La Serva Padrona: Characters and Voice Types

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La serva padrona: Characters and Voice Types CHARACTERS IN LA SERVA PADRONA CHARACTER NAME PRONUNCIATION DESCRIPTION VOICE TYPE Uberto oo-BEHR-toh An elderly gentleman Bass Serpina sehr-PEE-nah Uberto’s servant Soprano Vespone ves-POH-neh Another servant Silent role VOICE TYPES Just as each person’s speaking voice has a certain range and sound, each singer’s voice falls within a certain range and possesses a unique tone or quality. In the same way that no two people are physically identical, no two voices sound the same. There is a tremendous variety within each vocal range. Female Voices Male Voices Soprano: Countertenor: Highest vocal range, usually female (or unchanged male Covering a similar range to a contralto, a countertenor is voice.) Sopranos have been an integral part of classical the highest of male voices. This voice type is more common opera from its inception. They usually sing the ingénue or in European sacred music. lead female. Example: Serpina. Tenor: Mezzo-soprano: Male voice whose range falls below that of a contralto. In Voice type whose range falls below that of a soprano. traditional opera, the tenor voice connotes a sense of youth Rose to popularity in opera around the 19th century when and the role of the hero is often played by a tenor. counter-tenor voices were used less frequently. It is during this period that pant-roles (male role played by a female Baritone: mezzo-soprano) came into fashion. Although not usually the This voice type falls below that of a tenor and was used leading voice type, several roles have been written with this a great deal in 18th century opera. Composers such as voice type in mind. Example: Carmen. Mozart, Wagner, and Verdi wrote major roles for baritones. Contralto: Bass: The lowest female voice whose range falls below that of a Lowest of the male voices, a bass is typically cast as an mezzo-soprano and overlaps that of a tenor. Contraltos are older character. One example is Pergolesi’s Uberto. often cast as older female characters. Written by Sarah Angus, teacher candidate, Faculty of Education, Queen’s University (2010). Canadian Opera Company ~ Education and Outreach ~ La serva padrona Study Guide 2009/2010 ~ coc.ca ~ 416-306-2392.

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