British empire, this view is echoed in Salman Rushdie’s 2001 novel Fury, as his Indo-British protagonist Malik Solanka proclaims his “American-ness”: “Everyone was an American now, or at least Americanized: Indians, Iranians, Uzbeks, Japanese, Lilliputians, all. America was the world’s playing field, its rule book, umpire and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand.”2 Both Dilke’s and Rushdie’s words characterize American ideology as seductive, ensnaring people beyond its borders. While Solanka may proclaim the entire world as “American,” this virtual citizenship may be even more seductive for citizens of Anglophone countries, who experience American cultural imperialism in a language very close to their own. As an example of an ambiguous US “citizenship,” the 2003 winner of the Man Booker Prize for the best novel in English by a Commonwealth author was Vernon God Little—a novel set primarily in Texas with only American characters, written by DBC Pierre, an Australian born to English parents raised in Mexico, now living in Ireland.
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The 2014 Man Booker Prize Controversy
BACHELOR THESIS ENGLISH LANGUAGE AND CULTURE THE 2014 MAN BOOKER PRIZE CONTROVERSY A BRITISH CULTURAL ICON UNDER A THREAT ESTHER VAN BUSSEL RADBOUD UNIVERSITY NIJMEGEN SUPERVISOR: PROF. DR ODIN DEKKERS ESTHER VAN BUSSEL Van Bussel/s4332458/2 Essay Cover Sheet ENGELSE TAAL EN CULTUUR Teacher who will receive this document: Dr Odin Dekkers Title of document: Bachelor Thesis Man Booker Prize Name of course: BA Werkstuk Engelse Letterkunde Date of submission: 15 June 2017 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Esther van Bussel Student number: S4332458 Van Bussel/s4332458/3 Table of Contents TABLE OF CONTENTS 3 ABSTRACT 4 ACKNOWLEDGEMENTS 5 INTRODUCTION 6 CHAPTER 1: THE MAN BOOKER PRIZE 10 CHAPTER 2: THE CONTROVERSY AND THE DEBATE 15 CHAPTER 3: A BOURDIEUSIAN ANALYSIS OF THE DEBATE 24 CONCLUSION 32 WORKS CITED 34 Van Bussel/s4332458/4 Abstract This thesis will study and discuss the controversy concerning the extension of the requirements for the Man Booker Prize, a literary prize established in the United Kingdom that is awarded every year to a novel of fiction written in the English language. The focus will be on the Man Booker Prize in 2014, which is deemed to be a controversial year as it was decided then that the entry requirements would be adjusted. The new rules state that any novel, as long as it is written in English and published in the United Kingdom in the same year of the prize, can be in the running for the Man Booker Prize.
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Fiction Winners
1984: Victory Over Japan by Ellen Gilchrist 2005: Gilead by Marilynne Robinson National Book Award 1983: The Color Purple by Alice Walker 2004: The Known World 1982: Rabbit Is Rich by John Updike by Edward P. Jones 1980: Sophie’s Choice by William Styron 2003: Middlesex by Jeffrey Eugenides 2015: Fortune Smiles by Adam Johnson 2014: Redeployment by Phil Klay 1979: Going After Cacciato by Tim O’Brien 2002: Empire Falls by Richard Russo 2013: Good Lord Bird by James McBride 1978: Blood Tie by Mary Lee Settle 2001: The Amazing Adventures of 1977: The Spectator Bird by Wallace Stegner 2012: Round House by Louise Erdrich Kavalier and Clay 2011: Salvage the Bones by Jesmyn Ward 1976: J.R. by William Gaddis by Michael Chabon 1975: Dog Soldiers by Robert Stone 2000: Interpreter of Maladies 2010: Lord of Misrule by Jaimy Gordon 2009: Let the Great World Spin The Hair of Harold Roux by Jhumpa Lahiri by Colum McCann by Thomas Williams 1999: The Hours by Michael Cunningham 1974: Gravity’s Rainbow by Thomas Pynchon 1998: American Pastoral by Philip Roth 2008: Shadow Country by Peter Matthiessen 1973: Chimera by John Barth 1997: Martin Dressler: The Tale of an 1972: The Complete Stories 2007: Tree of Smoke by Denis Johnson American Dreamer 2006: The Echo Maker by Richard Powers by Flannery O’Connor by Steven Millhauser 1971: Mr. Sammler’s Planet by Saul Bellow 1996: Independence Day by Richard Ford 2005: Europe Central by William T. Volmann 1970: Them by Joyce Carol Oates 1995: The Stone Diaries by Carol Shields 2004: The News from Paraguay 1969: Steps
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KS4 Reading List
Reading List KS4 Science fiction and fantasy Douglas Adams – The Hitchhiker’s Guide To The Galaxy Love/family/relationships/society novels Brian Aldiss – any novel/short story Kate Atkinson – Behind the Scenes at the Museum Isaac Asimov – any novel/short story Jane Austen – Pride and Prejudice/Emma and others Margaret Atwood – the Handmaid’s Tale, Oryx and Crake Charlotte Bronte – Jane Eyre Ray Bradbury – The Martian Chronicles, Fahrenheit 451 Emily Bronte – Wuthering Heights Aldous Huxley – Brave New World Raymond Carver – any short stories George Orwell – 1984 Tracy Chevelier – Girl With The Pearl Earring Terry Pratchett – Discworld series and others Louis De Bernieres – Captain Corelli’s Mandolin Phillip Pullman – Northern Lights and His Dark Materials Trilogy Emma Donoghue – Room H G Wells – The War of the Worlds George Eliot – the Mill on the Floss/Adam Bede/Middlemarch John Wyndham – The Day of the Triffids 2 Helen Fielding – Bridget Jones’ Diary F. Scott Fitzgerald – The Great Gatsby Horror/ Ghost/ Gothic Stories Gustave Flaubert – Madame Bovary Angela Carter – The Bloody Chamber (adapted fairy stories) Thomas Hardy – Under the Greenwood Tree/Tess of the D’Urbervilles Wilkie Collins – The Woman in White Joanne Harris - Chocolat Daphne Du Maurier – short stories and novels (eg ‘Rebecca’) L.P. Hartley – The Go-Between Susan Hill – any novel/story Ernest Hemingway – A Farewell To Arms/ For Whom The Bell Tolls (also M R James – Collected Ghost Stories war!) Mervyn Peake – The Gormenghast Trilogy Georgette Heyer – any of her historical
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AUTHOR CALL NO. AWARD / YEAR Catherine the Great
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Bookers Prize
List of Man Booker Prize Winners From 1969 to Till Date S.N. Year Name of Author Name of Country Book Title 2018 Anna Burns - Milkman 2017 George Saunders USA Lincoln in the Bardo – Novel 2016 Paul Beatty USA The Sellout – Comic Novel 2015 Marlon James Jamaica A Brief History of Seven Killings- Novel 2014 Richard Flanagan Australia The Narrow Road to the Deep North-Historical Novel 2013 Eleanor Catton Canada, (Born-New Zealand) The Luminaries-Historical Novel 2012 Hilary Mantel United Kingdom Bring Up the Bodies- Historical Novel 2011 Julian Barnes United Kingdom The Sense of an Ending- Novel 2010 Howard Jacobson United Kingdom The Finkler Question- Comic Novel 2009 Hilary Mantel United Kingdom Wolf Hall-Historical Novel 2008 Aravind Adiga India The White Tiger-Novel 2007 Anne Enright Ireland The Gathering-Novel 2006 Kiran Desai India The Inheritance of Loss-Novel 2005 John Banville Ireland The Sea-Novel 2004 Alan Hollinghurst United Kingdom The Line of Beauty- Historical Novel 2003 DBC Pierre Australia Vernon God Little-Black comedy 2002 Yann Martel Canada Life of Pi-Fantasy and adventure Novel 2001 Peter Carey Australia True History of the Kelly Gang- Historical Novel 2000 Margaret Atwood Canada The Blind Assassin-Historical Novel 1999 J. M. Coetzee South Africa Disgrace-Novel 1998 Ian McEwan United Kingdom Amsterdam-Novel 1997 Arundhati Roy India The God of Small Things-Novel 1996 Graham Swift United Kingdom Last Orders-Novel 1995 Pat Barker United Kingdom The Ghost Road-War Novel 1994 James Kelman United Kingdom How Late It Was, How Late-Stream of consciousness 1993 Roddy Doyle Ireland Paddy Clarke Ha Ha Ha-Novel 1992 Michael Ondaatje Canada The English Patient- Historiographic metafiction 1992 Barry Unsworth United Kingdom Sacred Hunger-Historical Novel 1991 Ben Okri Nigeria The Famished Road-Magic realism 1990 A.
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