Boston Symphony Orchestra Concert Programs, Season 126, 2006
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Boston Symphony Orchestra Concert Programs, Season 27,1907-1908, Trip
CARNEGIE HALL - - NEW YORK Twenty-second Season in New York DR. KARL MUCK, Conductor fnigrammra of % FIRST CONCERT THURSDAY EVENING, NOVEMBER 7 AT 8.15 PRECISELY AND THK FIRST MATINEE SATURDAY AFTERNOON, NOVEMBER 9 AT 2.30 PRECISELY WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE PUBLISHED BY C. A. ELLIS, MANAGER : Piano. Used and indorsed by Reisenauer, Neitzel, Burmeister, Gabrilowitsch, Nordica, Campanari, Bispham, and many other noted artists, will be used by TERESA CARRENO during her tour of the United States this season. The Everett piano has been played recently under the baton of the following famous conductors Theodore Thomas Franz Kneisel Dr. Karl Muck Fritz Scheel Walter Damrosch Frank Damrosch Frederick Stock F. Van Der Stucken Wassily Safonoff Emil Oberhoffer Wilhelm Gericke Emil Paur Felix Weingartner REPRESENTED BY THE JOHN CHURCH COMPANY . 37 West 32d Street, New York Boston Symphony Orchestra PERSONNEL TWENTY-SEVENTH SEASON, 1907-1908 Dr. KARL MUCK, Conductor First Violins. Wendling, Carl, Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Czerwonky, R. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. < Second Violins. • Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Rennert, B. Eichler, J. Tischer-Zeitz, H Kuntz, A. Swornsbourne, W. Goldstein, S. Kurth, R. Goldstein, H. Violas. Ferir, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. t Violoncellos. Warnke, H. Nagel, R. Barth, C. Loefner, E. Heberlein, H. Keller, J. Kautzenbach, A. Nast, L. -
Programme Scores 180627Da
Symposium Richard Wagner and his successors in the Austro-German conducting tradition Friday/Saturday, 2/3 November 2018 Bern University of the Arts, Papiermühlestr. 13a/d A symposium of the Research Area Interpretation – Bern University of the Arts, in collaboration with the Royal Academy of Music, London www.hkb-interpretation.ch/annotated-scores Richard Wagner published the first major treatise on conducting and interpretation in 1869. His ideas on how to interpret the core Classical and early Romantic orchestral repertoire were declared the benchmark by subsequent generations of conductors, making him the originator of a conducting tradition by which those who came after him defined their art – starting with Wagner’s student Hans von Bülow and progressing from him to Arthur Nikisch, Felix Weingartner, Gustav Mahler, Richard Strauss, Wilhelm Furtwängler and beyond. This conference will bring together leading experts in the research field in question. A workshop and concert with an orchestra with students of the Bern University of the Arts, the Hochschule Luzern – Music and the Royal Academy of Music London, directed by Prof. Ray Holden from the project partner, the Royal Academy of Music, will offer a practical perspective on the interpretation history of the Classical repertoire. A symposium of the Research Area Interpretation – Bern University of the Arts, in collaboration with the Royal Academy of Music, London Head Research Area Interpretation: Martin Skamletz Responsible for the conference: Chris Walton Scientific collaborator: Daniel Allenbach Administration: Sabine Jud www.hkb.bfh.ch/interpretation www.hkb-interpretation.ch Funded by the Swiss National Science Foundation SNSF Media partner Symposium Richard Wagner and his successors Friday, 2 November 2018 HKB, Kammermusiksaal, Papiermühlestr. -
THE BALDWIN PIANO COMPANY * Singing Boys of Norway Springfield (Mo.) Civic Symphony Orchestra St
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org Each artist has his own reason for choosing Baldwin as the piano which most nearly approaches the ever-elusive goal of perfection. As new names appear on the musical horizon, an ever-increasing number of them are joining their distinguished colleagues in their use of the Baldwin. Kurt Adler Cloe Elmo Robert Lawrence Joseph Rosenstock Albuquerque Civic Symphony Orchestra Victor Alessandro Daniel Ericourt Theodore Lettvin Aaron Rosand Atlanta Symphony Orchestra Ernest Ansermet Arthur Fiedler Ray Lev Manuel Rosenthal Baton Rouge Symphony Orchestra Claudio Arrau Kirsten Flagstad Rosina Lhevinne Jesus Maria Sanroma Beaumont Symphony Orchestra Wilhelm Bachaus Lukas Foss Arthur Bennett Lipkin Maxim Schapiro Berkshire Music Center and Festival Vladimir Bakaleinikoff Pierre Fournier Joan Lloyd George Schick Birmingham Civic Symphony Stefan Bardas Zino Francescatti Luboshutz and Nemenoff Hans Schwieger Boston "Pops" Orchestra Joseph Battista Samson Francois Ruby Mercer Rafael Sebastia Boston Symphony Orchestra Sir Thomas Beecham Walter Gieseking Oian Marsh Leonard Seeber Brevard Music Foundation Patricia Benkman Boris Goldovsky Nino Martini Harry Shub Burbank Symphony Orchestra Erna Berger Robert Goldsand Edwin McArthur Leo Sirota Central Florida Symphony Orchestra Mervin Berger Eugene Goossens Josefina Megret Leonard Shure Chicago Symphony Orchestra Ralph Berkowitz William Haaker Darius Milhaud David Smith Pierre Bernac Cincinnati May Festival Theodor Haig -
The 20 Crucial Compositions of Anton Bruckner Alonso Delarte Published by Alonso Delarte at Smashwords Copyright 2010 Alonso Delarte
The 20 Crucial Compositions of Anton Bruckner Alonso Delarte Published by Alonso Delarte at Smashwords Copyright 2010 Alonso Delarte Smashwords Edition, License Notes This eBook is licensed for your personal enjoyment only. This eBook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this author. 11. Symphony No. 6 in A major (1879) Repertoire formation is a funny business. Musical merit is one factor, certainly, but often not the only factor or even the most important one. With any composer, there are pieces which are rarely heard, yet when they are heard, people wonder why they have never heard it before, since they are such good pieces of music. And so, with Bruckner, it is somewhat of a puzzlement that the Sixth Symphony is so rarely heard despite being so well-done and so fascinating, whereas the Fourth Symphony, with its various flaws and problems, is one of Bruckner's most popular. Various reasons are given for this, such as that Bruckner was trying too hard to pare down his conception to a smaller scale, or the predominance of the Bruckner rhythm (2 + 3 or 3 + 2 in the time-space of 2 + 2) in the first movement in overlapping triplets of different note values. -
Vienna Philharmonic Orchestra Probably No Individual Composer Has Ever En- Gether, “I Was Leader of the Second Violins
CAL PERFORMANCES PRESENTS PROGRAM NOTES Friday, February 25, 2011, 8pm Franz Schubert (1797–1828) anything else, he learned it all from God him- Zellerbach Hall Symphony No. 2 in B-flat major, D. 125 self”) and the famed Antonio Salieri (“You can do everything, you are a genius”), but also by his Composed in 1815. fellow students. Josef von Spaun, who became a lifelong friend, wrote of their school days to- Vienna Philharmonic Orchestra Probably no individual composer has ever en- gether, “I was leader of the second violins. Little gendered such an avalanche of new music as Schubert stood behind me and fiddled. [Many Semyon Bychkov, conductor flowed from Franz Schubert’s pen in 1815. There orchestras, except for the cellists, performed are almost 200 separate works from that one standing until the mid-19th century.] Very soon, year: the Second and Third Symphonies, a string I noticed that the little musician far surpassed quartet, two piano sonatas and four other large me in rhythmic surety. This aroused my interest PROGRAM piano works, two Masses, four choral composi- and made me realize with what animation the tions, five operas and 146 songs, eight coming in lad, who seemed otherwise quiet and indifferent, a single day in May. Schubert capped the year’s gave himself up to the impression of the beauti- Franz Schubert (1797–1828) Symphony No. 2 in B-flat major, D. 125 (1815) activities by producing Der Erlkönig on New ful symphonies which we played.” The school or- Year’s Eve. He was 18. chestra tackled works by Haydn, Mozart (“You Largo — Allegro vivace A year earlier, in the autumn of 1814, could hear the angels sing,” Schubert wrote of Andante Schubert had been exempted from compul- the G minor Symphony) and early Beethoven, Menuetto: Allegro vivace sory 13-year (!) military service because of his as well as such lesser masters as Krommer, Presto vivace short stature (barely five feet) and terrible eye- Kozeluch, Méhul and Weigl. -
A Study of Gian Carlo Menotti's Concerto for Violin and Orchestra
A STUDY OF GIAN CARLO MENOTTI’S CONCERTO FOR VIOLIN AND ORCHESTRA by LAURA ANNE TOMLIN (Under the Direction of Dorothea Link and Levon Ambartsumian) ABSTRACT Gian Carlo Menotti’s Concerto for Violin and Orchestra (1952), although written and premiered in the early 1950s, has been an unduly neglected work due to a number of circumstances, but one that has recently been gaining in popularity. The purpose of this document is to provide a comprehensive guide to the Violin Concerto in the hope that it will help capture the attention of those unaware of its existence and ultimately aide in the concerto’s acceptance into the violinist’s standard repertoire. The Violin Concerto’s historical context is examined in relationship to its compositional style and possible sources of inspiration, and to its neglect in the past and recent surge in popularity in the violin world. A formal and theoretical analysis of Menotti’s concerto, as well as a discussion of its technical challenges from the standpoint of the performer, will provide insight into its composition and interpretative issues. Despite its traditional form, Menotti’s Violin Concerto is an unusual piece in many respects, among which are its intriguing possible biographical components. Composed in 1952 for violinist Efrem Zimbalist, the work, on first hearing, can seem a bit disjointed with elements obviously derived from, or at the very least influenced by, other works. However, on closer examination of the work and of its intended performer, these elements appear to be intentional. For these reasons, in addition to its appeal simply as a composition, Menotti’s Violin Concerto is worthy of further study. -
Tossy Spivakovsky Sibelius: Violin Concerto in D Minor, Op
Tossy Spivakovsky Sibelius: Violin Concerto In D Minor, Op. 47 ⏐ Tchaikovsky: Violin Concerto In D Major, Op. 35; Melodie, Op. 42, No. 3 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Sibelius: Violin Concerto In D Minor, Op. 47 ⏐ Tchaikovsky: Violin Concerto In D Major, Op. 35; Melodie, Op. 42, No. 3 Country: US Released: 1995 MP3 version RAR size: 1315 mb FLAC version RAR size: 1632 mb WMA version RAR size: 1989 mb Rating: 4.9 Votes: 297 Other Formats: DXD MPC AA MP3 TTA DMF VOX Tracklist Hide Credits Sibelius: Violin Concerto In D Minor, Op. 47 1 Allegro Moderato 14:39 2 Adagio Di Molto 8:29 3 Allegro, Ma Non Tanto 6:48 Tchaikovsky: Violin Concerto In D Major, Op. 35 4 Allegro Moderato 18:29 5 Andante 6:48 6 Allegro Vivacissimo 9:37 Tchaikovsky: Melodie, Op. 42, No. 3 Melodie, Op. 42, No. 3 7 4:15 Arranged By – Glazunov* Companies, etc. Manufactured By – Omega Record Group, Inc. Credits Advisor, Engineer, Producer – Bert Whyte Art Direction – Fred Holtz Conductor – Tauno Hannikainen (tracks: 1-3), Walter Goehr (tracks: 4-7) Executive Producer – Seymour Solomon Orchestra – London Symphony Orchestra* Remastered By – Ed Friedner Violin – Tossy Spivakovsky Notes Originally recorded on 35mm three-track magnetic film (digitally remastered using 20 bit SBM technology) Sibelius released in February, 1960, as SDBR 3045 Tchaikovsky released in December, 1960, as SDBR 3049 SBM (Super Bit Mapping) is a registered trademark of the Sony Corporation Related Music albums to Sibelius: Violin Concerto In D Minor, Op. 47 ⏐ Tchaikovsky: Violin Concerto In D Major, Op. -
Ned Rorem Music of Ned Rorem Mp3, Flac, Wma
Ned Rorem Music of Ned Rorem mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Music of Ned Rorem Country: US Released: 1991 MP3 version RAR size: 1240 mb FLAC version RAR size: 1740 mb WMA version RAR size: 1655 mb Rating: 4.5 Votes: 115 Other Formats: MP3 MP4 DMF WMA ASF MP1 XM Tracklist Hide Credits Eagles 1 8:29 Conductor – Gerhardt Zimmerman Piano Concerto in Six Movements: Strands 2 3:41 Conductor – Jorge MesterPiano – Jerome Lowenthal 3 Piano Concerto in Six Movements: Fives 2:55 4 Piano Concerto in Six Movements: Whispers 3:36 5 Piano Concerto in Six Movements: Sighs 6:41 6 Piano Concerto in Six Movements: Lava 2:59 7 Piano Concerto in Six Movements: Sparks 4:42 Air Music: All Players 8 1:09 Conductor – Peter Leonard 9 Air Music: All Players 2:45 Air Music: Woodwinds, Piano and Strings 10 3:55 Piano – Constance Moore Air Music: Solo Tuba & Violin with Flutes, Oboes, English Horn, Contrebassoon & Violins 11 2:21 Tuba – Arthur Hull Hicks Air Music: 3 Clarinets, 3 Trumpets, Snare Drum, Solo Violin and Strings, pizzicato 12 4:18 Violin – Peter McHugh Air Music: Trombone and Cello with Piano, Violins and Violas 13 3:23 Cello – Susannah OnwoodTrombone – Patricia McHugh 14 Air Music: Flutes and Violins 2:50 Air Music: Solo Viola with Bassoon, Four Horns and Harp 15 6:01 Viola – Virginia Schneider 16 Air Music: 2 Oboes, English Horn, Violas 1:51 17 Air Music: All Players 5:08 Credits Orchestra – The Louisville Orchestra Producer – Andrew Kazdin (tracks: 1, 8-17), Howard Scott (tracks: 2-7) Notes Eagles was recorded in the Macauley Theatre, Louisville, Kentucky on November 13, 1982. -
BAIBA SKRIDE Gothenburg Symphony SANTTU-MATIAS ROUVALI
LEONARD BERNSTEIN ERICH WOLFGANG KORNGOLD MIKLÓS RÓZSA AMERICAN CONCERTOS BAIBASKRIDE Gothenburg Symphony Tampere Philharmonic Orchestra SANTTU-MATIAS ROUVALI CD 1 58’43 LEONARD BERNSTEIN (1918–1990) Serenade für Violine und Streichorchester, Harfe und Schlagwerke nach Platos Symposium (1954) 1 Phaedrus – Pausanias: Lento – Allegro marcato 6’46 2 Aristophanes: Allegretto 4’46 3 Eryximachus: Presto 1’36 4 Agathon: Adagio 7’38 5 Socrates – Alcibiades: 11’05 Molto tenuto – Allegro molto vivace ERICH WOLFGANG KORNGOLD (1897–1957) Konzert für Violine und Orchester D-Dur op. 35 (1945) 6 Moderato nobile 10’00 7 Romance. Andante 9’14 8 Finale: Allegro assai vivace 7’33 BAIBA SKRIDE Gothenburg Symphony SANTTU-MATIAS ROUVALI CD 2 57’21 MIKLÓS RÓZSA (1907–1995) Konzert für Violine und Orchester op. 24 (1953) 1 Allegro non troppo ma passionato 13’20 2 Lento cantabile 9’41 3 Allegro vivace – Meno mosso – Più mosso 8’53 LEONARD BERNSTEIN West Side Story: Symphonic Dances (1960) 4 Prologue. Allegro moderato 4’38 5 Somewhere. Adagio 4’46 6 Scherzo. Vivace e leggiero 1’32 7 Mambo. Meno Presto 2’35 8 Cha-cha. Andantino con grazia 1’03 9 Meeting Scene. Meno mosso 0’56 10 Cool, Fugue. Allegretto 3’53 11 Rumble. Molto allegro 2’03 12 Finale. Adagio 3’46 BAIBA SKRIDE Tampere Philharmonic Orchestra SANTTU-MATIAS ROUVALI Bernstein – Korngold – Rózsa Violinkonzerte „Die technischen Herausforderun- erzählenden, aber viel aussagen- gen sind zweifellos enorm in die - den, in ihrer Verwandtschaft so un - sen Werken. Für mich ist jedoch terschiedlichen Sätzen.” entscheidend, dass diese rein gei - gerischen Schwierigkeiten und Baiba Skride, im Juni 2018 Herausforderungen bei der Auffüh - rung nicht im Vordergrund stehen. -
Hanns Eisler on the Move: Tracing Mobility in the 'Reisesonate'
Bohlman, A. F., & Scheding, F. (2015). Hanns Eisler on the Move: Tracing Mobility in the 'Reisesonate'. Music and Letters, 96(1), 77-98. https://doi.org/10.1093/ml/gcu122 Peer reviewed version Link to published version (if available): 10.1093/ml/gcu122 Link to publication record in Explore Bristol Research PDF-document This is a pre-copyedited, author-produced PDF of an article accepted for publication in Music and Letters following peer review. The version of record, Bohlman, A.F. and Scheding, F. Music and Letters (2015) 96 (1): 77-98, is available online at: http://ml.oxfordjournals.org/content/96/1/77 University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Music and Letters Advance Access published February 16, 2015 Music & Letters ß The Author (2015). Published by Oxford University Press. All rights reserved. doi:10.1093/ml/gcu122, available online at www.ml.oxfordjournals.org HANNS EISLER ON THE MOVE: TRACING MOBILITY IN THE ‘REISESONATE’ BY ANDREA F. B OHLMAN AND FLORIAN SCHEDING* Downloaded from Genosse Eisler, wo steckst Du wohl in Moskau, NewYork oder an ‘nem Pol? çLudwig Renn, ‘Steckbrief fu« r Hanns Eisler’ (1937)1 FROM 1929, H ANNS EISLER spent much of his time journeying. Film projects brought http://ml.oxfordjournals.org/ him to the Soviet Union, and he travelled with his music to concerts in Austria, Belgium, and the Netherlands. -
The Harold E. Johnson Jean Sibelius Collection at Butler University
Butler University Digital Commons @ Butler University Special Collections Bibliographies University Special Collections 1993 The aH rold E. Johnson Jean Sibelius Collection at Butler University: A Complete Catalogue (1993) Gisela S. Terrell Follow this and additional works at: http://digitalcommons.butler.edu/scbib Part of the Other History Commons Recommended Citation Terrell, Gisela S., "The aH rold E. Johnson Jean Sibelius Collection at Butler University: A Complete Catalogue (1993)" (1993). Special Collections Bibliographies. Book 1. http://digitalcommons.butler.edu/scbib/1 This Book is brought to you for free and open access by the University Special Collections at Digital Commons @ Butler University. It has been accepted for inclusion in Special Collections Bibliographies by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. ^ IT fui;^ JE^ Digitized by the Internet Archive in 2010 with funding from Lyrasis IViembers and Sloan Foundation http://www.archive.org/details/haroldejohnsonjeOOgise The Harold E. Johnson Jean Sibelius Collection at Butler University A Complete Catalogue Gisela Schliiter Terrell 1993 Rare Books & Special Collections Irwin Library Butler University Indianapolis, Indiana oo Printed on acid-free paper Produced by Butler University Publications ©1993 Butler University 500 copies printed $15.00 cover charge Rare Books & Special Collections Irwin Library, Butler University 4600 Sunset Avenue Indianapolis, Indiana 46208 317/283-9265 Dedicated to Harold E. Johnson (1915-1985) and Friends of Music Everywhere Harold Edgar Johnson on syntynyt Kew Gardensissa, New Yorkissa vuonna 1915. Hart on opiskellut Comell-yliopistossa (B.A. 1938, M.A. 1939) javaitellyt tohtoriksi Pariisin ylopistossa vuonna 1952. Han on toiminut musiikkikirjaston- hoitajana seka New Yorkin kaupungin kirhastossa etta Kongressin kirjastossa, Oberlin Collegessa seka viimeksi Butler-yliopistossa, jossa han toimii musiikkiopin apulaisprofessorina. -
Other Minds Records
http://oac.cdlib.org/findaid/ark:/13030/c8wq0984 Online items available Guide to the Other Minds Records Alix Norton, Jay Arms, Madison Heying, Jon Myers, and Kate Dundon University of California, Santa Cruz 2018 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Guide to the Other Minds Records MS.414 1 Contributing Institution: University of California, Santa Cruz Title: Other Minds records Creator: Other Minds (Organization) Identifier/Call Number: MS.414 Physical Description: 399.75 Linear Feet (404 boxes, 15 framed and oversized items) Physical Description: 0.17 GB (3,565 digital files, approximately 550 unprocessed CDs, and approximately 10 unprocessed DVDs) Date (inclusive): 1918-2018 Date (bulk): 1981-2015 Language of Material: English https://n2t.net/ark:/38305/f1zk5ftt Access Collection is open for research. Audiovisual media is unavailable until reformatted. Digital files are available in the UCSC Special Collections and Archives reading room. Some files may require reformatting before they can be accessed. Technical limitations may hinder the Library's ability to provide access to some digital files. Access to digital files on original carriers is prohibited; users must request to view access copies. Contact Special Collections and Archives in advance to request access to audiovisual media and digital files. Publication Rights Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner.