The Scottish Staple in the Netherlands, an Account O the Trade
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Ricardian Register
Ricardian Register Richard III Society, Inc. Vol. 43 No. 2 June, 2012 Richard III and Francis, Viscount Lovel, riding through Oxford. Mary Kelly Printed with permission l White Boar l Copyright © Mary Kelly 2005 Articles: The College of Arms l Disinheritance l Thomas Stafford Inside cover (not printed) Contents The College of Arms 2 Disinheritance: 4 Thomas Stafford—16th Century Yorkist Rebel 7 Reviews 10 Behind the Scenes 18 In Memoriam: Judith M. Betten 20 2012 AGM Brochure 21 American Branch Elections 26 Bylaws 28 Sales Catalog–June, 2012 29 From the Editor 34 Errata 34 Board, Staff, and Chapter Contacts 35 v v v ©2012 Richard III Society, Inc., American Branch. No part may be reproduced or transmitted in any form or by any means mechanical, electrical or photocopying, recording or information storage retrieval—without written permission from the Society. Articles submitted by members remain the property of the author. The Ricardian Register is published four times per year. Subscriptions are available at $20.00 annually. In the belief that many features of the traditional accounts of the character and career of Richard III are neither supported by sufficient evidence nor reasonably tenable, the Society aims to promote in every possible way research into the life and times of Richard III, and to secure a re-assessment of the material relating to the period, and of the role in English history of this monarch. The Richard III Society is a nonprofit, educational corporation. Dues, grants and contributions are tax-deductible to the extent allowed by law. Dues are $50 annually for U.S. -
Shaping Medieval Markets: the Organisation of Commodity Markets in Holland, C
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Dijkman, Jessica Book — Published Version Shaping Medieval Markets: The Organisation of Commodity Markets in Holland, c. 1200–c. 1450 Global Economic History Series, No. 8 Provided in Cooperation with: Brill, Leiden Suggested Citation: Dijkman, Jessica (2011) : Shaping Medieval Markets: The Organisation of Commodity Markets in Holland, c. 1200–c. 1450, Global Economic History Series, No. 8, ISBN 978-90-04-20149-1, Brill, Leiden, http://dx.doi.org/10.1163/ej.9789004201484.i-447 This Version is available at: http://hdl.handle.net/10419/181389 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen -
The Waning of the Middle Ages in Leiden
The Waning of the Middle Ages in Leiden Exhibition Leiden University Library, 19 September 2016 Anton van der Lem & Robert Stein 2018 ________________________________________________________________ CONTENTS Introduction ....................................................................................................... 4 1. Burgundy and unity? ..................................................................................... 6 2. Regional traditions ...................................................................................... 16 3. Representing Burgundy ............................................................................... 30 4. Huizinga and the Waning of the Middle Ages ............................................. 38 Bibliography .................................................................................................... 45 Colophon ......................................................................................................... 49 Introduction At the end of his long reign, duke Philip the Good (r. 1419-1467) could look back with satisfaction at the previous century. From 1363 onwards, his grandfather Philip the Bold, his father John the Fearless and he himself had gathered together an impressive number of principalities out of next to nothing. The Burgundian union is often indicated as a state, ‘l’état Bourguignon’, and that is how the dukes themselves considered it, but on closer examination, it was more a composite monarchy. The Burgundian dynasty formed the only binding factor between duchies -
James P. WARD HADRIANUS BARLANDUS and a CATALOG OF
James P. WARD HADRIANUS BARLANDUS AND A CATALOG OF THE COUNTS AND COUNTESSES OF HOLLAND PUBLISHED AT AMSTERDAM BY DOEN PIETERSZ 1. Introduction In 1997 W. van Anrooij edited and published the results of a large col- laborative, interdisciplinary study on the ‘Counts-and-Countesses-of- Holland’ series of portraits which at one time hung in the cloistered gal- lery of the Benedictine monastery at Egmond. The portraits, painted on wooden panels, were moved in 1578 in order to protect them probably from the effects of the weather, and since then they have hung in the city hall at Haarlem. The Middle Dutch rhymed texts included in the panels underneath the portraits are discussed at length by Van Anrooij, as are other related texts still extant in manuscript form.1 In addition to the Middle Dutch texts on the painted wooden panels and in manuscripts, Van Anrooij also discussed woodcuts and engravings representing the counts and countesses of Holland, made by a number of artists. One of the earliest series of woodcuts was by the artist Jacob Cornelisz van Oostzanen, published by Doen Pietersz of Amsterdam at the beginning of the sixteenth century. Editions are known which are accompanied by texts in Latin and in French. A number of these wood- cuts are preserved at the Rijksmuseum in Amsterdam.2 Another series of 1 W. van Anrooij in W. van Anrooij (ed.), De Haarlemse gravenportretten: Hollandse geschiedenis in woord en beeld (Hilversum: Verloren, 1997), pp. 7-45. In the first three chapters Van Anrooij discusses the creation of the series of portraits, their history and the history of the accompanying texts. -
Jan Van Naaldwijk's Chronicles of Holland
JAN VAN NAALDWIJK’S CHRONICLES OF HOLLAND Continuity and Transformation in the Historical Tradition of Holland during the Early Sixteenth Century Sjoerd Levelt A dissertation in fulfilment of the requirements for the degree of Doctor of Philosophy in Combined Historical Studies The Warburg Institute University of London 2010 1 I declare that the work presented in this thesis is my own. ––––––––––––––––– Sjoerd Levelt 2 ABSTRACT The early sixteenth century was a period of intense experimentation in Dutch history writing. The little-known author Jan van Naaldwijk, whose two Dutch chronicles of Holland are preserved in autograph manuscripts in the British Library, participated in these developments. An amateur writer, but – importantly – an expert reader, Jan compiled chronicles which, while rooted in the historical tradition of Holland, nevertheless expanded it in ways that, for all their idiosyncrasy, can help us to appreciate the broader impact of innovations occurring at the same time in more ‘professional’ scholarly circles. This dissertation is the first in-depth study of his chronicles. Chapter 1 contains a critical appraisal of late medieval chronicles of Holland, focusing in particular on Jan Beke’s Latin Chronographia (c. 1346) and its Dutch translation, which laid the foundation for later historiographical discussions and experiments, including those of the first decades of the sixteenth century. Chapter 2 describes how, in 1514, Jan van Naaldwijk produced a chronicle of Holland, based on traditional historical writing about the county, but extending it in new directions and drawing on over twenty sources, in Dutch, Latin and French, in both manuscript and print. In 1517, what was to become the most influential vernacular chronicle of Holland, the so-called Divisiekroniek, was printed. -
Through Marriage Marvelously Blended”: Visual Representations of Matrimonial Rituals in the Burgundian and Habsburg Netherlands, 1384 to 1555
“Through Marriage Marvelously Blended”: Visual Representations of Matrimonial Rituals in the Burgundian and Habsburg Netherlands, 1384 to 1555 by Laura Mitchell A thesis submitted to the Faculty of Arts in conformity with the requirements for the degree of Master of Arts (History with Specialization in Medieval and Renaissance Studies) University of Ottawa, Ottawa, Ontario, Canada Submitted October 29th, 2013 © Laura Mitchell, Ottawa, Canada, 2014 Abstract “Through Marriage Marvelously Blended”: Visual Representations of Matrimonial Rituals in the Burgundian and Habsburg Netherlands, 1384 to 1555 Author: Laura Mitchell Supervisor: Professor Kouky J. Fianu Year Submitted: 2013 The Burgundian and Habsburg Netherlands constitute an interesting case for studying the function and symbolism of matrimony. This period marked an active time of change in the Low Countries: there was ongoing antagonism between the dukes of Burgundy and their Dutch subjects; shifts in the mercantile industry caused economic flux; the Reformation sparked religious tension; and the rapid expansion of the art market created a Europe-wide demand for Netherlandish fine and decorative art. In the face of upheaval, the act of marriage and the ideology surrounding it remained relatively consistent. Betrothal and marriage ceremonies in the Low Countries were quite formal compared to those in southern Europe; the quintessential northern ceremony customarily involved a priest, witnesses, and symbolic hand gestures. The images discussed in this thesis overwhelmingly reflect the importance of ritualistic behaviour in the late medieval Netherlands; the majority of them depict proper in facie ecclesiae unions, meaning “in the face of the Church.” These images of ideal marriage rituals were most commonly commissioned by members of the court or Church, and were used primarily to display wealth and power, to enhance the pageantry of court life, to draw connections with the mythic or biblical past, to promote canon law, and to reinforce cultural values. -
9789004201491 Webready Con
Shaping Medieval Markets Global Economic History Series Series Editors Maarten Prak, Utrecht University Jan Luiten van Zanden, Utrecht University Editorial Board Gareth Austin, Graduate Institute of International and Development Studies, Geneva Şevket Pamuk, London School of Economics and Political Science Kenneth L. Pomeranz, University of California, Irvine Tirthankar Roy, London School of Economics and Political Science Peer H.H. Vries, University of Vienna VOLUME 8 Th e titles published in this series are listed at brill.nl/gehs. Shaping Medieval Markets Th e Organisation of Commodity Markets in Holland, c. 1200–c. 1450 By Jessica Dijkman LEIDEN • BOSTON 2011 Cover illustration: Scene from a fair in Le Chevallier Errant by Th omas III de Saluce (France, 1403–1404). BnF, MSS Français 12559, f 167. Th is book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Dijkman, Jessica. Shaping medieval markets : the organisation of commodity markets in Holland, c. 1200-c. 1450 / by Jessica Dijkman. p. cm. -- (Global economic history series, 1872-5155 ; v. 8) Includes bibliographical references and index. ISBN 978-90-04-20148-4 (hbk. : alk. paper) 1. Netherlands--Commerce--History--To 1500. 2. Commodity exchanges--Netherlands--History--To 1500. 3. Markets--Netherlands-- History--To 1500. I. Title. II. Series. HF3615.D55 2011 332.64'4094920902--dc23 2011022975 ISSN 1872-5155 ISBN 978 90 04 20148 4 Copyright 2011 by Koninklijke Brill NV, Leiden, Th e Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
Volume I Fam Ilies & Dy Nastie S Joust a L’Outrance by Mark D
The Family Volume I Fam ilies & Dy nastie s Joust a l’outrance by Mark D. Dennis In May 1390 during a truce in the long running state of war between Scotland and England, Sir David de Lindsay and the English baron, John de Welles, kept a pledge to joust a l’outrance, to the death, with pointed and edged weapons. Other Scots and English knights participated in the tournament held on London Bridge before King Richard II and his court. Lindsay, later first Earl Crawford, is shown in this interpretation at the point he unhorsed de Welles. They then fought on foot, and again de Lindsay prevailed. With Lord de WelIes’ life on the point of the Scot's dagger and the English king having declined to intervene to spare him, the chivalrous Sir David relented and helped the Englishman to his feet rather than slay him. The Scots carried the day and were presented with rich gifts by the English king. It was a medieval version of Twickenham. ii Contents Volume 1 Frontpiece .............................................................................................................................................ii Contents ................................................................................................................................................iii Forward ................................................................................................................................................ iv Families & Dynasties ...................................................................................................................1-585