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Stick to Your Guns True View Album Download Zippyshare True View
stick to your guns true view album download zippyshare True View. The Orange County-based melodic hardcore punk outfit's fifth full-length outing, the Pure Noise Records-issued True View delivers a message- driven blast of soaring melodies and punishing sonic might. Written during a period of personal upheaval for frontman Jesse Barnett, who notes that "this entire record was inspired by conversations I had with my mother over the last two-and-a-half years. She gave me the compass to be able to navigate this painful path." The 13-track set includes the singles "Married to the Noise," "The Sun, The Moon, The Truth: Penance of Self," and "The Reach for Me: Forgiveness of Self." The Ty_RockCity Music/Entertainment Blog. Music and Entertainment blog by Ty "Ty Rock" Jamar. Expect nothing less. Stick to Your Guns “True View” Record Release Show. Being that this is their 6 th full-length album that just came out, Stick to Your Guns embarked on a few shows: some on the East coast and some on the West coast. Eighteen Visions and Get the Shot supported the East coast show and then for the West coast shows, Eighteen Visions, Stone and Modern Color will support (Eighteen Visions will only play one show though). Personally, I have been listening to Stick to Your Guns for the past couple of years since I first heard “This Is More” and have been following them since “The Hope Division” album came out in 2010 and the single “Amber” became a hit. In my opinion, they definitely hit a mark with the preceding album “Diamond” coming out in 2012 and they had added guitarist Josh James formerly of Evergreen Terrace to solidify their lineup of seasoned vets. -
10,000 Maniacs Beth Orton Cowboy Junkies Dar Williams Indigo Girls
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Numbers 1 to 100
Numbers 1 to 100 PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 30 Nov 2010 02:36:24 UTC Contents Articles −1 (number) 1 0 (number) 3 1 (number) 12 2 (number) 17 3 (number) 23 4 (number) 32 5 (number) 42 6 (number) 50 7 (number) 58 8 (number) 73 9 (number) 77 10 (number) 82 11 (number) 88 12 (number) 94 13 (number) 102 14 (number) 107 15 (number) 111 16 (number) 114 17 (number) 118 18 (number) 124 19 (number) 127 20 (number) 132 21 (number) 136 22 (number) 140 23 (number) 144 24 (number) 148 25 (number) 152 26 (number) 155 27 (number) 158 28 (number) 162 29 (number) 165 30 (number) 168 31 (number) 172 32 (number) 175 33 (number) 179 34 (number) 182 35 (number) 185 36 (number) 188 37 (number) 191 38 (number) 193 39 (number) 196 40 (number) 199 41 (number) 204 42 (number) 207 43 (number) 214 44 (number) 217 45 (number) 220 46 (number) 222 47 (number) 225 48 (number) 229 49 (number) 232 50 (number) 235 51 (number) 238 52 (number) 241 53 (number) 243 54 (number) 246 55 (number) 248 56 (number) 251 57 (number) 255 58 (number) 258 59 (number) 260 60 (number) 263 61 (number) 267 62 (number) 270 63 (number) 272 64 (number) 274 66 (number) 277 67 (number) 280 68 (number) 282 69 (number) 284 70 (number) 286 71 (number) 289 72 (number) 292 73 (number) 296 74 (number) 298 75 (number) 301 77 (number) 302 78 (number) 305 79 (number) 307 80 (number) 309 81 (number) 311 82 (number) 313 83 (number) 315 84 (number) 318 85 (number) 320 86 (number) 323 87 (number) 326 88 (number) -
Cedargate Records Interview
Cedargate Records Interview Cedargate Records was an independent record label from Southern California active in the late 90’s and early 00’s. The label has famously worked with Eighteen Visions, Wrench and The Angel Element and was operated by Zachary “Z1” Phelps (who played in Wrench, Eighteen Visions and more bands discussed bellow). Cedargate Records’ complete discography is: cg.1 Wrench “Torture of Restlessness and Vague Desire” CD, December 1998 cg.2 Eighteen Visions “Yesterday Is Time Killed” CD, March 1999 cg.3 The Angel Element “Letters in Dead Languages” CD, July 2000 cg.4 Wrench “Queen Anne’s Revenge” CD, August 2001 cg.1 Wrench “Torture of Restlessness and Vague Desire” CD, December 1998 cg.2 Eighteen Visions “Yesterday Is Time Killed” CD, March 1999 cg.3 The Angel Element “Letters in Dead Languages” CD, July 2000 cg.4 Wrench “Queen Anne’s Revenge” CD, August 2001 Cedargate Records logo -Hello Zach, thank you so much for taking the time to do this interview about your label! First of all, where were you born? Have you been living in California your whole life? Thank you for the opportunity. Yes, I have lived in California my whole life, born and raised in the Inland Empire. -How did you get your nickname “Z1”? The nickname was given to me while I was attending aviation school. We would have fun on the pilot headset’s and that was my call sign. -Can you recall your first hardcore show? Where, when and who was playing? It was a hardcore/punk show with Sick of it All, Agent Orange, and Biohazard at Spanky’s Café in Riverside, California, around the early 90’s. -
Contra Profile
TAKE YOUR PLEASURE SERIOUSLY :) Contra Promotion Starting up as a local agency in Germany’s Ruhr area in 1993, Contra Promotion has grown to become an established brand in the country’s events industry. Founder and managing director Björn Gralla leads a dedicated team. From their headquarters in Bochum, they organise around 500 concerts and shows throughout Europe every year. In 1997, Contra Promotion began arranging tours for Göttingen rock band Guano Apes. The band played a major role in the agency’s success. After splitting up several years ago, the Apes are now doing a comeback tour – and they’re back on Contra’s books. The agency has also made a name for itself with other acts from Germany and abroad. They include HIM, Sunrise Avenue, Nightwish, H-Blockx, Kevin Costner and Oomph!. Contra Promotion works with a wide range of genres, covering everything from metal and pop to jazz and soul – and even comedy acts. BJÖRN GRALLA (MANAGING DIRECtor) UND ENRICO KAROLCZAK (AGENT & TALENT BUYER) IN AN INTERVIEW: „WE’RE growing in Germany at present, but they also have a growing fanbase in Benelux, Austria, Switzerland, as well as Southern- and Eastern Europe. Guano organically“. Apes have always been big in the same markets, as well as especially Portugal. Who are the most important artists on your books at present? Contra Promotion is turning 20 in 2013. How BJÖRN GRALLA: Nightwish, Sunrise Avenue and satisfied are you with the way the agency has Guano Apes are definitely our biggest bands right developed? now. But we’re always looking for new artists, so BJÖRN GRALLA: When Contra Promotion started things can change quickly as new acts move into the up the business model was designed to grow and limelight. -
SURFING for PUNKS: the INTERNET and the PUNK SUBCULTURE in NEW JERSEY by AARON ROBERT FURGASON a Dissertation Submitted To
SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY by AARON ROBERT FURGASON A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Communication, Information and Library Studies written under the direction of Professor Linda Steiner And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey October, 2008 ABSTRACT OF THE DISSERTATION SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY BY AARON ROBERT FURGASON Dissertation Director Professor Linda Steiner This study examines the influence of the Internet on the punk subculture in New Jersey. Previous research by academics on the effect of the Internet on popular music has centered on the impact of Napster and peer-to-peer networks on the distribution of recordings (Alexander, 2002; Ayres & Williams, 2004; Bishop, 2004; Daniel & Klimis, 1999; Fox, 2004; Mardesich, 1999; & Oberholzer & Strumpf, 2004). However, unexamined is the influence of the Internet on a specific music subculture, punk. This is important because the subculture is occupied mainly by youth engaged with both the Internet and punk music. The Internet's influence on the punk subculture is a particularly important area of study because the Internet alters how participants in the subculture (punk fans, bands and independent labels) communicate with one another, as well as changes the distribution of punk artifacts and information. ii Central to this study is the history of the major labels' dominance over the distribution and promotion of punk music, a domination examined via critical political economy theory. -
List by Song Title
Song Title Artists 4 AM Goapele 73 Jennifer Hanson 1969 Keith Stegall 1985 Bowling For Soup 1999 Prince 3121 Prince 6-8-12 Brian McKnight #1 *** Nelly #1 Dee Jay Goody Goody #1 Fun Frankie J (Anesthesia) - Pulling Teeth Metallica (Another Song) All Over Again Justin Timberlake (At) The End (Of The Rainbow) Earl Grant (Baby) Hully Gully Olympics (The) (Da Le) Taleo Santana (Da Le) Yaleo Santana (Do The) Push And Pull, Part 1 Rufus Thomas (Don't Fear) The Reaper Blue Oyster Cult (Every Time I Turn Around) Back In Love Again L.T.D. (Everything I Do) I Do It For You Brandy (Get Your Kicks On) Route 66 Nat King Cole (Ghost) Riders In The Sky Johnny Cash (Goin') Wild For You Baby Bonnie Raitt (Hey Won't You Play) Another Somebody Done Somebody WrongB.J. Thomas Song (I Can't Get No) Satisfaction Otis Redding (I Don't Know Why) But I Do Clarence "Frogman" Henry (I Got) A Good 'Un John Lee Hooker (I Hate) Everything About You Three Days Grace (I Just Want It) To Be Over Keyshia Cole (I Just) Died In Your Arms Cutting Crew (The) (I Just) Died In Your Arms Cutting Crew (The) (I Know) I'm Losing You Temptations (The) (I Love You) For Sentimental Reasons Nat King Cole (I Love You) For Sentimental Reasons Nat King Cole (I Love You) For Sentimental Reasons ** Sam Cooke (If Only Life Could Be Like) Hollywood Killian Wells (If You're Not In It For Love) I'm Outta Here Shania Twain (If You're Not In It For Love) I'm Outta Here! ** Shania Twain (I'm A) Stand By My Woman Man Ronnie Milsap (I'm Not Your) Steppin' Stone Monkeys (The) (I'm Settin') Fancy Free Oak Ridge Boys (The) (It Must Have Been Ol') Santa Claus Harry Connick, Jr. -
Songs by Artist
Songs by Artist Title Title Title (Aerosmith) 02)Nwa 10 Years I Dont Wanna Miss A Thing Real Niggas Don't Die Through The Iris (Busta Rhymes Feat Mariah 03 Waking Up Carey) If You Want Me To Stay Wasteland I Know What You Want (Remix) 100% Funk (Ricky Martin) 04 Play That Funky Music White Living La Vida Loca Behind The Sun (Ben Boy (Rose) Love Songs Grosse Mix) 101bpm Ciara F. Petey Eric Clapton - You Look 04 Johnny Cash Pablo Wonderful Tonight In The Jailhouse Goodies Lethal Weapon (Soplame.Com ) 05 11 The Platters - Only You Castles Made Of Sand (Live) Police Helicopter (Demo) (Vitamin C) 05 Johnny Cash 11 Johnny Cash Graduation (Friends Forever) Ring Of Fire Sunday Morning C .38 Special 06 112 Featuring Foxy Brown Caught Up In You Special Secret Song Inside U Already Know [Huey Lewis & The News] 06 Johnny Cash 112 Ft. Beanie Sigel I Want A New Drug (12 Inch) Understand Your Dance With Me (Remix) [Pink Floyd] 07 12 Comfortably Numb F.U. (Live) Nevermind (Demo) +44 07 Johnny Cash 12 Johnny Cash Baby Come On The Ballad Of Ir Flesh And Blood 01 08 12 Stones Higher Ground (12 Inch Mix) Get Up And Jump (Demo) Broken-Ksi Salt Shaker Feat. Lil Jon & Godsmack - Going Down Crash-Ksi Th 08 Johnny Cash Far Away-Ksi 01 Johnny Cash Folsom Prison Bl Lie To Me I Still Miss Som 09 Photograph-Ksi 01 Muddy Waters Out In L.A. (Demo) Stay-Ksi I Got My Brand On You ¼‚½‚©Žq The Way I Feel-Ksi 02 Another Birthday 13 Hollywood (Africa) (Dance ¼¼ºñÁö°¡µç(Savage Let It Shine Mix) Garden) Sex Rap (Demo) 02 Johnny Cash I Knew I Loved You 13 Johnny Cash The Legend -
ROCK TOP 30 POWERED Ratelhemusic.Com America's Best Testing Active Rock Songs 12 + RR MEDIABASE 118811AIA88 for the Week Ending 6/23/06 CANADA
June 30, 2006 ROCK TOP 30 POWERED RatelheMusic.com America's Best Testing Active Rock Songs 12 + RR MEDIABASE 118811AIA88 For The Week Ending 6/23/06 CANADA M M M LAST THIS TOTAL +/- WEEKS ON TOTAL Artist Title (Label) TW LW Famil. Burn 18-34 18-24 25-34 WEEK ARTIST TITLE LABEL(S) PLAYS PLAYS CHART STATIONS .7 1 1 RED HOT CHILI PEPPERS Dani California (Warner Bras.) 637 12 1410 KORN Coming Undone (Virgin) 4.33 4.17 94% 14% 4.15 3.76 4.58 3 0 RACONTEURS Steady, As She Goes (Third Man/V2) 499 +53 11 1611 THREE DAYS... Animal I Have... (Jive/Zomba Label Group) 4.30 4.32 91% 8% 4.29 4.45 4.11 2 3 THREE DAYS GRACE Animal I Have Become (SonyBMG) 494 -15 12 1410 MUDVAYNE Fall Into Sleep (Epic) 4.21 4.26 88% 16% 4.27 4.22 4.33 4 4 WOLFMOTHER Woman (Modular/fnterscopel 14 1711 10 YEARS Wasteland (Universal Republic) 4.17 4.20 93% 24% 3.98 4.10 3.86 427 -6 DISTURBED Just Stop (Reprise) 4.17 4.36 93% 18% 4.24 4.37 4.10 6 0 BLUE OCTOBER Hate Me (UniversalMotown) 403 +26 8 1310 TOOL Vicarious (Volcano /Zomba Label Group) 4.16 4.09 83% 15% 4.25 4.18 4.32 8 0* B. TALENT Devil In A Midnight...(WarnerMusic Canada) 388 +33 9 1210 GODSMACK Speak (Universal Republic) 4.11 4.17 94% 20% 4.27 4.17 4.38 5 7 F00 FIGHTERS No Way Back (RCA/RMGI 374 -10 18 1110 EVANS BLUE Cold I'm Still Here) /Hollywood) 4.04 4.13 80% 18% 3.93 4.02 3.83 (But (Pocket 7 8 ANGELS AND.. -
Tangibility, Performance, and Technology in Archival Popular Music Research
PRESSED BETWEEN THE PAGES OF MY MIND: TANGIBILITY, PERFORMANCE, AND TECHNOLOGY IN ARCHIVAL POPULAR MUSIC RESEARCH Rebekah Burchfield A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: William Schurk, Advisor Scott Magelssen Graduate Faculty Representative Vivian Patraka Donald McQuarie © 2010 Rebekah Burchfield All Rights Reserved iii ABSTRACT William Schurk, Advisor Acknowledging the unique ontological nature of sound recording, this project seeks to outline a framework for working with archival sources in popular music scholarship. The proposed theoretical lens combines influences from cultural studies, historical audience studies, and performance studies in order to encourage a broader appreciation of the popular music archive and the identity-making cultural practices surrounding the popular music archive. Such an endeavor requires the acknowledgement of three theoretical considerations: technology, performance, and tangibility. To illustrate the breadth of readings that this approach to the popular music archive can yield, each chapter uses source material from the Music Library and Sound Recordings Archives at Bowling Green State University. Chapter Two analyzes the contents of rock promotional materials and argues that these technologies of representation code rock music according to semiotic markers of masc ulinity, whiteness, and mythic America. Chapter Three argues that themes of inclusion and exclusion in punk fanzines work to unite individual, localized scenes into a translocal scene that transcends time and geographical boundaries through shared narratives and common values. Chapter Four examines the construction of audience identity through teen-oriented artist biographies and argues that such technologies of representation police (female) fan behavior through narratives of “proper” fandom. -
Top Songs of the 2000'S.Pages
Top Songs of the 2000ʼs 1. Somebody Told Me - 21. White People For 40. Read My Mind - The The Killers Peace - Against Me! Killers 2. In The End - Linkin 22. I'm Shipping Up to 41. Rooftops - Park Boston - Dropkick Lostprophets 3. Los Angeles is Burning Murphys 42. Maybe Tomorrow - - Bad Religion 23. Falling Down - Stereophonics 4. Headstrong - Trapt Atreyu 43. Far Behind - Social 5. Thrash Unreal - 24. Fix You - Coldplay Distortion Against Me! 25. Knights of Cydonia - 44. Big Casino - Jimmy 6. Viva La Vida - Coldplay Muse Eat World 7. All These Things That 26. Somewhere Else - 45. A Different Kind of I've Done - The Killers Razorlight Pain - Cold 8. One Step Closer - 27. I Believe in a Thing 46. Straight Out of Line - Linkin Park Called Love - The Godsmack 9. The '59 Sound - Darkness 47. Somewhere I Belong Gaslight Anthem 28. Human - The Killers - Linkin Park 10. Mr. Brightside - The 29. Audience of One - 48. We're All To Blame - Killers Rise Against Sum 41 11. Walk Away - 30. America - Razorlight 49. Sex On Fire - Kings of Dropkick Murphys 31. Smokers Outside the Leon 12. Re-Education Hospital Doors - Editors 50. Anthem - Zebrahead (Through Labor) - Rise 32. Island in the Sun - 51. Dashboard - Modest Against Weezer Mouse 13. Munich - Editors 33. Crawling - Linkin 52. Beverly Hills - Weezer 14. Use Somebody - Park 53. Take Me Out - Franz Kings of Leon 34. Who's Gonna Save Ferdinand 15. Clocks - Coldplay Us - The Living End 54. Savior - Rise Against 16. When You Were 35. Sunshine Highway - 55. In the Morning - Young - The Killers Dropkick Murphys Razorlight 17. -
L F Kennedy Thesis FINAL
THE UNIVERSITY OF HULL Functions of Genre in Metal and Hardcore Music being a Thesis submitted for the Degree of PhD in Music in the University of Hull by Lewis F. Kennedy (MMus, BA) September 2017 Table of Contents List of Figures ........................................................................................................ iv List of Tables .......................................................................................................... v Acknowledgements ............................................................................................... vi Abstract .............................................................................................................. viii Introduction ........................................................................................................... 1 Chapter Outline ...................................................................................................... 3 Chapter One – Metal, Hardcore, and Discourse ...................................................... 6 Forging Metal Studies ..................................................................................................... 7 Early Metal Studies (1990s) .............................................................................................. 8 Metal Studies Expands (21st Century) ............................................................................. 11 Hardcore and/or Punk Studies ....................................................................................... 16 Metal Studies, Hardcore