BOBBY BENSON the Illustrated Rfress
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Radio and Television Mirror 5001.Pdf
AND TELEVISION JANUARY. 25¢ Reading Clockwise Sam Cowling Patsy Lee Johnny Desmond -t--tands in Just-Seconds! _with this fragrant new Lotion that Dries Fast, without Stickiness! Prove It for Yourself with This lO-second Test! There", a Ca.hmere Bouquet Cosmetic for Almost E,"cry Hrc \'("/In! hand_ that ~oft as any flower petal? Beauty Needl JURI as fmgrunt, too? Then it's ~ew Ca~hmere Bouquet Hand Lotion (Kith lanolin) for you ! Do this and you 'I! understand why! , f" L:~e Ca~llInNe Bouquet on one hand, . any DIll-style lotion on the other. -~ \Vait, then compare. Your "Cashmere Bouquet" hand? This fast liPSTICK drying lotion that soften.! like '\ Lrealllh clinging_in 8 f .... hionable .hade.! a ("r('am ha~ aln:lllly done its wonderful fACE POWDER ,,'ork. ]\0\ a tracl' of slirkincss or tackiness. Smooth, "d'"ely texturel Ynuf hand fech smooth, is excitingly 6 "Flower.F.""h" shade.l fragrnnt, excitingly soft 10 the touch! All· PURPOSE CRUM For raJiant,'"clale"imc" YOUf olher hund? No cOl1lpari~on. of course! In lo,"clines._a bedtime beau ty "mu.t"! just 10 ~(,fonols )"ou\c spen for yourself, that TALCUM POWDEr{ {"",,"sst/Ue l1amb rail for Cnshrnere Bouquet! A shower of .pring flowers! 1: l: THEN you have a date, you be a flop, and you can lose your shift of momentary effectiveness. V V do things with your com man just like that! It instantly freshens and sweet plerion.You want it to be radiant. You may not know when you ens the breath. And helps keep You fuss for hours with your have halitosis (unpleasant it that way. -
TV Life; Sept. 6
Complete Day-by-Day Schedules For ROCHESTER, BUFFALO and SYRACUSE SEPTEMBER 6- 12, 1952 WINSOME MARGARET GARLAND PLAYS DR. JOHN DALE ON " SPACE CADET." MON., WED. and FRI. BACK ON TV . w ith true dramas taken from everyday life . THE BIG STORY . as it was lived . and written Every Friday- 9:00 P.M . Back on Sept. 6 CONTAGIOUS COMEDY ! while CAESAR and COCA have a wonderful time on Your Show of Shows Every Saturday - 9 P.M. WHAM-TV TV LI F E Press Flashes Western New York' s Officio/ TV - FRIDAY, SEPTEMBER 5th Radio and Entertainment Magazine 1 0 .00--Cavolcode of Sports. Ch. 4-5-6. Feature boxing bout, Bobby Dykes vs. Gil Turner; 10- Vol. 2 ~ 1 2 No. 26 round welterweight fight. 10:45-GREATEST FIGHTS OF THE CENTURY. Ch . Owned and Published by 4-5-6. Filmed boxing bout between Joe Louis ROBERT H. PEIFFER ASSOCIATES and Rocky Marciano. 16 State St., Rochester 14, N.Y. SATURDAY, SEPTEMBER 6th Phone BAker 0513 12:00--THE BIG TOP. Ch . 4-5-6. Jack Sterling Editor Bob Peiffer presents Janel and Paul, a sensational aerial --·------- ---·- ------ -- -- act, the two Winlows in a bickcle routine, __ ____ __ H. V. Kipp Asst. Editor ----·······---- and McConnell and Moore in a Gay Nineties Photographer ·········· -- - Len Campagno juggling routine, and Lou and Frank Varrone 8:00-ALL STAR REVUE. Ch. 4-5-6. Movie stars Corrine Calve! and Paul Douglas will be SEPTEMBER 6- 12, 1952 guests with Dennis Day headlining this first of the season's telecasts. TV Life is published weekly at Rochester, 9:00--YOUR SHOW OF SHOWS. -
Time-Passages-Collective-Memory
Tfwe Passages This page intentionally left blank George Lipsitz Time ¥assa0es Collective Memory and American Popular Culture M IN University of Minnesota Press NE Minneapolis SO TA London Copyright © 1990 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South.Suite 290, Minneapolis, MN 55401-2520 http://www.upress.umn.edu Printed in the United States of America on acid-free paper Seventh printing 2001 Library of Congress Cataloging-in-Publication Data Lipsitz, George. Time passages : collective memory and American popular culture / George Lipsitz. p. cm. Includes bibliographical references. ISBN 0-8166-3881-0 (pbk.) 1. United States—Popular culture—History—20th century. 2. Mass media—United States—Social aspects. 3. Memory—Social aspects— United States—History—20th century. I.Title. E169.12.L55 1989 973.9-dc20 89-5209 The University of Minnesota is an equal-opportunity educator and employer. Contents Preface vii Culture and History Chapter 1 Popular Culture: This Ain't No Sideshow 3 Chapter 2 Precious and Communicable: History in an Age of Popular Culture 21 Popular Television Chapter 3 The Meaning of Memory: Family, Class, and Ethnicity in Early Network Television 39 Chapter 4 Why Remember Mama? The Changing Face of a -
Dinah Shore Dies the Scope, Talent, Format and Budget for Call TV, Radio fi Lm Star for Music
The Old Radio Times The Official Publication of the Old-Time Radio Researchers Jan/Feb 2012 www.otrr.org 2356 Subscribers Number No. 59 View of the Crowne Plaza from the Red Roof Inn Cincinnati Convention April I3-I4, 20I2 We have a very special guest returning for ample time to socialise with OTR friends. a visit this year, Peg Lynch. Peg and Parley You’ll fi nd dozens of OTR celebs at FOTR, Baer intertained us playing Ethel & Albert for REPS, and SPERDVAC, but only a handful several years. Parley said doing the show was at Cincinnati. Bob B. ususally brings back fan the highlight of his career, and wanted to take favorites such as Hal Stone, Bob Hastings, it on the road. For those who have not heard and Rosemary Rice. Not having lots of celebs of or know little about the Ethel & Albert show brings about the best part of this convention: and Peg Lynch are in for a real treat. When re-creation director Don Ramlow holds an Parley could no longer come Bob Hastings open casting call for all us non-celebs to fi ll took over playing Albert. Bob Hastings and out secondary parts in the OTR programs to Rosemary Rice will be returning also. Bob was be presented, giving us fans a chance to act missed last year because of health reasons, alongside some OTR greats. but is doing fi ne now. One thing to recommend is that whatever CCommentsomments ffromrom ppeopleeople wwhoho hhaveave hotel Bob employs is not as isolated as the aattendedttended oourur ppastast conventions.conventions. -
American Radio Collection, 1931-1972, Collection (S0256)
S0256 American Radio Collection, 1931-1972 Collection 256 514 Audio Tapes This collection is available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. This collection is stored off site. Please allow 3-5 business days for retrieval. The American Radio Collection was donated to WHMC by the Thomas Jefferson Library. All tapes are reel-to-reel. All programs listed in this inventory are alphabetized by the first letter of each program, except for articles. Programs titled by a performers name are alphabetized by the performer’s first name: e.g., Bob Hope, Jack Benny, Jimmy Durante, Bing Crosby, etc. Wherever possible, programs are headed with a brief comment on their nature and the years they were broadcast. Introduction to American Radio Collection, 1931-1972, Collection 256 The American Radio Collection, composed of 514 reel-to-reel tapes, is a valuable piece of American social and cultural history. Tapes in the collection cover the early years of commercial broadcast radio through its golden years to the decline of network radio in the early 1960s. Today commercial radio aims its programs at specific audiences, listeners with different interests in music, politics, religion, and sports. News, commentary, and call-in- shows try to win loyal audiences to this “niche programming,” as it is sometimes called. Today, broadcast radio rarely seeks to appeal to a broad audience of varying ages, genders, ethnicities, occupations, or geographic locations. Garrison Keillor’s Prairie Home Companionis a rare live broadcast aimed at a national audience but it attracts only a small audience, largely white and middle class. -
On Television the Television Index
ON TELEVISION INCLUDING THE TELEVISION INDEX 9 OCTOBER 3-9, 1955 VOLUME 7 NTE,TBER40 PRODUCTION PROGRAMMING TALENT EDITOR: Jerry Leichter 551 Fifth Avenue New York 17 MUrray Hill 2-5910 WEEKLY REPORT PUBLISHED BY TELEVISION INDEX, INC. A FACTUAL RECORD OF THIS WEEK'S EVENTS IN TELEVISION PROGRAMING THIS WEEK -- NETWORK DEBUTS & HIGH.LIGHIS Monday(3) ABC- 5-6pm, all time zones, Mon thru Fri; DEBUT; Mickey Mouse Club; FILM from WABC-TV(NY) & WBEB(Chi) & KABC-TV(LA), 86 Ltatioms net,none delayed. Segment Sponsors- 18 different sponsors, single and multiple 17 -minute segments, Mon thru Fri. § Pkgr & Film Prod- Walt Disney Productions, at Walt Disney Studios, Burbank, Calif., and other locations throughout the world; Eec Prod- Walt Disney; various unit producers, directors and crews. § Each daily hour- long show contains four separate 15 -minute segments, to be seen weekly in the following schedule: "The Mickey Mouse Newsreel," presented in the first 15- minute segment, Mon, Wed, Fri; "let's Go," visits to interesting places, first segment, Tuesdays; "Jiminy Cricket Presents," all -cartoon subject, firstseg- ment, Thursdays; "The Mouseketeers," a group of 24 talented youngsters, with Jimmie Dodd and Roy Williams as co -hosts for the special programs presented each day, second segment, Mon thru Fri; "Mickey Mouse Club Continued Stories," live- action filmed serials presented in consecutive daily episodes until theirre- spective conclusions, third 17 -minute segment, Mon thru Fri; "Cartoon of the Day," featuring fared Walt Disney characters, fourth segment, Mon thru Fri. Program replaces local programming. ABC- 7:30-8pm EDT; NET DEBUT; Topper; FILM from WABC-TV(NY), 32 stations net, 29 delayed. -
2) George Lipsitz-The Meaning of Memory Family Class Ethnicity In
The Meaning of Memory: Family, Class, and Ethnicity in Early Network Television Programs George Lipsitz Cultural Anthropology, Vol. 1, No. 4. (Nov., 1986), pp. 355-387. Stable URL: http://links.jstor.org/sici?sici=0886-7356%28198611%291%3A4%3C355%3ATMOMFC%3E2.0.CO%3B2-E Cultural Anthropology is currently published by American Anthropological Association. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/anthro.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact [email protected]. http://www.jstor.org Sun Aug 26 14:58:04 2007 The Meaning of Memory: Family, Class, and Ethnicity in Early Network Television Programs George Lipsitz Progrrrm in Americ,crn Studie.5 LiniversiQ of Minne~otn Almost every Friday night between 1949 and 1956, millions of Americans watched Rosemary Rice turn the pages of an old photograph album.