Closing Night Gala: Corredor Hamid Drake, David Mott, Alexandra Gelis

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LIVE IMAGES: MUSIC ' VIDEO Closing Night Gala: Corredor Hamid Drake, David Mott, Alexandra Gelis Clockwise from left: Corredor, Corredor, Hamid Drake, David Mott Flowing across boundaries, breaching borders and synthesizing different Gelis’ Corredor, which can be translated as corridor or passageway, points of view… For our #$%" Closing Night Gala, the Images Festival explores the layers of signifi cance embedded in Latin American land- has invited Chicago-based drummer Hamid Drake and local baritone scapes, and the economic, social and political forces hidden beneath saxophonist David Mott to provide musical elucidation for the images their surfaces. Her evocative images trace both natural and artifi cial of local artist Alexandra Gelis. boundaries used to defi ne and control populations, deftly document- A linchpin of the Chicago free jazz scene alongside Ken Vandermark, ing the banal and the beautiful, the threatening and the benign. Matana Roberts and the late Fred Anderson, Hamid Drake is a power- Through the use of words and images, politics and poetry, Corredor house drummer whose propulsive fl ow absorbs infl uences across various surveys confl icted and conquered places while refl ecting on the political traditions, from African to Afro-Cuban to Indian. Drake has been known implications of the post-colonial landscape. In particular, it investigates to incorporate global percussion into his practice, in addition to locking various aspects surrounding the Panama Canal, and the control exercised it down on the trap set. His legion of collaborators includes Don Cherry, by the United States on the landscape and the psyche of the Panama- Pharoah Sanders, William Parker, Peter Brötzmann and George Lewis. nian population. Touching on the role of the notorious former School Toronto’s own David Mott similarly stretches across boundaries, from of the Americas in Panama, a US military academy also known as the free jazz to classical, improvised to interpretive, solo baritone sax to School for Dictators, as well as describing the strategic use of paja full-on orchestral. His incorporation of extended techniques such as canalera, a thorny, prickly and invasive imported plant that was used by circular breathing, multiphonics and modulation anticipated the methods the US army to separate the Panama Canal Zone from the rest of the recently popularized by Montreal’s Colin Stetson, creating a mesmerizing, Panamanian population, Gelis’ images encourage the viewer to refl ect minimal/maximal stream of sound. Mott has collaborated with the likes on borders real, imagined, contested, resented or forgotten and ignored. of Mark Dresser, Jerry Granelli, Leo Wadada Smith and Roswell Rudd. CLOSING NIGHT PARTY Join us after the show next door at Workman Arts Theatre! Saturday April !" Admission: St. Anne’s Church # PM $#$ general #&$ Gladstone Avenue $%$ members, (north of Dundas) students, seniors Images !".

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DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive.
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RETURN the TIDES: ASCENSION SUITE and HOLY GHOST (Cuneiform Rune 399) Format: CD / 2Xlp / DIGITAL
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The New York City Jazz Record
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THE CREATIVE OPTION TOGETHER WE CONTINUE TO MAKE VISIONS REAL Our goal is to keep alive, in hearts and minds, the idealism, integrity and sense of responsibility that has inspired generations. We support the Present by remembering & respecting the Past & Prepare a Future where Improvisation and Freedom have a place. THIS IS ONLY POSSIBLE WITH YOUR HELP Charlotte Ka, ‘Dance a Celebration of Life’ Arts for Art presents Free Jazz as a sacred art-form, based in the Ideals of Freedom, Artist Info Page 24 Marcy Rosenblat, ‘Reveal’ Justice and Excellence. The art expresses our sense of hope and belief in the possibility of freedom, A Freedom to be our most unique self. So we push ourselves to do more, to redefine our self, our art and our communities. The music was built by self-determination. Where the artist defines, presents their work, not waiting for permission. Hope, Freedom, Self-determination are powerful ideas in any time, and particularly in this time. VISUAL ART AT VISION 21 AT ART VISUAL What we do or don’t do – does matter. We make a difference in our world and in our Lives by supporting what feeds our Souls. Bill Mazza, If the Vision Festival and the Work of Arts for Art feeds Souls then you should support it. ‘Vision 20, Day 5, Set 3, Wadada Leo Smith/Aruan Ortiz Duo’’ Our Humanity and Creativity needs a community of supporters who share our ideals. Jonas Hidalgo ENSURE ARTS FOR ART’S FUTURE ■ BE A MEMBER / DONATE TO ARTS FOR ART ■ BECOME ACTIVE IN THE AFA COMMUNITY Visit: www.artsforart.org/support or stop by the Arts for Art table at the Vision Festival.
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With Members Based in Chicago and France
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A Transatlantic Network for Jazz and Creative Music
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Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
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Downbeat.Com December 2020 U.K. £6.99
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Chicago Tribune
Colsons return to Chicago with new sounds Adegoke Steve Colson and Iqua Colson bring their experimental music to Constellation on Saturday, Aug. 12, 2017. (Mikel Colson photo) By Howard Reich Chicago Tribune AUGUST 9, 2017, 9:25 AM early 50 years ago, a promising young pianist from New Jersey began studying music at N Northwestern University — and discovered sounds he’d never encountered before. Not so much at school, where classical music predominated, but elsewhere in Evanston and Chicago, where musical revolutions were underway. For just two years before Adegoke Steve Colson came here in 1967, a contingent of fearlessly innovative South Side artists had formed the Association for the Advancement of Creative Musicians (AACM), a collective that was inventing radical new techniques, concepts and practices for composing and improvising music. Even closer to campus, saxophonist Fred Anderson was making his Birdhouse venue in Evanston a nexus for new music and became an early mentor to Colson. The creative ferment of that period transformed Colson, who will return to Chicago to co-lead a quintet with vocalist Iqua Colson, his wife, Saturday night at Constellation. As he prepares for this engagement, memories of those early days come flooding back. “I remember I saw a flyer for Fred Anderson, because he lived there in Evanston … and we could go by and join his band,” says pianist Colson, who often sat in with the singular improviser. “When I started playing with guys in the AACM. Sometimes (bassist) Fred Hopkins would show up, (drummer) Steve McCall would show up,” adds Colson, who formed a jazz band with fellow student Chico Freeman.
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