Let There Be Light Glass and Light Are Partners in Creating a Perfect Atmosphere in Airplanes and Cars
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The World of SCHOTT 3
The World of SCHOTT 3 SCHOTT is a leading international technology group in the areas of specialty glass and glass-ceramics. With more than 130 years of outstanding development, materials and technology expertise we offer a broad portfolio of high-quality products and intelligent solutions that contribute to our customers’ success. Our true passion for glass is sparked by imagination and fueled by expertise. Whatever you envision, we will find a way to realize it. We reinvent glass in all its numerous properties. We can bend it, roll it up and off, combine it with metal, light it up, make it round, turn it into glass powder or make it ultra-thin. SCHOTT creates solutions that bring unique products and novel applications to life – “glass made of ideas”. The memorial next to the Atocha station in Madrid, Spain: An elliptical cylinder that is made solely of highly transparent and temperature- resistant borosilicate glass blocks from SCHOTT conveys the idea of preserving an intangible moment and creates a translucent space for reflection. 4 5 The SCHOTT Group A team of experts providing innovations you can rely on. The chemistry was right in every sense when glass chemist Otto Schott teamed up with physicist Ernst Abbe and mechanic Carl Zeiss. In 1884, Otto Schott was the first to develop and apply scientifically-based methods to glass making, a revolutionary concept that enabled him to develop completely new optical and technical glasses. He achieved matchless quality levels in glass manufacturing and enhanced the design of new glasses, such as the now well- known borosilicate glass, for groundbreaking solutions. -
Index Volume 46
THE NEWSLETTER FOR COLLECTORS, DEALERS AND INVESTORS September 2019 – August 2020 Volume 46 A Adams, 83, 117, 130 Index Volume 46 Advertising, 4-5, 11, 14, 20-21, 23, 35, 37, 40, 42, 47, 49, Numbers 1 - 12 53, 58-59, 71, 73, 78-79, 82-83, 95, 98-99, 107, 115, 119, 121, September 2019 - August 2020 124, 129-131, 133, 138-139, 143 Pages 1 - 144 Alabaster, 83, 118 Aluminum, 2, 5, 11, 14, 43, 47, 50-51, 63, 143 Amberina, 97, 100 PAGES ISSUES DATE Amphora, 1, 4, 74 1-12 No. 1 September 2019 Anna Pottery, 127 13-24 No. 2 October 2019 Architectural, 7, 32, 91 25-36 No. 3 November 2019 Argenta, 23, 25, 28 37-48 No. 4 December 2019 Argy-Rousseau, 131 49-60 No. 5 January 2020 Art Deco, 23, 28, 34-35, 59, 71, 78-79, 95, 119, 136 61-72 No. 6 February 2020 Art Glass, 10, 23, 97, 100 73-84 No. 7 March 2020 Art Nouveau, 4, 75, 101, 105, 131, 143 85-96 No. 8 April 2020 Art Pottery, 4, 85 97-108 No. 9 Arts & Crafts, 6-7, 59, 131, 143 May 2020 Austria, 4 109-120 No. 10 June 2020 Auto, 59 121-132 No. 11 July 2020 Avon, 95 133-144 No. 12 August 2020 B Blanket Chest, 47, 85, 92 Baccarat, 11, 41 Blown Glass, 12, 107 Badge, 96 Blue Glass, 83, 107 Bank, 17, 57, 70, 110, 143 Blue Onion, 35 Barber, 95, 138 Boehm, 107 Barometer, 131 Bookends, 23, 83, 85, 89, 107-108 Baseball, 14, 79, 94, 106, 141 Bossons, 59 Basket, 18, 71, 93, 95, 99, 107, 109, 113, 125 Bottle, 9, 11, 14, 21, 23, 35, 38, 40, 46-47, 59, 64, 88, 93-95, 97, 104- Bavaria, 46, 58, 96, 120 105, 107, 122, 126, 130-131, 143 Beatles, 3, 38, 47, 127, 129, 143 Bottle Cap, 131 Beehive, 47 Box, 2, 6-7, 11-12, -
Quarterly Journal of the All India Glass Manufacturers' Federation
Vol. 3 | No. 4 | January - March 2016 Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual www.aigmf.com Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material An Publication - GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Kanch | Vol. 3 | No. 4 | January-March 2016 2 Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: www.aigmf.com President SANJAY GANJOO Sr. Vice President ARUN KUMAR DUKKIPATI Vice President RAJ KUMAR MITTAL Hon. General Secretary BHARAT SOMANY Hon. Treasurer SANJAY AGARWAL Member Editorial Board A K Bandyopadhyay Quarterly Journal of THE ALL INDIA GLASS MANUFACTURERS’ FEDERATION Former Principal, Govt. College of Engineering & Ceramic Technology-GCECT, Kolkata DEVENDRA KUMAR Prof. & HOD, Dept. of Ceramic, Indian Institute of Technology (Banaras Hindu University) Vol. 3 | No. 4 | January-March 2016 K K SHARMA President, NIGMA and Plant Head, HNG Neemrana, Rajasthan MEMBER ASSOCIatIONS EASTERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (EIGMA) Contents c/o La Opala RG Ltd. Chitrakoot, 10th Floor, 230 A, A.J.C. Bose Road From President's Desk 5 Kolkata - 700 020 President - Sushil Jhunjhunwala Glass as Vital Building Material for Smart / Solar Cities NORTHERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (NIGMA) & c/o Hindustan National Glass & Industries Limited 6 Post Office - Bahadurgarh, Jhajjar, Haryana-124 507 Book Launch: “Glass - A Sustainable Building and Packaging President - KK Sharma Material” Vice President - Jimmy Tyagi Honorary General Secretary - NN Goyal Glass News 13 Secretary & Treasurer - JB Bhardwaj SOUTH INDIA GLASS MANUFACTURERS’ ASSOCIATION (SIGMA) Smart City and Glasses for Flat-Screen Products – Part II 21 c/o AGI Glasspac (An SBU of HSIL Ltd.) Glass Factory Road, Off. -
MBA Seattle Auction House Great Northwest Estates! Antiquities and Design – TIMED AUCTION Bid.Mbaauction.Com Items Begin to Close at 10AM on Thursday 6/24
MBA Seattle Auction House Great Northwest Estates! Antiquities and Design – TIMED AUCTION bid.mbaauction.com Items begin to close at 10AM on Thursday 6/24 25% Buyers Premium Added to All Bids Serigraph Framed- 46x34" 3018 Modern Artist Proof Signed Embossed ALL ITEMS MUST BE PICKED UP Serigraph Framed- 46x34" WITHIN 7 DAYS OF AUCTION CLOSE! 3019 Designer Gold Leaf Buddha Gallery Framed Lithograph- 53x42" Bid.mbaauction.com 3020 John Richard Collection Persian Horse Painting on Cloth Framed- 47x67" Lot Description 3021 Large Egyptian Hieroglyph Painting on Papyrus Framed- 38x75" 3000 Italian Leather Bound Stacking Book End 3022 K. Berata Large Balinese Painting of Nude Table with Drawers- 21x21x15" Women Framed- 42x82" 3001 Scroll Arm Upholstered Chair- 33x25x28" 3023 Ambrogin Modern Collage 4 Panel Screen- 3002 Bianchi Barbara Inlaid Italian Chess Set 37x73" with Board- 20x20" 3024 Pascal Cucaro Enameled Still Life Plaque in 3003 Pair Vintage French Marble Table Lamps- Gilt Frame- 15x13" 29" 3025 Pascal Cucaro Enameled Modern Figures 3004 Designer Wrought Iron 'Fasces' Glass Top Plaque in Gilt Frame- 15x13" Coffee Table- 20x47x23" 3026 Hand Colored 'Piper Indicum Medium' 3005 Victorian Iron Marble Top Floral Side Pepper Plant Botanical Framed Etching- Stand- 33x20x12" 30x26" 3006 Old Italian Inlaid Mahogany 2 Drawer 3027 Antique Gilt Archtop Framed Mirror- Stand- 29x22x12" 45x29" 3007 Pair Designer Monkey Table Lamps- 26" 3028 Italian Gilt Decorated Hanging Barometer- 3008 Pair Chapman Brass Designer Table Lamps- 35x19" 36" 3029 Bombay -
Bullseye Glass Catalog
CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations. -
The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages. -
September/October 2019
20- 30- 40 GLASS SOCIETY OF ILLINOIS THE SOCIETY PAGE Volume 40 Issue 5 August-September, 2019 NEXT MEETING When: October 12, 2019 The Society enjoys Where: American Legion Hall Pheasant Under Glass! 900 S. LaGrange Rd. La Grange, IL AGENDA: 10:30 a.m. Social Hour President’s Comments ... 11:30 Lunch We were treated to a wonderful informative Power Point presentation by Jackie 1:00 Program Norland of the Fox Valley & Northern Illinois Candlewick Collectors on Metal 3:00 Adjournment Decorated Candlewick by Imperial. Jackie also had many beautiful items on Cost: $10.00 pp. display for us to view. I have seen a lot of Candlewick, but not any like these. This was indeed special. Alice Ewert arranged for this presentation and I thank This will be our usual “Eat in Style” Luncheon, please bring a dish to her for making this possible. pass to serve at least 8. Chicken will be provided by the Society. The second part of the program was presented by Bette Wittenberg and Angela McEntee which featured Children’s Dishes of various types with a large number of examples to view. Bette and Angela provided much information on these small dishes. My thanks to Jackie, Bette and Angela for these great programs. And, for more detailed information about the programs, please see Bev Kennett’s wonderfully Inside this issue: detailed minutes. We also had a number of special guests at this meeting. As you read in the July- President’s 1-2 August issue of THE SOCIETY PAGE, an invitation was extended to The De- Comments pression Era Glass Society of Wisconsin with members Vicki Beckman and Mischell Houck in attendance; and The Fox Valley & Northern Illinois Candlewick Vice-President’s 1-3 Collectors with 4 members present: Jackie Norland (our guest speaker), Bunny Wustefeld, Pat Turen and Laura Marsh. -
Lecture #16 Glass-Ceramics: Nature, Properties and Processing Edgar Dutra Zanotto Federal University of São Carlos, Brazil [email protected] Spring 2015
Glass Processing Lecture #16 Glass-ceramics: Nature, properties and processing Edgar Dutra Zanotto Federal University of São Carlos, Brazil [email protected] Spring 2015 Lectures available at: www.lehigh.edu/imi Sponsored by US National Science Foundation (DMR-0844014) 1 Glass-ceramics: nature, applications and processing (2.5 h) 1- High temperature reactions, melting, homogeneization and fining 2- Glass forming: previous lectures 3- Glass-ceramics: definition & applications (March 19) Today, March 24: 4- Composition and properties - examples 5- Thermal treatments – Sintering (of glass powder compactd) or -Controlled nucleation and growth in the glass bulk 6- Micro and nano structure development April 16 7- Sophisticated processing techniques 8- GC types and applications 9- Concluding remmarks 2 Review of Lecture 15 Glass-ceramics -Definition -History -Nature, main characteristics -Statistics on papers / patents - Properties, thermal treatments micro/ nanostructure design 3 Reading assignments E. D. Zanotto – Am. Ceram. Soc. Bull., October 2010 Zanotto 4 The discovery of GC Natural glass-ceramics, such as some types of obsidian “always” existed. René F. Réaumur – 1739 “porcelain” experiments… In 1953, Stanley D. Stookey, then a young researcher at Corning Glass Works, USA, made a serendipitous discovery ...… 5 <rms> 1nm Zanotto 6 Transparent GC for domestic uses Zanotto 7 Company Products Crystal type Applications Photosensitive and etched patterned Foturan® Lithium-silicate materials SCHOTT, Zerodur® β-quartz ss Telescope mirrors Germany -
Glass Technology" Plansee Session Session "Laser Applications"
ftO "*S9<1 C8C) TIB/UB Hannover E 11th S Conference G together with 86 Annual Meeting of the DGG ICG Annual Meeting Glass Trend Seminar "Glass Technology" Plansee Session Session "Laser Applications" Maastricht, The Netherlands 3-6 June 2012 Abstracts National Committee German Society Netherlands' of Glass Glass Industry Technology CONTENTS 11th ESG Conference & 86. GLASTECHNISCHE TAGUNG ICG Annual Meeting, Glass Trend Seminar, Plansee Session, Session "Laser Applications" KEYNOTE LECTURE S. 26-27 L. L. Hench Emeritus Professor University of Florida, USA Bioactive Glasses: From Concept to Clinic, a 45th Year Celebration SESSION 1 S. 28 - 35 Batch, melting & sintering processes R. Conradt Institute of Mineral Engineering, Department of Glass and Ceramic Composites, RWTH Aachen University, Aachen, Germany How to overcome the chemical constraints of glass melting W. Jatmiko, R. Conrad Institute of Mineral Engineering, Department of Glass and Ceramic Composites, RWTH Aachen University, Aachen, Germany Experimental assessment of batch melting behavior M. Lindig Nikolaus Sorg GmbH & Co. KG, Lohr am Main, Germany Sorg Batch Handling Concept - updated report and future development R. Conradt Institute of Mineral Engineering, Department of Glass and Ceramic Composites, RWTH Aachen University, Aachen, Germany Assessment of batch melting behavior - trying to close the gap between lab and industrial scale C. Pust1, M. Rohmann1, S.-R. Kahl2 1Rheinkalk GmbH, Wulfrath, Germany 2Ardagh Glass Dongen B.V., Dongen, The Netherlands Decrepitation of Dolomite from batch blankets in glass furnaces 1 R. Clasen Chair of Powder Technology of Glass and Ceramics, Saarland University, Saarbriicken, Germany The preparation of glasses via a sintering route - state of the art and perspectives S. -
Lot Description LOW Estimate HIGH Estimate 1 Chinese Enameled
LOW HIGH Lot Description Estimate Estimate Chinese enameled porcelain stick neck vase, with a yellow ground decorated with 1 magpies amid pink prunus, base with an apocryphal Guangxu mark, 14"h $ 250 - 450 (lot of 4) Chinese Peking glass bowls, one pair of pink hue and a pair of blue hue, each 2 carved with birds and flowers, 6.25"w $ 250 - 450 Chinese hardwood brush pot, cylindrical body with thick walls, the well fitted with a 3 central plug (with spliced pieces to the interior), 7.75"h $ 500 - 700 (lot of 2) Chinese Ge-type ceramic Longquan style tripod censer, with everted rim and 4 compressed body, with wood stand; together with an arrow vase, with a rectangular mouth and a flattened body raised on a tapering base, 4.75"h $ 300 - 500 Chinese hardwood document box, the shallow rectangular box with a circular lock plate 5 and ruyi form mount, 10.75"w $ 250 - 450 Chinese gilt lacquered box, the lid decorated with figures in a landscape, concealing five 6 stacked shallow tiers, 8.6"w $ 300 - 500 (lot of 2) Chinese Jian style ceramic tea bowls, each coated with a hare's fur glaze 7 stopping short of the unglazed base and foot, 4.75"w $ 500 - 700 (lot of 2) Chinese soapstone seals, each carved with a fu-lion in raised stance on a tall 8 plinth, underside carved, 3"h $ 250 - 450 (lot of 2) Chinese soapstone seals, the first of fan shape with a poetic colophon; the 9 second, a rectangular chop incised with a long inscription, with the seal script characters to the base, each with a wood stand, first: 2.5"w $ 300 - 500 (lot of 2) Chinese -
High-Precision Micro-Machining of Glass for Mass-Personalization and Submitted in Partial Fulfillment of the Requirements for the Degree Of
High-precision micro-machining of glass for mass-personalization Lucas Abia Hof A Thesis In the Department of Mechanical, Industrial and Aerospace Engineering Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Mechanical Engineering) at Concordia University Montreal, Québec, Canada June 2018 © Lucas Abia Hof, 2018 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Lucas Abia Hof Entitled: High-precision micro-machining of glass for mass-personalization and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Mechanical Engineering) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: ______________________________________ Chair Dr. K. Schmitt ______________________________________ External Examiner Dr. P. Koshy ______________________________________ External to Program Dr. M. Nokken ______________________________________ Examiner Dr. C. Moreau ______________________________________ Examiner Dr. R. Sedaghati ______________________________________ Thesis Supervisor Dr. R. Wüthrich Approved by: ___________________________________________________ Dr. A. Dolatabadi, Graduate Program Director August 14, 2018 __________________________________________________ Dr. A. Asif, Dean Faculty of Engineering and Computer Science Abstract High-precision micro-machining of glass for mass- personalization Lucas Abia Hof, -
All About Fibers
RawRaw MaterialsMaterials ¾ More than half the mix is silica sand, the basic building block of any glass. ¾ Other ingredients are borates and trace amounts of specialty chemicals. Return © 2003, P. Joyce BatchBatch HouseHouse && FurnaceFurnace ¾ The materials are blended together in a bulk quantity, called the "batch." ¾ The blended mix is then fed into the furnace or "tank." ¾ The temperature is so high that the sand and other ingredients dissolve into molten glass. Return © 2003, P. Joyce BushingsBushings ¾The molten glass flows to numerous high heat-resistant platinum trays which have thousands of small, precisely drilled tubular openings, called "bushings." Return © 2003, P. Joyce FilamentsFilaments ¾This thin stream of molten glass is pulled and attenuated (drawn down) to a precise diameter, then quenched or cooled by air and water to fix this diameter and create a filament. Return © 2003, P. Joyce SizingSizing ¾The hair-like filaments are coated with an aqueous chemical mixture called a "sizing," which serves two main purposes: 1) protecting the filaments from each other during processing and handling, and 2) ensuring good adhesion of the glass fiber to the resin. Return © 2003, P. Joyce WindersWinders ¾ In most cases, the strand is wound onto high-speed winders which collect the continuous fiber glass into balls or "doffs.“ Single end roving ¾ Most of these packages are shipped directly to customers for such processes as pultrusion and filament winding. ¾ Doffs are heated in an oven to dry the chemical sizing. Return © 2003, P. Joyce IntermediateIntermediate PackagePackage ¾ In one type of winding operation, strands are collected into an "intermediate" package that is further processed in one of several ways.