CCCB Annual Report 2014

CCCB Annual Report 2014

CCCB Annual Report 2014

Montalegre, 5 08001 Barcelona T. 933 064 100 www.cccb.org

@cececebe www.facebook.com/CCCB.Barcelona www.instagram.com/el_cccb/ A consortium of Contents 20 Years of the CCCB 08

Espriu. I Looked upon this Land 12 Exhibitions 10 Metamorphosis. Fantasy Visions in Starewitch, 13 Švankmajer and the Quay Brothers The Start of Tomorrow. 14 Mancomunitat of Catalonia: 100 years Shared Cities. 15 European Prize for Urban Public Space 2014 Big Bang Data 16 Under Siege. Mariam Ghani and Omer Fast. 17 Installation and conversations World Press Photo. International Professional 18 Photojournalism Exhibition Arissa. The Shadow and the Photographer, 1922-1936 19 Shadowland by Kazuhiro Goshima 20

Festivals and Open Formats 24 Festivals 22 Children’s and Family Programme 42 and Open Formats

Debates and Lectures 46 Spaces for Debate 44 In Collaboration 57 and Reflection Courses, Postgraduate Certificates 61 and Master’s degrees European Prize 64 for Urban Public Space

CCCB Lab 70 CCCB Lab 68 Networked Projects 75

Friends 76 of the CCCB CCCB Education 80

Social Programme 88

Exhibitions 94 Beyond the CCCB 92 European Prize for Urban Public Space 98

Archives 102 CCCB Holdings 100 Archives in Collaboration 103 Publications 104

Collaborating Institutions and Companies 108 General Details 106 Speakers at Debates and Lectures 110 Use and Rental of Spaces 112 Visiting Figures and Audience 114 Budget 118 CCCB Staff 119 Selection from the Press 120 8

20 Years of the CCCB

The year 2014 marked the 20th Anniversary of the CCCB. Over the course of its first 20 years, the Centre has substantially increased its range of activity and its outreach. Furthermore, its field of activity has grown to embrace virtually all formats and languages, always placing the emphasis on contemporary thinking and creation. It has also expanded in physical terms: in 2011, it officially inaugurated its new multi- purpose building, the Teatre CCCB, opening up new potential and offering a venue ideally suited to the performing arts, music and audiovisuals. 9

Throughout this period, the “CCCB formula” – if we can call it that – has demonstrated not only vitality in terms of its productive output but a proven capacity to surprise, go beyond convention, make signif- icant contributions, and offer exhibitions and activities of extremely high quality. This track record has earned it notable renown, in both Catalonia and Spain, and very importantly, in the international sphere. This is a source of great satisfaction, for us and for everyone who has formed part of the Centre or has collaborated with it over the last two decades. Our major objective today is to take advantage of these 20 years of valuable experience as we usher in a new phase of renewal – and of exploration that is not exempt of risk – to enable the CCCB to embrace and adapt to the myriad dramatic changes that are transforming society. These affect people’s lifestyles and view of their surrounding reality and of the world in general. Similarly, they are restructuring the relationship between the individual, thinking, and creation, and, ultimately, are causing an evolution in our approach to and enjoyment of culture. This 20th anniversary offers an excellent opportunity for the CCCB to reaffirm its commitment to constant renewal, which requires openness towards society and a strong, close connection with everything taking place outside of our walls. This commitment, largely comprising attitude and deter- mination, should allow us to explore new ground and reach a larger audience, as well as try out new ways of working. We need to pay greater attention to processes and collaboration through networking, which means opening the door to new proposals and providing support and opportunities to groups and creators who hold promise for the future. For the CCCB, experimentation and change are part of its DNA. Taking advantage of the occasion, it proposed to initiate a new phase intended to be one of impetus. This should allow it to continue stand- ing as an essential reference model for high-quality culture made available to all audiences. The 20th anniversary celebration marked, therefore, this commitment to renewal, which must make its mark on our institution’s immediate future. In this new phase we also propose to raise awareness of the CCCB and of its range of activities, especially among people in Barcelona and Catalonia who are still unacquainted or unfamiliar with us. Improving connections with society, with creative communities and with the public at large also means making the most of the possibilities offered by the digital environment – Internet, social media net- works, etc. This should be understood not only in instrumental terms, as a tool for disseminating and enhancing the Centre’s constant activity, but also as a medium that allows us to offer specific contents. In this sense, our challenge now is to make the CCCB a fully integrated cultural venue, i.e., one that functions on both a physical and a virtual level. The CCCB wanted to start to express its desire for renovation for 2014 with a set of activities and proposals designed for an active, curious and creative citizenry, a series of actions to celebrate the 20 years of the CCCB. These are the actions that were carried out or commenced in the year 2014 to give sense and material- ise the CCCB’s commitment with permanent innovation:

— Cultural Ring. Connective Space — Brunch Electronik Barcelona — New Friends of the CCCB Card for people born in 1994 — Short films competition – Gandules 2014 — Culturnauts. The CCCB’s summer school — The CCCB with the Raval — Room 1418 — CCCB Alzheimer Programme Sessions — The Idea of Europe — Lapsus Festival — New open spaces. Visit to the Mirador — New line of Beta exhibitions — Pantalla CCCB online. A Month, An Artist — Cultural Innovation International Prize — Internet Universe CCCB © Miquel Taverna Exhibitions 12 Exhibitions

Idea and original script — Interior graphic design — Espriu Xavier Bru de Sala Opisso Estudi Executive curators — Graphic design I Looked upon this Land Julià Guillamon of publicity material — Advisors — Josep Bagà Ramon Balasch, Sebastià Bonet, Organisation — 30 October 2013 — 16 March 2014 Rosa Delor, Julià de Jòdar, Víctor CCCB Martínez Gil and Agustí Pons, Coproduction — Sala 3 with the collaboration of Gabriel Espriu Year (Government Planella of Catalonia) and CCCB Space design — Collaborating media — VA62 Arquitectos Ara and Catalunya Ràdio © La Fotogràfica

The year 2013 marked the commemoration of 100 years since the – sometimes grotesque, sometimes evocative, but always of an ex- birth of Salvador Espriu (1913-1985). The CCCB, in collaboration traordinary power. with the Catalan Government’s Ministry of Culture, organised one of the central events of Espriu Year: the exhibition “Espriu. I Looked The exhibition presented a great quantity of unpublished materi- Upon This Land”, which offered the public an approach to the crea- als originating from archives and private collections. The last part tive career and life history of the writer, to show not only the capital of the exhibition recreated one of Espriu’s fundamental ideas: the importance of his figure for Catalan culture, but also the complexity world as a grotesque labyrinth, based on a gallery of characters that and richness of his work which transcends any label and thus estab- inhabit his narrative, his poetry and his plays, presented in anima- lishes Espriu as a timeless classic. tions produced by young creators. The characters of this gallery were integrated into an animated tale, of surprising currency, that The exhibition developed different aspects of his biography, of his allowed the visitor unfamiliar with the Espriu universe to enter it literary world and of the public repercussions of his work. It also from a new perspective. defended the currency of Salvador Espriu, and the validity of his themes and viewpoints in the world today, based on the triple per- “‘I Looked Upon This Land’ takes us to Espriu’s gaze towards his spective that the exhibition proposed: the mythical and symbolic land and towards his world: sometimes critical and wildly amus- world, social transcendence and indomitable criticism. ing, but also understanding and full of compassion towards human weaknesses.” (Julià Guillamon) A poet, narrator and playwright, Espriu asks himself about the great human questions. The exhibition evoked the myth of Sinera; ethical Related activities commitment when faced with the Civil War and the post-war years; Audiovisuals, “The Writer’s Image”, Soy cámara. El programa del the defence of Catalan culture in difficult times; the Espriu phenom- CCCB, no. 34, 1 March, see p. 25 enon, when he became an indispensable reference point in Spanish Friends of the CCCB, see p. 79 Culture; his vision of the “bull’s hide” based on dialogue and toler- Educational offering, see p. 84 ance; his candidature for the Nobel Prize, and his imaginary world Social programme, see p. 90 13 Exhibitions

Project management — Graphic design of the Metamorphosis Rosa Ferré catalogue — Curator — Estela Robles Fantasy Visions in Starewitch, Carolina López Caballero Organisation — Švankmajer and the Quay Brothers Space design — CCCB Estudi Francesc Pons Coproduction — Interior graphic design — CCCB and La Casa Encendida 26 March — 7 September Mario Eskenazi and Dani Rubio Collaboration — Graphic design of publicity Athanor-Film Production Company, Sala 2 material — Moritz and Centro Checo Cat and cat Collaborating media — El Periódico, TV3 and Catalunya Ràdio

“Metamorphosis. Fantasy Visions in Starewitch, Švankmajer and world of dreams, cabinets of curiosities, pre-Enlightenment sci- the Quay Brothers” presented the work of four essential figures ence, alchemy and illusionism. in animated film: the Polish (Russian-born) Paris-based pioneer Ladislas Starewitch (1882-1965), the Czech master Jan Švankmajer This is the first time that the work of these four artists had been (1934) and the Quay Brothers (1947), twins born in Pennsylvania presented in depth in our country, but what represented a truly in- and resident in London for the last three decades. Three singular ternational event was the bringing together in a single space of the filmographies that, even so, share many things in common: an ec- work of these animators who maintain an explicit dialogue between centric, dreamlike universe in which innocence, cruelty, voluptu- themselves: the Quay twins acknowledge that they are admirers of ousness, magic and madness coexist. A troubling, poetic and lucid Jan Švankmajer and all three enjoy the company of Starewitch. landscape, at times grotesque and at times phantasmagorical, of characters who love the unproductive and the futile. The exhibition presented works by the following creators: Leonar- do Alenza, Arnold Böcklin, Walerian Borowczyk, Charles Bowers, Theirs is a cinema of resistance against narrative conventions which Luis Buñuel, Émile Cohl, Gustave Courbet, Segundo de Chomón, is impervious to the rationalising hygiene modernity has imposed. Salvador Dalí, Monsu Desiderio, James Ensor, Max Ernst, Francis- In the face of the world of the adult and the correct, Starewitch’s co de Goya, Jean Grandville, Emma Hauck, Max Klinger, Alfred imagination, Švankmajer’s provocation and the Quay Brothers’ per- Kubin, Eugenio Lucas, Marey, Josep Masana, Méliès, Joaquim Pla manently convalescing characters put themselves forward as an un- Janini, Lotte Reiniger, Bruno Schulz, Irène Starewitch, Eva Švank- expected invitation to freedom. Animated cinema is the demiurgic majerová and Robert Walser. art par excellence: matter comes to life and is transformed in the hands and imaginations of the creators. They, more than anybody, Related activities know about the secret life of objects. Friends of the CCCB, see p. 79 Educational offering, see p. 84 and 87 The exhibition also showcased a large number of literary, artistic Social programme, see p. 90 and cinematographic references which traced the spheres of in- Beyond the CCCB, see p. 96 terest defended by these filmmakers: fairy tales, horror stories, the Lectures and debates, see p. 48 14 Exhibitions

Curator — Organisation — The Start of Tomorrow Víctor Batallé CCCB Advisors — Coproduction — Mancomunitat of Catalonia: 100 years Albert Balcells, Jaume Barrull Pelegrí, Diputació de Barcelona, Diputació Núria de Ventura Bosch, Pere de Lleida, Diputació de Tarragona Izquierdo i Tugas, Jordi Llobet, Teresa and Diputació de Girona 8 April — 20 July Mañà Terré, Teresa Navas, Ferran Collaborating media — Sabaté i Casellas, Mila Segarra, Rosa La Vanguardia, TV3 and Catalunya Sala -1 Serra i Rotés, and Imma Tubella Ràdio Executive curatorship, interior design, graphic design of commu- nication and catalogue — ExitDesign

This exhibition project was created to commemorate one hundred duction to the healthcare and social policy of the Mancomunitat, years since the creation of the Mancomunitat of Catalonia. It ex- which was of a modern and innovative nature inspired by the in- plained and highlighted the initiatives of an institutional organisa- dustrialised countries of Europe and which permitted the transi- tion that acted for a decade with unusual energy to create solid tools tion of 19th-century hygiene into modern public health, and from for connectivity and growth across Catalonia. charity to social welfare.

The Diputació de Barcelona, in collaboration with the Diputació de The other thematic exhibitions that formed the project were the Girona, the Diputació de Lleida and the Diputació de Tarragona, following: “New Structures for Education” (Escola Industrial, Bar- presented a set of exhibitions that analysed the history, architects, celona, 9 April-20 July), “Connecting the Territory: Telephony thought and work carried out by the Mancomunitat de Catalunya, and Public Works” (Institut d’Estudis Ilerdencs, Lleida, 10 April-1 a century after its creation. It consisted of a generic exhibition and June), “Boosting Scientific Knowledge” (Institut d’Estudis Catalans, of six themes that were presented at six different venues around the Barcelona, 11 April-4 June), “Network of Public Libraries” (Palau Catalan territory. de la Diputació de Tarragona, 13 June-7 September) and “Stand- ardisation of the Language” (Casa de Cultura de Girona, 17 June-27 At the CCCB, two exhibitions were presented. Firstly, “The Start July). of Tomorrow. Mancomunitat de Catalunya: 100 Years”, an intro- ductory exhibition devoted to analysing the history, main figures, Related activities thought and work carried out by the Mancomunitat de Catalunya; Friends of the CCCB, see p. 79 and secondly, “From Charity to the Public Health Service”, an intro- 15 Exhibitions

Production design — Collaboration — Shared Cities David Bravo and Mario Corea The Architecture Foundation Graphic design — (London), Architekturzentrum Wien European Prize for Urban Spread: David Lorente / Tomoko (Vienna), Cité de l’architecture Sakamoto et du patrimoine (Paris), Museum Public Space 2014 of Finnish Architecture (Helsinki), Production — Deutsches Architekturmuseum CCCB (Frankfurt) and Museum of 25 April — 4 June Sponsorship — Architecture and Design (Ljubljana) Copcisa, Fundació Abertis Hall and Escofet © Glòria Solsona

The form of the city is closely related to democracy. This is the the- its identity and that contact with nature, and with water, is a re- ory of the European Prize for Urban Public Space which, since the source that must be conserved and integrated, in the best interests year 2000, has been recognising and disseminating processes of of everyone. These are proposals that understand public space as transformation and improvement of public spaces in Europe. a place for equality, redistribution of resources and recognition of minorities. They are interventions that give priority to access over Cities are far from being an idyllic paradise. Now, when more than barriers of every kind, and encourage appropriation of the city by its half the world’s population lives in urban environments, cities are citizens. From Glasgow to Istanbul, and from Lisbon to Bucharest, facing threats that raise serious doubts about their future. Europe the European Prize for Urban Public Space has become a privileged which, throughout history, has created cities that are exemplary in observatory of the problems and solutions which have now come to terms of density, human scale and complexity, is no longer exempt characterise European cities. from these risks. Exorbitant growth, social and spatial segregation, neglect of outlying areas and predominance of the private vehi- “Shared Cities” is the exhibition of twenty-five of the best works cle are some of the problems that presently endanger the ideals of presented for the eighth edition of the Prize, an event that the equality and freedom, which have been associated with the Europe- CCCB organises in collaboration with The Architecture Founda- an city since its very beginnings. tion (London), Architekturzentrum Wien (Vienna), Cité de l’archi- tecture et du patrimoine (Paris), Museum of Finnish Architecture Fortunately, however, Europe also offers many admirable exam- (Helsinki) the Museum of Architecture and Design (Ljubljana) and ples of improvement in its public spaces. These are works which, the Deutsches Architekturmuseum (Frankfurt). sensitive to their context, value the political and social dimensions of urban spaces. They look respectfully back to the past while also Related activities holding out sustainable solutions with future generations in mind. European Prize for Urban Public Space 2014, see p.66 They embody good practice in taking care of the limits of the city Lectures and debates, see p. 46 since they do so in the awareness that peripheral zones are part of Beyond the CCCB, see p. 99 16 Exhibitions

Project management — Coproduction — Big Bang Data Rosa Ferré CCCB and Fundación Telefónica Curator — Sponsorship — Olga Subirós and José Luis Generalitat de Catalunya, 9 May — 16 November de Vicente Fundació Banc Sabadell, HP, Space design — Fujifilm, Fotoprix and Grundig Sala 3 Olga Subirós Studio Collaboration — Interior and publications Moritz, Telefónica I+D, Bcnlab, graphic design — Mediapro, IAAC-Fab Lab, Loop David Torrents and Silvia Míguez Barcelona, Sonar +D, OFFF and Fab Festival Graphic design of publicity material — Collaborating media — Yslandia El País, TV3 and Catalunya Ràdio © Gunnar Knechtel

“Big Bang Data” was a project that made inroads into the phenom- New line of Beta exhibitions at the CCCB enon of the data explosion in which we find ourselves immersed. Over the last five years, a broad awareness has existed between the On its third floor the CCCB has opened a central space for exhibi- academic and scientific sectors, the administrations, enterprise and tion projects that deal in an integrated way with 21st-century cul- culture that generating, processing and above all interpreting data ture and the major transformations of the digital era. is radically changing our society. “Big Bang Data” was the first of this series of proposals that tack- We all generate data, with our mobile phones, through sensors, le areas of friction that come with these changes: from science social networks, digital photographs and videos, purchase transac- through technological and social innovation and political, econom- tions and GPS signals. What is new is that it is increasingly easy to ic and cultural challenges. store and process these vast quantities of data that detect patterns (of incidents, behaviour, consumption, voting, investment, etc.). During over five months of the duration of “Big Bang Data”, the This fact is very quickly and completely changing the way decisions exhibition space acted as a platform for meeting and debate around are made at all levels. this issue of maximum currency, which hosted workshops, hacka- thons, educational programmes and meetings of local and interna- Different creators participated in the project such as Timo Arnall, tional communities. Christopher Baker, Chris Jordan, Ingo Gunther, Erik Kessels, Da- vid Bowen, Aaron Koblin, Eric Fischer, Near Future Laboratory, Project website: http://bigbangdata.cccb.org Bestiario, researchers, activists, designers, analysts, cartographers, engineers, economists, architects, communicators, programmers, Related activities journalists among many others. Beta Station activities programme, see p. 32 17 Exhibitions

Curator — Within the context of — Under Siege Chus Martínez Tricentenari BCN 1714-2014 Space design — With the support of — Mariam Ghani and Omer Fast. Liliana Antoniucci European Union’s Culture Installation and conversations Graphic design of the venue Programme, in the context of the and publicity material — “Europe City” initiative Opisso Studio Collaborating media — 9 September — 9 November Organisation and production — Ara CCCB Hall of the CCCB

Within the context of the commemoration of the 300th anni- The CCCB’s reflection placed the emphasis on all those realities of versary of the Siege of Barcelona by Bourbon troops in the year the contemporary city that condemn its citizens to live under new 1714, the CCCB proposed an audiovisual installation and a pro- forms of siege. Moreover, the activities also explored the opposite of gramme of activities to offer a reflection on the most contempo- the besieged city: the open city, a city where the inhabitants do not rary aspects of cities under siege. The objective of the activities live under the shadow of a threat that places in question their liber- was to transfer the notion of siege to the world of today, from the ties. It offered a reflection on which elements are necessary to make forms in which in the present the besieging of cities continues an open city possible. to be a fully current warfare strategy (Beirut, Sarajevo and Gaza, among so many examples), to the subtlety with which today new Related activities urban realities spread based on segregation and marginalisation; “The New Sieges”, a series of lectures, see p. 52 or how the new obsession with security in the great metropolises has allowed the normalisation of forms of control and surveil- lance over their citizens. 18 Exhibitions

Organisation and production — World Press Photo Fundació Photographic Social Vision International Professional Photojournalism Exhibition

6 November — 8 December Sala -1 © Abbie Trayler-Smith

The tenth edition of the international World Press Photo exhibi- This unmissable event for photography lovers has become one of tion, organised by the Fundació Photographic Social Vision, was the most notable landmarks in culture and visual journalism in installed for one month at the CCCB with the 130 winning photo- Barcelona, which year after year attracts thousands of visitors. An graphs from the prestigious international prize for photojournal- opportunity to witness, through the eyes, the state of the world and ism. This year, the selection included five winners from Barcelona the global reality that surrounds us. Views, stories and realities, that itself: Pau Barrena, in the category “Observed Portraits”; Moisés are translated into images capable of transporting you, changing Samán, second prize in the “General News”; category; and the team you and moving you, or even, of helping you understand the world. formed by David Airob, David Ramos and José Bautista, who ob- tained third prize in the Short Features category within the compe- The winning photograph was by the American photographer John tition’s multimedia section. Stanmeyer, for National Geographic.

In this edition a total of 5,754 photographers of 123 different na- Related activities tionalities took part, of which 254 were Spanish. In total 98,671 im- Friends of the CCCB, see p. 79 ages were received, classified into categories (General News, Spot Educational offering, see p. 84 News, Contemporary Issues, Daily Life, Observed Portraits, Staged Portraits, Nature, Sports Action and Sports Feature). 19 Exhibitions

Curator — Coproduction — Arissa Rafael Levenfeld and Valentín Fundación Telefónica and CCCB Vallhonrat Support — The Shadow and the Photographer, Space design — Institut d'Estudis Fotogràfics de 1922-1936 Àlex Papalini Catalunya Graphic design of the venue and Collaboration — publicity material and adapta- Moritz 14 November 2014 — 12 April 2015 tion of the catalogue — Collaborating media — Marc Valls and Oriol Soler TV3 and Catalunya Ràdio Sala 3

Antoni Arissa (Sant Andreu, 1900-Barcelona, 1980) was proba- culmination of the efforts of the Fundación Telefónica in the recov- bly the photographer who used in the most interesting way the ery of photographic archives, a task that began with the company’s principles of the New Vision in our country and is one of the photographic archive and was expanded subsequently with pho- most outstanding photographers of the 20th century. The grad- tographers such as Luis Ramón Marín, Josep Brangulí (to whom ual introduction of the principles of the typophoto, as promoted the CCCB dedicated an exhibition in 2011) and Virxilio Vieitez. by László Moholy-Nagy, would favour the birth of a new visual language in which photography became a substitute for drawing, With the presentation in parallel of the projects “Arissa. The Shad- renewing the design of posters, books, magazines and newspa- ow and the Photographer” and “Shadowland” by Kazuhiro Goshi- pers. Arissa, a printer by trade, working from Barcelona, was fully ma (see the next page), two artistic adventures were related that, a part of this trend. while set a century apart, are connected by their research into com- position and light. The exhibition hosted by the CCCB consisted of over 160 photo- graphs in black and white that covered his career in three stylistic Workshop space blocks: pictorialism, between 1922 and 1928; the evolution towards The exhibition included a workshop space with different materials modern visual solutions of modernity up to the early 1930s and the and scenes for completing the visit with a photographic experience New Vision, from 1930 to 1936, when Arissa became fully incorpo- based on light and shadow. This activity was available at weekends rated into the ranks of the photographic avant-garde. and on bank holidays, and was free of charge with the exhibition admission ticket. The exhibition photographs originate from the collections of neg- atives preserved by the Fundación Telefónica and the Institut d’Es- Related activities tudis Fotogràfics de Catalunya and incorporated the few runs made Friends of the CCCB, see p. 79 by the author that are still conserved on paper. The project is the Educational offering, see p. 84 20 Exhibitions

Graphic design Collaboration — Shadowland of publicity material — Moritz Marc Valls and Oriol Soler Collaborating media — by Kazuhiro Goshima Organisation — TV3 and Catalunya Ràdio CCCB A 3D Audiovisual Installation

14 November 2014 — 12 April 2015 Sala 3

This 3D short feature by Japanese artist Kazuhiro Goshima is the With the presentation in parallel of the projects “Arissa. The Shad- product of the combination of what we call “found animation” and ow and the Photographer” (see the previous page), and “Shadow- an innovative stereoscopic technique. Night after night, countless land” by Kazuhiro Goshima, two artistic adventures were related vehicles tour the world’s metropolises, their headlights producing that, while set a century apart, are connected by their research into fleeting, moving shadows on the multiple surfaces of these big cit- composition and light. ies. The shadows are tirelessly cast on the walls of a building and in this way, a transitory image is created from which an instant in the Shadowland received the honorary Ars Electronica award in Linz life of the city transpires. (2014).

© Albert Uriach Festivals and Open Formats 24 Festivals and Open Formats

Organisation — Programme — Xcèntric CCCB Celeste Araújo, Gonzalo de Lucas, Directed by — Oriol Sánchez, João Laia, Philippe- The Cinema of the CCCB Carolina López Alain Michaud, Andrey Shental and Mark Webber January — December

In its 13th season, Xcèntric was consolidated also as a place for the Xcèntric Workshops interpretation of essential cinema. The screenings programme for Súper-8: Film, Process, Edit, Screen! 2014 took as its starting point the films mentioned in the exhibition Dates: 6-9 November “Metamorfosis.. Fantasy Visions in Starewitch, Švankmajer and the Organisation: CCCB Quay Brothers”. Collaboration: Crater-Lab

For the inaugural session, the CCCB enjoyed the presence of Antoni A practical workshop for beginners in Super-8 in four sessions, Pinent, a Catalan author established in Switzerland who has collab- in which participants learned to work their camera, to shoot film orated closely with Xcèntric as a programmer and a curator. In his based on a collective shooting exercise, to manually process the “Between Perforations”, masterclass, Pinent reviewed his film work film and to prepare and mount the resulting material and finally to and explained his creative process (from theory and technique, with screen it. Aimed at artists, filmmakers, students and anyone inter- special emphasis on montage, while making reference to the pieces ested in audiovisual creation and the material aspects of film. by other experimental filmmakers who have influenced him. Aula Xcèntric Highlights in the programme included the session devoted to the The Wild Image Infiltrations and Paths Towards Outsider portrait of three singular filmmakers: Margaret Tait, Ute Aurand Cinema and Marie Menken, the programme of works unreleased in Spain Dates: 4-27 November by Chris Marker and by Robert Gardner (anthropologist and pro- Organisation: CCCB and Institut d’Humanitats de Barcelona ducer of ethnographic documentaries), a programme of scientific With the support of: Diputació de Barcelona films viewed through the prism of avant-garde art; a monographic of Canadian experimental filmmaker, Arthur Lipsett (one of the This course directed by Jordi Costa (film critic, scriptwriter and maximum reference points for appropriation and collage); in film) audiovisual producer) and taught by Jordi Costa, Juan Bufill, An- and another dedicated to the young Lois Patiño, whose camera drés Hispano, Carles Prats and Juan Antonio Suárez, had as its aim captures the beauty of landscapes with a unique sensitivity, and the the tracing of the underground history of outsider film through its marathon session “Sublime Desire” held during Museums Night. intermittent infiltrations to the dominant discourse and the appro- priations that it makes of the latter, as well as analysing the condi- Together with the team of regular programmers, in 2014 the guest tions for the possibility of a wild cinema in the era of the democra- programmer was Josetxo Cerdán, professor at the Universitat Rovi- tisation of tools and technological sophistication. ra i Virgili in Tarragona, and the author of various publications on documentary cinema. Related activities: Xcèntric Archive (see page 103) www.cccb.org/xcentric/ca/ 25 Festivals and Open Formats

Organisation — Collaboration — Poetry Slam Barcelona Hipnotik Faktory and Red927 CCCB and ICUB-Ajuntament de Barcelona 11 January, 8 February, 15 March, 5 April, 3 May, 7 June, 12 July, 4 October and 13 December

For the second year running, the CCCB once again became the stage for the monthly competitions of Poetry Slam Barcelona in its fifth season. The Poetry Slam is, in essence, an oral poetry compe- tition, but it has also become consolidated as a new way of dissem- inating the art of the word and of the performance. The complicity of the poets with the audience is also one of the most characteristics elements of each competition in which the role of the spectators is fundamental for evaluating the expressive skills of the creators. In the winter months, the monthly date with the poetry slam was held in the Hall, and with the arrival of the good weather, the competi- tions moved outdoors to the Pati de les Dones. © Marta Torras

Organisation — Production — Soy Cámara CCCB CCCB and TVE The CCCB’s TV Programme

One Saturday each month on TVE’s La 2

In 2014 broadcasting continued by TVE’s La 2 of the programme Soy Cámara, a monthly thirty-minute programme that in the year 2014 had a total of 932,000 viewers. Each programme reflects around themes taken from the CCCB’s exhibitions and activities, with the intention of showing a different way of seeing and understanding the Centre. To produce it, a com- bination of specially filmed material and the holdings of the CCCB Archive is used. The programme, which has a desire for experimentation both in its formal language and its narrative treatment, presents a patch- work structure with a friendly and intelligible approach, construct- ed based on a large number of voices and audiovisual fragments, originating from archives from all eras, textures and genres. There is no presenter or voiceover narrator, and the title varies with each episode, as does the typography, style and thread of the programme, which to date has had the collaboration of twenty-five different di- rectors and scriptwriters. The subjects tackled in 2014 were, among others, the following: the art of provocation, the nouveau poor, poetic expression and the word, artists and the visualisation of data, cities under siege and the power of images. 26 Festivals and Open Formats

Organisation — Off Programme CCCB Unplanned regular audiovisual programme

January — December

Off Programme is a space for all those audiovisual works that emerge from the commitment and solidarity of their authors, the screening of which is enhanced by a debate with participation by the audience and the presence of the producers, of experts or of people directly involved in the subject. In the year 2014, three sessions were held. On 22 January, there was a screening of the investigative doc- umentary Economia col·lectiva. L'última revolució d'Europa (Eulàlia Comas, Spain, 2013) which gave rise to a debate on the situation of cooperativism in our country and its feasibility in times of economic crisis. On 10 July, the premiere took place simultaneously in some thirty Spanish cities of Yo decido. El tren de la libertad (CIMA, Spain, 2014), a documentary produced by the Collective of Women Film- makers against the reform of the abortion law, which recorded the demonstration of 1 February in Madrid and gave testimony of the opposition from women from all around Spain to this reform. On 23 October, at a session of the 22nd International Exhibition of Women’s Films of Barcelona titled “Silenced Sexual Violence”, the screening took place of 475: Break the Silence (Hind Bensari, Morocco, 2014) a documentary on the impunity of rapists in Morocco, which in the debate with the presence of its director, invited people to a deep intro- spection on our perception of sex, rape and its different consideration in the legislations of different countries.

Organisation — Animac at the CCCB Animac (Lleida) and CCCB The International Animated Film Festival of Catalonia

7 February, 17 — 18 May and 24 September Hybrid animation and its capacity for integration into all kinds of formats was the theme of the 18th edition of Animac, held in Llei- da from 20 to 23 February and organised by the City Council. On 7 February, at a preview session at the CCCB, the director of the exhi- bition, Carolina López, officially presented the programme for 2014. This was followed by the screening of Ryan, a short film that won the Oscar 2014 for the Best Animated Short, written and directed by Chris Landreth, an American animator who lives in Canada and spe- cialises in computer-generated animation (CGI), of a hybrid, exper- imental and, as he himself affirms, “psycho-realist” nature. From 17 to 18 May, coinciding with Museums Night, in collaboration with the CCCB and the Centre d’Art la Panera, Animac prepared “Stop-Mo- tion, yes! New talents in animation” (60’), a special programme for all audiences with a selection of the best stop-motion films of recent creation included in the Animac 2014 programme.On 24 September 2014, as every year on the day of La Mercè, there was a presentation of the programme “Animac Camina. Híbrid” (69’), a selection of the most representative works from Animac 2014. In addition, the pro- gramme “Petit Animac Camina” (62’) covered an international selec- tion of six titles with different techniques and styles, representative of the Exhibition and designed for a children’s audience. 27 Festivals and Open Formats

Organisation — Collaboration — Emergència! 2014 CCCB and Analogic Té Moritz and Centset Independent Music Festival

15 February

The sixth edition of this independent music festival once more fea- tured names from the local, national and international scene: Cold Pumas (Brighton, UK), Cuello (Valencia), Escarlata (Madrid/Bar- celona), Desert (Barcelona), Gente Joven (León), Kíar (La Garrotxa, Girona) and Montgomery (Seville). As in previous years, the CCCB programmed a festival that showed a piece of the emerging music scene and featured seven projects rang- ing from pop to folk and including dream-pop and rock.

Organisation — Sponsorship — OVNI. In Limbo: Observatori de Vídeo No Identificat Cultural Initiative Support Office (OVNI) (OSIC)-Generalitat de Catalunya, Falling and Flying Collaboration — ICUB-Ajuntament de Barcelona, CCCB Videolab, Cintex and HP Video and documentary festival

27 February — 2 March

For another year, the OVNI (Unidentified Frame Observatory) vid- eo festival returned to the CCCB with an audiovisual programme critical with contemporary culture and society and the desire to of- fer a space for reflection. In this new edition and under the title “In Limbo: Falling and Flying”, OVNI proposed a selection of films prominently including Fall and Winter. A Survival Guide for the 21st Century (USA, 2013) by Matt Anderson, an epic journey across the USA in search of the causes of the expansion of the global crisis; Detroit Ville Sauvage (France, 2009), a documentary by Florent Tillon on the capacity of the inhabitants of the ghost town of Detroit to reorganise them- selves; De chair et de lait (France, 2013) by Bernard Bloch, sixteen extraordinary stories about the intertwined destinations of the cow and human beings, and Antibiografies (Barcelona, 2014) by Khalid Ghali, about the lives of homeless people in Barcelona. 28 Festivals and Open Formats

Organisation — Coordinated by — BCNmp7 CCCB Ingrid Guardiola Programme — Collaboration: Music in process Los Cuatro Cocos and Sidewalk Mondo Sonoro Bookings (#1); Boston Pizza Records and Domestica Records 6 March, 16 April, 15 May, 2 October, (#2); Gent Normal and La Fonoteca (#3); Sones and Aurelio Santos and 13 November (#4), and Indigestió, Fundación Robo and Internet 2 (#5)

Since 2006, BCNmp7 has been dedicated to creation and reflection around the music scene of the present. In 2014 it consisted of five sessions, programmed by two cultural professionals/collectives, who defend an own conception of music and of what it means to be a music program- mer. The first session, “Uncontrollable Music”, revolved around the Do- It-Yourself culture. The participating groups were Pharmakon, Una bès- tia incontrolable and Coàgul. The second session, “The Industrial/New Wave scene in Barcelona in perspective”, was dedicated to the beginnings of the most unknown and avant-garde electronic scene of the early ‘80s in Barcelona, including a debate with three pioneering musicians (Víc- tor Nubla, Gat and J.J. Ibáñez) and a performance by Philippe Laurent and Tvnnel. The third session, “It kills me but I like it: genealogy of Zei- dun”, aimed to reunite one of the best emo, hardcore and post-hardcore bands ever created in Catalonia: Zeidun. With members of the original band and some of the bands that they created subsequently. The fourth session “Barcelona, magnetic city” brought together some of the city’s most charismatic musicians in jazz, funk, bossa-nova and experimental rock. With performances by Za!, Llibert Fortuny, Munir Hossn, David Soler and Pablo Schvarzman. With the title “Musical politics”, the fifth session approached political drive within the music context, with a radio

CCCB © Miquel Taverna programme and live music session with Filastine and Dick el demasiado.

Organización — Collaboration — Mecal Mecal ICAA-Generalitat de Catalunya, Organisation — ICUB-Ajuntament de Barcelona, International Festival of Short Films CCCB, Cinemes Girona, Antic Diputació de Barcelona, El Teatre, Institut français, Arts Santa Periódico, AIRBNB, CI&VI, and Animation of Barcelona Mònica and Fàbrica Moritz Videolab, Filmin, Canal+, ZeroIU, Eastpak and Moritz 7 — 16 March

Mecal, the International Festival of Short Films and Animation of Barcelona, held part of the programme for its 16th edition over two weekends at the CCCB. The festival presented a selection of short films, animations and documentaries made from over 5,000 works received from all over the world, and that were screened at the differ- ent Mecal venues. The first weekend at the CCCB focused on the International section, with the best highlights of current production on a world- wide scale; and the Oblique section, with the most daring and orig- inal works. The second weekend was devoted to animation in all its aspects, as well as hosting lectures, a masterclass and workshops by renowned illustrators such as Rosto, Phil Mulloy and Hisko Hulsing. 29 Festivals and Open Formats

Organisation — With the collaboration of — Brunch Electronik Ex-Centris Production CCCB Barcelona 16 March, 20 April and 18 May

The CCCB hosted the first edition of Brunch Electronik Barcelona, the city’s spring date with electronic music, culture and gastronomy. During three Sundays in March, April and May, the Plaça de Joan Coromines was converted into a stage to enjoy a Sunday brunch to share table, activities and experiences to the beat of the most origi- nal Djs on the local and international scene. The morning programming offered activities for all ages, and from three in the afternoon the live electronic performances con- verted the last day of the week into a total celebration. With the per- formances of DJs Pau Roca, Ben Ufo, Pearson Sound and Pangaea (16 March); Morgan Hammer, Danton Eeprom, Crazy P Soundsys- tem and Matías Aguayo (20 April); and Baldo, Tiger & Woods, Coma and Acid Arab (18 May). © Astrid Bosch Miskovic

Organisation — Collaboration — Caudorella Associació Cau d’Orella CCCB, Moritz, Twincam, Eumen, Plàstic, Sonopro and the UB’s Electronic Music Sessions Sound Art Lab

21 — 22 March

The fourth edition of the Caudorella (CDO) sessions was, for another year, the meeting point for artists, labels and professionals from the scene of electronic music created in Catalonia, with a programme open to all audiences. For the first time the CCCB hosted in its hall the Caudorella fair for record labels and festivals, which also included stands from record shops and musical instrument stores. In addition, the programme was completed with small format concerts (CDO Play), exhibitions of visual arts (CDO Visuals), training activities (CDO Lab) and talks and debates offered by professionals from the scene (CDO Formació). With the participation of Plàstic, Eumes, Sonopro, Lapsus, Lovethechaos, Simposio, Anòmia, End of dayz, Spark, Foehn, Dis- continu, Galleta, Bons records, xx records, Nereida records, Tracy, Discos Paradiso, Discos Juando, Lostrack records, Microfusa, Knob and Chándal Zero. 30 Festivals and Open Formats

Organisation — Sponsorship — Lapsus Festival Lapsus Moritz and Arnette Coproduction — Collaboration — Avant-garde electronic CCCB Red Bull Music Academy music festival

4 — 5 April

For two days the Teatre CCCB hosted the first edition of the Lapsus Festival, an avant-garde electronic music festival. With a programme of concerts, performances and an installation in the Sala Raval, the festival presented innovative proposals of audiovisual art and electronic music from a broad variety of national and international artists. One of the highlights was the elaborate staging at different spaces in the Teatre CCCB, with the aim of offering a unique expe- rience to the audience. The first edition of the Lapsus Festival was born as a showcase of the annual activity of the Lapsus project, an artistic platform active since 2004 directed by Albert Salinas, Carles Guajardo and Albert Miralles. Participants in the music sphere were 1991 (Sweden), Fennesz (Austria), Dalhous (United Kingdom), Etch (United Kingdom), Jenseg Sportag (United States), Kangding Ray (France), Kelpe (United Kingdom), Olde Gods (Spain), Playmodes (Spain), Sau Poler (Spain) and Shape Worship (United Kingdom). In the visual sphere participants included Videocratz, Alba G. Corral and Oscar Sol (Spain), and the installation was the work of MID (Spain). © Judit Contreras

Organisation — Kosmopolis. The Amplified CCCB Literature Fest Ongoing Programme 2014 22 April, 15 May, 29 May, 18 June, 27 and 28 October, 12 December The year 2014 saw consolidation of the Ongoing Programme which Kosmopolis has consistently scheduled outside the festival dates since its launch in 2002. Featuring activities such as dialogues, lec- tures, workshops and discussions, it keeps the festival’s spirit alive during the periods between its successive editions. The Ongoing Programme strives to provide continuity, ena- bling a consistent and essential link between the festival and litera- ture fans. The following activities were programmed in 2014:

House of Leaves. Cult Literature Date: 22 April Collaboration: Alpha Decay and Pálido Fuego Dialogue between Mark Z. Danielewski and cultural journalist Javier Blànquez, where they discussed the keys of the American writer’s lit- erature: a body of work that is experimental and daring both formally and narratively speaking, and which has made him a cult author. With the participation of Mark Z. Danielewski and Javier Blànquez. CCCB © Miquel Taverna 31 Festivals and Open Formats

Narrating Google Transmedia Narrative Design Workshop Date: 15 May Dates: 27 and 28 October A writing workshop taught by Sergio Chejfec and a lecture given Collaboration: Transmedia Week, Institució de les Lletres Cat- by Jordi Carrión, two writers who in their work have dealt with the alanes de la Generalitat de Catalunya, Outliers School and Quími- effects of Google on film, literature, photography, contemporary art ca Visual and, in short, on our way of narrating the world. Transmedia narratives are narratives that develop their storyline across different media or formats, each representing a different en- With the participation of Sergio Chejfec and Jordi Carrión. try point into the same story. As part of Transmedia Week 2014, we hosted this practical workshop for tackling transmedia narrative as An Evening with Neil Gaiman it applies to the field of fiction. Date: 18 June With the participation of Carlos A. Scolari, Montecarlo and Laura Collaboration: British Council and Editorial Roca Borràs. Neil Gaiman is a creator of science fiction and fantasy stories that are converted into novels, comics, films and plays. His imagina- Anniversary Promenade. Joan Vinyoli Tribute tion captivates children, young people and adults from all over the Date: 12 December world, who find in his work a gateway into a universe that is simul- Collaboration: Institució de les Lletres Catalanes de la Generalitat taneously terrifying and marvellous. de Catalunya and Any Vinyoli An evening of poetry and music with several generations of Catalan With the participation of Neil Gaiman and Patricia Escalona. poets and jazz musicians reciting and performing poems by Joan Vinyoli. This was one of the final events of Vinyoli Year, held in 2014 Mirador Kosmopolis. Unknown Classics and New Writers to commemorate the centenary of the poet’s birth and the thirtieth Fecha: 18 de junio anniversary of his death. Collaboration: Institut Ramon Llull, Projecte Schowb, Edicions de With the participation of Mireia Calafell, David Castillo, Da- 1984, Sajalín Editores and Minúscula vid Caño, Enric Casasses, Miquel De Palol, Jordi Llavina, Núria An evening focusing on the literary canon from the viewpoint of pub- Martínez-Vernis, Francesc Parcerisas, Josep Pedrals, Blanca Llum lishers from all over Europe committed to publishing unknown classics Vidal and Andrea Motis & Joan Chamorro with The New Catalan and books by new writers, including literature produced in Catalonia. Ensemble. With the participation of Jordi Nopca, Valeria Bergalli, Laura Bae- na, Marina Espasa, Jenn Díaz, Daniel Osca, Muge Sökmen, Oscar Van Gelderen, David Gálvez and Yannick Garcia.

Organisation — Collaboration — D’A Noucinemart CCCB, ICEC-Ministry of Culture of the Generalitat de Catalunya, International Art House Film Festival of ICUB-Ajuntament de Barcelona, Fundació SGAE, Filmoteca de Barcelona Catalunya, Diputació de Barcelona and the Spanish Ministry of Culture 25 April — 4 May

D’A reached its fourth edition with the best independent cinema being produced around the world and the best local productions. In 2014 it presented around sixty films with leading names from art-house film, both top directors and creators making their de- but, selected from among the best films seen at the international festivals, daring works and gems discovered from among over 300 proposals received. This new edition reinforced the presence of the directors and promoted dialogue with the public through a series of talks and workshops open to everyone. For the second year running, the Te- atre CCCB hosted part of the programme of this date with cinema. 32 Festivals and Open Formats Beta Station Activities programme for the “Big Bang Data” Exhibition

5-11 May 29 May, 26 June, 18 September 16-18 June 7 October Big Data Week and 16 October Enter Forum 2014, 1st International Research and Big Data discussion, — Data Jam, with Óscar Marín Internet Privacy Forum “EPNet: Big Data in History”, 5 May and Telenoika — with Albert Diaz-Guilera, Inaugural session of Big Data — 20-21 June Alessandro Mosca, José Remesal Week, “#Opendata, Open for 1 June and 28 September Web Visions and Xavier Rubio Campillo Whom?”, with Catalunya Dades Family workshop, “Us in — — — cyberspace”, with La Mandarina 25 June, 16 July, 8 October 6-7 May de Newton 17 September and 1 October Research and Big Data discussion, “Big Data Analytics Applied Workshops prior to the Big Data — Open Data Workshops, Kick Off (I), Week Hackathon, with Óscar Data Capture (II), Data Analysis (III) to Client Marketing”, with Pau Marín and ZZZINC 3 June and Data Visualisation (IV), Agulló and Manuel Bruscas Research and Big Data discussion, — with Julià Minguillón — “eARTh Observation: Data, — 11 October 8 May Knowledge, Territories and Smart Astronomic Hackaton, Big Data Week Conference, Cities”, with Jordi Corbera, Víctor 30 June - 1 August “A Universe of Data”, with Marc Garriga, Mònica Garriga, López and Vicenç Palà Culturnauts, the CCCB’s summer with Sebastián Pérez, Outliers Àlex Hinojo, Aldo de Jong, Roger — school, with La Mandarina Magoulas, Julià Minguillón, de Newton and ZZZINC 5 June David Nogué, Josep Perelló — — Barcelona Urban Beers Meetup and Genís Roca 14 October — 2 July — #8daysbcn Festival, Research and Big Data 9-11 May 7 June Open & Maker & Collaborative Fest discussion, “Big Data in Studying “Software Takes Command” the Brain”, with Albert Barqué Big Data Week Hackathon, — with Óscar Marín and ZZZINC lecture, organised by Loop and Joan Guàrdia — Barcelona, with Lev Manovich 9 September — — Research and Big Data discussion, 12 May-22 June “The technology behind Big Data”, 15 October Free online course, 8 June and 5 October with Mario Macías Research and Big Data discussion, Family workshop, “Let’s “Big data and Genomics”, “Introduction to Open Data”, — with Julià Minguillón geolocate!”, with La Mandarina with Cédric Notredame and — de Newton 19-20 September Modesto Orozco — Workshop with the Institut de — 15 May Govern i Polítiques Públiques Citizens’ Science Meetup: data 10-13 June (IGOP), “Use of Big Data in Social 21 October Sónar+D Festival, Data Cooking in our hands, “What is citizens’ and Political Research”, with Mayo Research and Big Data discussion, Workshop with Moritz Stefaner science?”?”, with the Barcelona Fuster, Rubén Martínez and Jorge “Natural Language Processing and Lab’s Citizens’ Science Office — Luis Salcedo Maldonado the Semantic Web”, with Toni Badia, Gerard and Josep Perelló 10 June — — “Big Data in astronomy: from Casamayor, Horacio Saggion, 25 September Ancient Greece to our times” Francesco Ronzano 16 May Citizens’ Science Meetup: Directed by Xavier Luri, Carme — Lecture presenting the projects Data in Our Hands, Jordi and Jordi Portell of Google Creative Lab’s Data Arts “Riu.net” and “Urban Flora and 22 October Team, with Aaron Koblin — Allergy, Want to Cooperate?, with “Big Data in Telefónica R&D’s — 11 June and 10 July Freshwater Ecology Management Innovation”, session with José Luis Agúndezi, Enrique Frías, 20 May Guided visit to the Barcelona Research and Punt d’Informació Alexandros Karatzoglou and Research and Big Data discussion, Supercomputing Center – Centro Aerobiológica Rafael Pellón “Big Data in companies”, with Nacional de Supercomputación — (BSC-CNS) exclusively for — Albert Diaz-Guilera and Roger 27 September Friends of the CCCB Guimerà Guided tour exclusively for Friends 23 October — — of the CCCB of the exhibition Barcelona Urban Beers Meetup — 22 May, 19 June 12 June “Big Bang Data”, with the Societat and 9 October Citizens’ Science Meetup: data Catalana d’Estadística 24 October Data journalism work sessions, in our hands, “Trap the tiger!” — Citizens’ Science Meetup: Data and “Observers of the sea”, “Data for evaluating and mapping” 30 September in Our Hands, “Human Mobility with ICREA-Movement Ecology (IV), “Data and new narratives” Research and Big Data Workshop, and Other Experiments in Human Laboratory and Institut de (V) and “Observing the data of “Will You Help Us Decipher Behaviour”, with ComplexitatLab, Ciències del Mar my municipality” (VI), with Carlos the Brain? Large-scale projects ICREA-Movement Ecology Alonso, Xavier Badosa, David — for deciphering the brain”, Laboratory and OpenSystemsUB Casado, Pedro García, Eduard 14 June with Jaime de la Rocha and Albert — Martín-Borregón, Álvaro Millán, Sónar+D Festival, Presentation Compte 29 October Karme Peiró, Idoia Sota and of Data Cooking Project by Moritz — Research and Big Data Federico Todeschini Stefaner discussion, “Cultural Data. Open — 30 September — Research and Big Data discussion, Data and Social Networks at 23-24 May 15 June and 19 October “Supercomputing and Cardiology”, Cultural Institutions”, with Àlex Conference and workshop: Family workshop, “Satellites with Francesc Carreras, Fernando Hinojo, Encarna Segura and Olga “Who’s in charge”, with Eva and tracks”, with La Mandarina Cucchietti and Mariano Vázquez Subirós Belmonte, David Cabo and Civio de Newton — — — — 2 October 7-8 November 28 May 15 June Session on Big Data in Humanities “The Cold Web. Self-Protection Discussion on Research and Festival of Science, Technology studies, with Gemma Avenoza, and Defence of Privacy in the Age Big Data, “A global computation and Innovation, “Experiment #3”, Núria Bel, Elena González-Blanco, of Mass Surveillance”, sessions, network for the Large Hadron organised by ICUB-Ajuntament de María Morrás, Núria Rodríguez and organised by Obra Social Collider”, with Josep Flix Molina Barcelona, with Data and Ethics Antonio Rojas “La Caixa”, in collaboration with the CCCB and Antonio Pérez-Calero Working Group and Barcelona — Yzquierdo Lab’s Citizens’ Science Office 3 October Creative programming meetup: “Data visualisation”, with Telenoika, MIRA and ZZZINC 33 Festivals and Open Formats

Organisation — Collaboration — Primera Persona CCCB Gent Normal, Alpha Decay, Directed by — Anagrama, Blackie Books, Kiko Amat and Miqui Otero Ediciones La Cúpula and Literatura 8, 9 and 10 May Random House

The third edition of First Person was again a venture into the stage representation of the self through three days of narrative, pop music and monologues, and it expanded the programme from two days to three, with two sessions per day. The CCCB’s stage was trodden by musicians such as the Amer- ican Calvin Johnson, perhaps one of the most influential in Ameri- can indie music, founder of bands such as Beat Happening; Gerard Love, member of the Scottish pop group Teenage Fanclub, who was accompanied by young Mallorcans Beach Beach, and Manolo García (El Último de la Fila), who talked about his career with mu- sicians such as Extraperlo, El Último Vecino, Esther Margarit and Miqui Puig i l’Agrupació Cicloturista Puig. The literary representatives were Scottish writer Irvine Welsh, author of the well-known novel-made-film Trainspotting; New York novelist Jonathan Lethem, who talked about the most autobiographical fragments of his work with his sister, Barcelona-based translator Mara Lethem; Canadian Sheila Heti, one of the most applauded writers of her generation, or the British writers David Nobbs and Jonathan Coe, who talked about Sad comedy in a train carriage. Moreover, the author of Yo, precario, Javier López Menacho, explained his adventures in the

© Glòria Solsona precarious world of work, and writer and professor Jorge Carrión paid tribute to the great American explorer Burton Holmes.

Organisation — Museum Day and Night CCCB and ICUB-Ajuntament de Barcelona of Museums 17 and 18 May

For another year, the CCCB joined around seventy cultural centres in Barcelona and its Metropolitan Area to participate in Museum Day and the Night of Museums. The centre opened its doors free of charge and organised an entire series of activities to great success among the public. During the Night of Museums, held on 17 May, free admission was offered to the exhibitions (“Metamorphosis. Fantasy Visions in Starewitch, Švankmajer and the Quay Brothers”, “The Start of Tomorrow. Mancomunitat de Catalunya: 100 Years”, “Shared Cit- ies” and “Big Bang Data”). In addition, a film marathon was pro- grammed titled “Metamorphosis. Sublime Desire” and a selection of animated films was screened under the title “Animac presents... Stop-Motion, Yes!” During Museum Day, which was held the following day, in ad- dition to free admission and the selection of animated films, there was a series of screenings titled “Visual Moves and Female Trans- figurations”, in a unique session that formed part of the programme of the Barcelona Women’s Film Festival. 34 Festivals and Open Formats

Organisation — Collaboration — DocsBarcelona Paral·lel 40 CCCB International Documentary Festival of Barcelona

26 May — 1 June

DocsBarcelona held its 17th event, with five days of film screenings, talks with the directors and master classes, based around the world of documentary films. This new edition came with a proposal of over forty national and international titles brimming with unique stories and characters fight- ing for a better world. The programme kicked off with the screening of The Good Son (Shirley Berkovitz, Israel, 2013), the story of Or, a 22-year old Israeli man who breaks the limits of family trust to find his role in the world and make his most longed-for dream come true. The final touch was given by the premiere of Five Days to Dance (Rafa Molés and Pepe Andreu Spain, 2014), the story of two dancers who have five days to make a group of teenagers dance; very little time for a major challenge: moving people when the world paralyses us. DocsBarcelona also organised the Pitching Forum, one of the most important markets in Europe for funding documentary pro- jects, with over 400 accredited professionals. The festival also featured the section Docs&Teens, devoted to children and young people aged 12 to 16 years. Over 700 students took a closer look at documentary films to discover other realities. DocsBarcelona was held at the CCCB (Auditori and Teatre) and at different venues around the city (Aribau Club, Arts Santa Mònica and Auditori de La Pedrera).

Organisation — Collaboration — FIRE!! Casal Lambda CCCB Opening night

28 June

FIRE!!, Barcelona’s International Gay and Lesbian Film Festival, presented a festive and popular opening night at the CCCB coin- ciding with the 19th edition, dedicated to David Bowie, which was held from 2 to 13 July. FIRE!! surrendered itself to the charms of the glam movement of the sixties – a tribute to freedom, music and sex- ual diversity – and presented a glam music session led by DJ Nene, followed by the screening of the film Velvet Goldmine. Velvet Goldmine (Goldmine (Todd Haynes, United Kingdom, 1998) with Ewan McGregor, Jonathan Rhys-Meyers and Christian Bale, inspired by characters such as Bowie, Lou Reed and Iggy Pop, presents the story of Brian Slade, a young rock star who in the Lon- don of the seventies broke away from the hippie movement and be- came the main exponent of glam rock. © Joako Ezpeleta 35 Festivals and Open Formats

Coproduction — Coordinated by — Grec Experimental CCCB CCCB, Grec 2014 Festival de Velvet Events Barcelona, Factea Produccions Shakespeare on the Beat and Nadia and La Conquesta del Pol Sud

8 — 13 and 24 — 27 July

The CCCB continued with its renewed line of collaboration with the Grec Festival of Barcelona and presented the works Shakespeare on the Beat, by Moisès Maicas and Anna Soler Horta, and Nadia, by Nadia Ghulam and theatre company La Conquesta del Pol Sud. The pro- gramme was accompanied by a set of parallel activities that offered a space to take an in-depth look at the storylines of the works presented and go beyond the moment of the show. Based on A Midsummer Night’s Dream, the youth musical Shakespeare on the Beat situated in today’s world the action of one of Shakespeare’s best-known plays. In this version, to the beat of hip-hop, Titania rapped and Puck was a b-boy. As for parallel ac- tivities aimed at different groups, on 8 July an open rehearsal was presented and on 9 July, a special function. Nadia is a documentary play about the experience of Nadia Ghulam, a young Afghan woman who, after suffering in her own skin the consequences of the civil war in her country, came to Bar- celona in 2006. As regards parallel activities, on 23 July a special function of the work for specific collectives was performed, and on 17 July, there was a lecture by Nadia Ghulam “A Living Experience, An Artistic Process, A Dialogue between Cultures”.

Organisation — Sponsorship — Pròxims Festival Legal Music and Producciones Estrella Damm Animadas Collaboration — 18 July CCCB

The fourth edition of Pròxims, a pop, folk and rock music festival fea- turing Catalan bands that is now a summer classic, moved its Barce- lona stage to Plaça de Joan Coromines. In 2014 it presented a double edition, adding to its July event in Barcelona a second date in Calonge on 9 August. In Barcelona, Pròxims brought together Mishima, present- ing one of the season’s most awaited albums, L’ànsia que cura, and Standstill, who after two years focused on their Cènit project re- turned to offer a more classic version of their live show. They were accompanied by La iaia, presenting their second album On és la màgia?; Joan Dausà, one of the stars of early 2014 thanks to his new album On seràs demà?, and Halldor Mar, an Icelandic musician and Catalan music fan who presented his album Winds, with versions in English of Nova Cançó classics. The line-up was completed by the up-and-coming new band Pribiz, winner of the first Pròxims Talent Competition. 36 Festivals and Open Formats

Organisation — Collaboration — Gandules 2014 CCCB Filmin Sponsorship — - Gas Natural Fenosa Gas Natural Fenosa Away from Home

5 — 21 August (Tuesdays, Wednesdays and Thursdays)

The Gandules’14 programme focused on contemporary films that revolve around migrants today, reflecting the arduous and perilous journeys they take to reach destinations where they hope and dream they will find what their home country could not give them. Films that tell of journeys full of unknowns, poverty and disappointments: the problems posed by finding housing and jobs in an alien environ- ment, the difficulties of adapting to cultural and social differences, the experience of a life far away from family and friends. With the title “Away from Home”, a total of ten films were screened al fresco. All sessions were accompanied by one of the nine short films that were runners-up in the CCCB’s 20th Anniversary competition. In addition, during August, Filmin offered a selection of titles related with the season’s theme on its website. Gandules'14 Short Films Competition While continuing with the centre’s line of making the audience par- ticipate and in the context of 20 Years / 20 Actions of the CCCB, a short films competition was organised based around the theme Away from Home. After a round of online voting for all the works received, the nine most-voted shorts were screened during the ses- sions of Gandules’14 and a jury selected the best short film, which won a cash prize of 500 euros.

Organisation — Participation — Hipnotik Festival Hipnotik Faktory INAEM and Fundación Autor Production — Support — CCCB and Hipnotik Faktory Carnet Jove, Imagine and TMB 13 September Collaboration — Sponsorship — CCCB, ICUB-Ajuntament de Red Bull, Damm, Puma Barcelona and Ministry of Culture- and Wacom Generalitat de Catalunya

The eleventh edition of Hipnotik Festival, the annual event for hip- hop in the city centre, defended freedom of expression through hip-hop, a culture based since its beginnings on the free expression of ideas through words, music, painting and dance. Hipnotik 2014 presented ten hours of music, competitions, battles, graffiti, break- dance and lectures. With performances by Rapsusklei, Toteking + Special Guest, Los Chicos del Maíz, Ivan Nieto, PutoLargo & Legendario, Baghira and DJ Sayya on the main stage in Plaça Joan Coromines; and per- formances by Tremendo, H. Kanino, Factor Canadá, Pablo Hasél and Rapgenoma on the stage in the Pati de les Dones. Also presented were the hip-hop rhyming battles Hipnotik MC Battle, T3 (Tag Team Tournament) and Hipnotik Battle of Bands; and the dance competitions Crew to Crew BBoying, 1vs 1 BBoying and 2vs 2 BBoying at the Teatre CCCB. 37 Festivals and Open Formats

Organisation — Sponsorship — Encontres Associació Orquestra de Cambra ICUB-Ajuntament de Barcelona, Catalana Diputació de Barcelona, AIE and Sumarroca The OCC Autumn Concerts Collaboration — CCCB 2 November

The Catalan Chamber Orchestra (OCC), directed by Joan Pàmies, presented the concert Encontres, a varied and original proposal that brought together composers from Catalonia with very differ- ent aesthetics: Xavier Boliart, Olaf Sabater, Feliu Gasull and Albert Guinovart. The concert also presented a highly emotive piece by Dutch composer Marius Flothuis and concluded with one of the best known waltzes by Strauss, with the performance of a group of OCC soloists and the participation of Marta Arbonés, Montserrat Gascón, Jordi Torrent and Carla Otero.

Organisation — Pantalla CCCB CCCB A month, an artist

4 November — 31 December

“Pantalla CCCB: a month, an artist”, is a space for audiovisual works by authors who experiment and innovate with new aesthetic, formal and narrative languages. It is presented simultaneously on a screen at the Espai Audio- visual and as an online screening on the CCCB website. Our idea is to open a new channel for disseminating and exhibiting audiovisual works, in a way that allows their observation and contemplation in a similar way to the other visual arts. The programme was launched in November with Los Ingrávi- dos (Mexico), an audiovisual collective that defends the destructur- ing of the grammar and aesthetics typical of television and cinema. In December, it featured Dostopos (Catalonia), a collective whose mission is to experiment with all the possible montage tech- niques in audiovisual creation, producing works of different genres such as video clips, video creations, documentaries, etc. 38 Festivals and Open Formats

Organisation — Sponsorship — Zeppelin 2014: Orquestra del Caos Todojunto.net, ICUB-Ajuntament Collaboration — de Barcelona, Nau Côclea, CCCB and ESMUC Secretariat of Foreign Affairs Acousmatic Memories of Mexico and AMCID Electroacoustic Music and Sound Art Festival 14 — 15 November

Zeppelin reviewed the history of acousmatic music, created with recorded or synthetic sounds, transformed and remade, sound realities through loudspeakers. With the work of the late Bernard Parmegiani as a reference point, José Iges, Beatriz Ferreyra, Manuel Rocha and fourteen composers from the ESMUC explained how they see the history of acousmatic music and how their work is re- lated with this history that is not yet over. © Clara Garí

Organisation — Sponsorship — L'Alternativa La Fàbrica de Cinema Alternatiu Institut français in Barcelona, Collaboration — El Periódico, Goethe Institut 21st Independent Film Festival CCCB, IDEC-Ministry of Culture and Catalunya Film Festivals of the Generalitat de Catalunya, of Barcelona ICUB-Ajuntament de Barcelona, ICAA -Spanish Ministry of Culture, Filmoteca de Catalunya, SDE and 17 — 23 November Media Antena

The 21st edition of the festival remained faithful to the initial philos- ophy of contributing to the discovery and recovery of stimulating and surprising films and authors, that dare to flee the conventional and risk remaining on the margin of commercial circuits, and of promoting a cinema committed to cinematographic language, to creative expression and to the viewer. Apart from the competitive official sections, the parallel sec- tions and the free programme at L’Alternativa Hall, the festival pre- sented a series of training and participative activities such as work- shops with film schools, debates, master classes, sessions and advice for professionals, workshops for children and young people, parties and concerts. As for awards, the prize-winning films were the following: Ben O Değilim (Jo no sóc ell) by Tayfun Pirselimoğlu (best feature film), Brûle la mer by Nathalie Nambot and Maki Berchache (special mention), The Claustrum by Jay Rosenblatt (best short film), Ser e voltar (Ser i tornar) by Xacio Baño (special mention and audience prize), Ciutat morta by Xavi Artigas and Xapo Ortega (best feature film script), Escolta by Pablo García Pérez de Lara (best short film script) and Salóme by Yrsa Roca Fannberg (Panorama Rencontres Cinématographiques de Cerbère-Portbou prize). 39 Festivals and Open Formats

Directed by — Support — The Influencers 2014 Bani Brusadin Ministry of Culture-Generalitat y 0100101110101101.ORG de Catalunya, ICUB-Ajuntament de Non-conventional Art, Production — Barcelona, European Commission Guerrilla Communication and Radical d-i-n-a and Goethe Institut Coproduction — Collaboration — Entertainment FCForum and X.net CCCB

27 — 29 November

The Influencers is an alternative, intense and impassioned festival that explores a little-known territory where art is mixed with new digital cultures, a desire for social change and the dynamics of the collective imagination. At the heart of this tenth edition of The In- fluencers were projects that experimented with the creative fermen- tation of digital folklore, the beauty of urban decadence, the ethics of trolls and new forms of intervention in the symbolic and material fabric of the information society. The Influencers 2014 took place within the context of Masters & Servers, a joint project between Aksioma (Slovenia), Drugo more (Hungary), Abandon Normal Devices (United Kingdom), Link Art Center (Italy) and d-i-n-a / The Influencers (Spain). With the participation of Julia Solis, John Law (The Lost Hour), Julian Oliver, David Horvitz, Biella Coleman, Olia Lialina, Center for PostNatural History, Bill Drummond and other guests. CCCB © Miquel Taverna

Coordinated by — of Audiovisual Communication Miniput Ingrid Guardiola of the Universitat Autònoma Production — de Barcelona, Universitat de 20th Conference on Quality Television Miniput Lleida, Universitat Ramon Llull, Tecnocampus Mataró and CCCB Organisation — Department of Communication Collaboration — 29 — 30 November of the Universitat Pompeu Universitat de Girona and Fabra, Televisió de Catalunya, Universitat Rovira i Virgili Televisión Española, Department

Miniput is an exhibition of quality television with the year’s most innovative, provocative, educational and public service vocation programmes. The programmes that are screened are those most suited to its innovative, committed and experimental proposal, be- cause they propose a new television format, because they make use of new technologies, or because they have generated controversy. The programmes are presented by television professionals and in some cases their directors are also present. 40 Festivals and Open Formats

Organisation — Collaboration — The Living Room L’Auditori CCCB Sampler Series

17 December

This concert, which formed part of the Sampler Series programme of L’Auditori de Barcelona, was a presentation of Still Distant Still, the first album of free-jazz trio The Living Room, formed by some of the most prominent musicians on the contemporary Nordic scene: Torben Snekkestad (sax), Søren Kjærgaard (piano) and Thomas Strønen (drums). A project of exploration into sound; an instru- mental approach that goes beyond conventional and non-conven- tional disciplines.

Organisation and production — Sponsorship — Drap-Art’14 Associació Drap-Art Grupo HERAHERA and Collaboration — Ajuntament de Barcelona International Artistic Recycling CCCB Festival of Catalonia Support — Pronóstica, Riscarti, Galería N2 and FICMA 19 December 2014 — 4 January 2015

To coincide with International Recycling Year, Drap-Art presented a special programme that featured such interesting guests as Austri- an artist Klaus Pichler and his project One Third, which talks about food waste in the West. Cosima Dannoritzer presented her new documentary La tragèdia electrònica, and Albert Merino presented his fake documentary El vol de la gallina. With the aim of making creative recycling more accessible, Drap-Art '14 featured collective exhibitions of works of art and design items produced using recycled materials, plus participatory workshops, shows, audiovisuals and environmental films. From 2 to 4 January 2015, the Fair of Art, Design and Crafts using recycled materials took place at the Hall of the CCCB. © Klaus Pichler 41 Festivals and Open Formats

Organisation — Collaboration — The Shortest Day Marvin & Wayne and Catalunya CCCB, Moritz and Videolab Film Festivals Short Films Festival Support — Ministry of Culture-Generalitat de Catalunya and Diputació de 21 — 22 December Barcelona

The short films festival (which was held simultaneously in other countries) returned this year with a total of 90 hours of program- ming and 115 short films. This year’s edition of The Shortest Day lasted two days longer than last year’s and, as is now tradition, was spread around various venues in the city. For two days, the CCCB hosted part of these activities with screenings of national and international high-level and awarded works, in order to strengthen, dignify and disseminate the role of short films in the audiovisual industry sector. 42 Festivals and Open Formats — Children’s and Family Programme Children’s and Family Programme

Organisation — Collaboration — Viu el Teatre Viu el Teatre CCCB Programme of shows for children aged 0 to 12 years

December 2013 — March 2014

Viu el Teatre is an organisation that promotes quality and innova- tive performing arts for children aged from 0 to 12 years with the aim of drawing closer and facilitating the relationship between cre- ators and spectators. The organisation presents every season in Bar- celona a programme of shows from October to April at the Teatre Poliorama and at the Teatre CCCB, with weekend functions aimed at families and weekday functions for schools. At the CCCB, the Viu el Teatre family programme came to con- vert Saturday afternoons into a festival of emotions to share with all the family. This season the Sala Kids hosted four multidisciplinary proposals from companies who through puppets, dance and mu- sic transported the spectators to the world of dreams. And the Sala Babies presented two innovative proposals aimed at babies aged 0 to 3 years to initiate the tiniest members of the family in the magic of live art. 43 Festivals and Open Formats — Children’s and Family Programme

Organisation — Sponsorship — FLIC Tantàgora Plan for Encouraging Reading- Collaboration — Ministry of Education, Culture CCCB and Sport, Institució de les Children’s and Young People’s Literature Lletres Catalanes, Supermercats and Arts Festival Bonpreu-Esclat, Institut français and ICUB-Ajuntament de Barcelona 19 January

FLIC is a children’s and young people’s arts and literature festival whose aim is to take literature to all audiences, encouraging reading by opting for innovation and experimentation in literary transmis- sion and promotion. From December 2013 to February 2014 it held its fourth edition with a tour around various Catalan towns and cul- tural venues. At the CCCB, for the third year, it held a day with activities for all the family, with a programme that put the spotlight on stories, exhi- bitions, shows and short films. Participants in the creation workshops were photographer Tanit Plana and artists Sandra March, Mercè Galí, Neus Moscada and Sílvia Burset; meanwhile Yoshi Hioki, Roser Ros and Patricia McGill were in charge of telling stories. © Tristán Pérez Martín Pérez © Tristán © Tristán Pérez Martín Pérez © Tristán

Organisation — With the support of — Món Llibre ICUB-Ayuntamiento de Barcelona Over 40 publishers of children’s Sponsorship — and young people’s literature Sant Jordi for children El Periódico and Qué Leer Collaboration — CCCB, MACBA, Biblioteca 12 — 13 April de Barcelona and Office of Quebec in Barcelona

In 2014, the literature festival for children, Món Llibre, celebrated its tenth anniversary with a weekend full of activities conceived to bring books closer to the younger members of the household. Over the course of the weekend of 12 and 13 April, the CCCB’s Hall, the Pati de les Dones and the Plaça de Joan Coromines hosted over 50 activities to continue making Sant Jordi for children an essential lit- erary festival for families and children’s and young people’s literature. In this edition, the guest illustrator was Quebec artist Marianne Dubuc, the author of books such as In Front of my House (2010) and The Carnival of animals (2012), translated into over ten languages. To mark the 10 year anniversary of the festival, in 2014 Món Llibre expanded the three days prior to the weekend festival with a pro- gramme aimed at schools. CCCB © Miquel Taverna Spaces for Debate and Reflection 46 Spaces for Debate and Reflection — Debates and Lectures

Organisation — Collaboration — Open City CCCB Institut français de Barcelona, With the support of — Istituto Italiano di Cultura The Barcelona Debate The European Union’s Culture di Barcellona, British Council, Programme and Tricentenari BCN Collège d’études mondiales, 1714-2014 Edicions Bromera, Editorial 27 January — 24 March Anagrama, Editorial Siberia, Proa, Grupo Planeta/Editorial Destino Infantil y Juvenil, Arola editors, Editorial Afers, Fragmenta Editorial, Edicions de 1984 and Editorial Seix Barral CCCB © Jordi Gómez CCCB © Jordi

“Open City” consisted of a set of eight lectures within the frame- uine heterogeneity of the city. The open city is a tool for thinking: work of the project “Europe City”, with the support of the European an aspiration, a utopian condition, an ideal horizon. Its matrix, im- Union’s Culture Programme and of Tricentenari BCN 1714-2014. perfect and incomplete, makes it possible to dream of the city as a “Open City” was framed within the line of permanent reflec- space for emancipation, to imagine other ways of living together tion on the human condition in today’s world which began with and evidencing the logic of exclusion, strategies for survival, the in- the series “Passions” (2005), and continued with the debates “Life” evitable discord that arises from life in common.. (2006), “Sense” (2007), “The Human Condition” (2008), “Impuri- With the participation of Bruce Bégout, introduced by Neus ties” (2009), “Thinking the Future” (2010), “Crisis” (2011) “Virtues” Ballús; Josep Maria Benet i Jornet, introduced by Toni Casares; (2012) and “In Common” (2013). Rafael Chirbes, introduced by Marina Espasa; Manuel Forcano, From the city, every day, a new city emerges, the result of the introduced by Susana Rafart; Erri de Luca, introduced by Valeria incessant movement of its inhabitants, of the juxtaposing of their Bergalli; Evgeny Morozov, introduced by Joan Subirats; Marta Se- stories, of the never-ending friction and mixture of life in its streets. garra, introduced by Fina Birulés; and Kamila Shamsie, introduced In the same way that the street, the “room of the collective”, is the by Najat El Hachmi. basic cell of the urban form, openness is the condition and essence of the city, the measure of its vitality and its creative force. Inevita- Related publications bly, however, this condition brings with it ambiguity, conflict, nov- No. 66, 67 and 68 of the Breus CCCB collection (see 105) elty and risk. For that reason, the tension between closure and openness is constant, and even though the city is by definition something that is unfinished, polymorphous, resistant to determination and con- trol, mechanisms and strategies proliferate for closure, limits and boundaries that aspire to discipline, integrate and reduce the gen- 47 Spaces for Debate and Reflection — Debates and Lectures

Organisation — Turó de la Rovira: CCCB and 15-L. Films The Invisible Intervention Documentary screening and debate

20 February

Turó de la Rovira, the highest point in Barcelona’s urban fabric, has an exceptional heritage value: from Iberian village and agricultural settlement it went on to repel the attacks by the fascist aviation during the Civil War and, subsequently, it precariously hosted the mass im- migration that came to the city. In the year 1992 the last shanty huts were demolished and in 2009 the architectural intervention began that achieved the landscape restoration of the summit and that won the European Prize for Urban Public Space in 2012. The documentary, La intervenció invisible, by Adrià Lahuerta and Carlota Coloma, gives a voice to the protagonists of this reform, and uses the eye-witness reports of the neighbourhood’s residents to trace a panoramic of the history of the Turó. The debate following the documentary premiere allowed talk of the past, present and future of the Turó de la Rovira, as well as its integration into the neighbourhood and the whole of the city of Bar- celona. There was also reflection on the preservation of the historical memory and on shanty towns and the need for housing, a problem that the economic crisis has once more made more current than ever. With the participation of David Castillo, Carlota Coloma, Paco González Díaz, Adrià Lahuerta and Josep Llinàs. CCCB © Eduard Coll CCCB © Eduard

Organisation — Collaborating media — The Brain CCCB and Institució Catalana Ara de Recerca i Estudis Avançats ICREA-CCCB Debates (ICREA)

11 March — 1 April

“The Brain” was the third of the ICREA-CCCB Debates, a stable col- laboration launched in 2013 for presenting to the general public the advances and challenges of high-level research being carried out in Catalonia. The brain directs our body: it controls all the other organs and coordinates our thoughts and actions. Instinctive traits, just like speech, reflexive capacity or the emotions are all dependent on the train. However the functioning of the thousands and millions of neurons and neurotransmitters that make up the brain continues to be a great unknown, perhaps one of the most fascinating challenges that the scientific community has before it. Aware of the capital importance of this research, the European Commission has chosen the “Human Brain Project” as the flagship research of its investment in science, because it will generate ad- vances in information technologies that will result in benefits for industry and society alike. In this series of conferences, four Catalan scientists explained the new horizons that have been opened by the latest discoveries in neurosciences. With the participation of Albert Costa, Ruth de Diego, Mavi Sánchez-Vives and Ricard Solé, introduced by Àlex Argemí, David

CCCB © Eduard Coll CCCB © Eduard Bueno i Torrens, Josep Corbella and Jaume Vilalta. 48 Spaces for Debate and Reflection — Debates and Lectures

Organisation — Possibilities for Dialogue CCCB A meeting with Jan Švankmajer, the Quay Brothers and Léona-Béatrice Martin-Starewitch, granddaughter of Ladislas Starewitch

26 March The exhibition “Metamorphosis” rediscovered a set of artists with a radical imagination, positioned on the margin of the dominant discourses, and the activities organised in parallel with the exhibi- tion allowed a re-reading and contextualisation of their subversive potential within the current framework. In parallel with the exhibition “Metamorphosis”, “Possibilities for dialogue”, a conversation moderated by Carolina López, the ex- hibition’s curator, featured the presence of filmmakers Jan Švank- majer and the Quay Brothers, and of Léona-Béatrice Martin-Stare- witch, granddaughter of Ladislas Starewitch. CCCB © Eduard Coll CCCB © Eduard

Organisation — Menschen (IWM), Charles Stewart Lessons from the Wave Centre for Liberal Strategies, Mott Foundation, Robert Bosch Sofia, Bulgaria Stiftung and CCCB of Protests in Europe Collaboration — Open Society Foundations, Institut für die Wissenschaften vom 26 April

The mobilisations in Kiev at the start of 2014 were added to a long wave of social protests that in recent times have toured different European cities. Why did people take to the streets and what results were they expecting? What was the lack of will or the incapacity to generate a political alternative due to? What role did the social networks play in the mobilisations? Political activists and analysts from the Ukraine, Russia, Turkey, Bulgaria and Spain shared their experiences and drew some conclu- sions for the future of democracy in Europe. With the participation of Ayse Akalin, Jaume Asens, Ivan Krastev, Maria Lipman and Oleksandr Sushko, moderated by Jordi Vaquer Fanés. CCCB © David Bravo 49 Spaces for Debate and Reflection — Debates and Lectures

Organisation — Collège d'études mondiales, The Idea of Europe CCCB Círculo de Bellas Artes With the support of — de Madrid, SOS Racisme Lectures at the CCCB European Union’s Culture Catalunya, Debate, Editorial Programme Seix Barral, Edicions del Periscopi, Literatura Random 5 May — 2 June Collaboration — House, Capitán Swing Libros, Instituto Polaco de Cultura, Galaxia Gutenberg, Rosa dels Instituto Camões de Vents and Quaderns Crema Barcelona, British Council, Goethe-Institut Barcelona, Collaborating media — Institut français de Barcelona, Ara and L’Avenç

Within the context of the exhibition on the European Prize for Urban Public Space 2014, a series of thinkers and creators reflected on the common future to try to define what should “the idea of Europe” for the 21st century be. Peace and reconciliation between old enemies were the driving force behind European integration; however, with the uncertainties of times of crisis, the disaffection of Europeans towards the integra- tion project is growing and it seems that the peace ideal is no longer enough for generations who did not live through or have no direct memory of the Second World War. What are the values on which the sense of the European project can be rebuilt? How can we imagine a new, stronger, more legitimate, renewed and hopeful Europe? The series consisted of a conversation between Nancy Fraser and Michel Wieviorka, introduced by Josep Maria Martí i Font; and of lectures by Anne Applebaum, introduced by Carme Colomina; Owen Jones, introduced by Carles A. Foguet; and Gonçalo M. Tavar- es, introduced by Gabi Martínez. In addition, a round table was held on cultural Europe titled “A Common Culture”, moderated by Josep Maria Muñoz and which featured the participation of Cecilia Dreymüller, Raül Romeva and

CCCB © Eduard Coll CCCB © Eduard Francesc Serés. Related publications No. 69 and 70 of the Breus CCCB collection (see 105)

Organisation — Support — Unbranding Barcelona Master’s Degree in Tourism Diputació de Barcelona and Humanities of the UAB, Lecture by Marina Garcés Institut d’Humanitats de Barcelona and CCCB 23 May

This lecture from the Institut d'Humanitats de Barcelona closed the 2013-2014 academic year of the Master’s Degree in Tourism and Hu- manities, taught by the Escola de Turisme i Direcció Hotelera and the Facultat de Filosofia i Lletres of the Universitat Autònoma de Barce- lona, and directed by BCF Consultors. It took place within the frame- work of the exhibition “Shared Cities. European Prize for Urban Public Space 2014”, which could be visited at the CCCB until 4 June. What challenges does the mass tourism experience raise today? How to tackle the relationship between tourism and public space without feeling the “Barcelona brand” in one’s skin? Far from falling into the snobbery and elitism of easy criticism of tourists, philoso- pher Marina Garcés proposed linking the analysis of tourism to the economic paradigm of extractivism, to the capitalist growth model that consists of exploiting the common resources of a place until they are exhausted. Normally, this is applied to the context of the current emerging countries, and to their exploitation of energy and natural resources, but what if our extractivism is tourism? There would be three possible paths: a runaway flight forward, sustainable develop- ment or reduction. According to Marina Garcés, Barcelona is still stuck on the first route. The challenge today is unbranding the city: that Barcelona marks its distance from runaway capitalism and that its people peel off the brand that we have tattooed on our skin. 50 Spaces for Debate and Reflection — Debates and Lectures

Organisation — The Future CCCB of the European City Conversation between Hans Ibelings and Eugeni Bach

30 May

Architectural critic Hans Ibelings, former editor of A10 New Euro- pean Architecture and author of European Architecture Since 1890 reflected on what is the essence, in his opinion, of the European city. On the one hand, he defended why he believes that the concept of public space and public domain, which at times we assume is uni- versal, is based on very European notions that are not necessarily shared by the rest of the world. On the other, he analysed the cur- rent state of European architecture as well as its perspectives for the future, where he forecast important changes due to the economic crisis and above all the demographic evolution of Europe. Highlighting that architecture is always a reflection of the culture of the place, Ibelings talked about the European city in dialogue with architect Eugeni Bach and within the framework of the exhibition “Shared Cities. European Prize for Urban Public Space 2014”.

Organisation — A Story of Marginality CCCB Where is the Periphery? Creation, Obsession, Subversion

4 June

In 1995 the Quay Brothers made the film Institute Benjamenta, or This Dream People Call Human Life, based on Robert Walser’s novel Jacob von Gunten, published ninety years earlier. In parallel with the exhibition “Metamorphosis”, which re- vealed a set of artists with a radical imagination, positioned on the margins of the dominant discourses, the debate “A Story of Mar- ginality” raised the question of why it is necessary to read Walser today and what real power is held by what is deemed marginal or inadequate. With the participation of Dora García, Enrique Vila-Matas and Jordi Costa. CCCB © Eduard Coll CCCB © Eduard 51 Spaces for Debate and Reflection — Debates and Lectures

Organisation — Collaboration — The Shout of Literature Women and Literature Centre Editorial Icaria, Ellago Ediciones of the Universitat de Barcelona, and Arena Libros Lecture by Hélène Cixous Institut d’Humanitats de Barcelona and CCCB With the support of — 17 June Institut français de Barcelona

This lecture, introduced by Marta Segarra, was framed within the sessions on “Policies of the emotions. Dialogues from the gender and sexuality angle”, organised on 13, 17 and 19 June. Hélène Cixous is, undoubtedly, one of the most original voic- es in contemporary literature and thought. Her lecture – poetic meditation, literary discourse, personal introspection – reflected on literature as a means for affirming our existence, entering into dialogue with voices from the past and facing up to the inevitability of death. Cixous says: “First we shout. Then we write: we translate into the ultra silence of writing the acute and brief cries of reality. Literature is for long-lasting howls, for shouting out to music; the right to the cries that reality and community life prohibit us from emitting. Just as at dawn, birds share the acoustic territory – have you heard it, that orchestra of the indecisive hour? – so I hear the squeak of the mole of literature”. CCCB © Eduard Coll CCCB © Eduard

Organisation — Collaboration — A History of Jealousy Women and Literature Centre Editorial Taurus of the Universitat de Barcelona Lecture by Javier Moscoso and CCCB

18 June

This lecture was given within the context of the “Politics of the Emotions”, sessions organised by the Women and Literature Centre of the Universitat de Barcelona in collaboration with the Institut d'Humanitats de Barcelona and the CCCB. Do passions have a history? What relationship exists between private feelings and collective experiences? How do the emotions that we feel today fit into the history of modernity? This lecture by Javier Moscoso talked about three aspects re- lated with the history of jealousy. Firstly, he examined variations in forms of understanding and expressing this passion between the 17th and 19th centuries. Secondly, he concentrated on the medi- calisation of this social passion in the early 19th century. Finally, he suggested a reading of the birth of morbid jealousy linked to the compulsive collecting of proof and evidence. The particular case of jealousy allowed him to make some more general indications on the cultural history of the emotions. 52 Spaces for Debate and Reflection — Debates and Lectures

Organisation — Collaboration — Barcelona, from George CCCB Ara Llibres, Lumen and Pen Català Orwell to Democracy Lecture by Colm Tóibín

8 July

In 1975, a young Colm Tóibín disembarked in Barcelona, fascinated by the city described y George Orwell in his classic Homage to Cata- lonia. He discovered a city in full political and cultural flux, which he immortalised in his book Homage to Barcelona. Within the context of Orwell Day 2014 and introduced by Mi- quel Berga, Tóibín revisited the work of the British author, exam- ined other sources of history regarding the start of the civil war in Barcelona and remembered the atmosphere in the city where he lived forty years later, when it was just emerging from the dicta- torship. On 8 July itself, a literary route was organised around the Barce- lona of George Orwell, in Catalan, Spanish and English, guided by Nick Lloyd, Manu Valentín and Alan Warren, respectively.

Related publications No. 71 of the Breus CCCB collection (see 105)

Organisation — Collaboration — Under Siege CCCB and Tricentenari BCN Tricentenari BCN 1714-2014 1714-2014 Collaborating media — Conversation and debates With the support of — Ara The European Union’s Culture in parallel with the installation Programme and Editorial Crítica 16 September — 3 October

Within the context of the commemoration of the 300th anniversary of the siege of Barcelona, a reflection was proposed on the more con- temporary aspects of cities under siege, with the aim of translating the notion of siege to today’s world and offering a complementary and multidisciplinary view of it based on specific cases of recent conflicts. Firstly, there was presentation of an installation with two audio- visual pieces by artists Mariam Ghani and Omer Fast, which was accompanied by a conversation between Mariam Ghani and cu- rator Chus Martínez on artistic practice within the context of the siege, titled “Working under Siege”. Secondly, three sessions were organised with journalists and re- searchers around differential and characteristic aspects of contempo- rary sieges: “Gaza. The Permanent Siege”, lecture by Ahron Bregman; “Drones. Siege at a Distance”, debate with Chris Woods, Tonje Hessen and Jordi Pérez Colomé, with the screening of the documentary Drone; and “Syria. Information Under Siege”, a debate with Leila Nachawati, Lali Sandiumenge and Marc Marginedas. Finally, “Bajo asedio”, (Under Siege), the December episode of the Soy cámara television programme produced by the CCCB, va offered a summary of the reflections covered in the different activities. CCCB © Jordi Gómez CCCB © Jordi 53 Spaces for Debate and Reflection — Debates and Lectures

Organisation — Collaboration — The Human Animal CCCB and Institut d’Humanitats Ariel de Barcelona Conversation between Francisco J. Ayala and Víctor Gómez Pin

6 October

Just as we ask ourselves what differences us from the other animal species and makes us specifically human, can we consider what cir- cumstances animalise us? What strips us of our humanity? Or, to put it another way, what socioeconomic, political or educational con- ditions prevent us from deploying the faculties that are specifically human? The expert in evolutionary biology Francisco J. Ayala was in conversation with philosopher Víctor Gómez Pin, author of Reduc- ción y combate del animal humano (2014). The event also featured the participation of philosopher Jaume Casals. CCCB © Jordi Gómez CCCB © Jordi

Organisation — The New World Disorder CCCB and Galaxia Gutenberg Lecture by Pankaj Mishra

7 October

Capitalism is facing a crisis of a worldwide scope, nation-states are imploding and the world map has to be re-drawn every week. This is not the new world order promised by the United States and its allies after the defeat of communism, in 1989. History itself seemed to have come to an end that year and have found its end in liberal democracy and capitalism. Both had to reign together across the world, and rescue billions of people from poverty and oppression to bring them to regimes that would guarantee prosperity and individ- ual rights. This seems to have been, however, an even bigger illusion than the promise of revolutionary communism. How do we view the new world disorder, its roots and its causes? With the participation of: Pankaj Mishra, introduced by Joan Roura.

Related publications No. 72 of the Breus CCCB collection (see 105) CCCB © Eduard Coll CCCB © Eduard 54 Spaces for Debate and Reflection — Debates and Lectures

Organisation — Collaboration — Stem Cells: A Future CCCB and ICREA (Institució CCCB and Societat Catalana Catalana de Recerca i Estudis de Biologia without Diseases? Avançats) ICREA-CCCB Debates

21 October — 11 November

This was the fourth of the ICREA-CCCB Debates, a stable collab- oration for presenting to the public the advances and challenges of high-level research being carried out today in Catalonia. The regeneration of tissues has been a subject that has fasci- nated humans since ancient times. A part of the adult organism is capable of regenerating itself according to a process that revolves around a basic concept: stem cells. These cells have the ability to differentiate themselves in other cell types, something that allows them to act as a repair system for the body, and substitute other cells while the organism is still alive. It is believed that, in the fu- ture, stem cells will have the potential to tackle numerous human diseases, and that they will be used to repair specific tissues or to substitute entire organs. In addition, it is being seen in recent times that understanding the behaviour of stem cells is essential for un- derstanding processes such as cancer or ageing. With the participation of Salvador A. Benitah, introduced by Cristina Sáez; Pura Muñoz, introduced by Daniel Closa; Ángel Raya, introduced by Gema Revuelta; and Joan Seoane, introduced by Ana Macpherson. CCCB © Eduard Coll CCCB © Eduard

Organisation — Catalonia in the Mirror CCCB and L’Avenç of Immigration Presentation of the book by Andreu Domingo

17 November

Catalonia today is defined largely by its relationship with immi- gration. Some 70% of the Catalan population has its origins in the migrations of the 20th century, and these constant migratory flows have shaped the country as it stands today. However, the analysis of immigration has always been linked to prejudices and very diverse interpretations. Who are we Catalans? Where and how do we live? What family models do we create? What role does language play in the process of integration of newcomers? How has international migration changed the Catalan demos? The presentation of the book Catalunya al mirall de la immigració (2014), by demographer Andreu Domingo, allowed the sweeping way of clichés and offered, from the standpoints of geography, ur- ban planning and culture, a portrait of Catalonia today. The debate, moderated by Carles Capdevila, featured the participa- tion of Neus Ballús, Andreu Domingo, Oriol Nel·lo and Francesc Serés. CCCB © Eduard Coll CCCB © Eduard 55 Spaces for Debate and Reflection — Debates and Lectures

Organisation — Collaboration — Body: Sexual Identities Master’s Degree Programme in CCCB Chinese Studies of the Universitat Pompeu Fabra and Slumber in China Studio Conversation with Li Yinhe, Cui Zi’en and Dolors Miquel

21 November

Somewhere between the free market and state socialism, China is presently in a phase of vibrant transformation, in which the strug- gles for sexual freedom, debates on gender and homosexuality are evermore present in society. Two of the most prominent people giving voice to these issues, sexologist Li Yinhe and filmmaker Cui Zi’en, explained the victo- ries that have been won so far and the frictions they have generated in art and society. These viewpoints were compared with the view of poet Dolors Miquel, who has incorporated into her work reflec- tions on power and genders, sexuality and eroticism in poetry and art. At the end of the event there was a screening of the short film El amor de Sísifo, directed by Lin Yu. The conversation was introduced by Manel Ollé and featured the participation of Dolors Miquel, Li Yinhe and Cui Zi’en. CCCB © Eduard Coll CCCB © Eduard

Organisation — Urban Planet: Mobility B·Debate, CCCB, CREAL and ISGlobal in Cities of the Future Lecture by John Urry

24 November

This debate marked the start of a collaboration between the sci- entific institutions ISGlobal, CREAL, B·Debate and the CCCB, to heighten visibility of the importance of the effects of urban growth on the environment and on people’s health. Urban growth seems to be unstoppable. It is calculated that, by 2050, some 70% of the world’s population will be living in urban environments and, even today, some cities in the world already have more than twenty million inhabitants. Furthermore, contemporary society is characterised by a lifestyle notable for its intensive mobil- ity and the mass use of mobility systems based on fossil fuels has a huge impact on the environment and health, and presents major challenges in an evermore urbanised world. Is it possible to redirect urban growth and mobility towards a healthier, more sustainable and socially just future? PTo reflect on these questions, the session featured a lecture by John Urry, Chair Professor of Sociology at the University of Lancaster, expert on mobility and tourism, and their impact on ways of life in the contem- porary world, and co-author of After the Car (2009). The subsequent debate, moderated by Mark Nieuwenhuijsen, featured the intervention of Salvador Rueda. CCCB © Miquel Taverna 56 Spaces for Debate and Reflection — Debates and Lectures

Organisation — Collaboration — In Praise of Adventure CCCB Editorial Taurus, Círculo de Bellas Artes de Madrid, PhD Programme of the Faculty of Philosophy 26 November — 10 December of the UNED and Ara

Uphold adventure. This could be the programmatic ideal of a new era in which the future has recovered its true condition and sud- denly reveals the dark zones, unanswered questions and doubts that have always characterised it. Revived by the crisis, words like “risk”, “uncertainty”, and “instability” have re-joined our vocabulary after decades of exile during which we believed the future was under control. Today we have been launched into an unpredictable, haz- ardous journey far from familiar and foreseeable territory. However, what do we find when we are lost? What boundless horizons open up when we stray from the path to wander, explore and ramble? Is not this impulse to head for the unknown also the seed of knowledge, the trigger of artistic creation, and the neces- sary condition for imagining and discovering other worlds? The horizons that we, today’s adventurers, must explore will be reached by alternative paths, byways that lead us to discover new ways of inhabiting the world. With the participation of Frédéric Gros, introduced by Miguel Morey; Fredric Jameson, introduced by Eloy Fernández Porta; and Sergio Rossi, introduced by Xavi Ayén. CCCB © Miquel Taverna

Organisation — Collaboration — Beyond Identity Arts Santa Mònica, Institut français GRIPES-UB/UAB/UPF Research de Barcelona and CCCB Group and Research Group 5th Philosophical Seminar of Barcelona in Political Theory of the Universitat Pompeu Fabra 2 December

The 5th Philosophical Seminar of Barcelona questioned individu- al and collective identity. The purpose of the inaugural session at the CCCB was to reflect on the function and limits of individual identity and group identity from a political standpoint and, more precisely, within the framework of the contemporary state as a basic space of recognition. The session, introduced by Felip Martí-Jufresa and Xavier Bassas, featured the participation of philosophers Vicent Descombes and Daniel Weinstock. In addition, the second session, held at the Arts Santa Mòni- ca, tackled the role of the media in defining and creating identities. Meanwhile the third session, at the Institut français reflected on the different relations between language and state. 57 Spaces for debate and reflection — In Collaboration In Collaboration CCCB © Eduard Coll CCCB © Eduard

And Now What? Cosmopolitism, Patriotism, An economic model for Catalonia Nationalism: Three Roads 16 January to Modernity? Lecture by Anthony Pagden

2 April

Organisation — Collaboration — Organisation — Support — Ara CCCB Institut d’Humanitats de Barcelona Tricentenari BCN Collaboration — 1714-2014-Ajuntament CCCB de Barcelona

Under the title “And Now What?”, the newspaper Ara launched a “I am a citizen of the world” Since this famous phrase uttered by series of debates to consider the issues affecting Catalonia and to Diogenes of Sinope, there has been ceaseless discussion over the reflect on how the Catalonia of the future must be constructed from course of history regarding which entity should attract the loyalty a social, economic and political viewpoint. of individuals and call on their sense of belonging. The world, the The CCCB hosted the second of these debates which, with the homeland or the nation have been and are the main stations on this title “An Economic Model for Catalonia”, featured the participation journey. of economists Xavier Sala i Martín and Germà Bel, and was moder- Historian Anthony Pagden sketched in broad outline the histo- ated by journalist Antoni Bassas. ry of these concepts and asked himself about their pertinence in the The debate could be followed live on the website of the news- contemporary world. Josep M. Fradera introduced the conference paper Ara and on Twitter, by following the hashtag #iaraquè. Alba and moderated the debate with the audience. Om read ou tthe most prominent tweets which were answered by the speakers. 58 Spaces for debate and reflection — In Collaboration Contemporary Enter Forum 2014 Urban Passages 1st International Forum on Internet Lecture by Marcel Smets and launch and Privacy of the Passages_Passatges project 16 — 18 June 3 June

Organisation — Collaboration — Organisation — Collaboration — Institut pour la ville en mouvement, CCCB Enter Forum CCCB Consorci Besòs and Àrea Metropolitana de Barcelona

Within the context of the exhibition “Shared Cities. European Prize Enter Forum was born with the aim of opening a constructive, re- for Urban Public Space 2014” and coinciding with the launch of sponsible and multidisciplinary dialogue on the use of new tech- the international project Passages_Passatges, a lecture was given by nologies and, at the same time, of becoming a space for debate and Marcel Smets, architect and town planner, and director of the Sci- reflection. It featured the participation of specialists of international entific and Guidance Council of the Institut pour la ville en mou- prestige, who explained their viewpoints on the five major spheres vement (IVM). around which the talks were organised: legal, educational, human- There was a presentation of the IVM’s International Pro- istic, social and relational. gramme, “Passages, espaces de transition pour la ville du 21è siècle, The interventions were followed by a round table with the at- la petite échelle qui change tout”, in which different cities are par- tending audience. The objective was to connect different collectives ticipating from the USA, Latin America, China and Europe. The that share the same concerns via the Internet and offer them a space presentation was given by Mireille Appel-Muller, general delegate for dialogue, a meeting point with lectures, screenings of documen- of the IVM. taries and workshops. This forum, organised within the framework of the exhibition “Big Bang Data”, featured the participation of Yair Amichai-Ham- burguer, Victòria Camps, Michael W. Carroll, Milad Doueihi, Eva Illouz, Isaki Lacuesta, Geert Lovink, Antoni Muntadas, César Ren- dueles, Paula Sibilia and Bernard Stiegler.

Talks in the Old City The City is Not for Selling Identity and Planning: but for Living lecture by Alessandro Scarnato Meeting of the international Collective Architectures network 2 July 10 July

Organisation — Collaboration — Organisation — Collaboration — Xarxa Veïnal de Ciutat Vella CCCB Xarxa d’Arquitectures Col·lectives CCCB and Col·lectiu Accions Urbanes The Xarxa Veïnal de Ciutat Vella (Ciutat Vella Neighbourhood Collective Architectures is an open, constantly growing interna- Network) and the Col·lectiu Accions Urbanes (Urban Actions Col- tional network of individuals and groups interested in participative lective) organised these “Xerrades per Ciutat Vella” (Talks in the construction of the urban environment. Since 2007 a symposium Old City), five discussions among activists and academics about the has been held in a different city each year with the aim of strength- identity and future of Barcelona city centre as a way of reflecting ening the network and consolidating alternative ways – from people upon a district which, far from being a leisure ghetto or theme park, and for people – of creating cities that differ from the official model. is still the heart that beats to keep the whole city alive. In 2014, the annual gathering was held in Barcelona from 6 In each session, an academic talked about some outstanding as- to 13 July with the theme “The City is Not for Selling but for Liv- pect of Ciutat Vella, touching on different spheres (history, architecture, ing”, an essential idea, today more than ever, especially in a city like demography, commerce) with the aim of contributing points of view Barcelona which is beset by a host of human and urban problems and knowledge about how the old centre has changed and is changing. caused by the global capitalist system. This talk was followed by an activist’s comments on the subject under At the activity hosted by the CCCB, new collectives were in- discussion, thereby encouraging debate with those attending. troduced that had joined the Collective Architectures network, and The talks took place at different places in Ciutat Vella, one for there were debates on possible forms of collaboration in order to each neighbourhood, and the CCCB hosted the final meeting, strengthen the network on an international scale. which focused on identity and planning. With the participation of Josep Bohigas, David Bravo, Gala Pin and Alessandro Scarnato. 59 Spaces for debate and reflection — In Collaboration OpenWalls Conference The Music Industry 3.0: Urban Art Festival and Lectures a Business Scenario 24 — 25 October PrimaveraPro StartUps 30 October

Organisation — Collaboration — Organisation — Collaboration — Difusor CCCB PrimaveraPro y Seed&Click CCCB

Second edition of the OpenWalls Conference (OWC), an urban art The music industry business model is in the throes of change, but festival that aims to bring street art to society by including artists, where is it headed? What opportunities exist for entrepreneurs and institutions and residents. Through a programme that includes mu- investors? What can be learned from other sectors? ral interventions, workshops and talks, the OWC also has the aim of Coinciding with Primavera Club 2014, PrimaveraPro and generating debate to promote the creation of a model for managing Seed&Click organised a round table at the CCCB featuring Dídac urban art in Barcelona. Lee, director of Grup Inspirit and of FC Barcelona’s Technology Among all the activities held at different points in the city, the Area; Xavier Carrillo, CEO of Digital Legends Entertainment; and CCCB hosted two days of presentations of international and inter- Alberto Guijarro, director of Primavera Sound. The moderator was national projects related with the management of public space for Juan Álvarez de Lara, CEO of Seed&Click. artistic interventions. With this meeting of experts, the aim was to shed some light With the participation of Javier Abarca, Jens Besser, Lee Nathan on entrepreneurship in the music industry and on possibilities for Bofkin, Todd W. Bressi, Monica Campana, Nicolás de la Carrera, investment in the sector. A further aim was to discuss the type of Leon Cullinane, David Demougeot, Teresa Latuszewska-Syrda, projects sought, the opportunities that exist in this field and how Jorge Rodríguez-Gerada, Will Shank and Veronica Werckmeister. the music industry can learn from the gaming ecosystem, among other issues.

Philosophy and the Life The Shaping of an Identity. of Others A History of Catalonia Lecture by Remo Bodei Conversation with Josep Fontana on his latest book 20 November 15 December Organisation — Collaboration — Organisation — Collaboration — Barcelona Pensa, Universitat de CCCB Eumo Editorial CCCB Barcelona, Chair of Contemporary Philosophy UB and Herder Editorial

The life of others is a continual questioning of our own way of life. Why are we Catalans today a people with such a strong sense of iden- There are many ways of experiencing this interpellation: tolerance, tity? Where does this sense of belonging to a collective that shares a indifference, violence or the imaginative act of seeing ourselves as language, culture, and some ways of understanding the society and another. The lecture proposed philosophy and literature as tools for the world come from? imagining the life of people who we call “others”. Historian Josep Fontana tries to follow over the course of time, Within the framework of “Barcelona Piensa”, the Barcelona from the 18th century to the current time, the process that has end- Philosophy Festival, held between 17 and 22 November, this lec- ed up shaping this identity and gives us the keys in a simple and ture by Italian philosopher Remo Bodei was offered, introduced by understandable book, La formació d’una identitat. Una història de Manuel Cruz. Catalunya (2014). The meeting, introduced by Josep M. Muñoz, featured the par- ticipation of historians Josep Fontana, Joaquim Albareda, Borja de Riquer, Josep M. Salrach and Eva Serra. 60 Spaces for debate and reflection — In Collaboration José Antonio Martínez Science at Christmas Lapeña and Elías Torres Lectures by Ricard Solé, Presentation of the book covering Carles Lalueza Fox and Gustavo Deco their career 23 December 18 December

Organisation — Collaboration — Organisation — Collaboration — José Antonio Martínez Lapeña CCCB ICREA, Institut de Biologia CCCB and Fundación Botín & Elías Torres Architects Evolutiva and Parc de Recerca and Lampreave Biomèdica de Barcelona

After forty-five years of a professional career in common, architects A responsible and critical society has to incorporate scientific knowl- José Antonio Martínez Lapeña and Elías Torres have expressed an ex- edge into its education system, but also into its everyday debates. It is tensive selection of their work in a book in Spanish and English that necessary to defend knowledge and rational thinking as an essential covers over two-hundred works carried out by their studio. Published part of our culture. As Carl Sagan said, “science is a candle in the by Lampreave, the book features texts by Peter Buchanan, Lluís Clo- dark”, a candle whose flame needs to be kept alive. tet, Rafael Moneo, Josep Quetglas, José Ramon Sierra, Akira Suzuki, This was the spirit of the second edition of the Science at Christ- Billie Tsien and Miguel Usandizaga. mas lectures, which were held for the first time at the CCCB, and also The CCCB’s Teatre, renovated by Martínez Lapeña and Torres counted on support from the Fundación Botín. in 2011, hosted the presentation of this book at an event with the With the participation of Gustavo Deco, Carles Lalueza Fox participation of the authors accompanied by colleagues and friends, and Ricard Solé. and in which the book was discussed along with works by the stu- dio from 1968 to the present day. With the participation of Lluís Clotet, Flora Dominich, José An- tonio Martínez Lapeña, Rafael Moneo, Aureli Mora, Carles Muro, Ricardo Sánchez Lampreave, Elías Torres and Miguel Usandizaga. 61 Spaces for debate and reflection — Courses, Postgraduate and Master’s Programmes Courses, Postgraduate and Master’s Programmes

Master’s Degree in the Design Public space. Urban and Production of Spaces Policies and Citizenship Fifth edition Postgraduate programme

October 2014 — June 2015 October 2014 — October 2015

Organisation — Directed by — Organisation — UPC School, Institut d’Humanitats Jordi Borja, Itziar González City Management and Urban de Barcelona and CCCB and Joan Subirats Planning Department (UOC) and Collaboration — Institute of Government and Public CCCB Policies (IGOP, UAB) Space is not one-sided. Each of us has their own concept of space, The public space brings together the main values of the city but whether interior or exterior, whether for habitat or to accommodate also reveals its inequalities. It is an integrating instrument for urban an exhibition. It is clear that for each of these processes you need a dif- planning but at the same time a setting and a space for conflicts. ferent mentality and a set of specific reference tools in order to think These postgraduate studies aim to offer theoretical and practical about empty space and how to fill it. Spaces are places where people do training to think about, design and manage urban public space in all kinds of activities, from the most private areas such as living spaces an integrated way, assuming the complexity of the urban reality and to collective and participative spaces such as exhibition spaces. enhancing its democratic virtues. The Master’s Degree in the Design and Production of Spaces The CCCB contributes to the programme its wealth of experi- brings together different professional concerns and is built based ence from the European Prize for Urban Public Space and its con- on two postgraduate courses. Firstly, the postgraduate course “De- stant reflection on urban themes. sign of Interiors”, in the professional field of Interior Design, a dis- cipline with a brilliant tradition in Barcelona and that needs its own reference points. This course seeks to fill a void in the educational offerings in this area that existed until now. Secondly, the postgrad- uate course “The Exhibition Space” seeks to work with space as a meeting point between people and culture within the framework of creative museography. By taking these two postgraduate courses students can earn the Master's diploma. This programme is directed by Arnaldo Basadonna, architect and lecturer; Mario Corea, engineer and member of the CCCB assembly team; and Paco Pérez Valencia, painter, museographer and responsible for the Espacio Escala (Col·lecció Cajasol). 62 Spaces for debate and reflection — Courses, Postgraduate and Master’s Programmes Courses of the Institut d’Humanitats All year

From philosophy to literature, from history to art, and including Readings of William Shakespeare film and theatre, the Institut d’Humanitats de Barcelona has the aim 22 October-10 December of making inroads into the world of humanities and discovering Directed by Andreu Jaume and organised in collaboration with the different disciplines through the opinion of relevant intellectuals Shakespeare Festival and thinkers. Through series of conferences with a weekly guest or specialised seminars taught by a single lecturer, the aim is to favour Workshops exchange between the diverse cultural spheres, collaborate in their dissemination and contribute to the reception of the most impor- Film Criticism Workshop tant displays of European culture. 4 February-20 March Directed by José Enrique Monterde et al. and organised in collabora- Courses tion with the Associació Catalana de Crítics Cinematogràfics

The Great Civilisations of Europe, 2. The Roman Civilisation Aula Xcèntric 2014. The Wild Image Infiltrations and Paths 8 October 2013-4 March 2014 towards an Outsider Cinema Course directed by Jordi Llovet, with the participation of Esther Ar- 4-27 November tigas, Carles Buenacasa, Antoni Conejo, Jordi Cornudella, Adolfo Coordinated by Jordi Costa and organised in collaboration with the Egea, Jaume Juan, Noemí Moncuill, Carles Múrcia, Alejandra de CCCB’s Xcèntric experimental cinema programme Riquer and Glòria Torres Lectures The Art of the Novel. The European Novel of the 20TH Century 1 April-27 May Cosmopolitism, Patriotism, Nationalism: Directed by Jordi Llovet, with the participation of Sam Abrams, Three Roads to Modernity? Margarida Casacuberta, Ignacio Echevarría, Andreu Jaume, Jordi 2 April Llovet, Marisa Siguán and Alain Verjat Lecture by Anthony Pagden, organised with the support of Tricen- tenari BCN 1714-2014 The Architecture of Conflict and of Pleasure 6 October-15 December Unbranding Barcelona Directed by Joan Sureda, with the participation of Hannah Collins, 16 May Manuel Delgado, Eva March, Rosa Navarro, Carme Narváez, Joan Lecture by Marina Garcés. Closing lecture of the UAB Master’s De- Sureda, Isabel Valverde and Gerard Vilar gree in Tourism and Humanities, organised with the collaboration of the Institut d’Humanitats de Barcelona and the CCCB The Great Civilisations of Europe, 3. The Mediaeval Civilisation 14 October 2014-4 March 2015 A History of Jealousy. The Modern Medicalisation of Passions Directed by Jordi Llovet and Anton M. Espadaler, with the partic- 19 May ipation of Jaume Aurell, Almudena Blasco, Jordi Bolòs, Lluís Ci- Lecture by Javier Moscoso, organised in collaboration with the fuentes, Stefano M. Cingolani, Victoria Cirlot, Antoni Conejo, An- Centre for Women and Literature (UB) and the CCCB ton M. Espadaler, Sergi Grau, Jordi Llovet, Raffaele Pinto, Isabel de Riquer, José E. Ruiz-Domènec and Eduard Vilella Classic Principles of the Natural Order versus Quantum Postulates 6 October Seminars A tribute to John Bell, 11th Ontology Congress, organised by the Fundación Paidea Galiza, the UNESCO, Universidad del País Vas- Love, a Force that Never Lets Us Rest co, the UAB and the UPF, with the collaboration of the Institut 10 October 2013-23 January 2014 d’Humanitats de Barcelona and the CCCB Directed by Francisco Bengoechea The Human Animal I and Others, Archetypes for Representing the World 6 October 2 January-5 March Conversation between Francisco J. Ayala and Víctor Gómez Pin, or- Directed by Gisela Llobet and Enric Puig Punyet ganised by the CCCB and the Institut d’Humanitats de Barcelona, with the collaboration of Ariel Thought and Life 5-26 May The Power of Money: Timon of Athens Directed by Josep Maria Esquirol 29 October Open lecture with Andreu Jaume, David Selvas and Sergi Pomper- Ten Love Stories mayer, organised in collaboration with the Shakespeare Festival 2 October-18 December Directed by Francisco Bengoechea 63 Spaces for debate and reflection — Courses, Postgraduate and Master’s Programmes CUIMPB Programme

The mission of the Consorci Universitat Internacional Menéndez Programme of Courses 2014 Pelayo Barcelona (CUIMPB) - Centre Ernest Lluch is the manage- ment of the permanent centre of the Universidad Internacional 13th International Discussion on Geocriticism, the Control of Space Menéndez Pelayo (UIMP) in Barcelona. Legally, the CUIMPB-Cen- and Spaces of Control, 5-10 May (collaboration) tre Ernest Lluch is constituted by Ajuntament de Barcelona, Di- putació de Barcelona, the UIMP and the CCCB. Summer Courses The programme of courses for 2014 by the CUIMPB-Centre — Architectures Madrid/ Barcelona. Approaches, Affirmations, Ernest Lluch was divided into four major thematic blocks: Urban Exchanges, 17-19 June policies, Public policies and welfare state, New regional scenarios — Lobbies and Conflicts of Interest: Regulations and Experiences, in the world, and Science, technology and society. In total around 30 June and 1 July fifteen courses and sessions, led by professors who are renowned — The Transparent Brain, 3-4 July authorities, and featuring the participation of notable personali- — Economic Aspects of the Reform of Local Governments, ties in the world of science, economics, politics, international re- 7-9 July lations, communication, etc., and with the support of different public and private institutions. Also, during the summer, courses Spanish Courses are organised on Spanish language and Catalan culture for foreign — June Courses, 2 June-27 July students, mainly from the USA. The 2014 programme included, in — July Courses, 2 July-29 July addition, collaboration with the Universitat de Barcelona on the dissemination and organisation of a discussion on the control of Autumn courses space. In total over 1,000 students passed through the classrooms — Municipal Financial Management: Times of Change in the of CUIMPB-Centre Ernest Lluch, located at the CCCB’s premises. Forms of Municipal Management and Control, Funding and University students have a reduced enrolment fee when regis- Organisation, 1 October tering for summer and autumn courses and can validate them as — Management of Social Housing Pools, 7-8 October free choice credits at the majority of Catalan public universities. En- — Care for Chronic Illness: More is Sometimes Less, rolment is formalised online on the website of the CUIMPB-Centre 14-15 October Ernest Lluch: www.cuimpb.cat. — Public-private Collaboration in the Redefinition of the Local Public Sector, 21-22 October — Forest Fires at the Urban Interface: Towards the Integration of Risk into Territorial Planning, 27-29 October — The Application of the Reform of Local Governments, 5-6 November — Memory and City: “Remembering to Avoid Repetition”, 14 November — The Temporary Use of Urban Voids, 24-26 November CCCB © Masha Zrncic European Prize for Urban Public Space 2014 66 European Prize for Urban Public Space 2014 European Prize Date of award Exhibition — — for Urban Public 25 April 25 April Space 2014 4 June

8th Edition of the Prize and the Exhibition “Shared Cities”

Organisation — Collaboration — Sponsors — Within the context of — CCCB Museum of Architecture Copcisa, Abertis and Escofet Europe City Project, with and Design MAO (Ljubljana), the support of the European The Architecture Foundation AF Commission’s Culture Programme (London), Museum of Finnish Architecture MFA (Helsinki), Cité de l’architecture et du patrimoine (Paris), Deutsches Architekturmuseum DAM (Frankfurt) and Architekturzentrum Wien Az W(Vienna)) CCCB © Glòria Solsona 67 European Prize for Urban Public Space 2014

In 2014 the European Prize for Urban Public Space reached its The event for the award presentation of the European Prize for Ur- eighth edition. Created in the year 2000, the prize is a biennial com- ban Public Space 2014, which took place on 25 April in the main petition organised with the aim of acknowledging and stimulating foyer of the CCCB, culminated with the inauguration of the exhi- the creation, recovery and improvement of public space in our cit- bition “Shared Cities”, where works presented for the eighth edition ies. With a clearly European vocation, the Prize places the accent on of the prize were displayed. Once its stay at the CCCB was over, the the social and political dimension of architecture. exhibition began a tour that over the course of two years has taken it to visit various European and American cities. At this eighth edition, a total of 274 projects were presented from 194 towns and cities and 30 European countries. The International Europe City Project Jury was chaired by architect Carme Ribas, in representation of the CCCB; and featured the participation of Matevž Čelik, director of Fourteen years after its beginnings, the European Prize for Urban the MAO, Sarah Ichioka, director of the AF; Juulia Kauste, director Public Space is taking a qualitative leap to explore, interpret and as- of the MFA; Francis Rambert, director of the Cité; Peter Schmal, sess in depth an accumulated legacy of around 500 experiences fea- director of the DAM; and Katharina Ritter, head of exhibitions of turing over 200 cities. With this wish, three of the seven European Az W. David Bravo i Bordas, in representation of the CCCB, acted institutions that, being linked to architecture or the city, regularly as secretary. award the Prize, have decided to join forces and place in common their experience in order to give impetus to the Europe City project. The Jury decided to award, from among 25 finalists, two joint win- Backed by funding from the European Union’s Culture Programme ners and four special mentions: (2007-2013), the CCCB, the Museum of Architecture and Design of Ljubljana and the Museum of Finnish Architecture of Helsinki Joint Winners came together to develop over two years, until August 2015, a series of networked activities designed to update, foster and disseminate a Rénovation du Vieux-Port, Marseilles (France), 2013 European idea of the city. The renovation of the Vieux-Port cleared the docks of obstacles and vehicles, making the presence of leisure boats compatible with ac- Among other initiatives, the three institutions co-produce and host cess and enjoyment by any citizen. a touring exhibition on the lessons that can be extracted from the Prize, and organise series of debates and lectures regarding the pub- “La vall trenada”, Elx (Spain), 2013 lic space as well as developing workshops designed to raise aware- A braided network of paths and footbridges have transformed the ness among people so that they become more actively involved in bed of the Vinalopó River into a linear park that re-stitches togeth- the common task of making the city. Some of these workshops are er the neighbourhoods through which it passes, connecting them aimed at children and teenagers as incipient citizens. The Prize’s with natural spaces to the north of the city. website is also being consolidated (www.publicspace.org) to expand and diversify its contents and extend its network of complicities. Ultimately, Europe City has come into existence to fuel the ranks of Special mentions those aware that the city belongs to everyone.

Opening of Rainham Marshes, London (United Kingdom), 2014 TA peripheral area of surprisingly well conserved natural richness has been made accessible to Londoners so that they can discover it, learn to love it and protect it from probable urban sprawl dep- redation.

Islamic Cemetery, Altach (Austria), 2012 The construction of a cemetery apt for Muslim rites meets the re- quirements of a very considerable minority, enabling many immi- grants to bury their dead in the land where they have settled.

“Baana“, pedestrian and bicycle corridor, Helsinki (Finland), 2012 A deep railway cutting which sliced through the urban fabric has been converted into a pedestrian and bicycle corridor in a re- source-saving collaborative process that also preserves the memory of an industrial past.

Teatre La Lira, Ripoll (Spain), 2012 A porch and a footbridge give new life to an empty space left by the demolition of an old theatre, shaping a frame for a view of the moun- tains and opening up a gateway to the old town centre. CCCB © Miquel Taverna CCCB Lab 70 CCCB Lab Blog and Social Networks The CCCB Lab Blog has been running since 2009 as a window of the CCCB department specifically devoted to research and innovation in the cultural sphere. Over the course of the years it has gradually become consolidated as a periodical publication: a digital magazine with a publishing and art line, and planning of contents linked to the CCCB’s activities programme: articles, reports and interviews that are complemented with in-house and external contents (“Resources”). The blog has a clear vocation of dissemination: it is an attempt to circulate among a broad audience issues and questions that determine the present and profile the future of the cultural sphere, often in relation with the important social, economic and political changes caused by the technological revolution of the last decades.

During 2014, the blog has given support to the following CCCB projects:

— “Big Bang Data” exhibition: incubation of the exhibition, Over the course of 2014 the blog has published contents with a starting to publish articles before its opening on the datification weekly periodicity: interviews with participants and chronicles of the world and on the consideration of the new exhibition space commenting on the different activities of CCCB Lab and, above all, model proposed with it (Beta Station). 30 previously unpublished articles written by Jordi Bernabeu, Mar- cus Hurst, Sandra Álvaro, José Luis de Vicente, Ramon Sangüesa, — Internet Universe: articles and educational contents for a Juan Mateos García, Tijana Tasich, Maria Ángeles Cabré, the team project that reflects on the effects of the Internet on our lives and of Paisaje Transversal, Karma Peiró, Jordi Carrión, Josep Perelló, that the Lab carries out in collaboration with CCCB Educació. Cristina Sáez, César Reyes-Nájera, Carles Sora, Quima Farré, Clara Bofill, Rubén Martínez, Carlos Bajo Erro, Roc Jiménez de Cisner- — Cultural Innovation International Prize: interviews pro- os, Ignasi Labastida, Sebastián Pérez, Juan Insua, Gemma Galdon, duced in house with heads of projects and participants visiting the Alessandro Ludovico, Elisabet Roselló and Enric Senabre. CCCB, on the new audiences for culture, the central theme of the first edition of the Prize. This year has represented the consolidation of the blog in terms of the number of visitors: a total of 81,369 users have stopped by, amply doubling the number in 2013 (40,331) and almost tripling that of 2012 (28,921). This growth has paralleled the increase expe- rienced in the main social networks of CCCB Lab, which serve as spreaders and amplifiers of the blog’s contents.

blogs.cccb.org/lab/ 71 CCCB Lab Cultural Innovation International Prize The Cultural Innovation International Prize is a new biennial award organised by the CCCB with the aim of stimulating projects that explore the possible cultural scenarios of coming years, encouraging research and practice. The first call for applications was opened in October 2014, coinciding with the CCCB’s 20th anniversary, and it remained open until February 2015. This prize represents another step in the creative history of our institution, characterised from its origins by research into new languages and formats for presenting contents. It also expressed the CCCB’s desire to adapt to the intense transformations of a local and global city context that converts research in culture into a demand. CCCB © Miquel Taverna

Each edition of the Prize will propose a theme on which the com- youth programmes at the Tate London, Johan Moerman, (director peting projects must work. In this first edition, the theme chosen of Rotterdam Festivals and founder of the Audiences Europe Net- focused on the dilemmas around the concept of Audience/s: Which work-AEN), Conxa Rodà (head of Strategy and Communication genres and formats will survive the digital revolution and the eco- at the Museu Nacional d'Art de Catalunya-MNAC) and Juan Insua nomic crisis? What type of exhibitions and how will they be visited by (head of projects of CCCB Lab). Jury’s decision was made public in digital natives? What evolution (or involution) will the great call for June 2015. participation of recent years undergo? What effects will be caused by the excess of information and what tools exist for creating an intelli- www.innovationcccb.org gible world? How will the link between the analogical and the digital world develop? Will the nexuses between humanistic and scientific disciplines be consolidated? What forms of recommendation will be accepted (or not) by what was “previously known as audience”? What styles of mediation will be necessary between experts and profes- sionals, amateurs and prosumers? How will the concept of “progra- mación”? How will cultural institutions have to change to guarantee democratic access to knowledge and to the means of production and reproduction, the inalienable rights of citizens?

The winning proposal – which received a prize of 10,000 euros and the possibility of carrying out the project at the CCCB – will was selected by an international jury formed by Marcos García (director of MediaLab Prado), Nina Simon (director of the Santa Cruz Mu- seum of Art and History MAH, California), Mark Miller (head of 72 CCCB Lab Internet Universe This project’s aim is a critical and creative reflection on the set of technologies connected to the Internet and the unseen and accelerated transformation that it is causing in our lives. These changes have consequences at different levels – cognitive, social, economic, educational, political, environmental, etc. – and they affect a large part of Humanity. The impact of the web in this last decade represents a kind of Big Bang of a new Universe whose laws, consequences and boundaries we still do not fully know.

Internet Universe aims to offer an overall view of the nature and consequences of the World Wide Web, one that generates intelligible contents and reflects opinions and theories of different types in order to offer a complete view of the phenomenon. During 2014 a first project phase was completed, in close collaboration with the CCCB’s education service: a course aimed at educators and a prototype of an educational briefcase linked to the project. CCCB © Miquel Taverna

Teacher Training Course Educational Briefcase Dates: 5-14 February

A series of four training sessions (theoretical introduction, work- The educational briefcase emerged from the teacher training work- shop and associated educational material) to offer a global view of shops that were held at the CCCB in February 2014 and its aim is the Internet and of how it affects our lives at three impact levels: on to transfer reflections from the project to the classroom. The brief- the person, on the city and on the planet. case circulated in physical format and as a prototype around nine schools all over Catalonia on a test period during the 2014-2015 Addressing professionals and students in the education sphere, as academic year, and in its virtual format, it can be freely download- well as people linked to the training of children and young people, ed from the CCCB Educació website. Based on the assessment and the programme has a dual aim: to progressively construct a global contributions of the schools that used the briefcase, an improved view of the Internet and its effects and to give tools to the educators model will be produced which during the academic year 2015-2016 in order for this knowledge to be transferred to the classroom. will be distributed via the Educational Resources Centres.

The themes of the four sessions were the following: 1. Introduction to The network is formed by five educational units that allow analysis the series, with a global view of the world wide web and how it has been of the impact of the Internet and the technologies that are derived built; 2. Person. What effects do the Internet and technologies have on from it at three incidence levels – person, city and planet – and from the cognitive system?; 3. City. A critical and constructive look at the so- different viewpoints. cial media networks; and 4. Planet. Is the Internet as “virtual” as it seems? What ecological impact does it have and how can it be minimised? The themes of the five units are as follows: 1. Building the web, 2. The logic of programming, 3. Social media networks and community With the participation of Jordi Bernabeu, Efraín Foglia, Marcus action, 4. The ecological impact of the Internet, and 5. Building Hurst, Juan Insua, Irene Lapuente, Jordi Oliver, Isidre Plaza, Senén knowledge. Roy and Cristina Sáez. 73 CCCB Lab Data Journalism It is a discipline that the main international news media have all incorporated in recent years. It offers readers visualisations and treatments of data to explain the news in a clear and understandable way.

Since 2013, the CCCB has been hosting data journalism work sessions and an annual conference devoted to the subject, organised in collaboration with the Spanish section of the OKFN-Open Knowledge Foundation, the Blanquerna School of Communication and Medialab-Prado.

In the year 2014, the data journalism activities combined with “Big Bang Data”, the CCCB’s exhibition on the datification of the world, and the work sessions from June to October were held at the Beta Station, the exhibition’s work space. CCCB © Miquel Taverna

Data Journalism Work Sessions 2nd Data Journalism and Open Data Dates: 22 January, 20 March, 22 May, 19 June, 9 October, Conference 19 November and 10 December Date: 25 April Collaboration: OKFN-Open Knowledge Foundation Collaboration: OKFN- Open Knowledge Foundation, Blaquerna and Karma Peiró School of Communication and Medialab-Prado

The work sessions were aimed at journalists, IT specialists and de- The second edition of these sessions specialising in data journal- signers. They were meetings of a practical nature with a dual aim: ism and the visualisation of open data for journalistic, scientific and to present local data journalism projects and to provide participants business projects, which were held in parallel in Barcelona and Ma- with tools that allow the processing of data and their visualisation. drid between 24 and 27 April.

In 2104 the following subjects were covered: The CCCB hosted the programme for 25 April: keynote lectures with in- ternational experts and the MeetUp Data + Moritz, an informal meeting Good practices in data searching and visualisations, Practical ad- for sharing and learning about experiences in the local sphere. vice for understanding statistical data, Data for evaluating and mapping, Data and new narratives, Observing the data of my mu- With the participation of Eva Belmonte, Mar Cabra, Juan Francisco nicipality, Who guarantees data quality and authenticity?, How are Caro, Jesús Escudero, Nicola Hughes, Karma Peiró, Josep Perelló, Ga- data worked with at the Los Angeles Times? briela Rodríguez, Mar Santamaria, Mariana Santos and Joan Soler.

With the participation of Xavier Badosa, Eduard Martín Borregón, And the presentation of the following local data journalism cases: David Casado, Antonio Delgado, Pedro García, Àngels Llorens, Na- Govern Obert, Mapa InfoParticip@, Fuga2, AtNight, Data’n Press, talia Mazzote, Álvaro Millán, Diego Pasqual, Víctor Pascual, Enric Projecte Colibrí, Historias de gasto, Oficina Ciencia Ciudadana, Pons, Joan Soler, Idoia Sota, Federico Todeschini and Ben Welsch. Timeline15M, Vist al DOCG, Observatoris Ciutadans Municipals, desideDatum, Vidas Contadas and Partit Obert. 74 CCCB Lab

Collaboration — P2Pvalue P2Pvalue Project, IGOPnet (UAB) and P2P Foundation Collaborative Networked Production

22 January CCCB © Miquel Taverna

On 22 January a debating session was held with the presentation of The results of the research served for the development of a digital P2Pvalue, a European project for research and action around com- platform based on decentralised architecture and the design of pub- mons-based peer production. lic policies that promote the commons.

Commons-based peer production is an emerging and innovative With the participation of Adam Advirsson, Marco Berlinguer (mod- production model in which the creative energy of a large number of erator), Samer Hassan, Primavera de Filippi and Mayo Fuster Morell. citizens is coordinated, generally with the support of a digital plat- form – outside the parameters of the traditional hierarchical organ- isation – to give as a result the public provision of commons-based resources. In this way, such well-known projects have been built as Linux, Wikipedia, SETi and Open Street Map, etc. and recently it has been expanding to many other areas of activity, such as citizen science, product design, the management of common spaces and open data sources.

The P2Pvalue Project is based on an exercise of mapping of the dis- semination and hybridisation of production between peers, and it researches the conditions that favour collaborative creation, as well as the value logic of these emerging forms: How does value func- tion in emerging organisational forms? What conditions favour networked collaborative production? What distinguishes the com- mons from traditional hierarchical and commercial organisations? 75 CCCB Lab — Associated Projects Associated Projects One of the missions of the CCCB Lab is the creation of distributed networks that favour the cooperation and exchange of experiences between different cultural projects. In the year 2014 we have worked on collaborations with: CCCB © Miquel Taverna

Barcelona Lab Latin America-Europe Cultural Ring

This is a space for innovation open to citizens and promoted by The Latin America-Europe Cultural Ring is a network of co-crea- Barcelona City Council’s Directorate of Creativity and Innovation, tion, collaboration and participation that links Latin America and together with other cultural institutions, research centres and com- Europe in the field of contemporary cultural action based on the panies in the city. The CCCB Lab is a natural ally of this project that intensive use of information and communication technologies and aims to convert Barcelona into an international reference point in second-generation Internet. the new scenario of cities that generate intelligence, creativity and innovation. http://anillacultural.net http://barcelonalab.cat

Institut de recherche et d’innovation

In 2008, the CCCB, together with Microsoft, joined the Institut de recherche et d’innovation (IRI), created in 2006 by the Centre Georg- es Pompidou and directed by philosopher Bernard Stiegler. This is a space for research related with the application of new technologies to the creation, production and formalisation of cultural activities. www.iri.centrepompidou.fr CCCB © Miquel Taverna Friends of the CCCB 78 Friends of the CCCB Friends of the CCCB

This year was a special year. Coinciding with the 20th anniversary of the CCCB, a campaign was carried out to attract new Friends; all those who accredited that they would be 20 years old in 2014 were gifted a CCCB Young Friend card giving them free access to all the activities produced by the CCCB for the whole year. This was a huge success, as nearly 1,000 new Young Friends were recruited.

All of our Friends, a total of 1,900, counting all the card modalities, were offered a series of activities: some exclusive, such as the guided tours of the exhibitions or the Reading Klub, and others together with the Articket Friends of Museums or with other communities, as well as special promotions, excursions, etc. The total number of people attending the different activities was approximately 970. 79 Friends of the CCCB Visits to exhibitions at the CCCB

As for the exhibitions and activities of the CCCB, the following activities were organised: — Presentation and visit to the exhibition “Espriu. I Looked upon this Land” for Friends of the CCCB, the MACBA, the MNAC, the Fun- dació Antoni Tàpies and the Fundació Joan Miró, 21 January — Guided tours of the exhibition “Metamorphosis. Fantasy Visions in Starewitch, Švankmajer and the Quay Brothers”, 9 and 24 April — Guided tours of the exhibition “Big Bang Data”, 14 and 20 May — Guided tours of the exhibitions “The Start of Tomorrow. Mancomunitat of Catalonia: 100 Years” and of “From Charity to the Public Health Service”, 22 May — Guided tour of the exhibition “World Press Photo 14”, 20 November and 4 December — Guided tour of the exhibition “Arissa. The Shadow and the Photographer, 1922-1936”, led by Rafael Levenfeld, curator of the exhibi- tion, 2 and 3 December

Other Activities at the CCCB

— 22nd Seminar on Catalan Translation, 1 March — “Salvador Espriu: Salvation through the Word”, a lecture by Ramon Riera with recital of poems by Jordi Brau, 5 March — Loop Studies Lab: How to Imagine New Models of Leadership in Cultural Production and Programming, 6 June — Visit to the selection of objects from the collector’s cabinet made by the Quay Brothers, Museu Frederic Marès, 12 June — Enter Forum, international meeting on the impact of Internet and the social networks, 16 and 18 June — Web Visions, 20 and 21 June — El Grec 2014 Audiences Workshop, 30 June and 20 July — Inroads into the world of Big Data hand in hand with the Societat Catalana d’Estadística, 27 September — Guided itinerary by bicycle “From Pedralbes to Sant Joan Despí”, 12 October

Outside the CCCB

— Guided tour of the exhibition “I Rebel, We Exist”, 11 January — Guided tour of the exhibitions of Danny Lyon, with the series “The Bikeriders” and “Uptown”, Foto Colectania, 11 March — Presentation of the Exhibition “Allan Kaprow. Other Ways”, led by Soledad Gutiérrez, curator of the exhibition, Fundació Tàpies, 11 March — Presentation and visit to the exhibition “I Work the Street. Joan Colom, Photographs 1957-2010”, Museu Nacional d'Art de Catalunya, 3 April — Guided visit to the Barcelona Supercomputing Centre (BSC-CNS), 11 June and 10 July — Visit to the exhibition “Salvadoriana. Treasure of Scientific Heritage”, Jardí Botànic de Barcelona, 2 and 3 July — Visit to Fab Lab Bcn, Institut d’Arquitectura Avançada de Catalunya, 16 October — Discussion and tour of the Barri de Sant Pere with some of the authors of the publication El quarter de Sant Pere. Història d’un barri amagat de Ciutat Vella, 30 October — Presentation and visit to the exhibition “Barcelona, Neutral Zone (1914-1918)”, Fundació Joan Miró, 6 November — Presentation and visit to the exhibition “Carles Casagemas. The Artist Behind the Myth”, Museu Nacional d'Art de Catalunya, 25 November

Reading Klub

— La pell de brau [The Bull-Hide], Salvador Espriu, 15 January — Foundation, Isaac Assimov, 12 February — Reading of interviews to analyse journalistic texts, 12 March — Tot allò que una tarda morí amb les bicicletes [Everything That One Afternoon Died with the Bicycles], Llucia Ramis, 7 May — Violence, Slavoj Zizek, 21 May — Atonement, Ian McEwan, 18 June — El silenci dels arbres [The Silence of the Trees], Eduard Márquez, with the presence of the author, 17 September — In Praise of Shadows, Junichiro Tanizaki, and Fear and Trembling Amélie Nothomb, 12 November

Exclusive Offers for Friends of the CCCB

— Campaign: “This Christmas give (yourself) the gift of Friends of the CCCB”, 4 December-7 January — Special discount for Friends of the CCCB on Courses at the Writing School of the Ateneu Barcelonès, 4-27 March — Prior function of “Carnaval de Màgia. De Brossa a Hausson”, La Seca-Espai Brossa, 25 March — Function prior to the first night of La Dama de les Camèlies, directed by Hermann Bonnín, La Seca-Espai Brossa, 27 April — Fronteras, TNC, 29 May and 8 June — 2x1 admission to the show M.A.R.I.L.U.L.A., by Lena Kitsopoulou, La Seca-Espai Brossa, 10 September — 25% discount for Cels, by Wajdi Mouawad, La Perla 29, 30 September and 19 October — Admission to the performance of Cels and subsequent discussion directed by journalist Gemma Ruiz, La Perla 29, 4 October

CCCB Education 82 CCCB Education CCCB Education

The CCCB’s educational proposal creates a place of convergence between the cultural world and the educational world beyond the classrooms. It presents a set of activities aimed at school groups and educators that includes, among others, guided visits to the exhibitions, activities and workshops related with the centre’s programme, urban itineraries and an educational briefcase. At the same time, it includes a social programme aimed at people at risk of exclusion and the project Sponsor your facility, which strengthens the relationship between education centres and cultural facilities in the Raval.

At weekends the educational programme is also aimed at a more general audience and offers a set of activities designed for enjoyment by all the family.

Besides the activities at the centre, the website www.cccbeducacio.org constitutes a platform for knowledge, dissemination, learning and participation, a network that enables the sharing of work, experiences and educational resources. CCCB © Miquel Taverna 83 CCCB Education Forging a cultural and educational network CCCB Education aims to be an open door for collectives, organisations and projects working between the cultural and the educational world, through digital tools and also the free loan of CCCB venues so that they can programme their activities.

1. Digital tools

First of all, the website cccbeducacio.org constitutes a network for sharing educational proposals and contents, understanding education in a broad sense and not only restricted to the classroom. It is open to schools, institutes, academies and universities alike, as well as other organisations that run activities for them. Currently this virtual space constitutes an archive of some 906 experiences that develop their work between the educational world and the cultural world.

CCCB Education publishes highlights on its website to offer tools and reflections to the cultural and educational world. At a time of infor- mation overload on the net, we want to be critical intermediators for educational contents, taking iver the role of filtering.

Secondly, the Twitter account @CCCBeducacio echoes all of those initiatives that emerge in the shared terrain of both worlds. We currently have 6,000 followers.

2. Free loan of CCCB venues

A way of exploring the relations between the activities programmed by the Centre and the cultural life of the city is by seeking complicities in the very spaces of the CCCB.

In 2014, among others, the following activities were hosted:

Light on the Waves Date: 10 October The ICFO-Institut de Ciències Fotòniques organised, for the third time, a science fiction competition for secondary school students. The aim of the competition was to show the capacity of literature and music to talk about science, and the capacity of science to inspire artis- tic creativity. At the same time, contemporary musicians converted the winning texts into songs, which were presented at a concert on 10 October 2014 at the CCCB.

Ravals 2014 Dates: 14 — 16 November This collaboration was framed within the various actions that are carried out understanding culture as a driving force for social change and a generator of coexistence and dialogue. It was an open and participative festival that made known some of the many facets of the cultural life of the district, encouraging links between organisations and people, through the creation of joint cultural actions.

Voxprima Dates: December 2013 — July 2015 Voxprima is a collective associated to the CCCB for educational subjects. It carries out the Picto-writing Programme in Ciutat Vella which is backed by the Education Consortium and has an impact on 600 primary school pupils from the Ciutat Vella district by improving their level of reading and writing through drawing. It also collaborated on the design of educational activities for the exhibition “Espriu. I Looked Upon This Land”. 84 CCCB Education Schools programme Work focused on temporary and permanent educational proposals connected with the contents programmed by the various departments of the CCCB taking into account two premises: that the proposals should be linked to curricular needs and that they contributed tools that allowed participants to create cultural value.

“Espriu. I Looked upon this Land”

Dates: 30 October 2013 — 16 March 2014 This exhibition allowed work in the field of languages, a highly curricular subject.

“Metamorphosis. Fantasy Visions in Starewitch, Švankmajer and the Quay Brothers”

Dates: 26 March — 7 September This exhibition took us fully into the creative process of the audiovisual.

Món Llibre for schools

Dates: 10 and 11 April On the occasion of the 10th anniversary of Món Llibre, an advance of the festival was offered with activities designed for schools during the Thursday and Friday prior to the opening for the general public.

“The Start of Tomorrow. Mancomunitat of Catalonia: 100 years”

Dates: 8 April — 20 July This exhibition took an in-depth look at the history of Catalonia.

“Big Bang Data”

Dates: 9 May — 16 November This exhibition allowed us to share the technological sphere with the artistic sphere.

“World Press Photo. International Professional Journalism Exhibition”

Dates: 6 November — 8 December Educational offering related with this exhibition and organised by Photographic Social Vision.

“Arissa. The Shadow and the Photographer 1922-1936”

Dates: 14 November 2014 — 12 April 2015 This exhibition allowed us to work in the artistic sphere.

Urban Itineraries

Dates: the entire academic year These itineraries worked the social dimension of the city, the neighbourhoods and the people, in the sphere of the public space. Firstly, four itineraries were organised, which were also offered at weekends for adults: El Raval: cosmopolitan territory. El Carmel and Nou Barris. From the Right to Housing to the Right to a City; Besòs. From Frontier to Public Space; and Poblenou. The productive city (see details in the Programme for Adults section). And, secondly, a specific itinerary for school groups: The Eixample. The Shape of the City.

Photography Workshop: The City of Photographers

Dates: the entire academic year This workshop is a joint activity organised by MACBA and CCCB, within the framework of Photography in Course, an A Bao A Qu programme. This edition worked on the social dimension of the city, the neighbourhoods and the people, in the sphere of the image. 85 CCCB Education Teacher Training Programme The relationship with teaching staff is an imperious need for the CCCB, which seeks their complicity to produce the proposals that it subsequently offers them. The aim is to find out their needs in order to provide them with tools for working with pupils.

Internet Universe Dates: 5, 7, 12 and 14 February A series of four sessions that offers a global view of the Internet and how it affects our lives at three impact levels: on the person, on the city and on the planet.

Picto-writing Programme in Ciutat Vella Dates: 19 and 26 November, 3 and 10 December Teacher training programme in the fields of picto-writing hand in hand with designers and professional illustrators.

Programme for Adults At weekends the educational programme was also addressed at a more general public and included guided visits to the exhibitions and urban itineraries by foot, by coach or by bike.

Guided tours of the Exhibitions

At the weekends admission to the exhibition allowed participation in a guided tour without any extra cost, on Sundays in Catalan and on Saturdays in Spanish. Furthermore, visits were organised for groups of at least 20 people.

Itineraries Programme

The CCCB’s itineraries programme comprises a series of walks around different areas of the city that help us reflect on the questions that the contemporary city is asking us today.

In 2014 the following urban itineraries were organised: — Urban Itineraries on Foot

El Raval. Cosmopolitan Territory Dates: 19 January, 30 March and 18 October What was once the emptiest sector of walled Barcelona is today the most densely populated neighbourhood in the city. In this process the Raval has been enriched, but it has never managed to free itself of the effects of marginalisation. How is it possible to favour a mixture of uses, cultures and classes without excluding anyone?

El Poblenou. The Productive City Dates: 9 February, 5 April and 25 October The utopian socialism of Cerdà saw in Poblenou the possibility of a New Icaria. Pla 22@ is a testing bench for exploring the knowledge society. De-industrialisation has filled it with abandoned factories and the collective memory of the workers and the cooperatives has charged it with meanings. What must the city live on after de-industrialisation?

El Carmel and Nou Barris. From the Right to Housing to the Right to a City Dates: 23 February, 26 April, 8 November The need for a roof over people’s heads is more imperative than any urban planning regulation. The fight of the neighbourhoods of El Carmel and Nou Barris to achieve dignified housing is full of lessons for tackling a challenge that is still all-too-pressing today: how can we ensure that the city accommodates everyone? 86 CCCB Education

— Urban Itineraries by Coach Besòs. From Frontier to Public Space Dates: 9 March What was once a frontier between urban peripheries is now a nerve centre that transcends the municipal sphere and is helping to config- ure a new metropolitan city. Today the Besòs is a privileged space for interconnection within a context in which planning and urban vision on a large scale have become fundamental.

— Urban Itineraries by Bicycle

Led by Bici Cultura BCN, specialists in architecture and urban planning

La Sagrera - Sant Andreu - Sant Martí: Three Neighbourhoods Undergoing Transformation Dates: 22 November The La Sagrera area is the place where the largest urban transformation in the city of Barcelona is taking place, with the construction of the great new railway station of Barcelona for the high-speed train and the incorporation of a linear park from the bridge on Bac de Roda to the Trinitat interchange. The route leads around the sector first above it and then below it.

From Montgat to the Barceloneta. A Variety of Seafronts Dates: 18 April The stretch from Montgat to the river Besòs is marked by the alternation of consolidated urban fronts and industrial sectors situated right along the coastline. Having crossed the Besòs, two urbanistic operations serve to date the transformation of Barcelona’s urban front: the Forum and the Vila Olímpica. La Barceloneta, the city’s port and fishing district since the 18th century, is today adapting to the new challenge presented by the advent of mass leisure and tourism.

El Llobregat The edges of the urban soil Dates: 9 May How to resolve the point where city meets nature? Along the last stretch of the Llobregat the capital question is raised of how to resolve the point where the city meets nature. In this ambiguous territory where major infrastructures coexist with green spaces of great quality, a growing sensitivity towards the edges of the urban soil can be sensed. Facilitating that people are acquainted with it, fond of it and defend it is perhaps the best way to preserve it.

— Literary Urban Itinerary

Lavínia, the Barcelona of Salvador Espriu Dates: 11 and 25 January A tour around the prose and the biography of Salvador Espriu, with Maria Nunes, and including a visit to the exhibition.

Programme for Under 18s

Room 1418 Proposal for the 14-18 community Dates: 15 February-20 December Organised by: MACBA and CCCB Room 1418 is a new space for activity for a public aged 14 to 18 years, an opening meeting point every Saturday afternoon that aims to reach young people in the metropolitan area and develop a special bond with the Raval. Under the direction of video creator Fito Conesa, this highly flexible platform deployed a continuous activities programme and allowed free use to be made of the resources that the MACBA and the CCCB made available to participants.

Between Images Photography and Cinema Workshop for children aged 6 to 12 years Dates: 5 April, 17 May, 7 June and 28 June Organised by: La Virreina. Centre de la Imatge, Fundació Foto Colectania, Arxiu Fotogràfic de Barcelona and CCCB. Curated by A Bao A Qu. This was an educational proposal from four institutions with the aim of working on visual literacy and offering tools to distinguish, interpret and understand fixed images or images in motion in an educational but entertaining way. Every Saturday morning a workshop was held at one of the four institutions. At the CCCB, the sessions were titled XCèntric Tours. 87 CCCB Education

Visits to the exhibitions Activities to share with the family Firstly, support material was given to be able to make a more dynamic visit in a more independent way for families who came to see the exhibitions “Metamorphosis” and “Espriu”. Secondly, activities related with the exhibitions were organised, such as workshops on “Metamorphosis” and “Big Bang Data”.

Culturnauts For children aged 6 to 16 years Dates: 30 June-1 August Organised by: CCCB with A Home in Progress Film and La Mandarina de Newton The CCCB’s summer school constituted a journey through the galaxy of contemporary culture for explorers aged 6 to 12 years and 13 to 16 years. For five weeks the Summer School worked on the lines developed in the exhibitions and programmes that the CCCB presented over the course of 2015, and it does so through workshops, combined with other recreational activities that took place at dif- ferent spaces within the CCCB. Every week a proposal is offered with an independent centre of interest but complementary with the rest. The aim was to offer a creation laboratory with a large dose of experimentation and new formats, culture with a large dose of technology to help us understand our present. CCCB © Jordi Gómez CCCB © Jordi

Social Programme 90 Social Programme Social Programme Since it first opened its doors, the CCCB has honoured its responsibility of offering a space where everyone can access culture. In this sense, the Centre’s social programme includes the Apropa Cultura (Closer to Culture) Programme, the Alzheimer Programme, the Raval Programme, the Open All Areas Programme, and the community practice blog on Museums and Accessibility, as well as a PQPI work experience agreement and a remunerated scholarship with the Casal d’Infants del Raval (Children’s and Youth Centre) and a system of grants for Culturnauts, the CCCB’s summer school.

Apropa Cultura Apropa Cultura (Closer to Culture) stands as a door to inclusion and aims to ensure accessibility for all citizens to cultural facilities. It is an initia- tive that brings together theatres, auditoria and museums with organisations from the social sector to make culture accessible to everyone. The CCCB has taken part in the programme since 2013 and offers visits to exhibitions and urban itineraries, as well as visits to the Casa Provincial de Caritat (former Almshouse).

During the year 2014, the following activities were carried out with a total of 661 visitors: — Itinerary “The Raval. Cosmopolitan Territory”, 10 groups, 125 people — Itinerary “The Eixample. The Shape of the City”, 6 groups, 84 people — Workshop “The City of Photographers”, 4 groups, 54 people — Visit to the exhibition “Espriu. I Looked upon this Land”, 2 groups, 23 people — Visit to the exhibition “Metamorphosis”, 5 groups, 63 people — Visit to the exhibition “Big Bang Data”, 3 groups, 40 people — Visit to the exhibtion “World Press Photo”, 19 groups, 273 people www.apropacultura.cat

CCCB Alzheimer Programme Within the framework of the Apropa Cultura (Closer to Culture) Programme, the CCCB continued with its Alzheimer Programme, aimed at people affected by the illness, their families and carers. This programme offers guided tours of the exhibitions at the CCCB and of the building housing the Centre (the former Almshouse) plus a special programme of films.

During the year 2014, the following activities were carried out with a total of 167 visitors: — Visit to the Casa de la Caritat (former Almshouse), 6 groups, 95 people — Programme “Let’s go the the cinema”, 4 groups, 56 people — Visit to the exhibition “Arissa. The Shadow and the Photographer 1922-1936”, 2 groups, 16 people

In addition, over the course of 2014, other activities and actions were carried out as detailed below.

— “Learning and Service” Programme Upon the proposal of La Blanquerna-Universitat Ramon Llull, the CCCB participated in the “Learning and Service” Programme with the aim that some of its students learned by providing a community service. Two classes were taught at the university to students in the morning and the afternoon group. Afterwards the students visited the AFAB to get to know the users whom they would be addressing and finally, on 28 and 30 April, the same students carried out an activity designed by themselves with users of the AFAB at the CCCB. 91 Social Programme

— Participation in 6 day sessions — Open All Areas Day, Rome, 10 and 11 April, The Alzheimer Project “The Memory of Beauty”. — 2nd International Congress on Education and Accessibility in Museums and Heritage: In and With All Senses, Towards Social Integra- tion in Equality, Huesca, 3 and 4 May. Presentation of the paper: “Culture and Memory. The CCCB Alzheimer Programme”. — DKV Congress, Art and Health 2, Hospital of Denia, 12 June. Presentation of the paper: “Culture and Memory. The CCCB Alzheimer Programme”. — 4th Seminar on Creativity and Social Inclusion, Picasso Museum of Malaga, 6 and 7 November. — Diputació de Barcelona Day, The Tactile View. Presentation of the paper: “Culture and Memory. The CCCB Alzheimer Programme”. — Organisation of the sessions as part of the acts commemorating 20 years of the CCCB, “CCCB Alzheimer Programme”, 23 October.

— Museums and Accessibility Work Group The CCCB continued forming part, together with other museums from Barcelona and its metropolitan area, of a work group focusing on accessibility at museums, with coverage of their experiences in the Community Practice Blog on Museums and Accessibility. http://museusiaccessibilitat.blogspot.com.es/

Raval Programme CCCB Educació, in collaboration with other cultural organisations from the neighbourhood, is working to forge links between schools in the Raval neighbourhood and our institutions.

During the year 2014, the following actions were carried out:

1. Free admission Pupils from schools in the neighbourhood enjoyed free admission to guided tours of the exhibitions, the urban itineraries and educational activities in general.

2. Programme of talks with secondary schools With the collaboration of the Documentation and Debate Centre, the CCCB went out into the neighbourhood and programmed talks with figures of international renown who discussed issues of current importance in the lives of young people and our society. In 2014 one meet-up was organised with Kamila Shamsie (24 March) and another with Pankaj Mishra (7 October).

3. Picto-writing Programme in Ciutat Vella In collaboration with the Libraries Network and the CCCB’s Education Service, VoxPrima has designed a programme addressing state schools in the Ciutat Vella district in order for their pupils to have access to this creative learning technique in schools during the 2013- 2014 and 2014-2015 academic years.

With the aim of significantly improving children’s written expression capabilities and serving as a stimulus for teaching staff by contributing new focuses for working on writing, during 2014 four days of teacher training were held on the CCCB premises along with ten workshops with pupils held at the CCCB premises and at libraries in the neighbourhood.

Work Experience at the CCCB The CCCB has an agreement with the Casal dels Infants del Raval (Children’s and Youth Centre) that establishes work experience at the CCCB’s Maintenance Service within the framework of the Initial Professional Qualification Programmes (PQPI). In addition, if students show satisfactory performance on the work experience scheme, they have the chance of accessing a remunerated scholarship designed exclusively for registration fees and educational material, with the aim of being able to continue with their formal training and gain initial work experience. In 2014, there was a work experience pupil who was subsequently granted the remunerated scholarship.

Culturnauts Grants From 30 June to 1 August, Culturnauts, the CCCB’s summer school was held. This space was designed to encourage the capacity for exploring and discovering, to arouse the curiosity of each participant, an inclusive activity that honoured the CCCB’s responsibility of offering a space where everyone can access training through a cultural experience. It took place thanks to a strong partnership with the Fundació Pere Tarrés which, with over 50 years of experience, guaranteed the weekly organisation of the project and the educational and social work with the participants. In addition, the Obra Social “La Caixa” awarded 35 grants to children and young people of the Raval neighbourhood that allowed them to enjoy this activity, approved by Barcelona City Council, at affordable prices.

Beyond the CCCB 94 Beyond the CCCB Beyond the CCCB 95 Beyond the CCCB — Exhibitions

Curators — Organisation — Bolaño Archive. 1977-2003 Valérie Miles and Juan Insua CCCB, Centre Cultural Recoleta Production — and Government of the City In Buenos Aires CCCB, with the participation of Buenos Aires of the Government of the City of Buenos Aires 19 December 2013 — 20 February 2014

A decade after his death and revolving around Bolaño’s known de- point of the exhibition is the presentation of previously unpub- votion to Argentine literature (he was a voracious reader of Rob- lished material from the archives of Roberto Bolaño: novels, short erto Arlt, but also of Macedonio Fernández, Jorge Luis Borges and stories, poems, various texts and exercise books, correspondence, Julio Cortázar), the City of Buenos Aires wanted to be the first to family photographs, magazines and fanzines, his personal library, pay its own tribute to him by hosting the exhibition “Bolaño Ar- a plethora of interviews, strategy board games and other valuable chive. 1977-2003” at the Centro Cultural Recoleta. The exhibition materials, that provide a greater comprehension of the creative uni- received a spectacular reception in the Argentinian press and on verse of Bolaño and contribute to a freer and more prolific interpre- the social networks. tation of his work. “Bolaño Archive” was the result of collaboration between the After the presentation of the exhibition at the CCCB and in CCCB and the heirs of Bolaño. Beyond the thematic focus, the Buenos Aires, it is planned for it to be presented at the Casa del innovative museographic elements and other aspects, the strong Lector in Madrid from 10 February to 20 July 2015.

Curators — Organisation — Pasolini Rome Gianni Borgna, Alain Bergala CCCB and Cinémathèque and Jordi Balló française (Paris) In Paris Coproduction — CCCB, Cinémathèque française This project has been financed (Paris), Palazzo delle Esposizione with the help of the European 14 October 2013 — 26 January 2014 (Rome) and Martin Gropius Bau Commission. (Berlin)

“Pasolini Rome” is an eminently collective project conceived from texts, and study sessions on one of the most important European the outset to tour to four major European capitals. The work of the intellectuals of the last century. Participants intervening includ- four centres as a network takes an in-depth look at this capital fig- ed Serge Toubiana, Alain Bergala, Jordi Balló, Bernard Benoliel, ure of the 20TH century and has strata of views according to the Stéphane Bouquet, René de Ceccatty, Hervé Joubert-Laurencin, speciality of the centre hosting the exhibition. Thus it is possible to Georges Didi-Huberman, Dacia Maraini, Roberto Chiesi and evaluate with greater transversality the legacy of Pier Paolo Pasolini Ninetto Davoli, among others. for the European culture of the 21st century. With this presentation, the Cinémathèque made a great impact At the Cinémathèque française in Paris, the exhibition, which in the media and achieved a notable attendance by the public, with offers a close view of Pasolini throughout a multiple and thrilling close to 42,000 visitors. The Cinémathèque also created, with the life in permanent tension, the life of a creator and fighter on all collaboration of the rest of its co-producers, a joint online platform fronts, was accompanied by an extensive programme of parallel (http://www.pasoliniroma.com and http://blog.pasoliniroma.com) activities; a complete retrospective on Pasolini the filmmaker, which has attracted over 30,500 virtual visits. staged readings and performances of his poetry and theatrical

In Rome

Curators — Organisation — 15 April — 20 June Gianni Borgna, Alain Bergala and CCCB and Palazzo delle Jordi Balló Esposizione (Rome) Coproduction — CCCB, Cinémathèque française Financed with the help (Paris), Palazzo delle Esposizione of the European Commission. (Rome) and Martin Gropius Bau (Berlin)

In no other place could showing the “Pasolini Roma” acquire more passion and hatred, phases of attraction and phases of rejection, of meaning than in the city to which it is dedicated. Perhaps because distancing and return. The difficult circumstances of his arrival in of this, and the fact that the exhibition was accompanied by an Rome catapulted him into a world and a language that were not his extensive programme of meetings with witnesses, experts and in- own: the precarious state of his finances forced him to live in the tellectuals; by a retrospective of films; and by a long list of events world of the sub-proletariat of the periphery. From the discovery of for discovering the close relationship Pasolini had with music, the this new universe, a powerful inspiration was born from which he project was visited by 70,000 visitors. found the theme of his first novels and films. Later, for Pasolini, the For Pasolini, Rome was not just a stage set or a simple place public man, for the tireless analyst of Italian society, Rome became of residence. Rome had a physical, carnal and passionate existence, the main point of observation, his permanent field of study, of re- as much for the man as for the writer, the poet and the filmmaker. flection, of action and of persecution. His encounter with Rome was for the author like a great love story, with all its disappointments, its betrayals and its mixed feelings of 96 Beyond the CCCB — Exhibitions In Berlin

15 September — 6 January 2015 Curators — Organisation — Gianni Borgna, Alain Bergala CCCB and Martin Gropius Bau and Jordi Balló (Berlin) Coproduction — CCCB, Cinémathèque française Financed with the help (Paris), Palazzo delle Esposizione of the European Commission. (Rome) and Martin Gropius Bau (Berlin)

“Pasolini Rome” lastly was presented at the Martin Gropius Bau Maike Albath, Dorothea Dieckmann and Walter Siti, Peter Kam- in Berlin where the exhibition highlighted an extremely lucid Pier merer, Mario Fortunato, Peter Schneider, Andrea Bajani, Agnese Paolo Pasolini who was awkward for Italy, who did not hesitate to Grieco, Peter von Becker, Volker Schlöndorff, Hans Ulrich Reck use the languages necessary at any given time, to explore them and and Ulrich Gregor, among others. The Arsenal–Institute for Film make them his own in order to commit, above all, to life. Using po- and Video Art organised the retrospective in Berlin. etry, novel and film, he revolutionised the social and political con- ventions of his time, questioning both the middle-class sphere and the conventional left. The exhibition was the discovery of a Rome that was distanced from monumentality to stress its marginal ways of life, with which Pasolini identified in that he felt marginal himself because of his condition as a poet, a homosexual and a communist. There is a new Rome after Pasolini, as well as a new way of looking at his time and facing it. To accompany the exhibition different sessions and seminars were organised with different personalities from the German and Italian cultural arenas, who rediscovered some of the aspects of the exhibition and of the extensive work of Pasolini as a thinker and impassioned artist: Moshe Kahn, Ijoma Mangold, Dacia Maraini,

Curators — Organisation — Metamorphosis Carolina López Caballero CCCB and La Casa Encendida, Coproduction — of the Fundación Especial Caja Fantasy Visions in Starewitch, CCCB and La Casa Encendida Madrid Švankmajer and the Quay Brothers In Madrid

2 October 2014 — 11 January 2015

For nearly ten years the CCCB has been collaborating with La Casa Accompanying the exhibition at La Casa Encendida (which has Encendida on projects where cinema of resistance against narrative been visited by over 121,800 visitors), screenings were programmed conventions takes on a specific importance. of the films of Ladislas Starewitch in the company of the animals On this occasion the CCCB and La Casa Encendida co-pro- that star in them at the Museo Nacional de Ciencias Naturales; and duced the exhibition “Metamorphosis. Fantasy Visions in Stare- an exhibition at the Museo Lázaro Galdiano, a selection of the jew- witch, Švankmajer and the Quay Brothers” which presented the els from his permanent collection in relation with the creative uni- work of four essential figures in animated film – little known by the verse of Jan Švankmajer. general public, but who have been and are enormously influential and are reference points in various spheres of contemporary crea- tion: Ladislas Starewitch (1882-1965), Jan Švankmajer (1934) and the classification-defying Quay Twins (1947). The “Metamorphosis” experience, the exhibition and the par- allel activities programmed in both Barcelona and Madrid, redis- covered this group of artists that, due to their radical nature, their imagination and their own positioning, it is pertinent to re-read in the framework of the cultural present and contextualise their sub- versive potential. 97 Beyond the CCCB — Exhibitions

Curator — Organisation — The Complete Letters Jordi Balló CCCB and Centre Georges Coproduction — Pompidou (Paris) In Paris La Casa Encendida (Madrid), Centro Cultural Universitario Tlatelolco (Mexico), Acción Cultural 16 April — 30 July Española (ACE) and CCCB

Film is confirmed today as a central element of visual culture. Since separately: at the end of 2012 they programmed Jonas Mekas and it was opened, the Centre Georges Pompidou placed it at the cen- José Luis Guerín; in 2013 the Centre hosted the proposal by Albert tral core of its programming. After having screened it, exhibited it, Serra and Lisandro Alonso; and from April 2014 Jaime Rosales and shown its process of creation, it proposes a new series of manifesta- Wang Bing presented their filmed correspondence formed by three tions conceived on the basis of the exhibition The Complete Letters shorts, a retrospective of their films, the pre-premiere of Les Trois which was presented at the CCCB in 2012. soeurs du Yunnan (San Zimei), an unreleased film by Wang Bing, In this singular tour of the exhibition, that takes the name of a video installation by the Chinese filmmaker, and a meeting be- Cineastes en correspondence, the Centre Georges Pompidou invit- tween the two film directors. ed as guests the duos of filmmakers that made the filmed letters

In Berlin

Curator — Organisation — 8 — 19 May Jordi Balló CCCB and Arsenal – Institute Coproduction — for Film and Video Art (Berlin) La Casa Encendida (Madrid), Centro Cultural Universitario Tlatelolco (Mexico), Acción Cultural Española (ACE) and CCCB

Communicating international cinematographic culture in a living experimental cinema as a platform for network communications, way is the objective of Berlin’s renowned Arsenal Institute for Film promoting a dynamic exchange of cinema, art and science. and Video Art. At the meeting point between practice and theory, In this context, from 8 to 19 May, it programmed “The Com- this institution creates a space for cross-disciplinary thinking plete Letters” with the presence of director José Luis Guerín. of culture and directs its attention towards independent and

In Istanbul

Curator — Organisation — 11 — 19 October Jordi Balló CCCB y Pera Museum (Estambul). Coproduction — La Casa Encendida (Madrid), Centro Cultural Universitario Tlatelolco (México), Acción Cultural Española (ACE) y CCCB

Since 2005 the Pera Museum has been one of the leading tempo- In October it presented “The Complete Letters. Filmed Cor- rary exhibition venues in Istanbul. One of the most innovative parts respondence” which investigates the creative relationship between of its activity lies with Pera Films which periodically programmes filmmakers in the exchange of filmed ideas, where they consider af- classic and experimental cinema, animation, documentaries, short finities and differences, mutual respect and the simultaneity of their films and video art screenings. interests. As a part of this programme, the Pera Museum invited Catalan film director Albert Serra to a conversation with Rosa Fer- ré, the CCCB’s director of exhibitions..

In Jihlava

Curator — Organisation — 23 — 27 October Jordi Balló CCCB and International Coproduction — Documentary Film Festival (Jihlava) La Casa Encendida (Madrid), Centro Cultural Universitario Tlatelolco (Mexico), Acción Cultural Española (ACE) and CCCB

Jihlava International Documentary Film Festival has organised, every At the seventeenth edition of the Festival it presented the project year since 1997, and in the month of October, the leading documenta- “The Complete Letters. Filmed Correspondence” with the presence of ry film and creation festival in Central and Eastern Europe, under the the project curator Jordi Balló, and some of the filmmakers that took theme “Thought through Cinema”. part by sending epistolary works defined by cinematographic creation, such as Albert Serra, José Luis Guerín and Jaime Rosales. 98 Beyond the CCCB — European Prize for Urban Public Space European Prize for Urban Public Space Every edition of the European Prize for Urban Public Space is accompanied by a touring exhibition that displays the most prominent works. At each venue, apart from the adaptation of the exhibition, various complementary parallel activities are organised such as debates, workshops or conferences, which have attracted close to 16,000 visitors.

Production — Organisation — In Favour of Public Space CCCB Universidad San Francisco de Quito Exhibitions and debates around the European Prize for Urban Public Space 2012 In Quito 23 January — 7 February The capital of Ecuador hosted the exhibition “In Favour of Public The event was held at the neighbouring Teatro Calderón de la Space” at the Universidad San Francisco de Quito (USFQ). The ex- Barca and attracted the presence of some two hundred people, in- hibition was inaugurated with a lecture by Josep Llinàs, chair of the cluding university authorities, teachers and students of the university Jury of the seventh edition of the Prize, who offered a balance of the and general public. prize-winning works. In Athens

Production — Organisation — 18 February — 10 March CCCB Onassis Foundation

Athens hosted a retrospective exhibition on the thirteen works that Organised by the Onassis Foundation – a private, non-profit were winners over the course of the seven first editions of the Euro- organisation – together with a series of public institutions such as pean Prize for Urban Public Space (2000-2012). Examples of good Athens City Council and various ministries of the Greek Govern- practices originating from Mollet del Vallès, Dublin, Zuera, Leipzig, ment, the exhibition occupied, over all, nineteen commercial prem- Terol, Begues, Zaanstadt, Zadar, London, Magdeburg, Oslo, Lju- ises in this former shopping arcade that, despite a privileged loca- bljana and Barcelona were shown at the Arsakeion Buildings in the tion on Panepistimiou Street, was forced to close its doors due to Greek capital, within the framework of a broader exhibition titled the economic decline of recent years and the progressive decadence “Rethinking Athens: Towards a New Urban Centre”. of the urban centre.

In Caen

Production — Organisation — 26 February — 23 March CCCB Atelier public d'urbanisme de Caen

The exhibition on the European Prize for Urban Public Space 2012 that de-industrialisation had left infertile is to home new cultural fa- was presented in Caen, in the north of France. It was hosted at the Pa- cilities, as well as tertiary sector and residential buildings. villon de Normandie, an old industrial building situated on the banks The pavilion, which occupies the end of La Presqu’île closest of the Basin Saint-Pierre and that the City Council Caen acquired to to the urban centre, opened its doors in 2014 to become the centre convert it into a space for reflection and debate on the city. The cap- point of this transformation, the place where citizens can heighten ital of Lower Normandy was at that time facing an ambitious urban their awareness and debate its effects on the social and economic transformation that is now underway and affects the old factory area future of the city. of La Presqu’île. This stretch of earth that reaches the Atlantic and

In Luxembourg

Production — Organisation — 1 April — 11 May CCCB Fondation pour l’architecture et l’ingénierie After Caen, the exhibition was presented at the Fondation pour l’ar- it has a system of shared bicycles that has become very popular and chitecture et l’ingénierie in Luxembourg within the framework of is preparing to adapt to the governmental obligation that determines the activities of Design City. that all buildings be passive in energy terms from the year 2017. The The city, which has a long tradition of reflection on public space, exhibition of the 2012 Prize sought to enter into dialogue with the is connected with the movement of pedestrianization of the historical main questions linked to public space that the city has raised. centres so common in Europe. Currently, Luxembourg is seeking to solve the problems stemming from its dispersion over the territory, 99 Beyond the CCCB — European Prize for Urban Public Space

Production — Organisation — Polis CCCB Center for Architecture Foundation Seven Lessons from the European Prize For Urban Public Space In New York

27 March — 21 June

The European Prize for Urban Public Space was presented for the For this reason, the works exhibited were grouped under seven first time in the United States. The Center for Architecture in New headings that emerged in an empirical fashion: Periphery, Com- York hosted “Polis”, the retrospective exhibition of the first seven plexity, Voids, Water, Mobility, Memory and Democracy. All of editions of the Prize (2000-2012). these confirm the social and political dimension that impregnates This centre, the New York branch of the American Institute of the city and that is so well reflected in the Greek term polis, which Architects (AIA) and of the Center for Architecture Foundation, is was also the name of the exhibition. located near to the park at Washington Square. The space opened its doors in 2003 and since then its efforts to disseminate the qualities of the architecture and urban fabric of New York have made it a cultural reference point for the city. The Centre for Architecture hosted a retrospective of the 35 winning works over the course of the first seven editions of the Prize. Far beyond limiting itself to giving an account of the results of the competition, the exhibition placed emphasis on the lessons that can be learned from them.

Production — Organisation — Shared Cities CCCB Mairie de Bordeaux Exhibitions and debates around the European Prize for Urban Public Space 2014

8 — 14 September

“Shared Cities” is the exhibition of works that were recognised as The exhibition was presented at the City Council Salons within winners, special mentions and finalists in the eighth edition of the the framework of “Agora 2014. Biennale d’architecture d’urbanisme European Prize for Urban Public Space 2014. et de design“. Making manifest the desire to accompany the new Its European trek started in Bordeaux, in the French Atlantic character of the town culturally, this space was created to bring urban zone. The city itself has experienced a major urban transformation planning and architecture to the general public through activities in in recent decades, making it the ideal witness for hosting the exhi- different disciplines (film, literature, photography, etc.) which open bition of the prize. the way toward reflection and debate on European urban space.

In Szczecin

16 — 26 October Production — Organisation — CCCB Fondation pour l’architecture et l’ingénierie

After stopping off at Bordeaux, the exhibition was presented in The exhibition was presented at the Philharmonic by Judit Car- Szczecin, the largest port city in Poland. The exhibition was framed rera, director of the European Prize for Urban Public Space; Michel within the context of the eighth edition of Westival, the international Devigne, one of the winners of the 2014 prize for the reform of the architecture competition celebrated this year’s edition under the title Vieux-Port in Marseille; and Francis Rambert, Director of the Cité de “City, a Public Thing”. Through conferences, debates, workshops and l’architecture et du patrimoine in Paris and member of the Prize jury. exhibitions on urban spaces of Szczecin and of other Polish and Eu- ropean cities, the festival aimed to investigate the role played by the city in our lives, especially from 1989 onwards. It asks how the public spaces of different cities and cultures are conceived and experienced, and how space should be to best encourage coexistence. © Marina Palà CCCB Holdings 102 CCCB Holdings — Archives

Organisation — CCCB Archive CCCB

The CCCB Archive is the digital and multimedia collection that contains all the CCCB’s past material and makes it accessible to the public with a broad variety of resources on key issues in contem- porary culture and society, from the first exhibitions to the most recent debates and festivals. Currently, visitors to the CCCB Archive can consult over 10,000 multimedia references (recordings of lectures; performances, recit- als and concerts; in-house audiovisuals; photographs; information on activities and their participating authors, curators and speakers), which represent 100% of the historical holdings of the CCCB, and to which all the materials generated by its programming are grad- ually incorporated. In addition to its aim of communication, the Archive also has the vocation of being a space for recording the CCCB’s history, and an area for all visitors offering an area for reception, reading and relaxation.

Organisation — Architecture MFA (Helsinki), Public Space CCCB La Cité de l’architecture et du Within the context of — patrimoine (Paris), Deutsches Europe City Project, with Architekturmuseum DAM the support of the European (Frankfurt) and Architekturzentrum Commission’s Culture Programme. Wien Az W (Vienna) Collaboration — Sponsorship — Museum of Architecture and Copcisa, Abertis and Escofet Design MAO (Ljubljana), The Architecture Foundation AF (London), Museum of Finnish

Public Space is the CCCB’s portal on city and public space. Struc- tured around the European prize for Urban Public Space, it offers information on the projects presented, texts by authoritative au- thors, and all the news on the debates, exhibitions and festivals with an urban theme. Currently, the website contains details of around 450 interventions in the public space featuring over 300 cities. Thanks to the Europe City Project, which enjoys the support of funds from the European Union’s Culture Programme (2007-2013), the project has started to explore, interpret and evaluate in depth all of this legacy accumulated over nearly 14 years. Thus, the Prize’s website aims to continue expanding its contents, extend its network of complicities and become consolidated as one of the reference websites in urban themes.

www.publicspace.org 103 CCCB Holdings — Archives

Organisation — Xcèntric Archive CCCB The CCCB’s archive of art-house cinema

In 2014 the archive became part of the exhibition “Metamorphosis” and served as a space for viewing the films by those filmmakers cited in the exhibition. During the 2013-2014 academic year, the Archive’s guest audiovisual project was ”El video del minut: un espai propi, un film col·lectiu” [The One-Minute Video: an own space, a collective film]. Un- til 2 October it was possible to view a selection of films made by women, lasting one minute in duration and in a single shot, made by Virginia García del Pino (filmmaker) and Elena Oroz (researcher and teacher). During the second half of the year, educational activities were car- ried out such as workshops and special presentations of the new incor- porations. As a new feature, guided visits for groups were offered, and together with the CCCB’s Education Service, itineraries were prepared for the archive’s contents and other educational materials aimed at a teenage audience. And, through the Drac Màgic collective, for the first time the Archive received visits from school groups. The Xcèntric Ar- chive opens from Tuesday to Sunday, from 11.00 to 20.00, on Floor -1 of the CCCB and admission is free of charge. Furthermore, it proposes a service for groups with a guided tour of the contents of the archive subject to prior booking at [email protected]. The list of films can be consulted at http://www.cccb.org/ca/llistat_arxiu_xcentric.

CCCB Holdings — Archives in Collaboration

Organisation — OVNI OVNI and CCCB Observatory Archives

The Unidentified Frame Observatory Archives are of an intentional and thematic nature: the aim is to facilitate a critique of contempo- rary culture using different strategies (video art, independent doc- umentary and mass media archaeology). The Archives contain an entire constellation of disparate works, the common denominator of which is their free expression and reflection on individual and collective fears and pleasures. Together they build up a view with numerous facets, of thousands of tiny eyes that explore our world in depth, or announce other possible worlds; a discourse whose main values are heterogeneity, contradiction and subjectivity, and that aims to be a salutary lesson against the cloning and repetition of the corporate mass media.

www.desorg.org

Organisation — Sonoscop Orquestra del Caos and CCCB Sound Art Archive Sonoscop is the permanent collaboration project between Or- questra del Caos and the CCCB. Its aim is the creation of a mul- timedia archive of experimental music and sound art accessible to the public, whether through physical presence, or through other forms of electronically-derived presence, such as the web. The total number of sound archives now exceeds one thousand but, further- more, the archive includes catalogues, hand programmes, publica- tions on paper, audiovisual material and CD-ROMs.

www.sonoscop.net 104 CCCB Holdings — Publications Publications

Exhibition Catalogues © Marina Palà

Metamorphosis Anonymise Yourself Fantasy Visions in Starewitch, Švankmajer and the Quay Brothers Electronic Self-Defence Handbook

Presentation and journey through the work and references of film- Within the context of the “Big Bang Data” exhibition, Anonymise makers Ladislas Starewitch, Jan Švankmajer and the Brothers Quay, Yourself. Electronic Self-Defence Handbook, offers a set of recom- to trace the lines of intersection and convergence between their im- mendations, tools and practices to preserve privacy in the Post- aginaries. Although these are three very personal universes of great Snowden world. richness and multiple nuances, they often share an atmosphere or reference points or sinister, surreal, humorous poetics in which the Texts by Philippe M. Frowd, Gemma Galdon Clavell, Olga Subirós, José Luis de Vicente and José María Zarvala fairy tale coexists with the cabinet of curiosities, Renaissance science, Catalan-English / Spanish-English magical illusions and a certain intellectual, aesthetic and literary leg- 20 pages, 32 images in b/w and colour / 29 x 37 cm acy originating from the Eastern Europe of the early 20TH century. Published by: CCCB, with the support of Palau Macaya of Obra Social “La Caixa” Texts by Jordi Costa, Brian Dillon, Andrés Hispano, Carolina López, François Martin and Pascal Vimenet Catalan-English / Spanish-English Arissa 192 pages, 250 images in b/w and colour / 17 x 24 cm The Shadow and the Photographer 1922-1936 ISBN: 978-84-9803-513-1 (Catalan) / 978-84-9803-668-8 (Spanish) Published by: CCCB, La Casa Encendida and the Communication Department of the Diputació de Barcelona In the work of photographer Antoni Arissa Asmarats (Barcelona, 1900-1980), one of the most important figures in the photographic The Start of Tomorrow avant-garde, we find a clear and explicit artistic ambition. For him, Mancomunitat of Catalonia: 100 years photography is not just a way of reflecting and documenting reality, but the possibility of delving deeper into his creative dimension. His On 6 April 1914 and presided over by Enric Prat de la Riba, the artistic ambitious, the constant searching and experimentation, situ- Mancomunitat de Catalunya constituted a political project that ate his work in the pictorialism of the first era, to evolve later towards consisted of associating the four provincial councils (diputacions) the New Vision, undoubtedly his most modern and important phase. of Catalonia. Despite having no own resources beyond the budgets of the provincial councils, the Mancomunitat carried out impres- Texts by Rafael Levenfeld and Valentín Vallhonrat sive work and was capable of creating and transforming the coun- Catalan-English / Spanish-English try. It acted over the course of a decade with great energy to create 200 pages / 200 images in b/w and colour / 17 x 24 cm ISBN: 978-84-617-2303-4 (Catalan, paperback) / 978-84-15282-04-4 solid tools for connectivity and growth in Catalonia. (Spanish, hardback) Published by: CCCB and Fundación Telefónica

Catalan 208 pages, 145 images in b/w and colour / 17 x 24 cm ISBN: 978-84-9803-685-5 Published by: CCCB and Department of the Communication of the Diputació de Barcelona 105 CCCB Holdings — Publications Publications

Breus CCCB Collection Dixit Collection © Marina Palà © Marina Palà

Begun in the year 2006 and with 72 titles published, the Breus col- The result of collaboration between the CCCB and the Argentinian lection covers, in abbreviated format and in the original version ac- publisher Katz Editores, Dixit publishes, in Spanish, a selection of companied by a Catalan or Spanish translation, some of the most lectures previously published in the Breus collection. With Dixit, the significant lectures offered at the CCCB within the framework of CCCB makes accessible to the public from the rest of Spain and of debates, seminars, series of conferences and symposiums. Latin America the best lectures given at the CCCB.

Breus published in 2014: Dixit published in 2014:

66. Evgeny Morozov, Democràcia, tecnologia i ciutat / Democracy, 21. Eva Illouz, El futuro del alma / La creación de estándares Technology and the City emocionales 76 pages / 12.5 x 17 cm 64 pages / 11 x 20 cm ISBN: 978-84-617-2761-2 ISBN: 978-84-15917-11-3 Published by: CCCB Published by: CCCB and Katz Editores

67. Marta Segarra, L’habitació, la casa, el carrer / Room, House, Street 84 pages / 12.5 x 17 cm ISBN: 978-84-617-2581-6 Published by: CCCB

68. Kamila Shamsie, Karachi, la ciutat sense mapa / Karachi, the Unmapped City 64 pages / 12.5 x 17 cm ISBN: 978-84-617-2583-0 Published by: CCCB

69. Gonçalo M. Tavares, Breus notes sobre Europa / Breves notas sobre Europa 70 páginas / 12,5 x 17 cm ISBN: 978-84-617-2585-4 Edición: CCCB

70. Nancy Fraser, Repensar el capitalisme / Rethinking Capitalism 70 pages / 12.5 x 17 cm ISBN: 978-84-617-2587-8 Published by: CCCB

71. Colm Tóibín, Orwell i Barcelona / Orwell and Barcelona 88 pages / 12.5 x 17 cm ISBN: 978-84-617-2588-5 Published by: CCCB

72. Pankaj Mishra, El nou desordre mundial. La crisi del model occidental / The New World Disorder. The Western Model Is Broken 64 pages / 12.5 x 17 cm ISBN: 978-84-617-2589-2 Published by: CCCB CCCB © Miquel Taverna General Details 108 General Details Collaborating institutions and companies

A consortium of:

Co-producers:

Amb el suport del programa Cultura de la Unió Europea

Sponsors:

Collaborating Media: 109 General Details Collaborators:

0100101110101101.ORG/d-i-n-a, 15-L. Films, A Home in Progress Film, AFAB, Analogic Té, Anilla Cultural Latinoamérica-Europa, Animac (Lleida), Any Vinyoli, Apropa Cultura, Ara Llibres, Architekturzentrum Wien (Viena), Àrea de Gestió de la Ciutat i Urbanisme (UOC), Àrea Metropolitana de Barcelona, Arena Libros, Arola editors, Arsenal-Institute for Film and Video Art (Berlín), Arts Santa Mònica, Arxiu Fotogràfic de Barcelona, Associació Cau d’Orella, Associació Drap-Art, Associació Orquestra de Cambra Catalana, Atelier public d'urbanisme de Caen, Athanor-Film Production Company, B·Debate, Barcelona Lab, Barcelona Pensa, Barcelona Supercomputing Center-Centro Nacional de Supercomputación (BSC-CNS), Barcelona Urban Beers, Bcnlab, Biblioteca de Barcelona, Blackie Books, Blanquerna-Universitat Ramon Llull, British Council, Capitán Swing Libros, Casal dels Infants del Raval, Casal Lambda, Catalunya Dades, Catalunya Film Festivals, Càtedra de Filosofia Contemporània de la UB, Center for Architecture Foundation (Nova York), Centre Cultural Recoleta, Centre Dona i Literatura de la Universitat de Barcelona, Centre for Liberal Strategies (Sofia, Bulgària), Centre Georges Pompidou (París), Centro Checo, Centset, Charles Stewart Mott Foundation, Círculo de Bellas Artes de Madrid, Cité de l’architecture et du patrimoine (París), Civio, Col·lectiu Accions Urbanes, Collège d’études mondiales, ComplexitatLab, Consorci Besòs, Consorci Universitat Internacional Menéndez Pelayo Barcelona (CUIMPB)-Centre Ernest Lluch, Crater-Lab, CREAL, Creative Lab de Google, Data and Ethics Working Group, Debate, Departament de Comunicació Audiovisual de la UAB, Departament de Comunicació de la UPF, Departament de Cultura-Generalitat de Catalunya, Deutsches Architekturmuseum (Frankfurt), Difusor, Ediciones La Cúpula, Edicions Bromera, Edicions de 1984, Edicions del Periscopi, Editorial Afers, Editorial Alpha Decay, Editorial Anagrama, Editorial Ariel, Editorial Crítica, Editorial Icaria, Editorial Minúscula, Editorial Pálido Fuego, Editorial Roca, Editorial Seix Barral, Editorial Siberia, Editorial Taurus, Ellago Ediciones, Enter Forum, Escola d’Escriptura de l’Ateneu Barcelonès, ESMUC, Eumo Editorial, Ex-Centris Production, Fab Festival, Factea Produccions, Facultat de Comunicació Blanquerna, FCForum, Festival #8daysbcn, Festival Sónar+D, Filmin, Filmoteca de Catalunya, Fondation pour l’architecture et l’ingénierie, Fragmenta Editorial, Freshwater Ecology Management Research, Fundació Antoni Tàpies, Fundació Foto Colectania, Fundació Joan Miró, Fundació Onassis, Fundació Palau i Fabra, Fundació Pere Tarrés, Fundació SGAE, Fundación Autor, Fundación Botín, Galaxia Gutenberg, Gent Normal, Gobierno de la Ciudad de Buenos Aires, Goethe-Institut Barcelona, Grec 2014 Festival de Barcelona, Grup de Recerca en Teoria Política de la Universitat Pompeu Fabra, Grup de recerca GRIPES-UB/UAB/UPF, Grupo Planeta/Editorial Destino Infantil y Juvenil, Herder Editorial, Hipnotik Faktory, IAAC-Fab Lab, ICAA-Ministerio de Cultura, ICEC-Departament de Cultura de la Generalitat de Catalunya, ICREA-Movement Ecology Laboratory, ICUB- Ajuntament de Barcelona, IGOPnet (UAB), INAEM, Institució Catalana de Recerca i Estudis Avançats (ICREA), Institució de les Lletres Catalanes de la Generalitat de Catalunya, Institut d’arquitectura avançada de Catalunya, Institut d’Estudis Fotogràfics de Catalunya, Institut d’Humanitats de Barcelona, Institut de Biologia Evolutiva, Institut de Ciències del Mar, Institut de Ciències Fotòniques (ICFO), Institut de Govern i Polítiques Públiques (IGOP, UAB), Institut de Recherche et d’Innovation (IRI), Institut français de Barcelona, Institut für die Wissenschaften vom Menschen (IWM), Institut pour la ville en mouvement, Institut Ramon Llull, Instituto Camões de Barcelona, Instituto Polaco de Cultura, International Documentary Film Festival (Jihlava), ISGlobal, Istituto Italiano di Cultura di Barcellona, Jardí Botànic de Barcelona, José Antonio Martínez Lapeña & Elías Torres Architects, Katz editores, L’Auditori, La Conquesta del Pol Sud, La Fàbrica de Cinema Alternatiu, La Mandarina de Newton, La Perla 29, La Seca-Espai Brossa, La Virreina. Centre de la Imatge, Lampreave, Lapsus, Legal Music, Literatura Random House, Loop Barcelona, Lumen, Mairie de Bordeaux, Marvin & Wayne, Màster en Estudis Xinesos de la Universitat Pompeu Fabra, Màster en Turisme i Humanitats de la UAB, Mecal, Media Antena, Medialab-Prado, Mediapro, Miniput, Ministerio de cultura, MIRA Festival, Mondo Sonoro, Museu d’Art Contemporani de Barcelona (MACBA), Museu Frederic Marès, Museu Nacional d'Art de Catalunya (MNAC), Museum of Architecture and Design (Ljubljana), Museum of Finnish Architecture (Hèlsinki), Noucinemart, Obra Social “La Caixa”, Observatori de Vídeo No Identificat (OVNI), OFFF, Oficina de Ciència Ciutadana del Barcelona Lab, Oficina del Québec de Barcelona, OKFN-Open Knowledge Foundation, Open Society Foundations, OpenSystemsUB, Orquestra del Caos, Outliers School, P2P Foundation, P2Pvalue Project, Palau Macaya, Paral·lel 40, Parc de Recerca Biomèdica de Barcelona, Pen Català, Pera Museum (Istambul), PrimaveraPro, Proa, Producciones Animadas, Programa de Doctorat de la Facultat de Filosofia de la UNED, Projecte Schowb, Punt d’Informació Aerobiològica, Quaderns Crema, Química Visual, Red927, Robert Bosch Stiftung, Rosa dels Vents, Sajalín Editores, SDE, Seed&Click, Slumber Studio, Societat Catalana d’Estadística, Societat Catalana de Biologia, Sonar +D, SOS Racisme Catalunya, Tantàgora, Teatre Nacional de Catalunya (TNC), Tecnocampus Mataró, Telefónica I+D, Telenoika, The Architecture Foundation (Londres), Transmedia Week, Universidad San Francisco de Quito, Universitat de Barcelona, Universitat de Girona, Universitat de Lleida, Universitat Ramon Llull, Universitat Rovira i Virgili, UPC School, Velvet Events, Viena Edicions, Viu el Teatre, Voxprima, Web Visions, X.net, Xarxa d’Arquitectures Col·lectives, Xarxa de Biblioteques, Xarxa Veïnal de Ciutat Vella, ZZZINC 110 General Details Speakers at Debates, Lectures, Courses and Workshops

An economic model Isidre Plaza, Senén Roy Lessons from the Wave Manovich, Óscar Marín, for Catalonia and Cristina Sáez of Protests in Europe Eduard Martín-Borregón, 16 January 26 April Rubén Martínez, Álvaro Antoni Bassas, Germà Bel Turó de la Rovira: Ayse Akalin, Jaume Millán, Julià Minguillón, The Invisible Intervention and Xavier Sala i Martín 20 February Asens, Ivan Krastev, María Morrás, Alessandro Maria Lipman, Oleksandr Mosca, David Nogué, Data journalism work David Castillo, Carlota Sushko and Jordi Vaquer Cédric Notredame, sessions Coloma, Paco González 22 January, 20 March, Fanés Modesto Orozco, Vicenç Díaz, Adrià Lahuerta and 22 May, 19 June, 9 October, Palà, Karme Peiró, Rafael 19 November and 10 December Josep Llinàs The Idea of Europe Pellón, Josep Perelló, 5, 12,19 and 26 May and 2 June Sebastián Pérez, Antonio Xavier Badosa, Eduard The Brain Anne Applebaum, Martín Borregón, David 11, 18 and 25 March and 1 April Pérez-Calero Yzquierdo, Carme Colomina, Cecilia Casado, Antonio Delgado, Jordi Portell, José David Bueno i Torrens, Dreymüller, Carles A. Pedro García, Àngels Remesal, Genís Roca, Josep Corbella, Foguet, Nancy Fraser, Llorens, Natalia Mazzote, Jaime de la Rocha, Núria Albert Costa, Ruth Owen Jones, Josep Maria Álvaro Millán, Diego Rodríguez, Antonio Rojas, de Diego, Ricard Solé Martí Font, Gabi Martínez, Pasqual, Víctor Pascual, Francesco Ronzano, and Jaume Vilalta Josep Maria Muñoz, Raül Enric Pons, Joan Soler, Xavier Rubio Campillo, Romeva Rueda, Francesc Horacio Saggion, Encarna Idoia Sota, Federico Possibilities for Dialogue Serés, Gonçalo M. Tavares Todeschini and Ben 26 March Segura, Idoia Sota, Moritz and Michel Wieviorka Welsch Stefaner, Olga Subirós, Carolina López, Federico Todeschini Léona-Béatrice Martin- Courses and workshops P2Pvalue and Mariano Vázquez at the Beta Station 22 January Starewitch, Germans Quay 5 May-8 November and Jan Švankmajer Narrating Google Adam Advirsson, Marco Pau Agulló, José Luis 15 May Berlinguer (moderator), Cosmopolitism, Patriotism, Agúndezi, Carlos Alonso, Samer Hassan, Primavera Nationalism: Three Roads Sergio Chejfec and Jordi Gemma Avenoza, Toni de Filippi and Mayo Fuster to Modernity? Carrión 2 April Badia, Xavier Badosa, Morell Albert Barqué, Núria Bel, Unbranding Barcelona Josep Maria Fradera Eva Belmonte, Manuel 23 May Open City and Anthony Pagden 27 January-24 March Bruscas, David Cabo, Miquel Flamarich Francesc Carreras, Neus Ballús, Bruce House of Leaves. and Marina Garcés Cult Literature David Casado, Gerard Bégout, Josep Maria 22 April Casamayor, Albert An evening with Neil Benet i Jornet, Valeria Mark. Z. Danielewski Compte, Jordi Corbera, Gaiman Bergalli, Fina Birulés, 29 May and Javier Blànquez Fernando Cucchietti, Toni Casares, Rafael Albert Diaz-Guilera, Josep Neil Gaiman and Patricia Chirbes, Marina Espasa, 2nd Data Journalism and Flix Molina, Enrique Escalona Manuel Forcano, Najat Open Data Conference Frías, Mayo Fuster, Pedro El Hachmi, Erri de Luca, 25 April García, Marc Garriga, The Future Evgeny Morozov, Susanna of the European City Eva Belmonte, Mar Mònica Garriga, Elena Rafart, Marta Segarra, 30 May Cabra, Juan Francisco González-Blanco, Joan Kamila Shamsie and Joan Caro, Jesús Escudero, Guàrdia, Roger Guimerà, Eugeni Bach Subirats Nicola Hughes, Karma Àlex Hinojo, Aldo de Jong, and Hans Ibelings Peiró, Josep Perelló, Internet Universe Carme Jordi, Alexandros Gabriela Rodríguez, Mar Contemporary 5-14 February Karatzoglou, Aaron Koblin, Urban Passages Santamaria, Mariana Víctor López, Jorge Luis 3 June Jordi Bernabeu, Efraín Santos and Joan Soler Salcedo Maldonado, Foglia, Marcus Hurst, Carles Llop Xavier Luri, Mario Macías, Juan Insua, Irene and Marcel Smets Roger Magoulas, Lev Lapuente, Jordi Oliver, 111 General Details

A Story of Marginality Under Siege Catalonia in the Mirror Blanca Llum Vidal and 4 June 16 and 25 September, of Immigration Andrea Motis & Joan and 2 and 3 October 17 November Jordi Costa, Dora García Chamorro with The New and Enrique Vila-Matas Ahron Bregman, Judit Neus Ballús, Carles Catalan Ensemble Carrera, Mariam Ghani, Capdevila, Andreu Enter Forum 2014 Tonje Hessen Schei, Domingo, Oriol Nel·lo The Shaping of an Identity. 16 and 18 June A History of Catalonia Marc Marginedas, Chus and Francesc Serés 15 December Yair Amichai-Hamburguer, Martínez, Leila Nachawati, Philosophy Joaquim Albareda, Josep Victòria Camps, Michael Lali Sandiumenge and and the Life of Others Fontana, Josep Maria W. Carroll, Milad Chris Woods 20 November Muñoz, Borja de Riquer, Doueihi, Eva Illouz, Isaki The Human Animal Remo Bodei, Jordi Josep Maria Salrach Lacuesta, Geert Lovink, 6 October Boixaderas, Juan Manuel and Eva Serra Antoni Muntadas, César Francisco J. Ayala, Forte and Rosa Rius Gatell Rendueles, Paula Sibilia José Antonio Martínez Jaume Casals and Víctor and Bernard Stiegler Body: Sexual Identities Lapeña & Elías Torres Gómez Pin in China 18 December The Shout of Literature 21 November 17 June The New World Disorder Lluís Clotet, Flora 7 October Dolors Miquel, Manel Ollé, Dominich, José Antonio Hélène Cixous Li Yinhe and Cui Zi’en Martínez Lapeña, Rafael and Marta Segarra Pankaj Mishra Moneo, Aureli Mora, and Joan Roura Urban Planet: Mobility Carles Muro, Ricardo A History of Jealousy in Cities of the Future 18 June Stem Cells: A Future 24 November Sánchez Lampreave, without Diseases? Elías Torres and Miguel Helena González 21 and 28 October, Mark Nieuwenhuijsen, Usandizaga Fernández 4 and 11 November Salvador Rueda and Javier Moscoso Salvador A. Benitah, and John Urry Science at Christmas 23 December Daniel Closa, Ana Mirador Kosmopolis. In Praise of Adventure Unknown Classics Macpherson, Pura Muñoz, 26 November Gustavo Deco, Carles and New Writers Ángel Raya, Gema and 3 and 10 December Lalueza Fox and Ricard 18 June Revuelta, Cristina Sáez Solé Xavi Ayén, Eloy Fernández Jordi Nopca, Valeria and Joan Seoane Porta, Frédéric Gros, Bergalli, Laura Baena, OpenWalls Conference Fredric Jameson, Miguel Marina Espasa, Jenn 24 and 26 October Morey and Sergio Rossi Díaz, Daniel Osca, Muge Sökmen, Javier Abarca, Jens Beyond Identity Oscar Van Gelderen, Besser, Todd W. Bressi, 2 December Monica Campana, David Gálvez Xavier Bassas, Vincent Nicolás de la Carrera, and Yannick Garcia Descombes, Felip Leon Cullinane, David Martí-Jufresa and Daniel Talks in the Old City Demougeot, Teresa Weinstock 2 July Latuszewska-Syrda, Josep Bohigas, David Lee Nathan Bofkin, Jorge Anniversary Promenade. Bravo, Gala Pin and Rodríguez-Gerada, Joan Vinyoli Tribute Alessandro Scarnato Will Shank and Veronica 12 December Werckmeister Mireia Calafell, David Barcelona, from George Castillo, David Caño, Enric Orwell to Democracy Transmedia Narrative 8 July Design Workshop Casasses, Miquel De 27 and 28 October Palol, Jordi Llavina, Núria Miquel Berga Martínez-Vernis, Francesc and Colm Tóibín Carlos A. Scolari, Montecarlo Parcerisas, Josep Pedrals, and Laura Borràs 112 General Details Use of spaces and rental of spaces

Accenture, S.L.U Asociación Cultural Associació Professional Coalició electoral La Consultancy Demanoenmano d'Il·lustradors de Catalunya Izquierda Plural (Plural Left (Demanoenmano Cultural (Professional Illustrators Electoral Coalition) ACESOP Association) Association of Catalonia) Conference on: “Is the Euro Pakistan Constitution Day Demanoenmano Professional Illustrators Crisis Over?” social market Conference 2014 Agència Catalana Coalició per Europa de Turisme (Catalan Asociación de agencias Autoritat del Transport (Coalition for Europe) Tourism Board) de Branding en Rusia Metropolità (Metropolitan Convergència i Unió event Press conference - 1st (Branding in Russia Transport Authority - ATM) Col·legi de Dissenyadors Accessible Tourism Agencies Association) Presentation of the Mobility d'Interiors i Decoradors Conference Visual Communication Forum Master Plan 2013-2018 de Catalunya (School of Ajuntament de Barcelona Asociación Ibérica de B Mount (Nakport Interior Designers and (Barcelona City Council) Fotocatálisis (Iberian Europe SL) Decorators of Catalonia) Department of Social Photocatalysis Association) Mazda (localisation) Codic 2014 Prizes Awards Participation Decontaminating Paving Ceremony Barcelona 3D School S.L Presentation of the Municipal and Buildings Conference Plan for Elderly People 2013- 4th Forum on New Col·legi oficial de Treball 2014 Asociación Audiovisual Contents. 3D Social de Catalunya por la Tolerancia Festival (Official Social Work Ajuntament de Barcelona (Pro-Tolerance Association) Association of Catalonia) Barcelona Graduate School (Barcelona City Council) 13th Pro-Tolerance Film DETCON of Economics Commerce and Consumer Series Affairs Department Economics XII Meeting Col·legi oficial de Treball 12th European Urban Associació de Fotògrafs Social de Catalunya Barcelona Supercomputing Commerce Conference Professionals (Association (Official Social Work Center – Centro Nacional of Professional Association of Catalonia) de Supercomputación Ajuntament de Barcelona Photographers) Talk on: “The Collapse of the (BSC-CNS) (Barcelona City Council) Lux 2014 Prizes Award System: Bases for Thinking Severo Ochoa Retreat Institut Barcelona Esports Ceremony About the New Millennium” (Barcelona Sports Institute) Bcn Analytics “Count to Three” Prize Associació d'Escriptors Compromís per Barcelona. Inaugural event Awards Ceremony en Llengua Catalana Our proposal Presentation of the School- (Association of Catalan Biocat. Fundació BioRegió #HiHaAlternativa Aged Sports Plan for the city Language Writers) de Catalunya (BioRegion Consorci per a la of Barcelona 2014-2015 22nd Seminar on Translation Foundation of Catalonia) Normalització Lingüística Presentation of the survey in Catalonia European Biomedical (Consortium for Linguistic on the sporting habits of Investor's Day Associació per a la Clínica Standardisation) the school population of i l'Ensenyament de la 2nd Conference on Learning Barcelona Brau edicions Psicoanàlisi (Association Presentation of the book Languages in the 21st Amics de la Unesco for Clinical Practice and La via alemanya by Martí Century de Barcelona (Friends Teaching of Psychoanalysis Anglada deba-t.bcn of UNESCO of Barcelona) - ACCEP) Dialogue between Josep School literary competition 14th Joint Conference Casio España S.L. Ramoneda and Álvaro in languages of origin and of the Clinical Schools Casio Martínez Majado: “Social Diversacat Audiovisual in the Clinical Formations CCOO de Catalunya Movements and Capacity for Competition of the Lacanian Field Complementary Social Change”. Dialogue between Areté-Association Associació per a potenciar Security Area Iñigo Méndez de Vigo and for the Development el patrimoni cultural, Tenth Conference on Laura Batalla: “Europe, A of Female Talent històric i de la natura Complementary Social Common Horizon?” The Seed of Transformation (Association for the Security Diputació de Barcelona Promotion of Cultural, Centre for Liberal Strategies (Barcelona Provincial Arquitectura Lúdica SL Historical and Natural Protest Waves Seminar Council) AIA CAE Conference Heritage, TARA) Conference to coincide with Initiation in Heruka Centre Maurits Coppieters Asociación Poros World Rare Diseases Day (Poros Association) Chakrasanvara Conference on “The Right to Barcelona Freudian Field and Manjusrhy Decide. Democratic Quality Diputació de Barcelona for a New State” (Barcelona Provincial Foundation Seminar Associació per la Council) International Divulgació Quàntica CEPS Projectes Socials Asociación Agile Spain Relations Department (Association for Quantum (CEPS Social Projects) (Agile Spain Association) Training seminar: “European Dissemination) Digital Discrimination and Agile Spain 2014 Conference Subsidies 2014-2020 Quantum Congress Social Networks International Conference for Cultural Projects” 113 General Details

Information sessions on the Fundació Acadèmia Fundació Pere Tarrés (Pere ICFO The Institute LIFE community programme (Academy Foundation) Tarrés Foundation) of Photonic Sciences Closing Session of the Summer Schools Film QIP (Quantum Information Diputació de Barcelona Catalan Society for Festival 2014 Processing) 2014 (Barcelona Provincial Psychiatry and Mental Health Council) Libraries Services Fundació Universitat Institut Català Management Fundació Blanquerna Oberta de Catalunya Internacional per la Pau Library Day (Blanquerna Foundation) (Open University of (International Catalan Celebration of 20 years Catalonia Foundation) Institute for Peace - ICIP) Diputació de Barcelona of the Blanquerna School UocMeet: networks, Seminar on Armamentism (Barcelona Provincial of Communication and communication and political and Militarism. Celebration of Council) Cultural International Relations organisation 15 Years of the Centre Delàs Heritage Office 8th Municipal Archives Fundació Carme Fundació Víctor Grífols InteRed Catalunya Laboratory Serrallonga (Carme i Lucas (Víctor Grífols “Act with Care” Campaign Serrallonga Foundation) i Lucas Foundation) Video-Forum General Linguistic Policy Lecture “My Villena 7th Josep Egozcue Lectures. Joventut Nacionalista de Department and the Country’s Villena” Peter Singer Catalunya (Nationalist How is communicative and concert by the Villena Fundación Esteyco Youth of Catalonia) excellence measured? Jazz Quartet (Esteyco Foundation) National Council of the Edicions del País Fundació CREAL (CREAL Event to present the book Joventut Nacionalista de Valencià, S.A Foundation, Centre for A la luz de San Petersburgo Catalunya Citizen Science Prize Research in Environmental Generalitat de Catalunya Ketchum SA Meeting Epidemiology) (Catalan Government). Oracle Webcenter Retreat 2014- Resources ERC. Municipal Group Ministry of Education Management in the ISGlobal Mamma Team SL Barcelona, Capital 2nd Art and Design Alliance Lays of the Catalan Republic Conference: From School ESADE Alumni Fundació Cultura to Business MECAL de Paz (Culture of Peace MECAL Big Bang Data SADE Alumni Generalitat de Catalunya Foundation) Marketing Club (Catalan Government). Culture of peace and Médicos Sin Fronteras Ministry of Culture. General Escola Superior de Disseny democratic regeneration: (Doctors without Borders) Department of Cultural i Arts Plàstiques (Higher citizens, participation and Co-Week 2014 School of Design and Creation and Enterprises. communication MOVING Plastic Arts) Streaming 2nd Art and International Road Safety ESDAP inaugural event Fundació EINA Design Conference: From (EINA Foundation) School to Business Association E. V. ETICAS Research Eina Graduation Promotion Training and assessment Generalitat de Catalunya & Consulting Event 2014 of drivers in Europe. A Surveillance Congress (Catalan Government). challenge for improvement Fundació Escola Cristiana Secretariat for Universities Eurosolar Espanya de Catalunya (Christian and Research Observatori de Salut Solar Prizes 2014 School Foundation SMW Science and Mental de Catalunya of Catalonia - FECC) Social Media Event, BCN (Mental Health Eventisimo S.L. Observatory of Catalonia) Unstoppable (Schweppes) FECC Multilingual School Tercentenary 1714-2014 Project / Total English for 5th Catalan Congress on Gran Logia de España Extreme Networks Teachers Mental Health in Childhood Extreme Networks (Grand Lodge of Spain) and Adolescence Partner Circle 1st Forum on Ethical Fundació Jaume Bofill Leadership Factor Clave (Jaume Bofill Foundation) Grupo de los Verdes / ALE Comunicación, S.L. 2nd Education Today en el PE (Greens / EFA) Google event Conference. Who should Presentation of the promote the ethical Federació de Barcelona documentary Ulysses, commitment of teaching d'Esquerra Republicana rellançant Europa des del staff?. Who are the new de Catalunya (ERC Sud (Ulysses, Relaunching social and political leaders? Barcelona Federation) Europe from the South) Debates with candidates Fundació per la Pau Health XL for the Barcelona mayoral (Foundation for Peace) Healthees Europe primary election 2015 Disarmament: Victories and Challenges Foundation for P2P IAE Savoie Mont-Blanc- Alternatives Université de Savoie P2P Value EMBS Seminar 114 General Details Visiting figures and audience Exhibitions Debates Arissa + Shadowland 12.362 Ahora es la hora: Iniciativa reforma horaria 219 Big Bang Data 62.780 Big Data Week 160 Espriu. I Looked Upon This Land 11.685 Open city 1.612 Metamorphosis 50.516 Lecture by Anthony Padgen 120 Shared Cities 7.622 Lecture by Colm Tóibín 220 The Start of Tomorrow. Mancomunitat de Catalunya 6.187 Lecture by Hugh Forrest 244 Under Siege 7.231 Lecture by Javier Moscoso 85 World Press Photo 14 45.441 Lecture by Lev Manovich 85 Total 203.824 Lecture by Marina Garcés 220 Lecture by Pankaj Mishra 81 Activities Lecture by Hélène Cixous 170 Animac 1.108 WPP 14 Lectures 111 Art Futura 1.337 Body: Sexual Identities in China 220 BAM 8.970 CUIMPB Courses 2.443 BCNmp7 1.347 Institut d'Humanitats Courses 9.803 Between images workshop 51 Metamorphosis Debates 100 Big Bang Data Workshop 94 ICREA-CCCB Debates. The Brain 722 Brunch Electronik Barcelona 10.430 ICREA-CCCB Debates. Stem Cells 483 Cabinet of curiosities workshop 38 Under Siege Debates 666 Caudorella 1.510 Women' Day 95 CCCB Alzheimer Programme 281 Dialogue between Iñigo Méndez and Laura Batalla 70 Christmas screenings 141 House of Leaves Dialogue 110 Concert La llum a les ones 250 The Future of the European City 61 Concert-screening Metamorphosis 180 In Praise of Adventure 247 Culturenauts 915 Enter Forum 187 D'A Festival 3.013 And Now What?An economic model for Catalonia 320 DocsBarcelona 2.969 CCCB Alzheimer Sessions and Museums 75 Drap'Art 7.553 The Idea of Europe 679 Emergència! 1.370 The Human Animal 114 Encontres 96 Las cartas de la Pirenaica 85 Exhibition «Ciutat subterrània» 1.148 Lessons from the Wave of Protests in Europe 272 FIRE! 126 European Prize for Public Space Award ceremony 270 Flic 1.849 Master’s Degree in the Design and Production of Spaces 1.080 Friends of the CCCB 853 Mirador Kosmòpolis 88 Gandules 4.882 Narrating Google 87 Grec Experimental CCCB 1.667 OpenWalls Conference 153 Group itineraries 2.393 P2Pvalue 146 Hipnotik 6.407 Passages_Passatges 256 L'Alternativa 6.806 Data Journalism Sessions 439 Lapsus Festival 492 Possibilities for Dialogue 336 MECAL 2.291 Presentació Crític 170 Més curtmetratge que mai! 220 Presentation CCCB Programme 2014 50 Miniput 1.700 Salvador Espriu: Salvation through the Word 160 Mundo Libro 24.486 Transmedia Narrative Design Workshop 102 Music industry 3.0 75 Turó de la Rovira 236 Night of Museums 760 An evening with Neil Gaiman 262 Off Programme 880 Internet Universe 250 One-Minute Video workshop 21 5th Philosophical Seminar of Barcelona 104 OVNI 1.720 Total 24.268 Picto-writing Programme 741 Poetry Slam Barcelona 4.400 Archives Primera Persona 1.684 CCCB Archive 10.254 Pròxims Festival 2.200 Xcèntric Archive 8.923 Room 1418 690 Total 19.177 Screening of the video Mancomunitat 150 The City of Photographers workshop 1.177 Venue use-hire The Influencers 1.140 Corporate events 43.121 Visit to the Mirador 15.374 Venue uses 2.619 Viu el Teatre 4.195 Total 45.740 Weekend interaries 255 Xcèntric 2.017 Xcèntric workshop 88 Zeppelin 255 Total 134.795 115 General Details Total Visiting figures and audience

Exhibitions 203.824 Activities 134.795 Debates 24.268 Archives 19.177 Hire 45.740 Total 427.804

Hire Archives 11% 4%

Debates 6% Exhibitions 48%

Activities 32%

Average daily visitors to the exhibitions

Days open Visitors / day Arissa + Shadowland 43 287 Big Bang Data 168 374 Espriu. I Looked Upon This Land 34 344 Metamorphosis 51 991 Shared Cities 92 83 The Start of Tomorrow. Mancomunitat de Catalunya 146 42 Under Siege 46 157 World Press Photo 14 30 1.515 116 General Details Audiences

Visiting audiences — Most visited activities

Món Llibre 24.486 visitors 2012 315.902 visitors Visit to the Mirador 15.374 visitors 2013 313.580 visitors Brunch Electronik 10.430 visitors 2014 427.804 visitors Total activities 134.795 visitors Total debates 24.268 visitors Total archives 19.177 visitors Visiting audiences increased over 2014, growing by 36% in comparison with 2013. With a total of 427,804 visitors in 2014, the CCCB hit its all-time record for the number of visits in a single year, — Visitors to the CCCB’s touring exhibitions beating the 2001 total figure of 426,617 visitors. This increase is the product of various factors: The main reason is the success of some of the exhibitions present- 2013 134.900 visitors. 5 exhibitions at a total of 11 venues ed during the course of 2014. Both “Big Bang Data” and “Metamor- worldwide phosis” can be considered two hits with critics and the public alike. Moreover, “Big Bang Data”, with 62,780 visitors, was the fourth 2014 most-visited exhibition in the 20 years of existence of the CCCB. 336.900 visitors. 6 exhibitions at a total of 20 venues Also evident is an increase in spectators at the Centre’s activities, worldwide with numbers growing from 88,760 in 2013 to 134,645 in 2014. Visits to the Mirador (15,374 visitors), Món llibre (24,486 visitors) The following exhibitions were especially prominent: and Brunch Electronika Barcelona (10,430 visitors) have contribut- “Metamorphosis”, La Casa Encendida (Madrid), 121,800 visitors ed to this increase. “Pasolini Roma”, Palazzo delle Esposizione (Rome) and Martin Another reason should be sought in the increase in activity under- Gropius Bau (Berlin), 90,000 visitors taken to commemorate the CCCB’s 20th anniversary. Throughout “Bolaño Archive”, Centro Cultural Recoleta (Buenos Aires), 60,000 the year 2014 a series of actions were organised, some with public visitors in attendance and others as virtual events. The events with attend- ance represented alone a total of 91,685 people, accounting for 21% of total visitors to the CCCB during 2014. Virtual Audience Finally, it should be mentioned that during 2013, the Centre’s exhibitions remained closed during October due to the escalators being replaced, representing a loss of 20,000 visitors with respect For some time now the audiences of cultural centres have no to this year. longer been limited to people who actually visit the facilities. Grow- It is also necessary to take into account that, during 2014, a ing in importance is the so-called virtual audience: visitors who do campaign ran to attract Friends of the CCCB from among people not physically visit the Centre but who, via the Internet, take part in who were born, like the Centre, in 1994. The number of new its activities. Friends reached 1,050, out of an overall total of 1,900 Friends of When we talk about the virtual audience we are referring to a very the CCCB. diverse group, which uses different online channels to relate with cultural centres. In the case of the CCCB, these channels include — Most visited exhibitions the Centre’s websites and blogs, its social networks and the online projects created for specific activities. Big Bang Data 62.780 visitors It is important to understand the relationship established Metamorfosis 50.516 visitors between the public and the CCCB, and what visitors to our online Total exposiciones 203.824 visitors windows are seeking. Thus, the access channel is as important as the contents accessed and the participation dynamics gener- The exhibitions “Metamorphosis” and “Big Bang Data” attracted a ated. Accordingly, we can distinguish three major CCCB virtual large audience during the months of August, July and September, audience categories according to visitor behaviour: those whereas there is usually a fall in numbers of visitors to the CCCB who receive information, those who consult contents during the summer months. Around 44% of visitors to “Metamor- and those who actively participate. phosis” were tourists. With both exhibitions, furthermore, word of mouth proved very successful. Between 20% and 22% of visitors chose to go to the CCCB because someone else recommended it to them. 117 General Details

Audiences

CCCB Websites and Blogs

— Visits — Photographs 2012 2013 2014 www.cccb.org 659.311 670.976 584.695 Flickr www.cccb.org/kosmopolis 18.373 51.657 10.938 TOTAL images published: 6,637 (since November 2008) www.cccb.org/xcentric 22.739 23.689 16.910 Photos published in 2014: 2,092 www.cccbeducacio.org 11.309 23.156 19.853 www.cccb.org/lab 28.921 40.331 81.369 Albums created www.cccb.org/veus 28.188 64.575 43.109 * TOTAL 768.841 874.384 756.874 2012 2013 2014 * Note: In May 2014, technical changes were made to the website in 20 19 24 ensure compliance with the new regulations relating to cookies. From this date onwards, Google Analytics has only counted users who accept the Album most viewed in 2014: Big Bang Data use of cookies, for this reason there is a decline in visitor numbers. Instagram Profile opened in July 2014 Social media networks Photographs: 58 Followers: 599 — Followers of the CCCB’s Twitter accounts Likes: 1.105

2012 2013 2014 @cececebe 29.126 50.173 78.579 Online projects @cccbeducacio 3.385 5.104 6.258 Big Bang Data - http://bigbangdata.cccb.org/ @cccblab 10.145 15.325 18.885 Habitació1418 - http://habitacio1418.org/ @cccbmusica - 988 1.424 Pantalla CCCB - http://pantallacccb.cccb.org/en-curs/ @cccbpremsa - 910 1.277 Cultural Innovation International Prize - http://www.innova- @KosmopolisCCCB 3.127 4.689 5.197 tioncccb.org/home @CCCBDebats - - 723 @PublicSpace 761 1.496 2.048 TOTAL 46.544 78.685 113.644 Activities via streaming — Fans of the CCCB’s Facebook pages The CCCB retransmitted 30 activities via streaming that were followed by a total of 6,055 spectators. 2012 2013 2014 CCCB page 21.851 31.628 38.332 CCCB Lab page 1.617 2.297 3.416 Television audiences Kosmopolis page 1.818 2.566 2.781 Soy Cámara Programme XCÈNTRIC page 2.415 3.742 4.550 PublicSpace page - - 101 2013 TOTAL 27.701 40.233 49.079 837.000 viewers The CCCB and RTVE coproduced 8 instalments of Soy Cámara. El — Videos (Vimeo) programa del CCCB which were broadcast on TVE’s La 2. TOTAL videos published: 1,430 (since July 2011) Videos published in 2014: 303 2014 932.000 viewers Plays* Loads* The CCCB and RTVE coproduced 10 instalments of Soy Cámara. 2012 2013 2014 2012 2013 2014 El programa del CCCB which were broadcast on TVE’s La 2 twice 67.361 99.621 130.496 811.917 1.083.548 985.300 each (Saturday night and Monday morning).

*Plays: number of times that any user clicks on the play button of a video. *Loads: Every time that the video is loaded on any website (on Vimeo or wherever it is embedded). In other words, every time that somebody opens a page where there is a CCCB video. 118 General Details Budget

Income

Initial forecast Actual income at 31-12-2014 Direct income from activities 1.109.610,00 986.568,80 Contributions from public organisations 7.931.458,00 7.476.858,00 Asset capitalisations 130.000,00 108.229,97 Capital transfers for financing of investments 111.475,00 111.475,00 TOTAL 9.282.543,00 8.683.131,77

Expenditure

Initial forecast Actual expenditure at 31-12-2014 Personnel 4.055.000,00 3.924.049,77 Activity and structure 5.068.768,00 4.809.313,19 Financial expenses 2.000,00 1.165,48 Current transfers 45.300,00 38.389,60 Real investments 111.475,00 230.025,11 TOTAL 9.282.543,00 9.002.943,15

Result before adjustments (-) 319.711,38 Financing variations and credits financed with surpluses 100.619,28 ADJUSTED BUDGET RESUL (-) 219.092,10

Income Expenditure

Direct income from activities 12% Personnel 44%

Contributions Capital transfers from public 1% Real organisations investments 86% Asset 3% capitalisations Current 1% Activity transfers and structure 0% 53% 119 General Details CCCB Staff

General Director Exhibitions External Resources Marçal Sintes i Olivella Coordination Unit Management Unit Vicenç Villatoro i Lamolla Mònica Ibáñez Dalmau Amàlia Llabrés Bernat Teresa Anglés Pérez Teresa Pérez Testor Assistant Managing Liliana Antoniucci Director Eva Gimeno Cases Publications Unit Elisenda Poch i Granero Miquel Nogués Colomé Marina Palà i Selva Rosa Puig Carreras Head of the Exhibitions Registration and Service Conservation Unit Audiences Unit Rosa Ferré Vázquez Neus Moyano Miranda Maria Ribas Bruguera Susana García San Vicente Matilde Betoret González Head of the Àlex Papalini Lamprecht Carme Blanco Pérez Documentation Josep Querol Pugnaire Magda Llaberia Cots and Debate Centre Elena Martínez Bermúdez Judit Carrera Escudé Production Unit Gabriela Salvadó Bon Mario Corea Dellepiane Head of Projects - Francisco García Rodríguez Communication Unit CCCB Lab José Luis Molinos López Susana Fernández Alonso Juan Insua Sigeroff Òscar Monfort Pastor Teresa Roig Sitjar Gabriel Porras Zambrano Núria Salinas Calle Head of Technical Rosó Tarragona Ramírez and General Services Press Unit Manel Navas Escribano Documentation Mònica Muñoz Castanyer- and Debate Centre Gausset Head of Promotion Sònia Aran Ramspott Lucía Calvo Bermejo and External Resources Neus Carreras Font Irene Ruiz Auret Imma Mora Boguñá Marta Giralt Romeu Elisabet Goula Sardà Technical and General Anna Ibàñez Tudoras Head of Audiovisuals and Services Masha Zrncic Multimedia Service Francesc López Artero Àngela Martínez García Emili Maicas Guillén CCCBLab José Antonio Pérez Barrera Eva Alonso Ortega Maribel Zamora Gómez Head of the Systems Maria Farràs Drago Section Gerard Bel Torres Systems Section Education Service Guillem Bellmunt Duran Bàrbara Roig Isern Lluís Sangermán Vidal Head of the Financial Section Sara González Puértolas Cultural Activities Service Contracting and Human Manel López Jiménez Resources Section Olga Pratdesaba Druguet Mònica Andrés Beltran Head of the Contracting Belén Simón Bazán Núria Ferrer López and Human Resources Lara Martín Tarrasón Section Eva Sancho Izquierdo Cori Llaveria Díaz Audiovisuals and Multimedia Service Eduard Coll Deopazo Financial Head of the Financial- Toni Curcó Botargues and Budgets Section Budgeting Section Marc Desmonts M. Dolors Aran Perramon Anna Sama Vaz Glòria Fernández Vilches Xavier Boix Lara Jordi Gómez Farran Remei Jara Cuenca Management Juan Carlos Rodríguez Jordi Jornet Espax Montse Mitats Flotats González Montse Martínez Izquierdo José Antonio Soria Soria Current Exhibitions Service Ígor Viza Serra transfers Carlota Broggi Rull 0% Anna Escoda Alegret Promotion and External Mònica Giménez Moreno Resources Service Montserrat Novellón Eulàlia Muñoz Castanyer- Giménez Gausset CCCB © Miquel Taverna Selection from the Press 122 Selection from the Press — 20 years of the CCCB

El Periódico 15/01/2014 20 years of the CCCB Cultura 123 Selection from the Press — Exhibitions

El País 26/03/2014 Metamorphosis Cataluña 124 Selection from the Press — Exhibitions

Metamorphosis Fotogramas 01/04/2014 Cine 125 Selection from the Press — Exhibitions

Metamorphosis El Periódico 08/05/2014 Cultura 126 Selection from the Press — Exhibitions

Ara 09/04/2014 Mancomunitat Cultura 127 Selection from the Press — Exhibitions

Rolling Stone 01/05/2014 Big Bang Data Revista 128 Selection from the Press — Exhibitions

Big Bang Data El Periódico 08/05/2014 Cultura 129 Selection from the Press — Exhibitions

Big Bang Data El Cultural 16/05/2014 Arte 130 Selection from the Press — Exhibitions Under Siege El Periódico 17/09/2014 131 Selection from the Press — Exhibitions

El País 14/11/2014 Arissa Catalunya 132 Selection from the Press — Exhibitions

La Vanguardia 21/11/2014 Shadowland Què fem? 133 Selection from the Press — Exhibitions

El Punt Avui 28/11/2014 World Press Photo Cultura 134 Selection from the Press — Festivals and Open Formats

La Vanguardia 03/03/2014 Soy cámara Vivir 135 Selection from the Press — Festivals and Open Formats

La Vanguardia 25/04/2014 D'A Cultura 136 Selection from the Press — Festivals and Open Formats

El Punt Avui 05/05/2014 DocsBarcelona Cultura 137 Selection from the Press — Festivals and Open Formats

La Vanguardia 11/06/2014 Xcèntric Cultura 138 Selection from the Press — Festivals and Open Formats

El Mundo 10/07/2014 Off Programme Tendències 139 Selection from the Press — Festivals and Open Formats

La Razón 03/08/2014 Gandules Cataluña 140 Selection from the Press — Festivals and Open Formats

El País 14/11/2014 L'Alternativa Cataluña 141 Selection from the Press — Festivals and Open Formats

El Pais 27/11/2014 Miniput Cataluña 142 Selection from the Press — Festivals and Open Formats

El Periódico 20/12/2014 The Shortest Day Gran Barcelona 143 Selection from the Press — Festivals and Open Formats

El Punt Avui 06/01/2014 Poetry Slam Al dia 144 Selection from the Press — Festivals and Open Formats

El Mundo 13/02/2014 Lapsus Tendències 145 Selection from the Press — Festivals and Open Formats

El Mundo 20/03/2014 Kosmopolis Tendències 146 Selection from the Press — Festivals and Open Formats

Kosmopolis El Periódico 204/06/2014 Cultura 147 Selection from the Press — Festivals and Open Formats

El Pais 27/11/2014 Ovni Cultura 148 Selection from the Press — Festivals and Open Formats

Mondo sonoro 01/03/2014 Brunch Elektronik Música Barcelona 149 Selection from the Press — Festivals and Open Formats

Rockdelux 01/03/2014 Emergència! Musica 150 Selection from the Press — Festivals and Open Formats

El Periódico 06/05/2014 Primera Persona Cultura 151 Selection from the Press — Festivals and Open Formats

Primera Persona La Vanguardia 17/05/2014 Contraportada 152 Selection from the Press — Festivals and Open Formats

BCNmp7 26/09/2014 BCNmp7 Que hacer 153 Selection from the Press — Festivals and Open Formats

El Periódico 10/07/2014 Grec Experimental Cataluña 154 Selection from the Press — Festivals and Open Formats

Grec Experimental La Vanguardia 27/07/2014 Cultura 155 Selection from the Press — Festivals and Open Formats

Ara 20/12/2014 Pròxims Festival Cultura 156 Selection from the Press — Festivals and Open Formats

La Vanguardia 12/09/2014 Hipnòtik Festival Què fem? 157 Selection from the Press — Festivals and Open Formats

El Periódico 27/11/2014 The Influencers Sociedad 158 Selection from the Press — Festivals and Open Formats

El País 19/12/2014 Drap Art Cataluña 159 Selection from the Press — Spaces for debate and reflection

La Vanguardia 19/02/2014 Catherine Malabou Contraportada 160 Selection from the Press — Spaces for debate and reflection

El Punt Avui 26/02/2014 Bruce Bégout Cultura 161 Selection from the Press — Spaces for debate and reflection

Bruce Bégout El Punt Avui 26/02/2014 Cultura 162 Selection from the Press — Spaces for debate and reflection

La Vanguardia 28/03/2014 Erri de Luca La Contra 163 Selection from the Press — Spaces for debate and reflection

El Periódico 20/12/2014 European Prize for Urban Gran Barcelona Public Space 2014 164 Selection from the Press — Spaces for debate and reflection

Ara 16/05/2014 Breus CCCB Cultura 165 Selection from the Press — Spaces for debate and reflection

Ara diumenge 18/05/2014 Alan Touraine Suplement 166 Selection from the Press — Spaces for debate and reflection

Alan Touraine Ara diumenge 18/05/2014 Suplement 167 Selection from the Press — Spaces for debate and reflection

El Mundo 21/05/2014 Owen Jones Cultura 168 Selection from the Press — Spaces for debate and reflection

La Vanguardia 29/06/2014 Hélène Cixous Cultura 169 Selection from the Press — Spaces for debate and reflection

El Mundo 05/07/2014 Colm Tóibín Catalunya 170 Selection from the Press — Spaces for debate and reflection

La Vanguardia 20/12/2014 Dacia Maraini Magazine 171 Selection from the Press — Spaces for debate and reflection

Dacia Maraini El Pais 27/11/2014 Cataluña 172 Selection from the Press — Spaces for debate and reflection

Dacia Maraini El Periódico 20/12/2014 Gran Barcelona 173 Selection from the Press — Spaces for debate and reflection

El Pais 10/08/2014 Victòria Camps Domingo 174 Selection from the Press — Spaces for debate and reflection

Victòria Camps El Pais 10/08/2014 Domingo 175 Selection from the Press — Spaces for debate and reflection

Ara 31/10/2014 Francisco José Ayala Entrevista 176 Selection from the Press — CCCB Lab

El Mundo 20/02/2014 Data Journalism Tendències 177 Selection from the Press — CCCB Lab

Ara criatures 6/09/2014 Internet Universe Suplemento 178 Selection from the Press — CCCB Lab

El Mundo 11/11/2014 Data Privacy Innovadores 179 Selection from the Press — CCCB Education

El Periódico 15/02/2014 Room 1418 Gran Barcelona 180 Selection from the Press — CCCB Education

El Correo Gallego 29/04/2014 Alzheimer Programme Tendencias 181 Selection from the Press — CCCB Education

La Vanguardia 02/05/2014 Between images Què fem? 182 Selection from the Press

El País 17/12/2014 Vicenç Villatoro Cataluña 183 Selection from the Press

Vicenç Villatoro El Periódico 17/12/2014 Cultura Published by — CCCB

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