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An Open Letter to Hollywood Executives
An Open Letter To Hollywood Executives We, the undersigned, are actors, producers, and industry creatives concerned about the epidemic of gun violence sweeping our country, and are joining forces to do everything we can to help build safer communities for us all. Over the last several months, large American companies have urged policymakers to enact bipartisan legislation to address this epidemic. Some of you have joined these public calls, but we believe that there’s more you can do. The annual awards season shines a spotlight on our industry and provides you with the opportunity to take direct action that will save lives all across this country. That’s why we are calling on all major Hollywood studios to: 1. End political contributions to candidates who take money from the NRA and vote against gun reform. From 2016 to 2020, the political action committees associated with the studios behind this year’s Best Picture Oscar nominees donated a combined total of $4.2 million to NRA-backed lawmakers. These lawmakers’ opposition to gun reform is literally putting our audiences in danger and we are urging you to consider a politician’s position on gun reform when political contributions in the future. 2. Use your political clout and leverage in Congress to actively lobby for gun reform. Keeping everyone safe should be a top corporate priority for all of us. 3. Support gun violence survivors and gun violence intervention programs to help reduce everyday gun violence all across this country. Since the federal government has failed to pass reforms that raise the standard for gun ownership in America, our industry has a responsibility to act. -
Narrative Craft and Mass Appeal in the Newgate Calendar
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of New Orleans University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 8-9-2006 Guilty Pleasures: Narrative Craft and Mass Appeal in the Newgate Calendar Aimee Rust University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Rust, Aimee, "Guilty Pleasures: Narrative Craft and Mass Appeal in the Newgate Calendar" (2006). University of New Orleans Theses and Dissertations. 399. https://scholarworks.uno.edu/td/399 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Guilty Pleasures: Narrative Craft and Mass Appeal in the Newgate Calendar A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English by Aimee Rust B.A., Beloit College, 1994 M.A., The University of Wisconsin-Milwaukee, 2002 August, 2006 Acknowledgements Several people made this project possible. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Glee- Wiedza Z 4 Sezonu Test Z Zakresu Wiedzy O 4 Sezonie- Trochę Tej Wiedzy Podstawowej, Ale I Trochę Trudniejszej ;) Dotyczy Na Razie Odcinków Od 1-10
Glee- wiedza z 4 sezonu Test z zakresu wiedzy o 4 sezonie- trochę tej wiedzy podstawowej, ale i trochę trudniejszej ;) Dotyczy na razie odcinków od 1-10. Poziom trudności: Trudny 1. Dlaczego nie wszyscy w chórze cieszyli się na dołączenie się do nich Unique? A - Była dla nich zbyt kontrowersyjna B - Bali się że jest szpiegiem VA (Vocal Adrenaline) C - Była tylo kolejną osobą do tytułu "Nowej Rachel" D - Była zbyt mało utalentowana 2. Do jakiego stworzenia z filmów porównała Becky Sue podczas pokazywania wyników jej testu Britt? A - Hobbit B - Gremlin C - Ewok D - Skrzat 3. Dlaczego Brittany przegrała wybory na przewodniczącą? A - Oszukiwała i została zdyskfalifikowana B - Obiecała, że zniesie czas wolny przysługujący uczniom np. weekendy i święta. C - Została zdradzona przez Artie'ego D - Nie mogła startować po raz drugi 4. Dokąd na randkę po wyborach Sugar zaprosiła Artie'ego? A - Do kina B - Na kręgle C - Jazda figurowa D - Jazda konna 5. Jak nazywał się stan, w którym studiowała Santana? A - Ohio B - Indiana C - Kentucky D - Iowa Copyright © 1995-2021 Wirtualna Polska 6. Dlaczego Will zdecydowała się na wyjazd do Waszyngtonu? A - Zainteresował się polityką B - Chciał walczyć o wyższy budżet na sztukę C - Znudziło mu się opiekowanie chórem D - Został wybrany i musiał byc zmusozny jechać jako przedstwiciel chórów 7. Jakiego zespołu piosenka została zaśpiewana na koniec odcinka 4x04? A - The Beatles B - Queen C - Coldplay D - My Chemical Romance 8. Jak nick nosił chłopak, z którym zdradził Kurta Blaine? A - Johnny R B - Micky S.S. C - Eli C. D - Seb X.O.X.O 9. -
Download Choosing Glee
Choosing Glee: 10 Rules to Finding Inspiration, Happiness, and the Real You, Jenna Ushkowitz, Sheryl Berk, St. Martin's Press, 2013, 1250030617, 9781250030610, 224 pages. Glee star Jenna Ushkowitz, a.k.a. "Tina," inspires fans to invoke positive thinking into everything they do in this inspirational scrapbook.Time to Gleek out!Fans of the breakout musical series will flock to Ushkowitz’s heartfelt and practical guide on how to be your true self, gain self-esteem, and find your inner confidence. In Choosing Glee, Jenna shares her life in thrall to performance, navigating the pendulum swing of rejection and success, and the lessons she learned along the way. Included are her vivid anecdotes of everything before and after Glee: her being adopted from South Korea; her early appearances in commercials and on Sesame Street; her first Broadway role in The King and I; landing the part of Tina on Glee; her long-time friendships with Lea Michele (a.k.a. Rachel Berry) and Kevin McHale (a.k.a. Artie); and touring the world singing the show’s hits to stadium crowds. Peppered throughout are photos, keepsakes, lists, and charts that illustrate Jenna's life and the choices she has made that have shaped her positive outlook.Choosing Glee will speak to the show's demographic who are often coping with the very stresses and anxieties the teenage characters on Glee face. Think The Happiness Project for a younger generation: With its uplifting message and intimate format, teens can learn how, exactly, to choose glee. -
FREE SHIPPING See Back Cover for Details
FREE SHIPPING See Back Cover for details. SUPERB STYLE. PEAK PERFORMANCE. SHOW CHOIR DRESSES, TUXEDO PACKAGES, PERFORMANCE GOWNS, SUIT PACKAGES, ENSEMBLE PACKAGES, SATIN SHIRTS, VESTS, TUXEDO SHIRTS, MIX & MATCH SEPARATES, JEWELRY, PERFORMANCE SHOES, GARMENT BAGS. 2O12 CONTENTS CATEGORY PAGE # Dynamic Duets 4 - 5 Swing Dresses 6 - 16 Performance Dresses 17 - 31 Tuxedo Packages 32 - 34 Suit Package 35 Ensemble Packages 36 - 39 Shirts 40 - 41 Vests 42 - 47 Mix & Match Separates 48 - 51 Show Choir 52 - 56 Performance Shoes 57 Accessories 58 - 59 Garment Bags 60 Order Form 61 - 62 Measuring Charts 63 - 64 Policy Page 65 Cousins’s Prints 66 Like Us On Facebook 67 ABOUT US Founded in 1996, Cousin’s Concert Attire is a family-owned business proudly entering its 16th year. Cousin’s is the leading manufacturer and supplier of performance apparel to more than 5,000 schools throughout the United States & Canada. We are proud to announce that earlier this year we became an Awarded Vendor of the BuyBoard® cooperative purchasing group. Com- mitted to providing the most fashionable and comfortable concert attire, our team is always working hard to ensure our customers an award winning performance. Become our fan on Facebook. You’ll receive special offers and discounts, view our newest styles, and be eligible to participate in contests where you can win BIG prizes! See the inside back cover for more info. 2 SHOW US YOUR C! INSPIRED BY GLEE CAST MEMBERS CHEEKILY HOLDING UP THEIR FINGERS MAKING AN “L” SIGN, COUSIN’S WANTS TO SEE YOUR “C”. EMAIL US OR POST ON OUR FACEBOOK FANPAGE A PICTURE OF YOU, YOUR FRIENDS OR YOUR GROUP DOING THE “C”. -
STAR V25,1 September-23-1932.Pdf (4.758Mb)
L/ 1 \ 1 /19£,Le NUMBER 1 VOLUME XXV HOUGHTON COLLEGE HOUGHTON, N Y SEPTEMBER 23, 1932 Choir Starts Student's Reception Frosh Parade Year's Work Held in Gym on Campus The social >ear at Ho'ton began E. erl week musr come to an end, The Houghton College A Cappella Frida) eventng, September 16, .,th and even special weeks as Freshman Choir has completed its membership the New Students' Reception in Bed 11 M ak must conclude sometime Frt- and at the present writing is already ford gymnasium The first half ok Ida, afternoon on rhe campus the t- bustly engaged in practising several the evening was spent in getting ac nat e.ent ot Freshman Week took pieces of the difficult program that quamred bi means of autograph has been arranged for the coming sea- books, which have become the s>mbol pia.e a. the annual crop ot Frosh son by the director, Professor Wilfred of every Freshman Reception After Her. put through thetr paces by a an hour of trading names and learn- , handful ot Sophs It was the Frosh Batn Parade, rapidly becommg a Hough- The personnel of this year's Choir Ing new faces, the new corners were 1 consists of many who have hitherto formally presented to the faculty ton tradition This obsener was par- tlcu larly amused by the fact that if not sung in the orgaizanon, since and the assemblage mmed to the the Frosh U! turned on their tormen- n.enty three of last >ear's members chapel for a short program WIpo have been lost through graduation While the audience were entering ' tors they probabli could have failure to return to school this vear Malcolm Cronk directed the singing ed up the map" with them, and we haie a sneaking bunch that the Sophs and heavy school programs O) the of "Come Back to Dear Old Hough- THOMAS NOAH CAQTER Evangelist 1. -
US, JAPANESE, and UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, and the CONSTRUCTION of TEEN IDENTITY By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by British Columbia's network of post-secondary digital repositories BLOCKING THE SCHOOL PLAY: US, JAPANESE, AND UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, AND THE CONSTRUCTION OF TEEN IDENTITY by Jennifer Bomford B.A., University of Northern British Columbia, 1999 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH UNIVERSITY OF NORTHERN BRITISH COLUMBIA August 2016 © Jennifer Bomford, 2016 ABSTRACT School spaces differ regionally and internationally, and this difference can be seen in television programmes featuring high schools. As television must always create its spaces and places on the screen, what, then, is the significance of the varying emphases as well as the commonalities constructed in televisual high school settings in UK, US, and Japanese television shows? This master’s thesis considers how fictional televisual high schools both contest and construct national identity. In order to do this, it posits the existence of the televisual school story, a descendant of the literary school story. It then compares the formal and narrative ways in which Glee (2009-2015), Hex (2004-2005), and Ouran koukou hosutobu (2006) deploy space and place to create identity on the screen. In particular, it examines how heteronormativity and gender roles affect the abilities of characters to move through spaces, across boundaries, and gain secure places of their own. ii TABLE OF CONTENTS Abstract ii Table of Contents iii Acknowledgement v Introduction Orientation 1 Space and Place in Schools 5 Schools on TV 11 Schools on TV from Japan, 12 the U.S., and the U.K. -
Network TEN – RADIO SCRIPT
Network TEN – RADIO SCRIPT PROGRAMME GLEE CAST RADIO VERSIONS / DUR ALL VERSIONS. 30-45s PRODUCER ANDREW GARRICK: 0416 026 408 SUE SYLVESTER SOURCE AUDIO JANE LYNCH AUDIO TEN'S GLEE PROMO TAKE 1. [BEEP] OKAY SUE… ENG SUE WAIT A MOMENT…SNIFFS THE AIR. I CAN SMELL SYLVESTER SOMETHING IN HERE. AUDIO UMMM ENG SUE HAVE YOU HAD A GEEK HERE IN THE BOOTH? SYLVESTER AUDIO UMM, YEAH ENG SUE OKAY, LET ME STOP YOU THERE, BUTTON PUSHER. I SYLVESTER DON'T DO THIS. I DON'T GET IN CRAMPED SPACES WHERE PEOPLE WHO ARE BELOW ME HAVE BEEN. I DON'T SIT IN PHONE BOXES WITH MY GARDNER JORGE AND I DON'T DO THIS. AUDIO AHHH..OKAY. ENG SUE YOU DO IT. I WILL NOT BE A PART OF THIS…DISRESPECT. SYLVESTER AUDI HIT NEW SERIOUS GLEE. TONIGHT, ON TEN. ENGINEER SUE SERIOUSGLEE SYLVESTER Network TEN – RADIO SCRIPT FINN HUDSON SOURCE AUDIO CORY MONTEITH FEMALE TEN'S GLEE PROMO TAKE 1. [BEEP] AUDIO ENG FINN OKAY. THANKS. HI AUSTRALIA, IT'S FINN HUSON HERE, HUDSON FROM TEN'S NEW SHOW GLEE. FEMALE IT'S REALLY GREAT, AND I CAN ONLY TELL YOU THAT IT'S FINN COOL TO BE A GLEEK. I'M A GLEEK, YOU SHOULD BE TOO. HUDSON FEMALE OKAY, THAT'S PRETTY GOOD FINN. CAN YOU MAYBE DO IT AUDIO WITH YOUR SHIRT OFF? ENG FINN WHAT? HUDSON FEMALE NOTHING. AUDIO ENG FINN OKAY… HUDSON FEMALE MAYBE JUST THE LAST LINE AUDIO ENG FINN OKAY. UMM. GLEE – 730 TONIGHT, ON TEN. SERIOUSGLEE HUDSON FINN OKAY. -
(PUGC), Princeton's Oldest and Most
FACTSHEET December 2012 The Princeton University Glee Club (PUGC), Princeton's oldest and most prestigious choir, was founded in 1874 by Andrew Fleming West '74, the first Dean of the Graduate College and continues to be the premier vocal ensemble at Princeton University. WHY IS IT CALLED A 'GLEE CLUB'? The name 'Glee Club' comes from 18th Century England – specifically from Harrow School (where the Glee Club's current director was educated!). The term referred then to a small group of men singing parlour songs, folk songs and other ditties in close harmony, normally without accompaniment. The early American Glee Clubs were based on this model but have since exploded in to the large ensembles we now find at many Ivy League schools. At Princeton we keep the name 'Glee Club' out of reverence for this tradition. WHO IS THE DIRECTOR? Gabriel Crouch has been the director of musical and choral performance at Princeton University and the director of the Princeton University Glee Club since 2010. Before his current post, Mr. Crouch was a member of the world renowned British vocal ensemble, the King’s Singers. In 2005, Mr. Crouch left the King’s Singers to accept the position as head of the choral program at DePauw University until joining the faculty at Princeton. Mr. Crouch holds a degree from the University of Cambridge where he completed a choral scholarship at Trinity College. HOW LARGE IS THE GLEE CLUB? The precise number of the Glee Club fluctuates from anywhere between 60 and 80 members. Currently, there are around 80 students who are current members of Glee Club as well as a piano accompanist who is also a student. -
'Men's Glee Club Makes of President Fred W. Hixson
SPECIAL FOOTBALL SPECIAL FOOTBALL EDITION HE AM US EDITION OF ALLEGHENY COLLEGE VOLUME NO. XLIII. NO. 11 MEADVILLE, PENNSYLVANIA DECEMBER 11, 19 4 C. E. HAMMETT WINS SPECIAL SERVICES HELD HUNDREDS ATTEND LAST RITES 'MEN'S GLEE CLUB MAKES ALUMNUS TELLS FROM ORATORICAL CONTEST IN MENORY OF PRESIDENT GOOD SHOWINfi ON TRIP OF COLLEGE ETHICS SEVEN MEN COMPETE FOR PRIZE - DR. W. A. ELLIOT SPEAKS WORDS OF PRESIDENT FRED W. HIXSON CLUB TO SING IN PLEASANTVILLE DR. SAMUEL MAXWELL, '10, GIVES AWARDED ANNUALLY BY OF TRIBUTE TO CAREER OF ' AND OIL CITY DECEMBER TALK AT FRESHMAN GUIDANCE JAMES A. WAKEFIELD FRED W. HIXSON 15 AND 16 LECTURE 1 Body is Laid to Rest iit College Lot at Green-. • Charles E. Hammett, Jr., '25, won 1 In memory of the late President 1 Drawing generous applause from all "College Ethics" was the subject of the annual Wakefield Oratorical Con-, Fred W. Hixson, special services were dale Cemetery I the lecture given to freshmen in Ford ; the audiences before which they ap- test in Ford Memorial Chapel Thurs-, held in Ford Memorial Chapel on Tues- ' Chapel, Tuesday afternoon, December day evening, December 4, when he de-;, dam neared, the Men's Glee Club made December 2, at the regular chapel 2, by Rev. Samuel Harwell, '10. Doc- livered an excellent oration on the; hour. , their first trip of the season to Fre- ! Appropriate services marked the last York; Rev. Dr. William H. Crawford, , d onia, Warren, Pa., and Corry, for Maxwell is now pastor of the First topic, "A Heritage." dealing with the; N. -
Love-Equality Steele Is Running for the Democratic Nomina- — Arnold Wayne Jones Tion for the 36Th Congressional District, East of Scarborough Renfest Houston
,, EEqquuaalliittyy--ssttyyllee LLoovvee Fundraiser benefits Equality Texas by James Russell, Page 8 2 dallasvoice.com █ 02.02.18 toc02.02.18 | Volume 34 | Issue 39 11 headlines █ TEXAS NEWS 8 The event benefits Equality Texas 9 Responses to State of the Union 11 H&R Block responds to discrimination █ LIFE+STYLE 14 Dan Levy talks Schitt 17 Author explores marriage, equality 18 New Wrangler still has a wild side 14 20 Kruger shines ‘In the Fade’ █ ON THE COVER Equality Texas CEO Chuck Smith. Photo by Tammye Nash; design by Kevin Thomas departments 18 6 The Gay Agenda 21 Best Bets 8 News 24 Cassie Nova 12 CommUNITY 26 Scene 14 Life+Style 28 MarketPlace FREE VALENTINE PRESENT Make-A-Buy & Pick-A-Kiss Feb.8-14 Limits Apply Smashing High Prices! Dallas Garland Fort Worth Plano Arlington Austin The Largest Selection of Cabinets, Doors, Vanities and Tubs in the DFW Area Save 40% - 60% 2610 West Miller Rd • Garland • 972-926-0100 5832 E. Belknap • Haltom City • 871-831-3600 THEGASPIPE.NET www.builderssurplustexas.com 02.02.18 █ dallasvoice 3 instanTEA DallasVoice.com/Category/Instantea Monica Greene The new Spice Girls take over If you answer yes to any of these questions then you will want to check out the Scarborough Cedar Social Renaissance Festival job faire, Saturday, Feb. It’s been five years since Monica Greene — the 24, at the festival’s main offices at 2511 FM 66 in respected restaurateur who popularized au- Waxahachie. thentic Mexican cuisine at her signature Uptown SRF is looking for “outgoing, energetic people restaurant Ciudad, as well as her Tex-Mexy Deep 14 and older” for a variety of jobs.