Playlists: October – December 2008
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2004 General Catalog
MASTERS SERIES Masters Series Lacquer Finish . Available Colors MMX MRX MHX BRX Masters Series Covered Finish . Available Colors MSX No.100 Wine Red No.400 White Marine Pearl No.102 Natural Maple No.401 Royal Gold No.103 Piano Black No.402 Abalone No.112 Natural Birch No.403 Red Onyx No.122 Black Mist No.404 Amethyst No.128 Vintage Sunburst No.141 Red Mahogany No.148 Emerald Fade No.151 Platinum Mist PEARL DRUMS No.152 Antique Gold No.153 Sunrise Fade m No.154 Midnight Fade o c . No.156 Purple Storm m No.160 Silver Sparkle u r d No.165 Diamond Burst l r No.166 Black Sparkle a e p No.168 Ocean Sparkle . w w w SESSION / EXPORT / FORUM / RHYTHM TRAVELER . Lacquer Finish Available Colors SMX SBX ELX Covered Finish Available Colors EXR EX FX RT www.pearldrum.com No.281 Carbon Mist No.430 Prizm Blue No.290 Vintage Fade No.431 Strata Black No.291 Cranberry Fade No.432 Prizm Purple No.292 Marine Blue Fade No.433 Strata White No.296 Green Burst No.21 Smokey Chrome No.280 Vintage Wine No.31 Jet Black No.283 Solid Black No.33 Pure White No.284 Tobacco Burst No.49 Polished Chrome No.289 Blue Burst No.78 Teal Metallic No.271 Ebony Mist No.91 Red Wine No.273 Blue Mist No.95 Deep Blue No.274 Amber Mist No.98 Charcoal Metallic No.294 Amber Fade No.295 Ruby Fade No.299 Cobalt Fade For more information on these or any Pearl product, visit your local authorized Pearl Dealer. -
Octubre-Desembre 2008
BUTLLETÍ DE NOVETATS DISCOGRÀFIQUES Octubre-Desembre 2008 CJCMJPUFDB QÞCMJDBBMJDBOUF ÍNDICE 0. MÚSICA DE TRADICIONES NACIONALES. CANTAUTORES 3-10 1. JAZZ 11-15 2. ROCK, POP, MÚSICA LIGERA 16-24 3. MÚSICA CLÁSICA 25-31 5. MÚSICA FUNCIONAL. BANDAS SONORAS VARIAS 32-35 7. REGISTROS PARA NIÑOS 36-42 ÍNDICES 43-49 0 MÚSICA DE TRADICIONES NACIONALES. CANTAUTORES 1 1958 - 2008 [Grabación sonora] : 50 años de Bossa Nova. La colección defi nitiva. -- [Madrid] : Universal Music Spain, D.L. 2008. -- 2 discos compactos (ca. 64, 59 min.) : digital ; 12 cm + 1 folleto Contiene: CD 1: 1. Mas, que nada! / Jorge Ben ; 2. Pra Dizer Adeus / Edú Lobo & Maria Bethânia ; 3. So por amor (Instrumental) / Odette Lara & Vinícius de Moraes ; 4. Ela é carioca de os Cariocas ; 5. Batida diferente / Tamba Trio ; 6. Só tinha de ser com você / Elis Regina, Antonio Carlos Jobim ; 7. Desafi nado / Gal Costa ; 8. Tristeza / Baden Powell ; 9. How Insensitive / Diana Krall ; 10. The Girl From Ipanema / Stan Getz, João Gilberto & Astrud Gilberto ; 11. O barquinho / Nara Leão & Roberto Menescal ; 12. Coisa mais linda (Remixed Original Album) / Caetano Veloso ; 13. Ilusão à toa ; O que é amar / Leila Pinheiro ; 14. Corcovado Live / Oscar Peterson ; 15. Oi Lá! / Toquinho & Vinícius de Moraes ; 16. Aquarela do Brasil, Nega do cabelo duro / Elis Regina ; 17. Caminhos cruzados, Citações: Águas de Março, Wave, Inútil paisagem / Zizi Possi -- CD 2: 1. Desafi nado / Tom Jobim, Stan Getz & João Gilberto ; 2. A felicidade / Astrud Gilberto ; 3. Maria Ninguém / Carlos Lyra ; 4. Por causa de você, menina / Jorge Ben ; 5. Amor em paz / Sylvia Telles ; 6. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
SHAC Continues Fight for Independence
uwMrOSi The Student-Run Independent Newspaper at the University of Wisconsin-Milwaukee Alderman Nik Kovak visits UWM to get to know students Side-by-side They almost comparisons of Obama and McCain lost her News pgs 3 & 5 The Post speaks with Molitor s friends, family SHAC President Nikki Senrick, left, and the SHAC executive board discuss budgeting issues during Sunday night's meeting in Sandburg Hall. Post photo by Sam Hogerton. Beastie Boys, Ben SHAC continues fight Harper to perform in Milwaukee for for independence 'Get out and vote' University Student Court grants temporary CD reviews: restraining order The Clash Live at Lauren Molitor 3y Jo Rey Lopez Shea Statium Staff Writer By Kevin Lessmiller and Jonathan Anderson posed takeover. The SA Senate passed "A Resolution Copeland You Are Streamers and balloons hung with love At its Sunday Oct.-26 meeting, the Denning [SHAC]" at its Sept. 21 meeting, and joy greeted Lauren Molitor as she was University of Wisconsin - Milwaukee essentially establishing SHAC as a stand My Sunshine welcomed home Oct. 17 from a 41-day stay Student Housing Administrative Council ing committee of the SA. Since, SHAC at Froedtert Memorial Hospital. (SHAC) failed to meet quorum needed to has threatened to take the matter to the For now, Molitor is recovering in a make pass legislation, including a letter to the University Student Court if the SA did not fringe pgs 13 & 15 shift bedroom in the family's dining room Student Association (SA) rejecting its pro so she doesn't have to climb stairs while See SHAC page 8 her lungs recuperate. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Audacity Find Clipping
Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb .. -
Arcansiel - Swimming in the Sand
arcsits Arcansiel - Swimming In The Sand It has been ten years since Italian band Arcansiel released an album and that was Normality Of Perversion in 1994. 2004 sees the release of Swimming In The Sand, which is a sort of 'best of' compilation. I say 'sort of' because five of the six tracks here have appeared on past studio albums but, for this release, the band returned to the studio in 2003 to re-record the songs. With so much progressive rock to choose from these days, those of us with limited time (and finances) can not be expected to be familiar with everything out there so tend to stick with music from bands we know. A compilation such as this makes a lot of sense, giving those you have yet to hear the band a selection of the best tracks and for the existing fans of Arcansiel, a new version of these tracks. The band personnel has changed once again but original guitarist Gianni Opezzo is still there, Sandro Marinoni (tenor sax, flute) is back and Paolo Baltaro (vocals, bass, drums, keyboards, bagpipes) who joined the band for Normality, remains. Arcansiel came onto the scene at the time when Fish period Marillion was coming to an end and http://www.hairlessheartherald.co.uk/arcsits.htm (1 of 2)27/07/2004 17.42.11 arcsits inevitably they got labelled as neo prog with seventies influences from Genesis to PFM and Banco. Perhaps the neo prog tag fitted at the beginning of the band's career but it was polished neo prog, lacking the harshness of typical neo prog of the time. -
Arlo Parks - Black Dog Episode 210
Song Exploder Arlo Parks - Black Dog Episode 210 Hrishikesh: You’re listening to Song Exploder, where musicians take apart their songs, and piece by piece, tell the story of how they were made. My name is Hrishikesh Hirway. Before this episode starts, I want to let you know that the song being discussed is about someone who is alive and well today, but was going through a period of depression and anxiety. Both the song and the interview allude to suicide, so please be careful before listening. If you’re thinking about suicide, or if you have a friend who is, or if you just need someone to talk to right now, you can get support by calling the National Suicide Prevention Lifeline at 1-800-273-TALK (8255) or by texting HOME to 741-741, which is the Crisis Text Line. If you’re outside of the U.S., check out the list of international hotlines at suicide.org. I’ll link to all of this on the Song Exploder website and in the episode show notes. (“Black Dog” by Arlo Parks) Hrishikesh: Arlo Parks is a singer and songwriter from London. In January 2021, she released her debut album, Collapsed in Sunbeams. It hit number three on the UK charts, and she won this year’s BRIT award for Breakthrough Artist. Last year, NME called her song “Black Dog” the year’s “most devastating song.” In this episode, she breaks down “Black Dog,” which she made with producer Gianluca Buccellati. Arlo: But I call him Luca. Hrishikesh: Here’s Arlo Parks on Song Exploder. -
MARILLION Sounds That Can't Be Made (Prog Heavy / Prog Metal / Prog Rock)
MARILLION Sounds that can't be made (Prog Heavy / Prog Metal / Prog Rock) Année de sortie : 2012 Nombre de pistes : 8 Durée : 74' Support : CD Provenance : Reçu du label Après les 20 titres (108 minutes) de Happiness Is The Road, déclinés en 2 parties (Essence et The Hard Shoulder), MARILLION signe 4 ans après un nouvel album studio, le 17ème, Sounds That Can't Be Made. Cette fois-ci, le groupe nous propose un simple album, affichant pas moins de 74 minutes pour 8 compositions. Quantité donc, et qualité aussi ! Deux propriétés qui ne vont pas forcément de pair... Fidèles à leur style qu'ils véhiculent depuis maintenant plusieurs décennies, une Pop Rock progressive "sophistiquée", les anglais de MARILLION entament ce nouvel album par un titre fleuve de plus de 17 minutes, Gaza. Après une courte intro. arabisante, la composition, durant une douzaine de minutes, alterne plages agressives avec des guitares mordantes et une rythmique syncopée et petits intermèdes calmes au piano, dans un ensemble bigarré (voire intriguant avec ses bruitages plus ou moins électro.!), appuyant des textes engagés (le conflit israélo-palestinien et la bande de Gaza). Puis tout bascule lorsque le jeu de guitares de Steve ROTHERY se fait mélodique et sensuel, accompagné par le chant sublime de Steve HOGARTH. Rythmé, Sounds That Can't Be Made (7minutes) est tout aussi mélodique et gonflé d'émotions, les nappes de claviers de Mark KELLY sonnant quelque peu 70's. La rythmique de Pete TREWAVAS (basse) et Ian MOSLEY (batterie), le piano et le maniérisme du chant donnent à Pour My Love des atours plus ancrés Pop Rock. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
SHCPS Summer Reading 2011 to Prepare, All Junior Academy
SHCPS Summer Reading 2011 This spring, SHCPS staff, families and community members all pitched in to clear the land across the street from the school on Eastern Avenue. Over the summer, the work will continue (Contact Christopher Young at [email protected] to help out!) so, upon our return to school in August, we can proudly unveil our Community Garden! In the spirit of this event, all classes will partake in a series of garden related projects that span across all content areas. To prepare, all Junior Academy students should read Seedfolks by Paul Fleischman. This beautiful book, which has won the Buckeye Children’s Book Award and has been named a “Best Book” by the Young Adults Library, School Library Journal and Publishers Weekly, tells the stories of twelve characters who come together through the founding of a neighborhood garden in Cleveland, IL. It is a “hymn to a sense of community.” Please be aware that some of the characters in the book explore some sensitive topics. Parents, if you are uncomfortable with any of the issues this book touches upon, please allow your child to choose an alternative book from the list below, or another book of substance that focuses on gardens or other environmental endeavors. Better yet, read the book alongside your child so that you can serve as a mature sounding board as your child ponders the messages of the story. Enjoy! Students in all other grades should choose at least three books from the bibliography below. Try out some of the projects listed in the activity books too! Have fun! An Annotated Bibliography of Children's Literature with Environmental Themes Adapted from a bibliography compiled by Nancy Andersen, Librarian OLCS, Erie, PA and Susan Miceli, Children's Services Manager, ECPL, Erie, PA Albert, Richard E. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.