A.P. English Summer Reading Assignment
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Pan Macmillan September 2021 Highlights
Pan Macmillan September 2021 Highlights They Got You Too Futhi Ntshingila Hans van Rooyen is a former police general raised by two women who survived the 1899 South African War. He finds himself being cared for in an old age home by the daughter of liberation struggle activists. At 80, he carries with him the memories of crimes he committed as an officer under the apartheid government. Having eluded the public confessions at the TRC for his time in the Border Wars, he retained his position in the democratic South Africa, serving as an institutional memory for a new generation of police recruits. Zoe Zondi is tasked to care for the old man. Her gentle and compassionate nature prompts Hans to review his decision to go to the grave with all his secrets. Zoe has her own life story to tell and, as their unlikely bond deepens, strengthened by the isolation that COVID-19 lockdown brings, they provide a safe space for each other to say the things that are often left unsaid. Futhi Ntshingila is a writer from Pietermaritzburg. The author of Shameless and Do Not Go Gentle, her work centres on women and marginalised communities. Futhi holds a Master’s Degree in Conflict Resolution and currently lives and works in Pretoria. • ISBN: 9781770107281 • Format: Trade Paperback • Genre: Fiction • Extent: TBC • Price: R290,00 IMMEDIATE RELEASE Shuggie Bain Winner of the Booker Prize 2020 July release Douglas Stuart It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. -
Cultural Impact on the Inheritance of Loss by Kiran Desai
Conference Proceeding Issue Published in International Journal of Trend in Research and Development (IJTRD), ISSN: 2394-9333, www.ijtrd.com Cultural Impact on the Inheritance of Loss by Kiran Desai A. S. Artheeswari, M.Phil English, Arignar Anna Government Arts College, Villupuram, Tamilnadu, India Abstract: Kiran Desai is one of the talented and ambitious II. THE INHERITANCE OF LOSS younger Indian diasporic writers who have a significant role in The novel “The Inheritance of Loss” is an authentic study of Portraying and reflecting the difficulties and complexities of human relationship bedevilled by exile and cultural the experiences of the immigrants in literature. She belongs to encounters. Those human beings who are not enjoying their the second generation of indian diaspora. Her own experiences life seem to adhere to their cultural instinct and they detached of living in India, England and USA as well as her complicated from their real nature. This made a negative impact in their educational background in these three countries brand her not whole life and leads to cultural deformity when these people only as a distinctive and typical Diasporic writer, but also as a happened to live in a new world; they have to construct their product of multiculturalism. Kiran Desai , the winner of the own world based on their acquired culture and civilization. prestigious Man Booker Prize 2006 for her second novel “ THE INHERITANCE OF LOSS (2005 ) Created literary The novel brought her come to literary attention , winning the history by becoming the youngest ever woman to win the Betty Task Award .Desai‟s second novel The inheritance of prestigious prize at the age of 35. -
Literature (LIT) 1
Literature (LIT) 1 LITERATURE (LIT) LIT 113 British Literature i (3 credits) LIT 114 British Literature II (3 credits) LIT 115 American Literature I (3 credits) LIT 116 Amercian Literature II (3 credits) LIT 132 Introduction to Literary Studies (3 credits) This course prepares students to understand literature and to articulate their understanding in essays supported by carefully analyzed evidence from assigned works. Major genres and the literary terms and conventions associated with each genre will be explored. Students will be introduced to literary criticism drawn from a variety of perspectives. Course Rotation: Fall. LIT 196 Topics in Literature (3 credits) LIT 196A Topic: Images of Nature in American Literature (3 credits) LIT 196B Topic: Gothic Fiction (3 credits) LIT 196C Topic: American Detective Fiction (3 credits) LIT 196D Topic: The Fairy Tale (3 credits) LIT 196H Topic: Literature of the Supernatural (4 credits) LIT 196N Topic: American Detective Fiction for Nactel Program (4 credits) LIT 200C Global Crossings: Challenge & Change in Modern World Literature - Nactel (4 credits) Students in the course will read literature from a range of international traditions and will reach an understanding and appreciation of the texts for the ways that they connect and diverge. The social and historical context of the works will be explored and students will take from the course some understanding of the environments that produced the texts. LIT 200G Topic: Pulitzer Prize Winning Novels-American Life (3 credits) LIT 200H Topic: Poe and Hawthorne (3 credits) LIT 201 English Drama 900-1642 (3 credits) LIT 202 History of Film (3 credits) The development of the film from the silent era to the present. -
11 Th Grade American Literature Summer Assignment (20192020 School Y Ear)
6/26/2019 American Lit Summer Reading 2019-20 - Google Docs 11 th Grade American Literature Summer Assignment (20192020 School Y ear) Welcome to American Literature! This summer assignment is meant to keep your reading and writing skills fresh. You should choose carefully —select books that will be interesting and enjoyable for you. Any assignments that do not follow directions exactly will not be accepted. This assignment is due Friday, August 16, 2019 to your American Literature Teacher. This will count as your first formative grade and be used as a diagnostic for your writing ability. Directions: For your summer assignment, please choose o ne of the following books to read. You can choose if your book is Fiction or Nonfiction. Fiction Choices Nonfiction Choices Catch 22 by Joseph Heller The satirical story of a WWII soldier who The Short and Tragic Life of Robert Peace by Jeff Hobbs. An account thinks everyone is trying to kill him and hatches plot after plot to keep of a young African‑American man who escaped Newark, NJ, to attend from having to fly planes again. Yale, but still faced the dangers of the streets when he returned is, Bastard Out of Carolina by Dorothy Allison The story of an abusive “nuanced and shattering” ( People ) and “mesmeric” ( The New York Southern childhood. Times Book Review ) . The Known World by Edward P. Jones The story of a black, slave Outliers / Blink / The Tipping Point by Malcolm Gladwell Fascinating owning family. statistical studies of everyday phenomena. For Whom the Bell Tolls by Ernest Hemingway A young American The Hot Zone: A Terrifying True Story by Richard Preston There is an anti‑fascist guerilla in the Spanish civil war falls in love with a complex outbreak of ebola virus in an American lab, and other stories of germs woman. -
Pearl S. Buck and Phenylketonuria (PKU)
Journal of the History of the Neurosciences 2004, Vol. 13, No. 1, pp. 44–57 Pearl S. Buck and Phenylketonuria (PKU) Stanley Finger? and Shawn E. Christ Psychology Department, Washington University, St. Louis, MO, USA ABSTRACT In 1921, Pearl S. Buck gave birth to a daughter, Carol, who became severely retarded and was eventually institutionalized at the Vineland Training School in New Jersey. To help pay for her daughter’s care, Buck wrote The Good Earth in 1931, and then other novels and biographies about her life in China, for which she was awarded the Nobel and Pulitzer Prizes, and honored around the world. Years later, she published The Child Who Never Grew, a short piece about her daughter’s retardation that also revealed her desperate search for answers and good clinical care. Asbjørn Følling distinguished phenylketonuria (PKU) from other forms of childhood retardation in the mid-1930s, and new assays and biochemical findings eventually led to ways to circumvent the devastating effects of PKU. But for Carol Buck, these advances came too late. It was not until the 1960s that physicians confirmed that her severe retardation was caused by PKU. Keywords: Pearl S. Buck, Carol Buck, Phenylketonuria (PKU), Mental Retardation, Asbjørn Følling, Vineland Training School, Rehabilitation, The Child Who Never Grew She wrote many fine books and won notable Three months after her birth, the Sydenstrickers prizes, but her major humanitarian work was returned to Chinkiang (Zhenjiang), a port city with children, some of them sadly stigmatized on the Yangtze River in the Kiangsu (Jiangsu) like her own daughter. -
The Modern and Contemporary Global Novel [Note: an Asterisked Work Also Appears on the Period List.] Novels: Dostoevsky: Crime A
The Modern and Contemporary Global Novel [Note: An asterisked work also appears on the period list.] Novels: Dostoevsky: Crime and Punishment (1866, Eng. 1888) Henry James: The Ambassadors (1903) Joseph Conrad: Heart of Darkness (1903)* Thomas Mann: Death in Venice (1912)* Virginia Woolf: The Voyage Out (1915)* James Joyce: Ulysses (1922)* Jean Toomer: Cane (1923) E.M. Forster: A Passage to India (1924) Willa Cather: The Professor’s House (1925) Ernest Hemingway: In Our Time (1925)* John Dos Passos: Manhattan Transfer (1925) Franz Kafka: The Castle (1926) William Faulkner: As I Lay Dying (1930)* F. Scott Fitzgerald: Tender is the Night (1934) Zora Neale Hurston: Their Eyes Were Watching God (1937)* Flann O’Brien: At Swim-Two-Birds (1939) Richard Wright: Native Son (1940)* Jorge Luis Borges: Fictions (1944) G.V. Desani: All About H. Hatterr (1948) Samuel Beckett: Molloy (1951) Flannery O’Connor: Wise Blood (1952) Ralph Ellison: Invisible Man (1952)* Chinua Achebe: Things Fall Apart (1958) John Updike: Rabbit Run (1960) Richard Yates: Revolutionary Road (1961) Vladimir Nabokov: Pale Fire (1962) Thomas Pyncheon: The Crying of Lot 49 (1962) Kurt Vonnegut: Cat’s Cradle (1963) Julio Cortázar: Rayuela (1966) Philip Roth: Portnoy’s Complaint (1969) Italo Calvino: Invisible Cities (1972,4) Maxine Hong Kingston: The Woman Warrior (1975) John Okada: No-no Boy (1979) Salman Rushdie: Midnight’s Children (1981) Cormac McCarthy: Blood Meridian (1985) Kazuo Ishiguro: The Remains of the Day (1989) Haruki Murakami: Hard-Boiled Wonderland and the End of the World (1991) Toni Morrison: Jazz (1992) Arundhati Roy: The God of Small Things (1997) J.M. -
Kristen Caschera, London Public Library the Blind Assassin By
Kristen Caschera, London Public Library The Blind Assassin by Margaret Atwood "Ten days after the war ended, my sister drove a car off the bridge." So begins The Blind Assassin, a family drama, a mystery, and a science fiction story all in one. Now 80, Iris Chase reveals the events leading up her sister’s mysterious death. At the same time, two unnamed lovers meet in secret, and tell the tale of the blind assassin, a science fiction story worthy of a comic book. A novel within a novel, The Blind Assassin is an epic tale of one family’s betrayals and one woman’s secrets. Readers will also enjoy the family drama of Fall on Your Knees by Ann-Marie McDonald or Gilead by Marilynne Robinson. Life after Life by Kate Atkinson On a cold night in 1910, a baby is born – and dies shortly after. On a cold night in 1910, the same baby is born – and lives. Ursula Todd’s strange life continues this way, living and dying over and over again until she gets it right. But why Ursula? Is it possible that the fate of the world lies in the hands of one single woman? Audrey Niffenegger’s The Time Traveller’s Wife features a similar type of time-shifting plot, and My Real Children by Jo Walton also examines how a single choice can change the outcome of our entire lives. Hey Nostradamus! by Douglas Coupland Hey Nostradamus! opens with a school shooting in Vancouver that devastates a community and forever changes the lives of the four protagonists. -
A Study of the Inheritance of Loss and Half a Life
Orientalising the Postcolonial Nation-State: A Study of The Inheritance of Loss and Half a Life A Dissertation Submitted to the Central University of Punjab For the Award of Master of Philosophy in Comparative Literature by Manpreet Kaur Administrative Guide: Prof. Paramjit Singh Ramana Dissertation Coordinator: Dr. Zameerpal Kaur Centre for Comparative Literature School of Languages, Literature and Culture Central University of Punjab, Bathinda August, 2012 CERTIFICATE I declare that the dissertation entitled “Orientalising the Postcolonial Nation-State: A Study of The Inheritance of Loss and Half a Life,” has been prepared by me under the guidance of Prof. Paramjit Singh Ramana, and Dr. Zameerpal Kaur, Assistant Professor, Centre for Comparative Literature, School of Languages, Literature and Culture, Central University of Punjab. No part of this dissertation has formed the basis for the award of any degree or fellowship previously. (Manpreet Kaur) Centre for Comparative Literature, School of Languages, Literature and Culture, Central University of Punjab, Bathinda-151001. Date: ii Acknowledgement It is a pleasure to thank God, for making me able to achieve what I am today. I want to express my thanks to God, my parents and my family members. I would like to express my deepest gratitude to the stalwart of my department my supervisor and Professor. P. S. Ramana, Dean, School of Languages, Literature and Culture and my dissertation Coordinator Dr. Zameerpal Kaur, Assistant Professor, Centre for Comparative Literature for their ingenuous guidance. I want to express my thanks to Dr. Amandeep Singh, Assistant Professor, Centre for Comparative Literature for his continuous and extremely useful assistance. -
Grace: a Reflection on the Novels of Marilynne Robinson
Volume 48 Number 1 Article 3 September 2019 Grace: A Reflection on the Novels of Marilynne Robinson Elayne Apol Heynen Dordt University Follow this and additional works at: https://digitalcollections.dordt.edu/pro_rege Part of the American Literature Commons, and the Christianity Commons Recommended Citation Heynen, Elayne Apol (2019) "Grace: A Reflection on the Novels of Marilynne Robinson," Pro Rege: Vol. 48: No. 1, 14 - 16. Available at: https://digitalcollections.dordt.edu/pro_rege/vol48/iss1/3 This Feature Article is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Pro Rege by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Editor’s Note: Elayne Apol Heynen wrote this paper for a Kuyper Scholars Seminar to precede the Prodigal Love of God Conference, held at Dordt, April 4-6, 2019, and co-sponsored by the Lilly Fellowship Program as a regional conference. Grace: A Reflection on the Novels of Marilynne Robinson the simple joy of the words on the page. For this joy in words is what makes her writing so memo- rable: each sentence is delectable, meant to be read and then re-read, reveled in and embraced before the reader moves on to see what the next sentence might bring. Her novels call the reader to slow down, to notice the beauty of the ordinary, both in the beauty of her writing and the beauty of the lives she writes about. If one could take a common kitchen sponge, saturate the sponge with the words from her novels, and then wring out the sponge, what one would see drip out slowly would unmis- takably be grace. -
Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian Mcewan
Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan Elizabeth Andrews McArthur Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Elizabeth Andrews McArthur All rights reserved ABSTRACT Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan Elizabeth Andrews McArthur This dissertation analyzes how twentieth- and early twenty-first- century novelists respond to the English landscape through their presentation of narrative and their experiments with novelistic form. Opening with a discussion of the English planning movement, “Narrative Topography” reveals how shifting perceptions of the structure of English space affect the content and form of the contemporary novel. The first chapter investigates literary responses to the English landscape between the World Wars, a period characterized by rapid suburban growth. It reveals how Virginia Woolf, in Mrs. Dalloway and Between the Acts, reconsiders which narrative choices might be appropriate for mobilizing and critiquing arguments about the relationship between city, country, and suburb. The following chapters focus on responses to the English landscape during the present era. The second chapter argues that W. G. Sebald, in The Rings of Saturn, constructs rural Norfolk and Suffolk as containing landscapes of horror—spaces riddled with sinkholes that lead his narrator to think about near and distant acts of violence. As Sebald intimates that this forms a porous “landscape” in its own right, he draws attention to the fallibility of representation and the erosion of cultural memory. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Names in Marilynne Robinson's <I>Gilead</I> and <I>Home</I>
names, Vol. 58 No. 3, September, 2010, 139–49 Names in Marilynne Robinson’s Gilead and Home Susan Petit Emeritus, College of San Mateo, California, USA The titles of Marilynne Robinson’s complementary novels Gilead (2004) and Home (2008) and the names of their characters are rich in allusions, many of them to the Bible and American history, making this tale of two Iowa families in 1956 into an exploration of American religion with particular reference to Christianity and civil rights. The books’ titles suggest healing and comfort but also loss and defeat. Who does the naming, what the name is, and how the person who is named accepts or rejects the name reveal the sometimes difficult relationships among these characters. The names also reinforce the books’ endorsement of a humanistic Christianity and a recommitment to racial equality. keywords Bible, American history, slavery, civil rights, American literature Names are an important source of meaning in Marilynne Robinson’s prize-winning novels Gilead (2004) and Home (2008),1 which concern the lives of two families in the fictional town of Gilead, Iowa,2 in the summer of 1956. Gilead is narrated by the Reverend John Ames, at least the third Congregationalist minister of that name in his family, in the form of a letter he hopes his small son will read after he grows up, while in Home events are recounted in free indirect discourse through the eyes of Glory Boughton, the youngest child of Ames’ lifelong friend, Robert Boughton, a retired Presbyterian minister. Both Ames, who turns seventy-seven3 that summer (2004: 233), and Glory, who is thirty-eight, also reflect on the past and its influence on the present.