Going Against the Grain "This Is Who I Am
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Experience Glee
FREE YOUR A three-week Newspapers In Education program in partnership gleewith The Puyallup Fair Jingle History What is Find (and A jingle can be thought of as a musical commercial. Jingles began in the 1920s, about the time commercial radio became popular in the United States. Most jingles you hear on radio and television tend to be share!) your short and upbeat (all the better to get stuck in your head!) They are designed to make you feel happy and associate good feelings with the product they are advertising. They are often fun and easy to sing glee? — some jingles are so catchy that they become part of our cultural memory, something that everyone from a particular time and place What is the first thing you think of when you hear glee might remember. the word “glee?” You may think of the feelings The “Do the Puyallup” jingle has celebrated the Fair since 1976. associated with glee, or feeling “gleeful,” which Originally it was a slogan created by famed advertising copywriter can be described as extremely happy. Or your first Denny Hinton. Fellow copywriter Saxon Rawlings got out his guitar, thoughts might be of a “glee club,” a group of started writing lyrics and the rest is history. The Fair loved it. And it singers like the ones in the television show Glee. became a hit. The jingle has been sung in a variety of styles, including There is no correct answer to this question — glee rock, country or gospel. Listen to different versions on the Fair website: means different things to different people. -
Sitcom Spec Script Survey
Sitcom Spec Script Survey 1. How would you rank yourself in terms of your sitcom writing experience? Response Response Percent Count No experience 20.5% 30 Beginner - understand the basics, but are still fairly 55.5% 81 inexperienced Advanced - written several scripts, but have not yet made any money 21.2% 31 from writing Professional - been paid to write 2.7% 4 answered question 146 skipped question 1 2. How many sitcom spec scripts have you written within the last year? Please only count COMPLETED drafts. Response Response Percent Count 0 - 2 93.8% 136 3 - 5 6.2% 9 6 - 10 0.7% 1 More than 10 0.0% 0 answered question 145 skipped question 2 1 of 18 3. Please list the sitcoms that you've specced within the last year: Response Count 95 answered question 95 skipped question 52 4. How many sitcom spec scripts are you currently writing or plan to begin writing during 2011? Response Response Percent Count 0 - 2 64.5% 91 3 - 4 30.5% 43 5 - 6 5.0% 7 answered question 141 skipped question 6 5. Please list the sitcoms in which you are either currently speccing or plan to spec in 2011: Response Count 116 answered question 116 skipped question 31 2 of 18 6. List any sitcoms that you believe to be BAD shows to spec (i.e. over-specced, too old, no longevity, etc.): Response Count 93 answered question 93 skipped question 54 7. In your opinion, what show is the "hottest" sitcom to spec right now? Response Count 103 answered question 103 skipped question 44 8. -
Saluting Cheyenne Jackson for Artistic Achievement
Saluting Cheyenne Jackson for artistic achievement WHEREAS, Cheyenne Jackson is a native of the Pacific Northwest who has shown that even through adversity and hardship, one can make their dreams come true; and WHEREAS, Cheyenne Jackson has appeared in films such as the Academy Award nominated United 93, the Sundance selected Price Check, and The Green; and WHEREAS, Cheyenne Jackson has also appeared on television programs such as Glee, Ugly Betty, Curb Your Enthusiasm, and 30 Rock; and WHEREAS, Cheyenne Jackson has appeared in such Broadway and off-Broadway productions as All Shook Up, The Agony and The Agony, The Heart of the Matter, and 8; and WHEREAS, Cheyenne Jackson has recorded two studio albums and has sold out Carnegie Hall twice; and WHEREAS, his work on Broadway, on television, in film and his activism on behalf of the LGBT community through his work with the Foundation for AIDS research and the Hetrick-Martin Institute which supports LGBT youth have been a source of inspiration for many in our community; and WHEREAS, we are proud to welcome Cheyenne Jackson back to the Pacific Northwest for his performance at Martin Woldson Theater in the hopes that his work will inspire many more; NOW, THEREFORE, BE IT RESOLVED, by the Spokane City Council that we hereby salute Cheyenne Jackson for all of his accomplishments and look forward to his performance with the Spokane Symphony. I, Ben Stuckart, Spokane City Council President, do hereunto set my hand and cause the seal of the City of Spokane to be affixed this 19th day of May in 2014 Ben Stuckart Spokane City Council President . -
A Brief History of the Morehouse College Glee Club
A Brief History of the Morehouse College Glee Club The Morehouse College Glee Club is the premier singing organization of Morehouse College, traveling all over the country and the world, demonstrating excellence not only in choral performance but also in discipline, dedication, and brotherhood. Through its tradition the Glee Club has an impressive history and seeks to secure its future through even greater accomplishments, continuing in this tradition through the dedication and commitment of its members and the leadership that its directors have provided throughout the years. It is the mission of the Morehouse College Glee Club to maintain a high standard of musical excellence. In 1911, Morehouse College, then under the name of Atlanta Baptist College, had a music professor named Georgia Starr. She served the College from 1903-1905 and again from 1908- 1911. Mr. Kemper Harreld, who officially founded the Morehouse College Glee Club, assumed leadership when he joined the College’s music faculty in the fall of 1911. Mr. Harreld became both, Chair of the Music Department and Director of the Glee Club. After faithfully serving for forty-two years, he retired in 1953. Mr. Harreld was responsible for beginning the Glee Club’s strong legacy of excellence that has since been passed down to all members of the organization. The Glee Club’s history continues in 1953 with the second director, Wendell Phillips Whalum, Sr., '52. Dr. Whalum was a prized student of Kemper Harreld. He served as Student Director during his tenure in the Glee Club. Dr. Whalum, was more commonly known as "Doc", and served Morehouse College and the Glee Club with the continued tradition of excellence through expanded repertoire and national and international exposure throughout his tenure at the College. -
Rutgers University Glee Club Fall 2020 – Audition Results Tenor 1
Rutgers University Glee Club Fall 2020 – Audition results Congratulations and welcome to the start of a great new year of music making. Please register for the Rutgers University Glee Club immediately – Course 07 701 349. If you are a music major and have any issues with registration please contact Ms. Leibowitz. Non majors with questions please email Dr. Gardner – [email protected]. Glee Club rehearases on Weds nights from 7 to 10 pm and Fridays from 2:50 to 4:10 pm on-line. The zoom link and syllabus is available in Canvas. First rehearsal is this coming Wednesday, September 9th. See you there! Tenor 1 Tenor 2 Baritone Bass Maxwell Domanchich Billy Colletto III Ryan Acevedo James Carson Tin Fung Sean Dekhayser Kyle Cao John DeMarco Jonathan Germosen Steve Franklin Jeffrey Greiner Duff Heitmann Joseph Maldonado James Hwang Tristan Kilper Jonathan Ho Khuti Moses Benjamin Kritz Brian Kong Emerson Katz-Justice Aditya Nibhanupudi Matthew Mallick Matthew Lacognata Seonuk Kim Michael O'Neill Amartya Mani Michael Lazarow Allen Li Michael Schaming Gene Masso Ryan Leibowitz Gabriel Lukijaniuk Xerxes Tata Conor Wall Carl Muhler Sean McBurney Harry Thomas Bobby Weil Julian Perelman Joseph Mezza Zachary Wang John Wilson Caleb Schneider AJ Pandey Nathaniel Barnett Samuel Wilson Gianmarco Scotti Thomas Piatkowski Josh Gonzalez Patrick Cascia Kolter Yagual-Ralston Guillermo Pineiro Kyle Casem Nicholas Casey Nathaniel Eck Ross Ferguson Sachin Boteju Mike Semancik Michael Munza Evan Dickonson Soroush Gharavi Jason Bedianko Colin Smith Benjamin Shanofsky . -
Murder-Suicide Ruled in Shooting a Homicide-Suicide Label Has Been Pinned on the Deaths Monday Morning of an Estranged St
-* •* J 112th Year, No: 17 ST. JOHNS, MICHIGAN - THURSDAY, AUGUST 17, 1967 2 SECTIONS - 32 PAGES 15 Cents Murder-suicide ruled in shooting A homicide-suicide label has been pinned on the deaths Monday morning of an estranged St. Johns couple whose divorce Victims had become, final less than an hour before the fatal shooting. The victims of the marital tragedy were: *Mrs Alice Shivley, 25, who was shot through the heart with a 45-caliber pistol bullet. •Russell L. Shivley, 32, who shot himself with the same gun minutes after shooting his wife. He died at Clinton Memorial Hospital about 1 1/2 hqurs after the shooting incident. The scene of the tragedy was Mrsy Shivley's home at 211 E. en name, Alice Hackett. Lincoln Street, at the corner Police reconstructed the of Oakland Street and across events this way. Lincoln from the Federal-Mo gul plant. It happened about AFTER LEAVING court in the 11:05 a.m. Monday. divorce hearing Monday morn ing, Mrs Shivley —now Alice POLICE OFFICER Lyle Hackett again—was driven home French said Mr Shivley appar by her mother, Mrs Ruth Pat ently shot himself just as he terson of 1013 1/2 S. Church (French) arrived at the home Street, Police said Mrs Shlv1 in answer to a call about a ley wanted to pick up some shooting phoned in fromtheFed- papers at her Lincoln Street eral-Mogul plant. He found Mr home. Shivley seriously wounded and She got out of the car and lying on the floor of a garage went in the front door* Mrs MRS ALICE SHIVLEY adjacent to -• the i house on the Patterson got out of-'the car east side. -
For 30 Minutes, James H. Howard Single-Handedly Fought Off Marauding German Fighters to Defend the B-17S of 401St Bomb Group. for That, He Received the Medal of Honor
For 30 minutes, James H. Howard single-handedly fought off marauding German fighters to defend the B-17s of 401st Bomb Group. For that, he received the Medal of Honor. One-Man Air Force By Rebecca Grant Mustang pilot who took on the German Air Force single-handedly, and saved on Nazi aircraft and fuel production. our 401st Bomb Group from disaster?” uesday, Jan. 11, 1944, was Devastating missions to targets such wondered Col. Harold Bowman, the a rough day for the B-17Gs as Ploesti in Romania had already unit’s commander. of the 401st Bomb Group. produced Medal of Honor recipients. Soon the bomber pilots knew—and TIt was their 14th mission, but the Many were awarded posthumously, and so did those back home. first one on which they took heavy nearly all went to bomber crewmen. “Maj. James H. Howard was identi- losses—four aircraft missing in ac- Waist gunners, pilots, and naviga- fied today as the lone United States tion after bombing Me 110 fighter tors—all were carrying out heroic acts fighter pilot who for more than 30 production plants at Oschersleben and in the face of the enemy. minutes fought off about 30 Ger- Halberstadt, Germany. The lone P-51 pilot on this bomb- man fighters trying to attack Eighth Turning for home, they witnessed ing run would, in fact, become the Air Force B-17 formations returning an amazing sight: A single P-51 stayed only fighter pilot awarded the Medal from Oschersleben and Halberstadt with them for an incredible 30 minutes of Honor in World War II’s European in Germany,” reported the New York on egress, chasing off German fighters Theater. -
The Medley Volume 2, Issue 1, Fall 2010 October 17, 2010 Editor: Jessica Trask
The Medley Volume 2, Issue 1, Fall 2010 October 17, 2010 Editor: Jessica Trask Visit us soon at www.wgc.osu.edu! Email us at [email protected] Announcements Upcoming Dates Get ready for Halloween! Start thinking about your Friday, Oct. 29th at 8pm: HalleBOOia! Concert Halloween costume, as all performers at the HalleBOOia! concert are expected to wear a costume Monday, Nov. 8th at 7:30pm: Concert with or all black. Most people wear costumes, so have fun Kent State Women's Chorus with it! See page 2 for more details. Saturday, Nov. 13th (time TBA): Sing at Hem your dresses! When dresses come in you are responsible for getting them hemmed as soon as President's Brunch possible. If you can't get it hemmed before the November 8th concert, talk to Vice PResident Sunday, Nov. 14th at 3pm: Concert with WGC Shannon Tarbutton(.4) about a "quick-fix". Don't forget that Ashley Donmoyer(.6) will hem for a small fee! President's Brunch Gig 11/13 We have been invited to sing at the President's Brunch before the football game of November 13th. Report is TBA, so try Musical Words of Wisdom to keep your schedule clear if possible! This is always a fun gig because people love us! Remember, information is not knowledge; knowledge is not wisdom; wisdom is not truth; truth is not beauty; beauty is not love; love is not music; music is the best. ~ Frank Zappa In This Issue A few highlights to look for... Presidential Welcome....................................................2 Conductor's Corner........................................................2 Glee MadLib!.................................................................3 HalleBOOia Concert info...............................................3 Kick-Off Retreat: A Success!.........................................4 "Our Best, Ohio": Behind the Music..............................5 First WGC Tailgate: OSU vs. -
US, JAPANESE, and UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, and the CONSTRUCTION of TEEN IDENTITY By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by British Columbia's network of post-secondary digital repositories BLOCKING THE SCHOOL PLAY: US, JAPANESE, AND UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, AND THE CONSTRUCTION OF TEEN IDENTITY by Jennifer Bomford B.A., University of Northern British Columbia, 1999 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH UNIVERSITY OF NORTHERN BRITISH COLUMBIA August 2016 © Jennifer Bomford, 2016 ABSTRACT School spaces differ regionally and internationally, and this difference can be seen in television programmes featuring high schools. As television must always create its spaces and places on the screen, what, then, is the significance of the varying emphases as well as the commonalities constructed in televisual high school settings in UK, US, and Japanese television shows? This master’s thesis considers how fictional televisual high schools both contest and construct national identity. In order to do this, it posits the existence of the televisual school story, a descendant of the literary school story. It then compares the formal and narrative ways in which Glee (2009-2015), Hex (2004-2005), and Ouran koukou hosutobu (2006) deploy space and place to create identity on the screen. In particular, it examines how heteronormativity and gender roles affect the abilities of characters to move through spaces, across boundaries, and gain secure places of their own. ii TABLE OF CONTENTS Abstract ii Table of Contents iii Acknowledgement v Introduction Orientation 1 Space and Place in Schools 5 Schools on TV 11 Schools on TV from Japan, 12 the U.S., and the U.K. -
Cata Resume Sept 2015
Cat Rendic SAGAFTRA TELEVISION/FILM LIP SYNC BATTLE season 1 Dancer Danielle Flora NBA Allstar Game 2015 Christina Aguilera Dancer Jeri Slaughter, Paul Morente Miss Universe Nick Jonas Dancer Casper Smart, Kevin Maher A Step Away Docu Series. Entire Season. Main Character NUVO TV. Jennifer Lopez Nicki Minaj iHeartRadio, Emas, Fashion Rocks Dancer Casper Smart Pitbull Chris Brown Wisin Latin Grammys Dancer/Assistant Choreo Anibal Marrero Jessie J Halo Awards, NNNAwards Dancer Casper Smart The Voice, Gwen Stefani and Pharrell Dancer Jeri Slaughter/Fatima Robinson Ellen Degeneres Show with Julianne and Derek Hough Dancer Nappytabs XFactor season 3 Dancer Jamie King, Galen Hooks American Idol “Carly Rae Jepsen” Dancer Nick Demoura/Kevin Maher Super Bowl Half Time Show Beyonce/Destiny’s Child Dancer F. Gatson/Jaquel Knight/Chris Grant American Idol Jennifer Lopez Dancer Nappytabs NBA Allstar Pitbull, Neyo, Chris Brown Dancer Anibal Marrero/Jamaica Craft Dancing with the Stars with Pitbull Dancer/asst Anibal Marrero Britney Spears Jimmy Kimmel, GMA, MTV PROMO Dancer Jamie King/Brian Friedman Sing Your Face Off Season 1 Dancer Nappytabs Academy Awards with Ann Hathaway and James Franco Dancer Jamal Sims/Draico Johnson Home For The Holidays w. Ricky Martin Dancer Stephanie Roos Fresh Beat Band “Halloween, Graduation, Victorious” Dancer Chuck Maldonado/Nickelodeon Glee “Britney/Brittany” “Hairography” Dancer Zach Woodle/Brooke Lipton/FOX America’s Got Talent Eps 527 Dancer B.Friedman,C. Dupre, Oprah w/ Christina Aguilera Dancer Jeri Slaughter -
Drama Audition Male/Female Junior Monologues
Drama Audition Male/Female Junior Monologues Northmead Creative & Performing Arts High School Classical and contemporary audition pieces. Imagine, Endeavour , A c h i e v e Northmead CAPAHS Campbell Street Northmead N S W 2 1 5 2 02 96304116 P r i n c i p a l - N . V a z q u e z Northmead Creative & Performing Arts High- Drama Audition The following pieces have been chosen from standard editions of the works. You may use the equivalent monologue from a different edition of the play, for example, if you have access to a different edition of the Shakespeare plays. For translated works, we have chosen a particular translation. However, you may use another translation if that is the version available to you. If you cannot access the Australian plays through your local library, bookshop or bookshops on our suggested list, published editions of the Australian plays are generally available through Currency Press. Audition Process You will be required to choose one monologue from the list provided to perform. Please note the delivery time of a monologue may vary depending on your interpretation of the chosen piece. Usual estimated time is between three to eight minutes. So please make sure your monologue is within this time frame. You may be asked to deliver your chosen piece more than once. You will also be tested for improvisation skills. So be prepared to use your imagination and creativity. A script may be handed to you during the audition. So be prepared for a cold read and once again use your imagination in showing how you would interpret the script reading. -
Albany, NY - March 10-12, 2017 Results Solo Intermediate ~ Mini PLACEMENT ENTRY ROUTINE TITLE STUDIO NAME SCORE
Albany, NY - March 10-12, 2017 Results Solo Intermediate ~ Mini PLACEMENT ENTRY ROUTINE TITLE STUDIO NAME SCORE 9TH 345 OUTSIDE LOOKING IN (ELLIE STIMSON) Leslie School of Dance 237.5 8TH 344 FRIEND LIKE ME (SADIEMAE SCHWALB) The Dance Experience 243 7TH 319 MONEY (SABRINA O'CONNOR) Leslie School of Dance 244 6TH 196 SHINE ON YOUR SHOES (BAILEY KELLER) Eleanor's School of Dance 250 6TH 219 I'M GONNA SIT RIGHT DOWN (ADDISON FURZE) JDC Dance Center 250 Ballet and All That Jazz, 5TH 331 KEEP ON DANCING (SYDNEY GIER) 251 LLC 4TH 211 HONEYBUN (AVA JONES) Eleanor's School of Dance 252 4TH 123 TAKE A LITTLE ONE STEP (EMILY HYE) JDC Dance Center 252 3RD 128 BLAME IT ON THE BOOGIE (SOPHIA JACKSON) JDC Dance Center 252.5 3RD 353 BABY FACE (ASHYTN BARTHELMAS) Class Act Dance 252.5 2ND 221 IT'S A SMALL WORLD (RILEY MARX) JDC Dance Center 262 1ST 356 BORN TO ENTERTAIN (MACIE KUNATH) Class Act Dance 262.5 Solo Intermediate ~ Junior PLACEMENT ENTRY ROUTINE TITLE STUDIO NAME SCORE 10TH 235 MISS INVISIBLE (ARIANNA BENNETT) Class Act Dance 251.5 PARDON MY SOUTHERN ACCENT (ALYSON 9TH 138 JDC Dance Center 252.5 O'CONNOR) Art In Motion Dance 8TH 394 LANDSLIDE (MORGAN HANNAFIN) 253 Academy 7TH 146 UNSTEADY (GRACE CERNIGLIA) The King's Dancers 253.5 Premier Dance Performing 6TH 320 WAKE ME UP (PAYTEN BRETON) 254 Arts Center 5TH 93 MR. PINSTRIPE SUIT (MESKILL AMELIA) Class Act Dance 256 The Isabelle School of 4TH 135 WALKING PAPERS (EMILY MARX) 258.5 Dance Premier Dance Performing 3RD 100 SHOWOFF (KEEGAN ROGERS) 260.5 Arts Center Premier Dance Performing 2ND